Catalog: Archives (250)

Offered is an extraordinarily rare, 1787, Fairfield, Connecticut, Bill of Sale for five SLAVES owned by Ephraim Willard of Fairfield, sold in November 1787 to two brothers, Ebenezer Whiting of Savannah, Georgia, and Bradford Whiting of Fairfield, Connecticut. The two Whiting brothers then resold these five slaves three months later in February 1788, to Thomas Cumming of Savannah, Georgia.

Also included with the 1787 Bill of Sale are three other Cumming's family documents, two measuring approximately 2"L x 8" W, and one 14"L x 8"W (see photos for condition). They are: an 1815 Receipt from Thomas Cumming to Richmond County, GA, for a $25 payment in taxes; a Dec 8, 1848, Receipt from Henry Cumming of Augusta, GA, a son of Thomas Cumming and a very prominent figure in 19th century Georgia politics, to George W. Crawford, Agent of the Bank of Augusta and Henry's law practice partner, a promise to pay on "the first day of January, 1849,"..."one hundred and three dollars for value received in house rent"; a 28 page 1812 Land Dispute document, Superior Court of Chatham County, GA, executed by Thomas Cumming btwn J. Knowle Fanning and the Joseph Clay Sr estate (Thomas Cumming's father-in-law).

The 1787 Bill of Sale is a single page, 7.5" wide x 12" long document, with text written on both sides of the document. Condition is quite remarkable given its 235 years of age!(see photos) Expected age-related discoloration of paper and some very slight paper loss in center of document ONLY noticeable when doc is held up to light.

The text of the 1787 document reads as follows, Paragraph one:
“Know all Men by these Presents that Ephraim Willard of Fairfield and State of Connecticut for and in Consideration of one Hundred and Sixty Eight Pounds Lawful Money Rec. (Received) to my full Satisfaction Of Eben,, (the double comma “,,”representing an abbreviation for Ebenezer) Whiting of Savannah of the State of Georgia & Bradford Whiting of Fairfield and the State of Connecticut do give, grant, bargain sell & Deliver unto them the said Eben,, Whiting and Bradford Whiting One Negro Man Named Peter Aged about Twenty one Years old, and his Wife Named Cate about Twenty Six years old, and her Two Children one a Girl about Five Years old, and the other a Boy about Eighteen Months old, and one other Negro Woman Named Vilot about Twenty One Years old.”

“To have and to hold the above granted the Bargainer Premises with the appurtenant thereof unto them the Said Eben,, & Bradford Whiting their Theirs Executors And Administrators and the Said Ephraim Willard do for myself my heirs Executors and Administrators Covenant with the Said Eben,, & Bradford Whiting their heirs Executors and Administrators that I am Now the Soul and Lawful Owner of the above Granted and Bargained Premises, and That I have said Right to Sell the Same as aforesaid, and that the same are free of all Incumbrances whatsoever -and I do by these Presents bind myself my Heirs Executors and administrators and assign forever against all claims and Demands whatsoever in Witness whereof I have hereunto Set my hand and Seal in Fairfield this Twenty first Day of Nov,, (November) in the Year of our Lord One Thousand Seven Hundred and Eighty Seven~ Ephraim Willard”
(Witnesses?)
Jonathan Mattbig
Ebenezer Dimon

“Savannah, February 23 1788. I have Sold the five Negroes, mentioned in this Bill of Sale to Thomas Cumming of Savannah, for which I have received a consideration to my satisfaction~”
Ebenezer Whiting
Bradford Whiting

A bit of History-
Slavery in Connecticut:Connecticut, in 1848, was the last New England state to abolish slavery. The state's city of New London was one of the New England port cities that was an integral trading partner in what is generally referred to as “The Triangle Trade”- between New England, the West Indies, and the African Gold Coast. In this triangular trade, molasses produced in the West Indies from sugar cane was sent to New England, New England sent rum made from this molasses to Africa in exchange for enslaved people, and the enslaved were sent to the West Indies to work the sugar cane plantations that produced the molasses, maintaining the prosperity of the northern colonies through the 18th century and into the 19th.

Thomas Cumming: Thomas Cumming, to whom the above five slaves were sold in Savannah, Georgia, in 1788, was born in Frederick, Maryland, having moved to Georgia as an adult. In 1787, the year before this purchase, he married Ann Clay, the daughter of Joseph Clay, a wealthy owner of multiple Savannah-area rice plantations. It is hypothesized that Thomas purchased these slaves in conjunction with or for his father-in-law. At some point in the 1790s, he moved his wife and children to Augusta, and served as Augusta’s first mayor upon its incorporation in 1798. From 1819 until his death at age 68 in 1834, Thomas Cumming was President of the Bank of Augusta.

