Catalog: Archives (250)

A powerful piece of Black Americana, this original and seldom-found, 1897, photo lithograph entitled “Alligator Bait” is a stark reminder of the historic prejudice and racism suffered by Americans of African heritage.

Measuring 11 inches by 25 inches wide, the piece is signed in the lower right corner, "Copyright by McCrary & Branson 189_ Knoxville, Tenn.", with the numeral 7 gone due to missing bits of the paper edge. Research has documented the copyright date of 1897.

The condition is very fine and all-original including the wooden frame and wooden backing. The glass is a replacement. There is some minor water damage here and there along the lower edge as documented in photos which does not impact the image. Some minor paper edge loss is noted in photos.

Indeed, an extraordinarily powerful and historic piece!

Offered is an interesting antique hearing device from the late 1800s called a CONVERSATION TUBE.

According to Elisabeth Bennion, author of “Antique Hearing Devices” page 31, “The great advantage of the conversation tube as a type of hearing aid was that it obtained greater enhancement of sound by placing the bell close to the mouth of the speaker, thereby allowing for a normal conversational tone;.......It proved very effective as the sound, having been collected at source before being conducted to the ear, the speech sound level could therefore be increased considerably without danger of background noise.”

The ear trumpet conversation tube measures approximately 39.5 inches. The metal bell and gutta percha ear piece are in very nice condition. The spiral conical long aluminum tube is encased in silk or plaited wool that is intact though worn and still appealing . A great “conversation” piece!

An extraordinarily RARE version of the commonly found wooden Mammy Grocery List Board!!! In addition to the grocery reminder list, this piece also incorporates a 5 slot knife/spoon box and a cutting board!!!

I have never seen this piece before, nor have I seen it pictured in any Black Memorabilia Reference books!

Circa 1940's, this hefty and very well-constructed piece is made of solid wood and measures 14 inches high x 9.25 inches wide x 3 inches deep. It weighs nearly 4 lbs!

This wonderful piece of Black Memorabilia may be displayed as a free standing shelf piece or may be hung (original hanging hole present!).

The condition and visual clarity of the Mammy graphic (Mammy scratching her head in her attempt to remember her grocery list!) as well as the grocery list text remains superb and vibrant! This graphic is printed on a solid, 5/8 inch thick, wooden board that slides up and out of the red frame to reveal the 5 slot knife box interior! The box also has a single hole beside the knife slots presumably to hold a wooden spoon! Turn the wooden grocery list board over and one finds a cutting board!!! How very, very clever! The grocery list peg holes are found within the frame of the knife box as opposed to the common placement on the grocery list board; one original wooden peg remains.

The piece is in very fine condition with some superficial wear to the red paint in appropriate locations, some old grime, and a few white paint spatters at the top of the box where the knife slots are located (all of which will be left to the new owner to clean or retain!) No manufacturer's mark.

Truly a fabulous and most RARE piece of Black Americana!

This fabulous later 19th century/early 20th century, wool, needlepoint sampler measures 19" wide by 17" long and contains many truly fascinating images that add to the mystery of the sampler’s origin: an American flag and a Royal crown, a Canadian maple leaf, numerous varieties of lovely flowers, two black children on a see-saw, a black girl with her hands on her hips, a center hall style colonial era home, a woman carrying a bag with her hand extended out to a little dog, "Jumbo" the elephant from the circus; a yellow Labrador Retriever, several cats, a rooster, horse, and winged bug, a doe and stag, a bird on a branch, 2 little children -- a girl and boy -- with their backs to us, the initial “S” repeated twice, what appears to be a Celtic design, and a cross with wreath.

One cannot help but wonder whether or not this sampler was completed by black female who was illustrating her life history which included involvement in the UNDERGROUND RAILROAD! The references to BOTH Canada (the maple leaf and the crown) and the US (the American Flag) along with the black images are rather curious, making this a very plausible theory! The sampler certainly depicts happy images of life within an affluent (Irish?) household. Hmmm…could this well-executed sampler have possibly been completed by an ex-slave?????

This magnificent sampler is in very good condition for its 100+ years of age. There is some running of the red wool yarns, most probably the result of a previous owner’s attempt to clean the piece. This likely can be removed professionally, although I do not feel it is a significant detraction and question the necessity of attempting to do so. The edges are a bit frayed, but there are no dirt stains, holes, tears, or repairs, and except for isolated areas, the needlepoint stitching remains in wonderful condition!

This colorful and mysterious sampler would be a thought-provoking addition to one’s Black Americana collection!

Derogatorily entitled "Uncle Sam's Big Show Jackie 'COON' Acrobats", this exceedingly rare, early 1920's toy was manufactured by the National Toy Mfg. Company, 1345 West 21st, Chicago.

Included are the original box, as well as the original paper instruction booklet that depicts the "thousands of tricks" the wooden acrobats can perform!

