Catalog: Archives (250)

Measuring 3 1/4 inches high, this Japan-made, quite nicely detailed and hand-painted, pot metal figure depicts the traditional RED CAP Railroad Porter with his arms quite full of luggage along with a set of golf clubs slung over his shoulder!

In excellent condition with virtually no evidence of paint loss, this sweet little figure-- as an added bonus to its delightful appeal—features a detachable suitcase, as one of the porter’s hands is actually a tiny hook!

Once commonly found, the tiny Red Cap Railroad Porter figure is becoming quite scarce!

This fabulous 1930's American Beach cast iron sign reading "AMERICAN BEACH FLA Negro Ocean Playground" is in very fine condition with remnants of original paint and vintage patina. This is NOT a reproduction! This sign was originally sold to be used as a license plate topper by African American folks frequenting this beach. It measures 11 inches in length x 4.50 inches high at its tallest point.

American Beach was established in 1935 on Florida's east coast under the leadership of Abraham Lincoln Lewis, one of seven co-founders of the Afro-American Life Insurance Company, and one of Florida's first black millionaires. His vision was to create a beach resort as a benefit for company executives and as an incentive for employees.

In the era of Jim Crow segregation laws, few public places in Florida or the rest of the South were open to African Americans. From the Depression until well into the 1960's, American Beach served as a holiday and vacation destination for thousands of African Americans, and was a magnet for black celebrities such as entertainers Cab Calloway and Ray Charles, heavyweight boxing champion Joe Louis and writer Zora Neale Hurston.

But in 1964, the area began to decline. Hurricane Dora destroyed much of the beach, and passage of the Civil Rights Act meant that blacks were, finally, no longer restricted to segregated beaches and the businesses that catered to them.

A fabulous and historically relevant piece of Black Americana!

Measuring approximately 5 inches high, this very RARE, Japan-made, circa 1930’s pair of Black Butler and Mammy Salt and Peppers are in unused, mint condition, with just the lightest of glaze crazing visible. This highly appealing pair is considered rare as the Butler wears a green jacket versus the very common black jacket. Each is marked “Japan” on the base. A very wonderful addition to the special Black Memorabilia collection!

Published in 1938, by Houghton Mifflin Co., Boston & New York, this seldom-found, children's book tells of the misadventures of little Epaminondas, who despite his Mammy's attempts to instruct him otherwise, has much difficulty successfully navigating the day without getting into some sort of trouble. Poor Epaminondas cannot do anything right!

Measuring 6.75 inches wide x 8 inches long, the book is illustrated in both black silhouette and colored, line drawings. 16 pages long. Great condition-- tight binding, no tips or missing pages, clean. Cloth-bound hard covers.

A delightful addition to one's Black Memorabilia collector!!

Measuring 17 inches long x 9.25 inches wide x .75 inches deep, this untouched, all-original, double-sided wooden sign is an extraordinarily RARE piece of Black American history-- an artifact of the "Jim Crow" era when segregation of the African American race was unfortunately, most commonplace.

This sign once hung on the inside of a railroad car, designating the line behind which African Americans must remain-- in the back of the car.

The sign is painted in gold lettering on both sides as follows: the back of the sign is painted, "FOR COLORED PASSENGERS", while the front of the sign is painted, "FOR WHITE PASSENGERS".

The sign is in all-original condition and has some paint fading, fading of the wood stain in given places (please view photos), and imperfections in the wood as noted in photos. These do not impact the integrity of the sign and are appropriate to the age and purpose of the piece. The sign retains all of its original hardware including "keyhole" receptacle for hanging the sign inside of the railroad car.

An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history that may very well be the only one of its kind extant today!

This fourth edition, miniature, hard cover book , "The Story of Little Black Sambo and the Twins" was written and illustrated by Helen Bannerman, an Englishwoman living in India at the turn of the 20th century who wrote this and a series of six other SAMBO stories to amuse her two little daughters. These subsequent stories are much more rarely found as fewer were published, because at that time, none ever reached the popularity of the original “Little Black Sambo”. "The Story of Little Black Sambo and the Twins" is one of these stories!

To the collector of Helen Bannerman books, no collection is considered complete without a copy of each of the “Sambo” books:

Sambo and the Twins

The Story of Little Black Mingo

The Story of Little Black Quasha

The Story of Little Black Quibba

and in French, Histoire du Petit Negre Sambo.