Offered is an 1809, Augusta, Georgia, slave document - a Bill of Sale between John Woolfolk of Edgefield District, South Carolina, to Thomas Cumming of Augusta for a total of three slaves, all of whom were related: an adult woman named Judy, who was a seamstress, and her two children, Eliza and Edward.

This document is quite unusual in that it was generally atypical that slave families were permitted to remain together when a slave sale was conducted, regardless of the age of any children involved.

The single page, 15.5" wide x 19" long document was folded in half by its author, and the bill of sale is written out on one side of the folded page (see photos). The folded page was then flipped over, folded into thirds, and the title of the document was written out: "Bill of Sale John Woolfolk, Edgefield District. S.C. (South Carolina) for Judy- a Seamstress Edward (and) Eliza her children".

The text of the Bill of Sale reads as follows, First Paragraph:
"Augusta the 8th June 1809, Received from Thomas Cumming, Six hundred Dollars, being the consideration money infull for the following negro slaves sold and delivered to him this day. Judy a woman of about 21 years old Edward a Boy of about three years old and an infant female, named Eliza, Both Children of the said Woman Judy, which Said three negroes, Judy, Edward and Eliza, I do hereby warrant and defend against the claims of all persons whomsoever"

Second Paragraph:
"Given under my hand and seal the day and date first above written."
"John Woolfolk"

Condition of this slavery document is quite remarkable given its 213 years of age! Expected age-related discoloration of paper and slight (approx 3/4 inch)paper split at one end of one fold only. (see photos)

Offered for sale is a wonderful 19th century brass and wood English Apothecary Balance Scale. This lovely balance retains its original patina on both the wooden base and brass scales.

The arm is marked "T.O.Co. J. HALL & SON-Makers-Birmingham" and "Class 1 - To Weigh 1 lb."

The scale measures 16"L x 8"W at the wood base and 16 inches high. The condition appears original with only minor distortion to the wood base.

This stately, titled, English Staffordshire figure of a seated Uncle Tom and Little Eva was produced circa 1853-1855.

Inspired by Harriet Beecher Stowe’s 1853 publication of her controversial “Uncle Tom’s Cabin”, the figure depicts the gentle Uncle Tom holding his little mistress, Miss Eva, who is standing on his knee.

The figure is decorated in wonderfully vivid colors, measures 10.5 inches high, and is in very fine condition with the exception of expected and appropriate superficial crackling to the glaze.

It is titled “Uncle Tom” on the front base, and is referenced in Harding's Victorian Staffordshire Figures 1835-1875, figure 1090 (Book I).

An very exceptional piece of Black Memorabilia for the discriminating collector.

Published in 1876, by McLoughlin Brothers, New York, this extremely rare publication in the Uncle John's Drolleries series is a variation on the Ten Little Niggers story. (Both tales are highly derogatory and quite politically incorrect!)

Measuring 7 3/8 inches wide x 10 3/8 inches long, the book is illustrated in brilliant color with 8 full page chromolithographs. McLoughlin Brothers Publishers were re-known for fabulously-executed illustrations.

Condition: Good-- for its 134 years of age! Unpaginated. Paper covers. The book was stitched at the spine some time ago and this repaired binding remains tight. Several edge tears are present on the cover and to interior pages along with a heavy crease to the back page that is partially separated. These tears are evident in photographs. All original and complete--no missing pages.

Text: "One little nigger feeling rather blue, whistled out another nig and that made two. Three little niggers wanting one more, hadn't any trouble in getting number 4. Four little nigs not knowing how to drive, hired a colored coachman---that made 5. Five little niggers being calculating men, added one apiece, to make their number 10. Dis colored chile am done, dat sum; Five and five's ten---and now's gwine hum."

A must-have for the serious Black Memorabilia collector!!

For those interested in collecting vintage school memorabilia, no such collection can be considered complete without the inclusion of the extremely RARE Silica Book Slate.

Bound just like a typical book, this slate was unique in that it was extremely lightweight and offered multiple surfaces on which to complete one's studies (a total of six writing surfaces including interior front and back covers and two interior pages!!). Due to the fragile nature of construction as well as the vigorous use all school slates experienced, not many of these rare slates survived.

Measuring 5 1/8 wide x 8 3/5 long (closed dimensions), the front and back boards are covered with fabric that is embossed with the name of the slate (Silica Book Slate Quartz Surface) and manufacturer info (New York Silicate Book Co).

The interior pages retain some writings that indicate that someone actually used this slate to record information as late as the 1970's!!