The set of 5 black character acrobats have detachable arms and legs with lithographed paper faces and clothing. All body parts have either notched edges or sides which allow the acrobats to assume all sorts of poses. The figures are free-standing once put together as the toy also comes with wooden bases or stands to mount then upon.

This toy was likely seldom played with as the figures and booklet are in superb condition for its age! The exterior of the box -particularly the cover- shows its 80+ years with expected wear to seam edges, but it remains in sturdy condition.

A very rare toy that displays quite well- has striking, visual appeal!

This exceptional, one-of-a-kind, circa 1900, cloth doll was made and designed by Ruie Ann Park, a Van Buren, Arkansas, Civil War History author who wrote “Civil War Letters of the Shibley Brothers, Van Buren, Arkansas”.

This extremely rare SAMPLE doll was, at one time, exhibited by Mrs. Park at a Van Buren drug store for marketing purposes--orders would be taken at the drug store based upon her sample doll or dolls that were displayed.

This richly detailed, finely executed doll wears 2 authenticating cloth tags (see photos) that attest to this doll’s provenance; one tag is a hand-inked-in-script tag sewn to the base of the doll’s apron that reads “Sample”, and the other is a machine-printed tag that is stitched to the waist band of the apron and reads, “Designed by Ruie Ann Park, Van Buren, Ark., All Rights Reserved”.

This lovely, 13 ½ inch long, old black Granny doll has a delicately designed, serious looking face that has been carefully hand-etched in ink. Her curly gray hair pulled back into a bun at the nape of her neck is crafted from yarn, and she wears a small, proper brown cloth hat with pink banding. Her body is quite firmly stuffed with cotton, her hands are stitched to delineate her fingers and (separated) thumbs, and her outfit is machine-stitched and completely original. She wears unbleached, ruffle-edged, muslin pantaloons and underskirt. Her dress is cream colored cotton calico printed with black and pink flowers, and further accented with the most delicate, pink-trimmed, pink polka-dotted, lace cuffs and collar. Her unbleached muslin apron is trimmed with light pink ric-a-rac along its hem and single pocket. Her outfit is completed with black cotton stockings and authentically detailed black, lace-up leather boots.

This extraordinarily rare doll with her very unusual, documented provenance is in very, very fine condition! A truly superb Black doll beckoning to the most sophisticated of doll collectors! Also offered from the same wonderful doll collection is a circa 1920 black cloth doll named "Sallie"- another must-have!

Measuring approximately 7 inches high, this highly sought after Black Vargas wax figure which is mounted on its original wooden platform, is one of a series of fascinating "street character wax dolls" conceived of and crafted by Mrs. Conception Vargas Alfonso, daughter of the world-renowned, turn-of-the-century-New Orleans, Spanish sculptor, Francisco Vargas.

From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.

This particular figure is known as the Vegetable Seller.

Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. The Vegetable Seller wears a blue and yellow striped bandanna around his neck, dark pants, and an orange and yellow polka dot shirt- all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. He carries a straw basket containing three different types of vegetables in his right hand while holding a corn cob in his outstretched left hand. His wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. The bottom of the base retains its original paper sticker which reads, "HARRIET'S, 318 Royal Street, New Orleans, LA". Harriet's Gift Shoppe was the exclusive retail outlet for the sale of Vargas figures to the public.

This wonderful figure is in mint condition for his 75+ years of age with no apparent or visible imperfections. Amazingly, all fingers and both thumbs remain perfectly intact! (The fingers are so very, very thin and fragile that they are quite easily broken.)

The Vegetable Seller is most delightful- a snapshot into 1920's New Orleans cultural history!

Please see the other Vargas figure that is currently available and priced separately--type "Vargas" in the search box to quickly locate them. A photo of the other Vargas figure currently available for purchase has been included, for the buyer's viewing convenience, in this listing.

Please note- any white or light spots noted in photos are a result of sun light glare and are not reflective or discoloration or fading.

Purchased approximately ten years ago from the Estate Sale at the Greenwich, Connecticut, home of the very prominent, American, CBS Television Personality, GAYLE KING, this nostalgic watercolor, reminiscent of times past, features a young black girl attentively and carefully canning strawberries in the kitchen.

This unsigned and undated piece of art was executed with very soft lines whereby no edge seems sharp- not the counter edge, or the lids of the jars, or the heavy black iron grates of the gas stove. Painted in predominantly darkened hues of blues, silvery-whites and grays, pops of red appear in the freshly canned strawberries and hints of yellow emerge in the window curtain and in earthenware bowl that the young girl works out of, all culminating in the creation of an ethereal effect of calm and serenity.

This lovely piece is generous in size with the visual dimensions of the actual watercolor measuring 15" in height x 26.75" in length. The watercolor is double-matted with an 1/8" wide interior mat in a neutral earth-tone surrounded by a cream-colored, 2 3/4" wide mat that is further complemented with an etched, earth-tone, single line simulating the demarcations of a false third mat- very clever! (see photos) The extraordinarily sturdy, warm-toned, hardwood frame measures 1 3/4" wide with the total framed measurement of this piece approximately 25" in height x 36" wide. The backside of the frame features an Estate Sale, stringed-tag stating the provenance of this piece: "From the Greenwich CT home of Gayle King".

