Catalog: Archives: Collectibles (190)

Once part of the Middle Passage Museum inventory, these authentic and extraordinarily RARE child’s slave shackles have been de-accessioned. These plantation-made, iron, 19th century shackles were once used on a Georgia plantation. They remain all-original and untouched with sixteen small chain links. These RARE shackles measure a total of 20 inches in length and retain their original iron key, a find that is virtually un-heard of! A horrible, tangible testament to the malevolence of slavery.

Also currently offered for sale and priced separately are a second set of rarely found, Georgia, child's, slave shackles (no key with this set) that is featured in the last photo. An additional set of ADULT shackles is also available. Please type the word "shackles" in the search box on our home page to find all 3 sets of shackles currently offered for sale.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Measuring 14" X 23", this vintage, Ca 1930's, "Little Black Sambo" metal game board bears the circular emblem mark of the Wyandotte Toy Company at bottom right, "Wyandotte Toys, Made in USA", attesting to its authenticity as a non-reproduction piece.

Colors are extraordinarily vivid, a fabulous display piece -retains original cardboard backing and original stand, but, alas, no game darts! The darts are extraordinarily rare and are seldom found!

Present are minor surface blemishes, surface scratches, some surface rust specks, as well as minor edge crimps that one would expect of a 90+ year old toy -all of which fail to detract from the fabulously bold visual imagery of this piece! (The most prominent scratch is on Sambo's target.)

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Once part of the Middle Passage Museum inventory, these authentic and extraordinarily RARE adult’s slave shackles have been de-accessioned. These plantation-made, iron, 19th century shackles were once used on a Georgia plantation. They remain all-original and untouched with over 170 years of patina. Superficial rust is present with structural integrity unaffected. These RARE shackles measure a total of 29 inches in length with fourteen, worn, chain links. A horrible, tangible testament to the malevolence of slavery.

Also currently offered for sale and priced separately are two extraordinarily RARE sets of CHILD's slave shackles-- one set retaining the ORIGINAL KEY. This set of shackles is featured in the last photo. Please type the word "shackles" in the search box on our home page to find all 3 sets of shackles currently offered.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Measuring 9-7/8 tall x 13-1/2 inches wide, this extraordinarily rare, Jim Crow era, segregation sign advertises a "colored-only" hotel, Coleman's of Ashland, Virginia.

Constructed of cardboard with black printing, this circa 1920-30s sign reads: " Coleman's Hotel Colored. Special Attention to Tourists. Ashland Virginia".

The sign remains in all-original condition inclusive of minor discoloration as noted in photos and small chips to the upper right and lower left corners. Print source is noted: "Herald-Progress Print, Ashland, VA".

This is NOT a reproduction, but rather a fortunate preservation. It is quite amazing that this sign has survived the many years being constructed out of cardboard. It was clearly stored away in such a manner that preserved its original condition.

Travel for African Americans during the Jim Crow period was difficult and complicated, with limited options for eating, sleeping, even procuring gasoline for the car. As a result, black-owned hotels and motels placed signs such as this one prominently in their windows. There were even special travel-guides to help African Americans plan their trips, hopefully, without incident. Victor Green's "Green Guide" provided state by state lists of colored hotels, motels and other travel-related businesses that catered to African-Americans.

Quite possibly the ONLY sign remaining extant from this particular, racially segregated establishment. An historically significant piece!

Offered is an incredibly RARE, undoubtedly one-of-a-kind, authentic, 19th century, slavery artifact!

This incredible slave collar speaks for itself, opening yet another small window into the history of African-American slavery. The collar is labeled with the enterprise's business name, Ross and Drum, out of Florence, South Carolina (SC), and is dated 1846. This enterprise was likely involved in the trading and auctioning of African-American slaves given its pronouncement of the phrasing "Negroes &" on the metal plate of the collar. The "&" likely implied the service of selling all "other" manner of estate "property" from land to livestock. Slaves- or Negroes as they were commonly referred to in the "slave states"- were considered "property", not human beings.

Measuring approximately 33 inches in length, the collar band is constructed of thick, sturdy leather, upon which is fastened a brass-appearing, engraved plaque, with ten, hand-forged, iron links forming the chain. Two circular, iron loops appear at either end of the leather collar. The collar weighs a hefty 1.6 lbs.

The slave collar plaque, ironically, is decoratively etched and features two crosses and two Masonry symbols, along with other symbolic engravings.

A stunning and important museum-quality offering without question!