All are quite difficult to find in any condition!

This 1936 copy of “Little Black Sambo and the Twins” published by Frederick A. Stokes of New York, is in quite fine condition with tight binding, tight pages, no rips or tears, minor edge wear to corners! Please view all photos for condition representation.

The story itself is truly quite violent and frightening in both text and in drawings- involving the kidnapping of the adorable twins, Woof and Moof, by very wicked monkeys!!! And this was bedtime reading for children!!!!

A very RARE book!!!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

This is a wonderful lithographed tin of Wilson’s CO-RE-GA denture adhesive powder with a great image on front. Marked FREE SAMPLE on the front. The tin was manufactured by The Corega Chemical Company, Cleveland, Ohio, with offices in London, Paris, and Montreal. The brass cap marked is Co-Re-Ga and includes its 1933 Patent number.

Some powder still exists! There is unobtrusive tarnishing, but no corrosion. There is a 1/4" area of paint loss to the back top left of the tin. Measures a diminutive 2 1/4" x 1 1/4" and will fit anywhere in your collection!

Measuring approximately 15 inches in length, this 1930's, vintage, J. Chein, tin, wind-up toy remains in all-original condition!! With detailed graphics, this toy has NO repairs, replaced parts, or repaint!

A wonderful addition to any vintage toy or Black Memorabilia collection, this vividly colorful toy remains in great working condition. Wind up the alligator, and his mouth viciously snaps open and closed as he rolls along, with the black native balancing on his back! (Mr. Alligator is a bit fussy with regard to what type of surface he will roll upon, but the mechanism functions fine!)

Some missing paint here and there as would be expected given its 80+ years of age (please see photos), as well as some superficial scratches, and some crimping to the alligator's tail.

A seldom-found toy!

Please note that white spots in photos are the result of flash reflection and not imperfections to the toy.

Measuring approximately 7.25 inches high, this difficult to find, Black Americana Vargas wax figure is mounted on its original wooden platform and is one of a series of fascinating "street character wax dolls" conceived of and crafted by Mrs. Concepcion Vargas Alfonso, daughter of the world-renowned, turn-of-the-20th century, New Orleans, Spanish sculptor, Francisco Vargas.

From approximately 1910 through the 1930's, Mrs. Concepcion Vargas-Alphonso, influenced by the great artistry of her famous father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners selling their wares or practicing their trade - black folk performing everyday activities that would have been daily seen on the streets of the city.

While the majority of Vargas figures were sold exclusively through Harriet's, of 318 Rue Royal in the French Quarter of New Orleans, a small number of Vargas figures were also sold through Kate Latter's Candy Shop in New Orleans. The shop, opening during the Great Depression years, had significant financial difficulties and closed after only five years (1933-1938) in business. This particular Vargas figure was one that was sold there, and it retains a gold foil sticker advertising the shop underneath its wood base.

Vargas figures are completely hand-made, one-of-a-kind dolls that are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia / Black Americana Collectible arena.

This figure, known as the Sugar Cane Seller, was recently de-accessioned from the Louisiana State University Rural Life Museum collection, Baton Rouge, LA, having been acquired by the museum from a private collector in January 1979.

The Sugar Cane Seller is one of the more difficult to find of the Vargas figures. In his right hand he holds three stalks of newly cut sugar cane, and in his left hand he holds a silver-colored, light-weight, metal machete.

Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This gentleman Sugar Cane Seller wears a red and yellow checked kerchief around his neck, a green shirt with yellow polka dots, black and tan striped pants, and black "leather" shoes. His costume is entirely constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. The Sugar Cane Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. Underneath the wood base is found the Kate Latter's Candy Store sticker as well as an inventory sticker from the LSU Rural Life Museum.

This wonderful figure is in fine condition for his 90+ years of age with the following minor restorations likely performed by the professionals at the LSU Rural Life Museum: a restored right hand (that is presently missing a thumb), and restoration to the back of the vendor's hat, noted by the lighter colored wax. The sugar cane stalks appear to have been reattached in place, and his left hand is also missing the thumb. Due to the fragility of the wax fingers, it is not uncommon to find them missing or partially present.