A simply wonderful gift for the educator!!

Offered is an extremely scarce, 1870s, Scotland Maker, Long Nose, Mid Spoon, Wood Golf Club with original finish!

This rare, antique, hand-wrought golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!

This amazing club sports its original varnish surface and is offered in "as found" condition. The darkening of the finish results a wonderful patina. The club displays an enchanting elegance owing to the gently-sculpted angling of the face. The sole of the club shows signs of mild use with linear scuff marks beginning at the front portion of the inlaid horn. It measures a formidable 42 inches from the heel.

The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, Scottish club makers of the 19th century. The lead has been expertly applied to the back of the club, and the original twine adds to the club's character. The hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many, many years ago and has signs of gentle use.

A phenomenal, rarely-found example of 19th century craftsmanship! A tangible example of exemplary golfing history!

Measuring just under 6.5 inches in width, this VERY RARE, 19th century, hand-forged iron, slave collar with unusual incised detailing was recently uncovered in Texas.

Complete with functional locking mechanism and -even more scarcely found- a working key, this seldom found piece remains in excellent, all-original condition and stands as a horrid, tangible testament to the malevolence of slavery.

The collar is constructed of two, hefty, separate, semi-circular pieces of iron that are hinged together via a thick iron pin that has a "head" on either end preventing the two pieces from separating. While the interior of the collar is plain, the exterior, very unusually, has been "decorated" with incised diagonal lines cut between horizontal, incised banding at the top and bottom of each piece (see photos). The collar, thus, opens and closes at only one end.

The collar is locked and unlocked via a hand-forged locking mechanism that, amazingly, retains its original key--- an extraordinarily rare occurrence today as typically the key has been long ago lost. The locking mechanism remains smooth and is readily operable. It is unlocked by fully inserting the key and slowly turning it to the right until the pin holding the lock in place is released. To lock, reinsert the open hinge into the lock and hold in place while turning the key to the left.

An excellent and rare example of an artifact of slavery- a material reminder of the malevolence and cruelty suffered by African-Americans in 17th, 18th, and 19th century America.

Offered for your consideration is an outstanding and rarely found, circa late 19th century, black and gray painted wooden UNDERTAKERS sign!

The sign measures approximately 6’ long x 12" wide and is double sided. It is in very nice overall condition except for areas of paint loss, some crackling and general wear expected of a vintage sign, noted especially to one side. There is also a very subtle bow to the sign, but this does not take away from its most unusual appeal. There are 2 metal brackets, one on each side, which were originally used for mounting upon a building exterior.

A highly unusual and macabre offering for those who collect funerary pieces!

I am pleased to offer this latest acquisition direct from a pharmacy collection in Delafield, Wisconsin. This lovely 19th century hand blown clear glass apothecary show globe is a rarity indeed!. The condition of the glass is wonderful with no chips or cracks noted with only minor faint interior water remnants seen. The sculptured finial has some unobtrusive scratches noted.

There are 3 pieces to the 33 inch show globe with the base being molded to the bottom globe, the decorative middle section and the finial. The base has an open pontil mark and all stoppers are ground glass which fit perfectly.

A similar example can be found in SCHIEFFELEINS 1883 catalogue and is listed as a “Pineapple Show Globe”.

An original 1940s photograph showing the globe on display in the front window of Delafields pharmacy is included. C.J. Cather, R. Ph., was the proud pharmacist owner of this great drugstore display.

A point of clarification: the hand-blown finial ends in a solid ground stopper- very, very rare- thus, it cannot be filled with color water. However, both the bottom and middle globes can each be filled with a different color liquid if so desired.

A great find indeed!

Offered for sale is a wonderful, 19th century, apothecary, pharmacy hanging show globe dated 1891 on the inside of the collar. The blown glass globe in in good condition except for interior haziness (which likely can be removed) as well as a small 1/2" crack. The metal components have been painted gold long ago and actually looks quite pleasing.

Showglobes have a rather interesting history in the early drug store / apothecary shop and can be compared to the "Trade Sign" that was hung on the exterior of a business to advertise a product or service. Although there has been much debate over time as to their actual purpose, it has been long thought that the color of the water was symbolic...for example, red and blue water representing arterial and venous blood. Some historians have suggested that showglobes were used as visual communication tools with red water representing plague or disease present in the community, and green water signaling an "all is well" in the community to travelers wishing to stop overnight. It has also been said that show globes in New England apothecaries would be illuminated at night to warn ships in the harbor of sickness, plague, etc.

There are no chains with this 21" tall showglobe. Also note that a creative previous owner has adapted the collar with a hook (for hanging with a single chain) that can be removed if desired.