It must be noted that all photographs were taken through the glass of this framed piece, so multiple photographic angles are provided in the attempt to reduce distortion in the photos from light reflection off the glass. Please ignore any variations in color or shading - all are strictly the result of unavoidable light reflection.

Please also note that because this item would be classified as oversized by delivery carriers due to its weight (approx 11 lbs) and its length and width measurements, this item does not qualify for free shipping.

Measuring approximately 7.5 inches high, this highly sought after Black Vargas wax figure with a young child is mounted on its original wooden platform and is one of a series of fascinating "street character wax dolls" conceived of and crafted by Mrs. Conception Vargas Alfonso, daughter of the world-renowned, turn-of-the-20th century-New Orleans, Spanish sculptor, Francisco Vargas.

From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.

This figure, known as the Cotton Seller with Child, is most particularly hard to find and thus is quite highly sought after as it features a very young, female black child standing in a basket of newly-picked cotton. The Vargas family seldom included children or infants in their depictions of the numerous trades of black New Orleans folk, making any characterization featuring a child or an infant more than significantly rare.

Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This female, Mama, Cotton Seller wears a red and white kerchief on her head, a red and white checked scarf around her neck, and a yellow and white checked shirt and skirt with an apron that matches her head scarf - all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. At her feet is a very large, wax-constructed basket made to simulate wicker that is filled with cotton and within which her young female child stands. The Cotton Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. The bottom of the base is stamped "Genuine VARGAS New Orleans, LA".

This wonderful figure is in amazing condition for her 75+ years of age with no apparent or visible imperfections other than some missing fingers, a condition which is quite commonly found among Vargas figures.

The Cotton Seller's young, female child also has some missing fingers, and additionally, her neck shows a contiguous crack all the way around. Because her structure is also supported by internal wiring, her head still remains securely attached to her body. Please note that the child is merely placed inside the cotton basket and was never securely glued into it. The wax cotton basket, which was originally glued to the wooden base, has become loosened from it; however, when positioned on the base, it will easily remain in place for display.

Vargas figures are becoming increasingly more difficult to find!

Type "Vargas" into the SEARCH box to see the other Vargas figure currently available: 1920 New Orleans Vargas Wax Black Doll Female Vegetable Seller

Offered is a wonderful, seldom-seen, circa 1910's, tin wind-up, Black Porter toy manufactured by Ferdinand Strauss of New York City, New York.

This Black Porter Pushing A Wheelbarrow amazingly still retains his original, red ribbon neckerchief. The windup mechanism is intact and holds a full wind...the man's legs are a little sluggish after 90+ years, but the toy does work.

This very difficult-to-find, Black Memorabilia toy measures 6" long, is approximately 2 3/4" wide and is 6" tall. Minor rubs to paint are present as noted in photos, but this paint loss is insignificant given the age of this toy.

A fine addition to one's Black Memorabilia collection!

Never opened and retaining all of its original powdered scouring cleanser, this near mint canister of Gold Dust cleanser remains a classic and must-have addition to any Black Memorabilia collection!

Measuring 4.75 inches high x approximately 3.25 inches in diameter, the container has slight scuffing to its paper cover and light rust to the base --which in the photo appears more significant than it actually is--- however, there is no problem with structural integrity to the base!

Eye-appealing with its classic "GOLD DUST TWINS" graphic!!

Offered is an incredibly RARE game, circa 1900-1920s, Spear Works, Germany, dexterity game very obtusely entitled "THE WHITE EYED COON".

The game features a VERY brightly colored lithograph target in near mint, virtually unused condition, depicting "THE WHITE EYED COON" dressed as a clown with a nose mimicking that of a RHINOCEROS HORN! The rhinoceros horn nose serves as one of the game hooks.

The target is affixed to the box base interior and additionally retains its two original metal hooks placed on either side of the gent's large, polka dot, bow tie.

This brightly lithographed game retains 5 original, colored, pressed-cardboard throwing rings. The game directions, which are attached to the inside of the original cardboard cover, do not specify the number of rings originally included in the game.

Measuring 8 3/4 inches tall x 6 1/4 inches wide x 1 inch deep, the game cover as well as the target piece display absolutely wonderfully!

As evident in the photos, the box and box cover show expected wear given their 90-100+ years of age. The box cover shows evidence of exposure to dampness and or water, some small areas of missing paper and edge wear. The box base EXTERIOR shows edge wear, some creasing and some very small areas of missing paper. As stated earlier, the target, itself, looks as though it was never played with. Just fabulous!

The game does not retain a copyright year, but the Spear Works of Germany operated prolifically from the 1890s through the 1930's, and during this time period, it was recognized as the most well known, international manufacturer of games and children's activity kits.