The Sugar Cane Seller's light-weight metal machete was once attached to the left hand. It is my opinion that this metal machete was fashioned by professionals at the museum to replace the original cardboard version. Its weight, however, appears to be too much for the wax hand to hold, and thus, it became unattached while still in the museum's collection. As seen in the photos, the machete can be successfully rested inside the hand provided it is placed so that it is balanced, with equal lengths of the machete in front of and behind the hand.

A true must-have, rarely-found piece for the ardent collector of New Orleans Black folk character figures!

Please take a moment to view the additional Vargas figures we currently have the pleasure of offering for sale. Type "Vargas" into the search box on our website homepage.

Offered is this 1927 copyright, LITTLE BLACK SAMBO published by Rand McNally Company, Chicago. Hardcover, 64 pages.

Little Black Sambo is the featured story in this book with the short stories, "The Gingerbread Man" and Titty Mouse and Tatty Mouse", added in as extras. While the illustrator in unnamed in the book's credits, all illustrations are executed by the same hand and are either initialed MEP" or signed "Margaret Evans Price".

A much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India, Sambo, in the original tale, was an Indian boy and not an African-American child. He was soon converted to this race, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

The book exterior has seen much wear as evidenced in the photos, with significant wear to all edges, which amazingly, has had no effect on the sturdy structure of this book! The interior of the book remains in absolutely perfect condition, with an undamaged, very tight binding, and not an imperfection to be found-- no rips, stains, creases--only the inked inscription of the last name, "Meyere" on the upper right corner of the title page (see photos).

Illustrations are lovely and have that timeless yet nostalgic look of fine work produced in the Art Deco era!

Little Black Sambo books from this period are infrequently found!

This is a visually-appealing, painted, tin sign advertising "CAVANAUGH'S WONDER COLIC REMEDY". An added feature is that the sign is a horse specific medicine - rare in any market! This difficult-to-find sign is in good condition; it shows modest paint loss and a few bends and scuffs but displays quite well.

Measures 20 inches long x 14 inches wide and is ready for your collection. There is embossing in the words "CAVANAUGH'S WONDER COLIC REMEDY". Created by the Baltimore Sign Co. and dating to the 1930-1940 era.

This sweet, 1930's, wooden pull toy made by the Hustler Toy Corporation of Sterling, Illinois, features a darling little black character pulling the reins of his white mustang horse! The toy measures 12 inches long x 5.5 inches high.

When the toy is pulled, the wheels rotate and the horse's head bobs up and down! Just adorable!

This 75 year old toy is in very good condition with very minimal and expected, normal wear from light playing to appropriate areas (see photos).

All original including very aged (!)string, with no breaks and no repairs or replacements to either wooden or metal parts. There is evidence of repaint to the green platform and the red wheels only; however this was done a very, very long time ago as the repainted areas show old wear! The horse's black cloth ears are worn-looking but still intact!

A very charming old toy with fabulous, visual "shelf appeal"! Perfect for either the Early Toy or Black Memorabilia collection!

Measuring 9 inches high, this delightful example of Folk Art styling, is one of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women. It has been speculated that their creation was encouraged through FDR’s Depression era program, the Work Projects Administration (WPA), in existence from 1936-1940.

This doll depicts the black washerwoman. She holds an authentic-looking wood and tin washboard in her left arm. This gentlewoman wears a red kerchief on her head covering all hair and has embroidered facial features –most characteristic of these dolls. Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. This doll still retains her original shingle stand but it has come loose from the left shoe. Clothing, with the exception of her navy-colored knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. Her body, which is well-stuffed to be anatomically correct, is black cotton fabric stuffed with cotton batting.

A very special doll that takes a snapshot of history in capturing the life of the poor southern black of the Depression era.

Measuring 9 inches high, these delightful examples of Folk Art styling, are two of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women.

It has been noted that their creation was encouraged through President Franklin Delano Roosevelt's Depression era program, the Work Projects Administration (WPA), in existence from 1935-1943. The WPA was designed to provide jobs across the country during the Great Depression. While most jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP). The creation of these dolls fell under the WPA Federal Art Project, with the goal of representing the various aspects of the culture, work and lives of the Southern black community of this time period.