*****NOTE*****WILL SELL SEPARATELY*****

This wonderful, all-original pair of matching, 19th century, Whital Tatum, hanging, egg-shaped Apothecary show globes each measure approximately 33 inches from top of chain to bottom of fixture. The 3 1/2 gallon size globes have a patent date embossed inside the brass-plated crown on top: "June 16, 1895".

Both blown-glass globes retain their original brass chains and hooks and are in very good condition with the expected, minor, age-related scratches of an antique glass globe. There are no cracks, and the globes hold water just fine! The interior of the glass globes have a mild hazy appearance, notably towards the upper third of glass. The haziness disappears when the globes are filled with colored water.

The iron supporting frames sport brass plating and are most decorative. There is the expected, age-related, modest loss and tarnishing to the brass features with some metal pitting of the interior and top edge of globe hangers noted.

These globes originally hung in the Yalowich Pharmacy in Rochester, New York. They display beautifully and will add the "WOW" factor to any apothecary collection.

This stately, titled, English Staffordshire figure of a seated Uncle Tom and Little Eva was produced circa 1855. Inspired by Harriet Beecher Stowe’s 1853 publication of her controversial “Uncle Tom’s Cabin”, the figure depicts the gentle Uncle Tom bouncing his little mistress, Miss Eva, on his knee.

The figure is decorated in underglaze black, measures 9 inches high, and is in perfect condition with the exception of expected and appropriate superficial crackling to the glaze, and a shallow and very tight, early hairline to the back of the figure at its base. It is titled “Uncle Tom & Eva” on the front base.

An very exceptional piece of Black Memorabilia for the discriminating collector.

Offered is a fabulous and scarce, 19thC, tin, CANNABIS, apothecary storage container with hand-painted, gold gilt label and a decorative and stylized floral, front embellishment. The label is likely one-of-a-kind, ordered by an early pharmacist!

The tin sports an early and original, hand-painted, mustard-colored surface, and it measures approximately 7 inches high x 4 inches wide x 5 inches deep (front to back including the distinctive front floral embellishment).

Structurally, the canister is a solidly crafted container, with a slanted, well-fitting, hinged cover that snaps into place when closed. The right top portion of container is slightly bent, and the finish shows modest wear and paint loss. The condition is commensurate with a 19th century well-loved and well-used, dispensary antique.

THIS ITEM ON HOLD 12/16/2020,

Early laboratory equipment is a challenge to find but search no more! Offered is an exceptional, very scarce, mid-Victorian, wooden, laboratory funnel stand. This circa 1870s funnel stand is constructed entirely of hardwood sporting a wonderful surface patina.

This fully-adjustable stand measures 17 inches high and can be completely disassembled for storage and transport. The base measures 9 inches long x 4.25 inches wide and has a beveled edge.

The condition of the stand and screw mechanism is very good with some stains and honorable wear commensurate with the age and use of a 150 year old, scientific antique.

*****PLEASE NOTE THAT THE EARLY GLASS FUNNEL PICTURED IS FOR DEMONSTRATION PURPOSES ONLY AND IS NOT INCLUDED IN THE OFFERING AND/OR SALE OF THIS LABORATORY FUNNEL STAND*****

Offered for sale is a delightful late 19th century cast iron apothecary cork press in the rare form of the SLEEPING DOG. Originating from an early upstate New York country store, the cork press presents wonderful appeal to those who collect early pharmacy objects and those who fancy canines.

The surface sports a vintage patina with traces of rust still present. This appealing cork press measures 9.25� long and is untouched original �as found� undamaged condition.

One of the hardest to find of the vintage figural cork presses.

Offered is an extremely RARE 1861 Slavery Manumission document from Norfolk, Virginia, executed for A. A. (Alexander Augustus) Cowdery and referencing his slave, George Danley.

Measuring approximately 10 inches long x 8 inches wide, this extraordinary and historical document is handwritten and was executed on April 29, 1861, just 12 days after Virginia chose to secede from the Union on April 17, 1861.

The document is in excellent condition save the fold marks; this document clearly has been stored in this folded state for the past 153 years. It is suitable and ready for archival preservation- appropriate acid-free backing and matting materials with framing. In the upper left hand corner, the local stationery store's embossed imprint is visible and reads: “S & P Lawrence Superfine”.