The box cover is labeled "Spear's Games", "Manufactured at The Spear Works in Germany. Designed in England".

An EXTRAORDINARILY RARE find!!!

Measuring 7 1/2 inches high x 6 inches in diameter, this very visually appealing, bright red, 3 pound size, VINTAGE LUZIANNE COFFEE TIN is in near excellent condition with just a few very tiny rubs and scratches and some superficial rust to the base. (Please disregard any variation in surface color that may appear in some photos. Color is vivid and uniform throughout. Any color variation seen in photos is due to lighting conditions and light reflections, not tin discoloration.)

The tin bears a copyright date of 1928, and given its fine condition, was obviously safely tucked away over the past 75+ years!

Processed and packaged by the William B. Reilly Company of New Orleans, Louisiana, and Baltimore, Maryland, this fabulous tin retains its original bail handle as well as its original cover! The tin features a vivid graphic of "Mammy Serving Coffee" which was the second style of Mammy graphic used by the company on its coffee tins. Additionally, this tin was part of a special sale promotion as evidenced by the advertising on the lid which is now partially worn off. The advertising reads: "Special 15 Cents Off Offer".

In marvelous condition- an especially lovely and visually appealing piece of vintage Black Americana advertising!!!

Offered are an extraordinary and most rarely-found pair of early 19th century, child/young adolescent - size, Slave Rattle Shackles with one measuring approximately 4.75 inches tall by 7 3/8 inches wide and the other measuring 5.25 inches tall by 7.5 inches wide.

The oddly-shaped, hand-wrought shackles each have two lateral "pockets" that contain pieces of metal or balls that “rattle” as the wearer moves about, thus indicating the wearer's location. This type of shackle is noted in historical references as a Crab Rattler Shackle due to its visual similarity to that sea animal. Each shackle has a pair of small chain links attached at the top. One shackle would have been placed on each leg, and a metal chain would have then been threaded through the attached rings and secured with a lock.

The age of these shackles is formally listed as 19th century, but could very well be older, dating to the last quarter of the 18th century. Condition is quite good given age and use. Please note the small hole present on the side of one shackle as noted in photo. All original and untouched, an utterly horrible, tangible testament to the malevolence of slavery. A VERY RARE form of rattle shackle, even more particularly so due to its small size!

Also currently offered for sale and priced separately is a very diminutive child rattle shackle in an unusual form out of a South Carolina estate. Additionally, de-accessioned from the Middle Passage Museum is an ultra-rare set of 19th Century Slave Ship Shackles from a New Orleans, Louisiana, former slave trader estate! Please type the word "shackles" in the search box on our home page to find all sets of shackles currently being offered.

Offered for sale are 3 different 1930’s Belgian Metal Polish tins featuring a wonderful Smiling Black Man Logo! All are priced separately---the large at $175.00, and the two small tins at $145.00 each.

All three tins are in very fine condition with some very small spots of superficial rust and teeny superficial surface scratches here and there as would be expected of any item 70+ years of age. These were stored well over the years and their condition reflects this! The largest tin is in the most pristine. The two black, white and red tins are empty but the green and yellow tin still has a hardened lump of polish inside. The large tin measures 5 6/8 inches high, the small black tin measures 4 1/4 inches high, and the green tin measures 4 inches high.

These tins are not readily found on today’s market in this condition and would provide a handsome and visually striking display either as a group of 3 or as a single piece! A nice addition to the advanced Black Memorabilia collection!

As each tin is priced separately, please email us stating which tin you wish to purchase so that we can customize your order form.

Identical to Milton Bradley's "Jolly Darkie Target Game" manufactured circa 1910, this visually striking dexterity game is very curiously unmarked---quite likely a very rare error in manufacture.

This fabulous game features a brightly colored lithograph target depicting the dapper, banjo-playing, "Jolly Darkie" with a gigantic mouth.

The target box remains in very fine condition, appearing to have seen little, if any, use. It has four openings through which one was to toss the four wooden balls that the game originally came with, but which are no longer present. It measures 13 inches tall x 6 3/4 inches wide x 1.5 inches deep.

As evident in the photos, the side-less box cover shows expected wear given its 100+ years of age, with some pencil writing in the mouth and some surface soiling.

As indicated earlier, the extant game pieces do not retain a copyright year or maker name; however, this game is very similar to two other Milton Bradley Jolly Darkie Target games that were manufactured from 1890-1910, suggesting that this game was also manufactured during this era by Springfield, Massachusetts' Milton Bradley Company. The directions to this game are not present, and it is quite possible that the manufacturer and manufacture date both appeared on the direction card-- as has been found to be the case on other Milton Bradley games of this era.

The game cover as well as the JOLLY DARKIE target box display absolutely wonderfully and would be a colorful asset to one's vintage black Americana game collection!