Measuring 5 inches long x 4 inches high, this wonderful 1950's George Lefton China BLACK CHEF Nodder Spoon Rest remains in fine vintage condition retaining its green ink manufacturing mark that reads as follows: "C"- in a circle (for copyright) "Geo. S. Lefton" "...13".

This great piece is in very nice condition with the exception of a light spider hairline to the GLAZE ONLY of the top of the chef hat. The spider does not penetrate to the ceramic. He also has two very tiny edge flea bites by his shoes. Other than these very minor obtrusions, this wonderful piece remains free of other fleabites or hairlines as well as free of repaint, paint wear, or repairs.

The chef's head "bobbles" or "nods" on a metal spring adding much whimsy to this piece! His face has wonderful detailing--as does his body, and he has a very pleasant facial expression!! His big wide smile accentuates his pearly whites! This cute chef holds a yellow wooden spoon in his right hand and wears an adorable red bowtie!

**PLEASE NOTE: ANY WHITE SPOTS ON THE CHEF'S FACE ARE THE RESULT OF CAMERA FLASH ONLY-- NOT PAINT IMPERFECTIONS!**

A delightful piece!!

Measuring nearly 4.75 inches tall, this wonderfully rare, early 1920's, lithographed tin toy is unmarked.

The little boy shuffles along quite nicely via his original wind-up mechanism.

Over 80 years old, he is still quite sturdy as he was well made, but does show some superficial scratching from use over the years.

Of particular interest is the little boy's face which is highly exaggerated, a racist characterization that was unfortunately typical of the era when this toy was produced.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin item is constructed in solid brass and was designed for use as a pipe rack although it could hold spoons or even neckties.

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 13 inches long x 6 1/2 inches high and 1 1/2 inches deep. It does not retain any marking other than a mold number 1592.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Measuring 17 inches long x 9.25 inches wide x .75 inches deep, this untouched, all-original, double-sided wooden sign is an extraordinarily RARE piece of Black American history-- an artifact of the "Jim Crow" era when segregation of the African American race was unfortunately, most commonplace.

This sign once hung on the inside of a railroad car, designating the line behind which African Americans must remain-- in the back of the car.

The sign is painted in gold lettering on both sides as follows: the back of the sign is painted, "FOR COLORED PASSENGERS", while the front of the sign is painted, "FOR WHITE PASSENGERS".

The sign is in all-original condition and has some paint fading, fading of the wood stain in given places (please view photos), and imperfections in the wood as noted in photos. These do not impact the integrity of the sign and are appropriate to the age and purpose of the piece. The sign retains all of its original hardware including "keyhole" receptacle for hanging the sign inside of the railroad car.

An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history that may very well be the only one of its kind extant today!

Measuring 8.25 inches long, this vintage, Black Chef Spoon rest was made in JAPAN in the 1950's. Along with its jolly, wide-eyed caricature, the spoon rest features a rose-colored tulip painted on both sides and reads “SPOON- REST” in partially worn, brown lettering at the top of the chef’s hat. Note small "hanging hole" in back for display on the kitchen wall!

Very few of these pieces survive due to the high level of use they encountered. This piece has obviously not seen any use at all as the paint remains absolutely perfect! No chips, cracks, breaks or repairs with very minor crazing and some very, very light beige discoloration at the outer edge of the handle bottom, this fine and very hard-to-find piece of Black Americana is an essential addition for the serious collector! Fabulous detailing!!

Please see the last photo for a companion piece-- an 6 inch Black MAMMY Spoon Rest, 1950's Japan-- also available for purchase and priced separately at $155.00.

In absolutely MINT condition, this wonderful, 1950's era, 5 piece, ceramic Spice Set features either a cheerful Black Mammy or Pappy on each jar. The set accommodates the following spices: CINNAMON, NUTMEG, SALT, PEPPER, and ALLSPICE.

Each ceramic jar measures approximately 3.25 inches high, and each is marked "JAPAN" on the bottom. They are of one-piece construction retaining the original corks in their bases. Each jar top features a different color which further adds to decorative appeal! Other than age-related crazing to the glaze, each jar is in perfect condition with no wear to the decorative paint!

The original wooden rack which- retains its original "MADE IN JAPAN" sticker on back- measures 9.50 inches long x 4.25 inches high x 2 inches deep and is in very fine condition. The rack features 2 holes for wall-mounting.

This delightful set has obviously seen little use in its 50+ years and would provide the collector with an interesting, visual kitchen display!