The text of the document is as follows:

“Know all men by these presents, that A A Cowdery, of the city of Norfolk, for and in consideration of the faithful services of my negro man George Danley, do hereby emancipate and set free the said negro man George Danley and absolve him from all claim to my service; and for the consideration aforesaid hereby warrant unto him his freedom against the claim of myself and of all persons whomsoever to witness my hand and seal at the city of Norfolk, this 29th day of April 1861.”
A A Cowdery (SEAL)

“City of Norfolk, to wit
Simon S. Stubbs (sp?) a Notary Public in the city aforesaid in the state of Virginia hereby certify, that A.A. Cowdery, whose name is signed to the writing above (?) bearing (?) date on the 29th day of April 1861, has acknowledged the same before me in the city aforesaid. Given under my hand this 29th day of April 1861.”
Simon. S. Stubbs
Notary Public

Truly an extraordinarily rare piece of historical ephemera documenting a tiny light shining within a very dark period in American history. If only the circumstances and "story" surrounding the execution of this document were known today!

Some relevant family history that was very kindly provided by extant Cowdery-Taylor family ancestors:
Alexander Augustus Cowdery was born May 11, 1817, in Norfolk, Virginia, the son of Jonathan Cowdery of Sandisfield, Berkshire County, Massachusetts, and Elizabeth Reddick of White Haven, England. Jonathan Cowdery was a career physician surgeon in the United States Navy, serving until his death in 1852.

Alexander Augustus Cowdery was uncle to Walter Herron Taylor, who served as Lieutenant Colonel in the Confederate Army as Aide-de-Camp and then Adjutant-General under General Robert E. Lee, becoming one of Lee's most trusted aides and an intimate friend. Taylor later authored two works documenting his wartime experiences: "Four Years With General Lee" and "General Lee, His Campaigns in Virginia, 1861-1865".

Offered are an extraordinary and most rarely-found pair of early 19th century, child/young adolescent - size, Slave Rattle Shackles with one measuring approximately 4.75 inches tall by 7 3/8 inches wide and the other measuring 5.25 inches tall by 7.5 inches wide.

The oddly-shaped, hand-wrought shackles each have two lateral "pockets" that contain pieces of metal or balls that “rattle” as the wearer moves about, thus indicating the wearer's location. This type of shackle is noted in historical references as a Crab Rattler Shackle due to its visual similarity to that sea animal. Each shackle has a pair of small chain links attached at the top. One shackle would have been placed on each leg, and a metal chain would have then been threaded through the attached rings and secured with a lock.

The age of these shackles is formally listed as 19th century, but could very well be older, dating to the last quarter of the 18th century. Condition is quite good given age and use. Please note the small hole present on the side of one shackle as noted in photo. All original and untouched, an utterly horrible, tangible testament to the malevolence of slavery. A VERY RARE form of rattle shackle, even more particularly so due to its small size!

Also currently offered for sale and priced separately is a very diminutive child rattle shackle in an unusual form out of a South Carolina estate. Additionally, de-accessioned from the Middle Passage Museum is an ultra-rare set of 19th Century Slave Ship Shackles from a New Orleans, Louisiana, former slave trader estate! Please type the word "shackles" in the search box on our home page to find all sets of shackles currently being offered.

Offered is an extraordinarily decorative pair of late 19th century, English, Arsenic and Opium, apothecary shelf bottles.

The amethyst glass poison bottle is labeled "LIQ:ARSEN: or ARSENIC, and the cobalt bottle is labeled "EXT:PAPAV:LIQ" - the abbreviation for the Latin PAPAVER which is an OPIUM alkaloid.

Each narrow-neck bottle features a gorgeous, faceted, ground-glass stopper that enhances the appearance of this lovely cobalt and amethyst pair!

The bottles also feature stunning, hand-painted labels as well as hand-painted English shields with double lions.

Each bottle measures 7 1/4 inches high.

A must-have addition to the advanced drug store or apothecary collection!

Offered is an interesting antique hearing device from the late 1800s called a CONVERSATION TUBE.

According to Elisabeth Bennion, author of “Antique Hearing Devices” page 31, “The great advantage of the conversation tube as a type of hearing aid was that it obtained greater enhancement of sound by placing the bell close to the mouth of the speaker, thereby allowing for a normal conversational tone;.......It proved very effective as the sound, having been collected at source before being conducted to the ear, the speech sound level could therefore be increased considerably without danger of background noise.”

The ear trumpet conversation tube measures approximately 39.5 inches. The metal bell and gutta percha ear piece are in very nice condition. The spiral conical long aluminum tube is encased in silk or plaited wool that is intact though worn and still appealing . A great “conversation” piece!

Offered is a seldom found, 19th century, drug store "tool of the trade" known as a tablet sorter. Made of wood, this pharmacist or druggist implement shows appropriate wear and patina commensurate with its age and use.