Measuring 8.25 inches long, this vintage, Black Chef Spoon rest was made in JAPAN in the 1950's. Along with its jolly, wide-eyed caricature, the spoon rest features a rose-colored tulip painted on both sides and reads “SPOON- REST” in partially worn, brown lettering at the top of the chef’s hat. Note small "hanging hole" in back for display on the kitchen wall!

Very few of these pieces survive due to the high level of use they encountered. This piece has obviously not seen any use at all as the paint remains absolutely perfect! No chips, cracks, breaks or repairs with very minor crazing and some very, very light beige discoloration at the outer edge of the handle bottom, this fine and very hard-to-find piece of Black Americana is an essential addition for the serious collector! Fabulous detailing!!

Please see the last photo for a companion piece-- an 6 inch Black MAMMY Spoon Rest, 1950's Japan-- also available for purchase and priced separately at $155.00.

Offered for sale is a rare, 19th century, apothecary, pharmacy hanging show globe that is complete with original chains and wall hanging bracket. This hand-blown glass globe sports an interior that is somewhat hazy and could use a slight cleaning.

The 30 inch chains are complete and attach to the fancy collar. All parts are in very good condition and the globe CAN hold water. The decorative Victorian hanger and wall bracket make this handsome globe ready to display in your collection.

Showglobes have a rather interesting history in the early drug store / apothecary shop and can be compared to the "Trade Sign" that was hung on the exterior of a business to advertise a product or service. Although there has been much debate over time as to their actual purpose, it has been long thought that the color of the water was symbolic...for example, red and blue water representing arterial and venous blood. Some historians have suggested that showglobes were used as visual communication tools with red water representing plague or disease present in the community, and green water signaling an "all is well" in the community to travelers wishing to stop overnight. It has also been said that show globes in New England apothecaries would be illuminated at night to warn ships in the harbor of sickness, plague, etc.

Offered is the fabulously RARE NIGGER HAIR Tobacco Tin produced from the late 1870's through the first half of the 1940's.

This particular tin does not retain its original, US Internal Revenue paper tax stamp, so there is no way to precisely date it. As such, we will place its age as at the first half of the 1940's- the final production years of this style tin.

The image of an African woman with the racist title of “Nigger Hair” imposed over her shoulders was used by The American Tobacco Company of Wisconsin to promote its product; the lithographed tin was manufactured by the B. Leidersdorf Company, Milwaukee, Wisconsin. Interestingly, it must be noted that after World War II, the product name "Nigger Hair" was changed to "Bigger Hair", although the exact same image of an African Woman continued to be used. The company simply added the words “Fiji Islander” to the left of her face in a very, very weak attempt to broaden the product’s appeal by moving further away from the earlier, severely derogatory moniker. At that time, the material out of which the tobacco container was constructed was changed from tin to heavy cardboard.

Measuring 7 inches high x 5 ¾ inches wide, the condition of the tin is a wonderful 8 out of 10--- sporting a beautiful lithograph on both sides with extremely minor, superficial scratches and rubs, along with tiny areas of paint loss. These areas of minor paint loss exist on the back side where the metal bale handle made contact with the tin and slightly scraped it, and on the front side, where several teeny areas of paint loss are present that are very difficult to see unless bright light is deliberately shown upon the tin surface as has been done in both closeup photos. When viewed in natural lighting, the tiny areas of paint loss on the front side are not readily visible unless one deliberately looks for them (see first photo).

The rim of the tin has two, tight 1/8" long splits- very difficult to see and photograph and which are not visible with the tin cover in place. The lid, base, bale handle junction points, and interior of the tin show minor evidence of light, superficial rust. Otherwise, the tin is solid. The original mustard-orange color of the tin remains consistent over the entire tin as does the clear, brilliant black lithography.

Any imperfections are quite reasonable and expected given the age of this piece-- approximately 80 years of age!! Please note that any "white" areas in photos are flash or lighting reflections and are not imperfections to the tin.

Truly an extraordinarily RARE piece of Black Memorabilia seldom found in this wonderful condition complete with bail handle and lid (Soft tissue paper has been wrapped around the bail handle to prevent any further scratching to the tin exterior.)

Measuring nearly 4.75 inches tall, this wonderfully rare, early 1920's, lithographed tin toy is unmarked.

The little boy shuffles along quite nicely via his original wind-up mechanism.

Over 80 years old, he is still quite sturdy as he was well made, but does show some superficial scratching from use over the years.

Of particular interest is the little boy's face which is highly exaggerated, a racist characterization that was unfortunately typical of the era when this toy was produced.

Offered is a VERY RARELY found, 1890's, Black Memorabilia-themed trade card advertising Welcome Soap, a product manufactured by Curtis Davis & Company.

The advertising card measures 2.75 inches x 4.50 inches and is entitled "Photography Under a Cloud". It features a fabulous litho of 5 African-American boys with exaggerated facial features who are attempting to take a photograph using an early camera. The litho is marked in the lower right corner "Bufford, Boston". The reverse side further advertises WELCOME SOAP and features two shaking hands.