Measuring 9 inches long, this extremely RARE, 1930's, Black Wooden Pull Toy doubles as a wonderfully unique advertising piece!

This fabulous toy is labeled on each side of the orange wagon as follows: "HAPPY HAM FARM PRODUCTS, Newton & Thompson MFG CO, Brandon, Vermont".

The wagon is being "driven" by a hand-painted black figure who moves forward and back again as the wagon is pulled along on its wooden wheels.

In wonderful, all-original condition--no repaint or replaced wooden pieces. One little staple holding the rear axle in place appears to have been replaced as well as the little metal rod which acts as the axle holding the black boy in proper position.

A fabulously RARE piece to embellish one's Black Memorabilia or Vintage Pull Toy collection.

Offered is a fabulous, one-of-a-kind group of 15, hand-carved and hand-painted, circa 1920-1930's, wooden miniatures of Black Folk as they would have appeared during the Harlem Renaissance!

Hand-executed by Robert A. Myers of 73 E. Hazeltine Avenue, Kenmore, New York, the figures vary in height from 2.25 to 2.75 inches. The colors are absolutely brilliant and the detailing exquisite with the tiniest of details painted with superb precision, control and great artistry.

"HAND MADE, R. A. Myers, 72 E. Hazeltine Ave., Kenmore, NY" is clearly stamped on the soles of approximately 5 of the figures--yet there is no question that all were executed by the same hand, and it is likely that all figures at one time bore this stamp.

Little is known of Robert A. Myers other than the fact that the street address stamped on the soles of the figures' feet was a private residence, and Robert A. Myers was indeed listed as residing at this address in a 1930 Kenmore (a suburb of Buffalo) telephone directory.

The fabulous figures have been safely stored over these many years in a felt-lined, hardwood, hinged box which undoubtedly has contributed to their most excellent condition!

Truly a RARITY! These wonderful folk art figures would make an outstanding addition to the museum quality Black Memorabilia collection! Not to be missed--these are one-of-a-kind!

This fabulous later 19th century/early 20th century, wool, needlepoint sampler measures 19" wide by 17" long and contains many truly fascinating images that add to the mystery of the sampler’s origin: an American flag and a Royal crown, a Canadian maple leaf, numerous varieties of lovely flowers, two black children on a see-saw, a black girl with her hands on her hips, a center hall style colonial era home, a woman carrying a bag with her hand extended out to a little dog, "Jumbo" the elephant from the circus; a yellow Labrador Retriever, several cats, a rooster, horse, and winged bug, a doe and stag, a bird on a branch, 2 little children -- a girl and boy -- with their backs to us, the initial “S” repeated twice, what appears to be a Celtic design, and a cross with wreath.

One cannot help but wonder whether or not this sampler was completed by black female who was illustrating her life history which included involvement in the UNDERGROUND RAILROAD! The references to BOTH Canada (the maple leaf and the crown) and the US (the American Flag) along with the black images are rather curious, making this a very plausible theory! The sampler certainly depicts happy images of life within an affluent (Irish?) household. Hmmm…could this well-executed sampler have possibly been completed by an ex-slave?????

This magnificent sampler is in very good condition for its 100+ years of age. There is some running of the red wool yarns, most probably the result of a previous owner’s attempt to clean the piece. This likely can be removed professionally, although I do not feel it is a significant detraction and question the necessity of attempting to do so. The edges are a bit frayed, but there are no dirt stains, holes, tears, or repairs, and except for isolated areas, the needlepoint stitching remains in wonderful condition!

This colorful and mysterious sampler would be a thought-provoking addition to one’s Black Americana collection!

An extraordinarily RARE version of the commonly found wooden Mammy Grocery List Board!!! In addition to the grocery reminder list, this piece also incorporates a 5 slot knife/spoon box and a cutting board!!!

I have never seen this piece before, nor have I seen it pictured in any Black Memorabilia Reference books!

Circa 1940's, this hefty and very well-constructed piece is made of solid wood and measures 14 inches high x 9.25 inches wide x 3 inches deep. It weighs nearly 4 lbs!

This wonderful piece of Black Memorabilia may be displayed as a free standing shelf piece or may be hung (original hanging hole present!).