Diminutively sized, this tablet sorter is easily placed anywhere for display, measuring just 6" L x 6" W x 1.5" H.

A rare piece and a must-have for the advanced collector of early drugstore or apothecary items!

Offered for sale is a 19th century, medium-sized, apothecary pharmacy bottle sporting “PULV. CANEL. ALB.” on the label under glass label!

The 8.25 inch tall bottle is marked on the base, “WN WALTON PAT. SEP 23 1862”, and is of early blown glass construction. The fancy, recessed applied label is complete and is in very nice condition. The stopper is of ground glass construction and is in very good order as well.

The inside of the bottle is 1/3 full of a light brown powder. Very nice indeed!

Once part of the Middle Passage Museum inventory, these authentic and extraordinarily RARE child’s slave shackles have been de-accessioned. These plantation-made, iron, 19th century shackles were once used on a Georgia plantation. They remain all-original and untouched with sixteen small chain links. These RARE shackles measure a total of 20 inches in length and retain their original iron key, a find that is virtually un-heard of! A horrible, tangible testament to the malevolence of slavery.

Also currently offered for sale and priced separately are a second set of rarely found, Georgia, child's, slave shackles (no key with this set) that is featured in the last photo. An additional set of ADULT shackles is also available. Please type the word "shackles" in the search box on our home page to find all 3 sets of shackles currently offered for sale.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Circa 1880’s, this extremely rare, Log Cabin Cigar Tobacco Box with its fabulous, all-original, color lithograph is in just wonderful condition given its 120++ years of age!

Missing is much of the green liner paper to the box interior as well as the lower portion of the exterior brass latch. Additionally, the cabin lid has detached from the base although all aspects of the brass hinges appear to remain intact. Otherwise, this rarely found Black Americana Log Cabin Cigar Box is in marvelous condition, and the fabulous color litho adds to this piece’s value!!!

The log cabin measures 8 inches long x 5 inches deep x 5.5 inches high.

The wonderful litho which served to advertise the cigars feature a jolly black family singing and dancing as they all – with the exception of the youngest child – enjoy a cigar! In the lower right corner of the litho “Neuman Publishers NY” is partially obscured; in the lower right corner the words “Trade Mark Frey Bros NY”.

An extremely RARE, high quality, Black Americana collectible for the distinguishing collector!

A powerful piece of Black Americana, this original and seldom-found, 1897, photo lithograph entitled “Alligator Bait” is a stark reminder of the historic prejudice and racism suffered by Americans of African heritage.

Measuring 11 inches by 25 inches wide, the piece is signed in the lower right corner, "Copyright by McCrary & Branson 189_ Knoxville, Tenn.", with the numeral 7 gone due to missing bits of the paper edge. Research has documented the copyright date of 1897.

The condition is very fine and all-original including the wooden frame and wooden backing. The glass is a replacement. There is some minor water damage here and there along the lower edge as documented in photos which does not impact the image. Some minor paper edge loss is noted in photos.

Indeed, an extraordinarily powerful and historic piece!

We are excited to offer this handsome, traveling, doctor's apothecary medicine chest from the 1870-1880 era.

This fine, walnut, twenty-five compartment case houses twenty three medicine bottles, most of which are embossed FRASER & CO, with a few marked FRASER. A total of seventeen of the bottles sport original, early labels. Three other bottles have hand-written labels, and the remainder are unlabeled- one of which has no embossing. There are a total of six amber bottles, two of which are corked and without labels, while four are complete, inclusive of paper labels. Some of the bottles are partially filled with tablets. Please see photos to view the various medicine labels, one of which is OPIUM.

The walnut cabinet measures 11" W x 10.5" D x 6.25" H, and is in nice condition with a split on the front top that can be restored if desired. The finish has a lovely, warm patina, and the brass escutcheon bears just the right amount of oxidation. A wonderful addition to any collection!

Offered is a wonderful, vintage pharmacy advertising sign from a bygone era.

This fabulous 19th century sign is constructed of heavy gauge brass and sports incised lettering "PRESCRIPTION DRUGGIST" as well as complimentary Victorian stylized detailing.

This visually striking sign measures 17.5 inches wide x 24 inches high and weighs nearly 8 pounds. There are 10 holes drilled into the sign designed to support wall mounting.

The following maker's name is scribed into the lower left base of the sign: "L.H. MOISE. - San Francisco". Research indicates that L.H. Moise was a very prominent company operating under that name from 1893 - 1897; the company made high quality signage, tokens, badges,and medals.

Condition: surface patina, various minor scratches and blemishes are noted, all quite typical of a 100+ year old sign. The flat black paint within the letters and detailing appears to be a 20th century addition.