The trade card is in very fine condition with nice color and some very subtle evidence of age staining as seen in photos. The card has no rips, bends, or fading, and would be lovely matted and framed!

Measuring 13 inches long x 6 inches wide, this untouched, all-original, double-sided heavy metal sign is an extraordinarily RARE piece of Black American history-- an artifact of the "Jim Crow" era when segregation of the African American race was unfortunately, most commonplace.

This sign was once bolted onto the inside of a railroad car, designating the line behind which African Americans must remain-- in the back of the car.

The sign is painted on both sides as follows: the back of the sign is painted with white lettering on a black background and reads, "THIS PART OF THE CAR FOR COLORED RACE". The front of the sign is painted with black lettering on a white background and reads, "THIS PART OF THE CAR FOR WHITE PEOPLE".

The sign is in all-original condition and has some paint loss and superficial rust as noted in photos that does not impact the integrity of the sign and is appropriate to the age and purpose of the piece. Wear to the "white side" of the sign has resulted in the removal of portions of the words "THIS PART".

An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history that may very well be the only one of its kind extant today!

Measuring 1 3/4 inches in diameter x 3/8 of an inch high, this seldom-found, circa 1920’s, colorful, visually-appealing, dexterity game depicts a fancily dressed and bejeweled black woman! This German-made puzzle was customized to advertise "STAR SOAP" for the Schultz & Co. of Zanesville, Ohio. The puzzle contains the 5 tiny white balls, that with the proper manual dexterity, are to be placed in the lady’s mouth to serve as her teeth!

Constructed of tin with a tin embossed and lithographed image and a glass cover, this game features a mirror on back. The puzzle is in all-original condition with the embossed graphic remaining free of scratches and abrasions. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

An interesting image and a delightful piece of early Advertising or Toy Black Memorabilia!

Offered is an absolutely wonderful example of a New York City physician's traveling medicine case from the early 1900s. This choice case is embossed on the inside flap "FRANK CLYDE LEAVITT, MD - 714 WEST 181 ST., - NEW YORK CITY".

The case contains a total of 53 medicines, all of which are empty. Two of the vials are rather scarce Parke Davis examples: #359, CHORODYNE containing INDIAN CANNABIS and MORPHINE HYDROCHLORIDE, and a second vial labeled #454 NEURALGIC INDIAN CANNABIS. Additionally, the case contains six vials labeled OPIUM, and one vial labeled MORPHINE.

Of the 53 vials, 28 are labelled screw cap examples, plus 20 labelled corked vials and 5 clear glass apothecary bottles, some of which sport a hand written label.

All but one vial displays PARKE DAVIS & CO. on its label plus a description of the vial's contents and dose. Additionally, some note the Food & Drug Act of 1906 or U.S.P. of 1890 on the label. There are 2 POISONS among the vials which carry distinct, red colored labels.

The vials measure approximately 4.5 inches long, are empty, and are in very nice condition including labels. Of the five, 4.5 inch apothecary bottles, two have small chips on the bottom, another has cracked glass at the base (base still intact), and the remaining two are in fine condition.

The heavy leather doctor's case measures 10.5" long x 5.75" wide x 5.5" high and overall demonstrates a nice patina with wear commensurate with age and use. The interior is composed of six distinct compartments, four containing all of the medicines, one containing numerous, small paper packets in which to house dispensed medicines, and one quite small, rectangular compartment with its own lid that may have once held small instruments such as a tweezer or perhaps a tiny folding scale. The leather at the top of the case (the section holding the handle) is completely separated at the front edge fold mark above the 2 locks. This same section is also partially separated (approx 4 inches) along the back top edge (see photos).

A very choice piece with cannabis, narcotics, poisons and documented ownership from a New York City physician!

THIS ITEM ON HOLD 12/16/2020,

Early laboratory equipment is a challenge to find but search no more! Offered is an exceptional, very scarce, mid-Victorian, wooden, laboratory funnel stand. This circa 1870s funnel stand is constructed entirely of hardwood sporting a wonderful surface patina.

This fully-adjustable stand measures 17 inches high and can be completely disassembled for storage and transport. The base measures 9 inches long x 4.25 inches wide and has a beveled edge.

The condition of the stand and screw mechanism is very good with some stains and honorable wear commensurate with the age and use of a 150 year old, scientific antique.

*****PLEASE NOTE THAT THE EARLY GLASS FUNNEL PICTURED IS FOR DEMONSTRATION PURPOSES ONLY AND IS NOT INCLUDED IN THE OFFERING AND/OR SALE OF THIS LABORATORY FUNNEL STAND*****

If found in mint condition, this incredibly rare game, THE PICCANINNY BOWLING GAME, copyright 1928 and designed by the Spear's Game Company, Germany, retails at $525!

This particular specimen, unfortunately, was not stored with care, and it suffered exposure to dampness at some time during its 85 years. It is, thus, being offered at significant discount.