The doll clad in all black depicts the VERY rarely-found, black country preacher out for an afternoon stroll with his wooden walking stick in one hand and the Holy Bible clutched in the other. The preacher wears a machine-stitched suit thoughtfully detailed with fine, white shirt cuffs poking out from beneath his jacket and the white Reverend's collar at his neck. His left shoe reveals a hole with a sock-covered toe poking through! The preacher's stove-pipe-style hat is placed snugly on his head covering most of his gray hair although his full gray facial beard features prominently. His embroidered facial features, characteristic of these WPA dolls, are further accented with "steel-rimmed" style eye glasses. The 1.5 square inch bible actually has real pages! Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. The doll's body is well-stuffed with cotton batting and he stands freely.

The gray-hair and bearded, chicken-toting black country gent doll is also attired in machine-stitched clothing and additionally shares a cotton-bating stuffed body, embroidered facial features, and an asphalt shingle tile stand. He wears cotton britches detailed with double knee patches and suspenders along with a blue and cream striped cotton shirt and a red and white polka dot kerchief around his neck. His hat is constructed of black-colored felt. This country gent holds a finely crafted and detailed brown chicken under his right arm, while his left hand clutches a wooden walking stick.

Two very special dolls that represent a snapshot of history, capturing the lives of poor Southern black folk of the Depression era.

The dolls are priced at $295.00 each.

An utterly fabulous, all-original, 1930s, "pure licorice", English Toffee tin with a phenomenal caricature of a black man eating a large piece of yummy toffee! This piece is enhanced with a striking visual graphic making this the centerpiece of one's Black Memorabilia collection!!

Measures 9.75 inches high x 6.25 inches wide x 4.25 inches deep. Condition is quite fine with superficial scratches and minor surface rust near the base and on some seams--see photos--no problems to structural integrity!

Measuring 7 3/4 inches long, this VERY RARE, 1930’s VINTAGE, Cast Iron, Mammy spoon rest retains most of its original gold paint suggesting that it saw minimal actual use! The well-dressed Mammy sports a wide grin and holds an iron in her right hand and other household implements in the left.

She is in very fine condition with a smattering of teeny superficial dings to the front side paint surface as well as some very superficial rusting here and there. The back side of the spoon rest is perfect and looks as though it came right out of the factory just yesterday!

The following is imprinted on the backside: “Compliments The Toledo Stove And Range Co”, documenting the spoon rest’s original function- continuous promotional advertising presented as a free giveaway to buyers purchasing the company’s products!

Offered separately is the equally rare companion piece- The Black Chef Spoon Rest from Toledo Stove and Range! A fortuitous opportunity to acquire a very rare Black Memorabilia pair!

Measuring 39.75 inches long x 17.50 inches high, this untouched, all-original, single-sided, porcelain, circa 1930-40s sign is an extraordinarily RARE piece of Black American history-- an artifact of the "Jim Crow" era when segregation of the African American race was unfortunately, most commonplace.

The origin of this sign is unknown, but given its very substantial size and weight, it likely once hung as a directional sign in a major bus or railroad station, designating the "WHITES ONLY" area where African-Americans were not permitted to sit, stand, or otherwise, occupy.

The subtly convex sign has had no restoration and remains in all-original condition. It bears areas of paint loss, scratching and superficial rusting (some areas larger in scope than others) typical for its age and use as noted in photos. Please view photos for further assessment of the sign's condition. The age and use-related signs of wear do not impact the physical integrity of the sign and are more than appropriate to the age and purpose of the piece.

An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history!

Please take a moment to view the other "Jim Crow" Segregationist Era signs that I currently have the pleasure of offering.

Measuring 9 inches long, this extremely RARE, 1930's, Black Wooden Pull Toy doubles as a wonderfully unique advertising piece!

This fabulous toy is labeled on each side of the orange wagon as follows: "HAPPY HAM FARM PRODUCTS, Newton & Thompson MFG CO, Brandon, Vermont".

The wagon is being "driven" by a hand-painted black figure who moves forward and back again as the wagon is pulled along on its wooden wheels.

In wonderful, all-original condition--no repaint or replaced wooden pieces. One little staple holding the rear axle in place appears to have been replaced as well as the little metal rod which acts as the axle holding the black boy in proper position.

A fabulously RARE piece to embellish one's Black Memorabilia or Vintage Pull Toy collection.