An exquisite and eye-dazzling piece of 19th century pharmacy memorabilia, likely---one of a kind!

Those who are ardent collectors of the famed Florence Upton creation - the Golliwogg - recognize this 19th century, first edition, children's book as an extraordinarily RARE find indeed, very seldom available for purchase in today's market!

"The Golliwogg's Bicycle Club", published in 1896 by Longmans, Green & Co, London & New York, was illustrated by Florence K. Upton, with story written by her mother, Bertha. This book was the 2nd Golliwogg adventure in a series of thirteen Golliwogg adventures by Upton, with the last published in 1909-- all of which are incredibly difficult to find today.

This hard cover book, measuring 8.75 inches high x 11.5 inches long, is a total of 63 pages in length. The book is lavishly illustrated with 30 full-color illustrations and tells the story of Golly's world travels. Golly and his friends, suffering from boredom, create their very own bicycles out of tree-wood and then partake of marvelous adventures in Paris, Japan, Turkey and Africa!

The Golliwog, itself, was based on a Black minstrel doll that Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was a less-than-handsome creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

The book is in very fine but not perfect condition-- not surprising given the book's 114 years of age! Wear to hard-board-cover edges. Binding remains strong, but thread stitching securing pages to binding has weakened with the two, center-most pages separated from the others. Evidence of tape repair on these loosened pages present. Book is complete, with no missing pages.

Truly a fabulous find! The first time I have EVER had the pleasure of offering this wonderfully-rare children's book in my 26 years of dealing in Black Memorabilia!!

Measuring 4 1/4 inches in diameter x 1 1/8 inches high x 6 inches long, this fabulous, circa late 19th Century, solid brass Native American and African American SLAVE FACE Bowl is an extraordinarily RARE find! The craftsmanship and detailing of the bowl is superb!

It is quite the extraordinary find to discover any Black Memorabilia item reflecting the common but not widely acknowledged practice of interracial marriage among the indigenous Native American and the freed/slave African American population in 18th and 19th century Southern New England coastal towns and cities that were part of the Slave/Sugar/Rum Trade Triangle of the era. Rightfully viewed as a museum piece, this finely-executed figural bowl is certainly reflective of a unique and little known aspect of African American as well as Native American History!

The bowl is in utterly pristine condition with no faults other than expected age patina to the surface. There are no markings on this piece which appears to be hand forged given the subtle asymmetry of the overall shape of the bowl as well as the detailing of the facial features.

This truly unique and rare item would be an important addition to the serious collector’s Black Americana collection!

Offered is a wonderful 19th century, antique, papier mache and wooden black mammy doll manufactured during the late 1800s. The doll has no markings to indicate the manufacturer, but it features a papier mache head with a wooden torso, arms, and legs. The face is hand-painted with wonderful detail, and it includes all of its original clothing which consists of a dress, apron, and kerchief. Overall the doll stands a diminutive 5 1/2" tall.

The overall condition of the doll is quite good. It remains in all original condition. The papier mache head is solid with no chips, cracks, or broken areas, and the hand-painted details are strong with little to no loss. The torso is solid and the arms are attached with no breaks. The legs have some damage to the wood. They have split near the top and have some small wood loss, thus, are held securely in place with a string that has been tied to them. The wooden center dowels are still present, however, and they can be repaired if so desired. The clothing is all original and is still in nice condition with no tears or holes, only some light fading and discoloration from age.

Offered for consideration is a rare and often overlooked pharmacy tool-of-the-trade called a Pill Rounder (Pill Finisher)that dates to the late 1900s.

A pill rounder was used to create perfect pill spheres just prior to the pill being dusted with powder.

Made of a light colored hardwood, this pill rounder is in fine condition and is double sided which means that it was used to finish two different diameter pills.

Measuring approximately 4 inches wide, this pill rounder would make a wonderful addition to any collection.

Measuring 25.5 inches wide x 22 inches high in its original oak frame (the artwork itself measures 19.5 inches x 16.5 inches), this extremely rare, museum-quality example of American Folk Art with Deep South Black Americana theme, features the unusual combination of stenciled (?) cotton, crewel stitch-work, and oil and watercolor painting to achieve its phenomenal look!

Cheerily entitled, “Down Where The Cotton Blossoms Grow”, the scene encapsulates a moment in time in the life of poor, southern, Black folk living as part of a tenant farming family in a wooden cabin at the edge of a expansive cotton field. A young, barefoot black boy and his graying mama are caught in a happy moment smiling and dancing next to a freshly-picked burlap bag of cotton.