Measuring 10 3/4 inches tall x 7 1/4 inches wide, the game retains its cover with three of four sides present, the directions card, ALL FIVE original wooden throwing balls, and the game target board which features the five "piccaninnies".

The box bottom is missing as is some of the purple paper that decorated the sides of the target board and which also once framed the front cover. Remnants of this paper remain on two sides of the box cover.

The target board, despite its exposure to dampness, remains completely intact including the original metal guide pins that are located at the bottom of each piccaninny's open mouth and which would have helped to "guide" the target ball into the piccaninny's mouth during play. The target paper litho is somewhat loosened at the edges here and there, and foxing is present. The cover suffered the most exposure to dampness as is evident from viewing photos. There is foxing and some surface paper loss is evident as seen in photos.

The Spear Game Company designed the game, and it was manufactured in their facility in Bavaria, Germany. (This information was printed along the base of the game cover, although 50% of it is now no longer readable.) The Spear Works of Germany operated prolifically from the 1890s through the 1930's, and during this time period, it was recognized as the most well known, international manufacturer of games and children's activity kits. Publishing rights are noted on the direction page as J. W. Spear + Sons, New York City.

RARELY found!!

Measuring 9 inches high, this delightful example of Folk Art styling, is one of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women. It has been speculated that their creation was encouraged through FDR’s Depression era program, the Work Projects Administration (WPA), in existence from 1936-1940.

This doll depicts the black washerwoman. She holds an authentic-looking wood and tin washboard in her left arm. This gentlewoman wears a red kerchief on her head covering all hair and has embroidered facial features –most characteristic of these dolls. Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. This doll still retains her original shingle stand but it has come loose from the left shoe. Clothing, with the exception of her navy-colored knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. Her body, which is well-stuffed to be anatomically correct, is black cotton fabric stuffed with cotton batting.

A very special doll that takes a snapshot of history in capturing the life of the poor southern black of the Depression era.

Offered for your consideration is a very rarely found Bausch & Lomb advertising and teaching display!

The display is quite appealing with embossed and raised detailing featuring both the interior and exterior eye anatomy.

The sign dates to the 1950s and is in fine condition. It is complete with its original fold-out display stand, and it measures approximately 13 inches high x 8 inches wide.

Measuring approximately 7.25 inches high, this highly sought after Black Vargas wax female figure selling vegetables is mounted on its original wooden platform and is one of a series of fascinating "street character wax dolls" conceived of and crafted by Mrs. Conception Vargas Alfonso, daughter of the world-renowned, turn-of-the-20th century-New Orleans, Spanish sculptor, Francisco Vargas.

From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.

This figure, known as the Female Vegetable Seller, is one of the more difficult to find of the New Orleans street character wax dolls. Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This female Vegetable Seller wears a multi-colored kerchief on her head, a red and cream polka dot scarf around her neck, a cream shirt decorated with red flowers, a blue and white polka dot apron and pale blue skirt decorated with a sea of multi-colored flowers - all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. Balanced on her arm is a removable, wax, wicker-look basket filled with cabbage, carrots and rhubarb. The Vegetable Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base.

This wonderful figure is in amazing condition for her 75+ years of age with no apparent or visible imperfections other than two missing fingers on her left hand, a condition which is quite commonly found in Vargas figures. A highly collectible piece representing 1920s New Orleans's African American culture. Vargas figures are becoming increasingly more difficult to find!!

Type "Vargas" into the SEARCH box to see the other Vargas figure currently available: 1920 RARE New Orleans Vargas Wax Black Doll Female Cotton Seller+Child

This is an authentic signed baseball from former Negro League baseball player Luther "Luke" Atkinson. The ball was signed at an autograph show in March 2006. Luther "Luke" Atkinson was #20, a stand-out performer for the Wilson, North Carolina All Stars, the Carolina Tigers, and the Satchel Paige All-Stars, who played baseball in the Negro Leagues from 1955 to 1960, starting his career right out of high school. As of spring 2018, Mr. Atkinson, who lives in Maryland, remains an active volunteer in the newly opened, Hubert V. Simmons Museum of Negro Leagues Baseball, Inc., at the new Owings Mills Metro Centre Complex.

A brief history of the Negro League:

African Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African Americans from these teams by 1900, with black players left to form their own teams.

In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.

In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.

Genuine Czech GLASS Mardi Gras necklaces or “beads” were produced exclusively in 1920’s and 1930’s Czechoslovakia, for use during the Pre-Lenten or Carnival celebrations of New Orleans, Louisiana. With the pre-World War II, German invasion of Czechoslovakia in 1939, Czech production of the glass necklaces was halted and was never again resumed.

70 years later, these gorgeous Czech Glass Mardi Gras beads are not only highly collectible but are becoming more increasingly scarce with each passing year. Use of color, shape, and form vary from one necklace to the next, with no two necklaces exactly alike.