The condition and visual clarity of the Mammy graphic (Mammy scratching her head in her attempt to remember her grocery list!) as well as the grocery list text remains superb and vibrant! This graphic is printed on a solid, 5/8 inch thick, wooden board that slides up and out of the red frame to reveal the 5 slot knife box interior! The box also has a single hole beside the knife slots presumably to hold a wooden spoon! Turn the wooden grocery list board over and one finds a cutting board!!! How very, very clever! The grocery list peg holes are found within the frame of the knife box as opposed to the common placement on the grocery list board; one original wooden peg remains.

The piece is in very fine condition with some superficial wear to the red paint in appropriate locations, some old grime, and a few white paint spatters at the top of the box where the knife slots are located (all of which will be left to the new owner to clean or retain!) No manufacturer's mark.

Truly a fabulous and most RARE piece of Black Americana!

Offered are 3 nice hand forged golf clubs sporting hickory shafts. Included are clubs from Nicolls of Scotland, Hillerick and Bradbys Co. from the USA, and G. Schmidt. All 3 clubs date to the 1920s and are in good condition.

The first club is from George Nicolls and is stamped on back as follows: "HAND FORGED IN SCOTLAND" - '2 IRON' - 'CARRYING POWER 150/70Yds - and in a circular stamp 'NICOLLS INDICATOR'". The stamp of a hand palm also embellishes this nice Scotland created club. The INDICATOR model was introduced in 1926 and became very popular. The face is DOT stamped and there is a small ding on the leading edge close to the heel. Measures 36.5 inches from then end of shaft to the heel. There is slight gap between the hosel and shaft connection and ancient crimp marks on the hosel are noted. This may indicate that the shaft, while appearing period, may be an early replacement. The leather grip is in very good condition and overall the club sports a nice patina.

The second club is stamped on back with the following information: "Hillerick and Bradbys Co. Louisville, KY 'GRAND SLAM' and a stamp of a hand hold playing cards with an 'A' on the front. It is stamped with the number '5' on the sole. The 36.5 inch shaft is stamped "Made by Hillerick and Bradbys Co. Louisville, KY". A small gap is noted between the shaft and hosel. The club has a wonderful surface patina throughout and the grip is solid. The face sports a square stamped pattern.

Club number 3 is stamped on the back with the following: "G. Schmidt - NIBLICK - FORGED and the letter 'W'". The 'W' may be the owners mark. This 36.5 inch club sports a nice patina, and a good complete grip. The shaft has a barely noticeable split by the hosel. The large face has 'line' pattern stamping and the leading edge shows two honorable dings. A neat club to display!

An extraordinarily RARE 19th CENTURY piece of Black Americana advertising featuring a fabulous graphic of 2 young African American painters holding a "White-Wash Boy's Hydrated Lime" box.

This product was produced by the lime manufacturers, Hatmaker and Place, of Canaan, Connecticut, in the late 1800s. This small company was located within a large "lime belt" that stretched from Connecticut to Vermont. Back in the day, lime powder mixed with water was quite commonly used to "white wash" or paint numerous surfaces, and it was also used as a medicinal disinfectant! The manufacture of lime from marble was one of the earliest and most successful mineral industries in Connecticut, with historical records dating the establishment of the first CT lime manufactory to 1722.

Given its age and the fragility of paper, condition of this wonderful box is quite good. The lower portion of the back side of the box evidences light surface wear with some of the printing on the lower portion of the box worn away as a result. The front of the box has a 3.25 inch long tear which resulted in the loss of the lime powder from the box.

This early piece of Black Americana advertising is EXCEEDINGLY RARE and may well be a ONE-OF-A-Kind item! The Hatmaker and Place Company was one of a number of very small manufactories located within the "lime belt" that were ALL bought out and immediately closed down by a wealthy group of investors who then created and incorporated the mammoth monopoly, The New England Lime Company, early in 1902.

This fabulous piece of Black Americana is NOT to be missed by the serious collector!

This stately, titled, English Staffordshire figure of a seated Uncle Tom and Little Eva was produced circa 1853-1855.

Inspired by Harriet Beecher Stowe’s 1853 publication of her controversial “Uncle Tom’s Cabin”, the figure depicts the gentle Uncle Tom holding his little mistress, Miss Eva, who is standing on his knee.

The figure is decorated in wonderfully vivid colors, measures 10.5 inches high, and is in very fine condition with the exception of expected and appropriate superficial crackling to the glaze.

It is titled “Uncle Tom” on the front base, and is referenced in Harding's Victorian Staffordshire Figures 1835-1875, figure 1090 (Book I).

An very exceptional piece of Black Memorabilia for the discriminating collector.