This artwork has been completed on a tightly woven piece of tan cotton, with the outline of the basic design either pre-stenciled or hand-painted with black India ink. (Without removing the piece from its frame and examining it under the stronger power of a microscope, this is difficult to determine.)

The artist then used watercolors to paint in the broad areas of color prior to using embroidery cotton and silk thread to stitch the title, and to outline the trees, the landscape, the wooden cabin, the two black figures and their clothing, etc. The final touch was to paint in the cotton blossoms and aspects of the folk’s facial features with a white oil paint. The result is a larger scale, utterly charming Folk Art Black Americana scene!

The condition of the piece, which is framed under glass, is excellent with no staining, tears, or other damage to the cotton fabric. The original solid oak frame shows some scuffing and subtle traces of paint. The original wood backing remains as well as several original square head nails.

This piece is truly a unique example of traditional, late 19th century, American Folk Art! Coupled with its Black Americana theme, this artistic rendering is a rare and precious offering!

Offered is a very scarce, 19th century, portable, doctor's, apothecary medicine case.

The traveling case's exterior is constructed of leather, and the interior sports 5 compartments packed with a total of 62 medicine bottles. Specifically, there are 32 narrow medicine vials with metal screw-on caps, plus 17 medium-size vials. There are six miscellaneous vials, 5 of which are corked, and one that houses a later-date, glass syringe. Finally, there are 7 apothecary bottles with ground glass stoppers residing in their individual compartments.

Imprinted in gold-gilding on the inside cover flap is the manufacturer name, "H.K. MULFORD COMPANY", which is a precursor to today's Merck. The label cites "7 Highest Awards from the 1893 World's Columbian Exposition" (which took place in Chicago) and which dates the case to the 1890's.

This interesting case measures 11 inches L x 5.5 inches W x 6.25 inches H. The case is complete and has modest wear and tear commensurate of a used antique. Some separation of leather parts with stains of age and use reside on the interior and exterior surfaces.

An intriguing piece of early pharmacy and physician care.

Offered is a VERY RARELY found, 1890's, Black Memorabilia-themed trade card advertising Welcome Soap, a product manufactured by Curtis Davis & Company.

The advertising card measures 2.75 inches x 4.50 inches and is entitled "Photography Under a Cloud". It features a fabulous litho of 5 African-American boys with exaggerated facial features who are attempting to take a photograph using an early camera. The litho is marked in the lower right corner "Bufford, Boston". The reverse side further advertises WELCOME SOAP and features two shaking hands.

The trade card is in very fine condition with nice color and some very subtle evidence of age staining as seen in photos. The card has no rips, bends, or fading, and would be lovely matted and framed!

Offered for sale is a choice 19th century apothecary medicine bottle marked "P.IPEC-OPII" ! This 6.5 inch tall bottle produced by the Whitall Tatum Company of Millville, New Jersey, additionally has the patent date and manufacturer's initials embossed on the base, “W.T.CO. – Pat. 1889”.

This label-under-glass (LUG) wide mouth apothecary bottle is in fine condition and sports ground glass construction to the stopper. The label is complete, undamaged and displays very nicely. Note that the reverse side of the label, viewed only through the back of the bottle, has an unusual, stylized "WT&Co" circular trademark label in place.

Of note, the medicine this bottle once contained was a syrup of powdered OPIUM as well as IPECAC, which is an expectorant/emetic. Ipecac was used to induce sweating, treat colds, and reduce fever in adults and children. Opium had been used for centuries as a sedative and to relieve pain. Beginning in the early 19th century, it became a common treatment in the US for an alarmingly wide range of ailments in both children and adults, quickly leading to an addiction epidemic which peaked in 1895. Advances in medicine during this time period and education of doctors via medical instructors and textbooks vehemently warned against the overuse of opium, leading to a drop-off in common use. Regulations were also passed during this time period which restricted access to opiates formerly available "over-the-counter" to access via valid prescription only. A bit of brief history of the medicine once contained in this bottle.

A rarely found narcotic bottle in superb condition!

Offered is an exquisite, Victorian era, barber shop shaving mug sporting a highly decorated label-under-glass owner's nameplate, which has been recently acquired from a South Carolina estate.

This exceptional, shield-shaped label is executed in a rare and strikingly colorful design that was certainly a special order item for its owner, JOHN E. MATTES.

The condition of the porcelain mug is excellent! It is embellished with mildly worn gold gilt paint on the rim that coordinates with the gold adornment also on the label. This visually-striking label has mild loss, tiny chips and subtle cracks as noted in the photos. The shaving mug measures 4 inches tall x 3.5 inches in diameter at the top. A gem that is worthy of the most advanced barber shoppe collection!