Measuring 16 ¾” in length, this necklace is constructed of a series of small, faceted yellow glass beads that accent 9 red disc-shaped beads alternately placed between the yellow beads. (Please note that the red beads appear orange in the photos but that is simply a trick of the lighting- they are indeed red!!!) Striking color contrast! Attached is the ORIGINAL PAPER TAG reading “Made in Czechoslovakia”.

All Czech Mardi Gras necklaces were originally strung using a thin, cotton thread that has naturally aged and weakened over the past 70+ years, and thus, are easily prone to breakage. Because of the fragility of the original cotton threading, this necklace has been professionally restrung using a stainless steel, "C" hook closure, and jeweler's, nylon-coated, stainless steel wire to ensure stability and safety when worn.

Offered is a fabulous and scarce, 19thC, tin, CANNABIS, apothecary storage container with hand-painted, gold gilt label and a decorative and stylized floral, front embellishment. The label is likely one-of-a-kind, ordered by an early pharmacist!

The tin sports an early and original, hand-painted, mustard-colored surface, and it measures approximately 7 inches high x 4 inches wide x 5 inches deep (front to back including the distinctive front floral embellishment).

Structurally, the canister is a solidly crafted container, with a slanted, well-fitting, hinged cover that snaps into place when closed. The right top portion of container is slightly bent, and the finish shows modest wear and paint loss. The condition is commensurate with a 19th century well-loved and well-used, dispensary antique.

This March 10, 1915 patented Black Man Jigger Toy was produced by The National Toy Company of Boston, Massachusetts and was designed to be placed on one's phonograph. When a record was played, the Black Jigger would dance and jiggle!

In fabulous and complete, all-original condition with no repaint, replaced pieces or repairs, this rare piece is impressed on the underside of its wooden and metal dancing platform with patent date and manufacturer (see photos). The dancing man is constructed of painted wood with teeny metal nails holding his arms and legs in place; knees are jointed. Measures 7 inches tall x 7 inches in length.

An extremely rare piece of Black Americana!

Measuring 4 inches long x 3 inches wide, this extraordinarily RARE Aunt Jemima Pancake Flour Advertising String Puzzle Toy dates to the 1905-1916 time period when it was used by the R. T. Davis Mill Company of St. Joseph, Missouri, to promote their product!

The puzzle is constructed of a cardboard paper material with Aunt Jemima’s image lithographed on the front and product advertising on the back. This puzzle toy was a “give-away” item--- customers could write away for the “free” puzzle by sending two 2 cent stamps for a “set of Aunt Jemima and her Pickaninny Dolls”.

Aunt Jemima is in all ORIGINAL condition and has no age imperfection to speak of other than minor creasing near the three string holes, undoubtedly created when someone long ago attempted to solve the puzzle---“separate the two cardboard pieces without untying the string!”

This RARELY found piece of early Black Memorabilia and/or Aunt Jemima advertising would be fabulous framed between two pieces of glass! A must-have for the serious Black Americana collector! These Aunt Jemima paper string advertising puzzles are simply not seen anymore- they are very rarely found in today's market due to the fragile nature of their composition!

Those who are ardent collectors of the famed Florence Upton creation - the Golliwogg - recognize this 19th century, first edition, children's book as an extraordinarily RARE find indeed, very seldom available for purchase in today's market!

"The Golliwogg's Bicycle Club", published in 1896 by Longmans, Green & Co, London & New York, was illustrated by Florence K. Upton, with story written by her mother, Bertha. This book was the 2nd Golliwogg adventure in a series of thirteen Golliwogg adventures by Upton, with the last published in 1909-- all of which are incredibly difficult to find today.

This hard cover book, measuring 8.75 inches high x 11.5 inches long, is a total of 63 pages in length. The book is lavishly illustrated with 30 full-color illustrations and tells the story of Golly's world travels. Golly and his friends, suffering from boredom, create their very own bicycles out of tree-wood and then partake of marvelous adventures in Paris, Japan, Turkey and Africa!

The Golliwog, itself, was based on a Black minstrel doll that Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was a less-than-handsome creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

The book is in very fine but not perfect condition-- not surprising given the book's 114 years of age! Wear to hard-board-cover edges. Binding remains strong, but thread stitching securing pages to binding has weakened with the two, center-most pages separated from the others. Evidence of tape repair on these loosened pages present. Book is complete, with no missing pages.

Truly a fabulous find! The first time I have EVER had the pleasure of offering this wonderfully-rare children's book in my 26 years of dealing in Black Memorabilia!!

Measuring 8 inches long by 5.5 inches high, this wonderful vintage 1920s, unmarked, cast iron doorstop features 3 charming black boys perched behind a fence eating luscious watermelon slices!

In all original condition with absolutely no repainting, this delightful piece retains its brilliant coloration. The piece has appropriate wear to paint as noted in photographs and also shows superficial rusting here and there, again, as noted in photos.

A fabulous and seldom-found display piece, most visually charming to the eye!