SOLD
The die cuts are a representation of every day European black folk of the 1880s- from a mother holding her infant to an officer in the army, these ten charming die cuts make for a thought-provoking display! Interestingly, yes, these die cuts do indeed have a bluish tinge to their skin color- an occurrence for which no explanation can be offered.
The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. This grouping would look fabulous framed!
Approximate measurements are as follows:
6 Musicians: 4.75" tall x 3.75" wide
Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.
The photo of the verso of the figures reveals that there are no restorations or repairs to any of the 6 figures whose verso can be viewed. Note that 4 of the figures remain loosely attached to the black construction paper; it will be left to the buyer to choose whether or not to detach them.
This entire grouping of die cuts is being sold as one single fabulous offering at $55.00.
$45.00
The paper package contains nearly all of its original powder, having never been opened; however, as noted in the second photo, the corner edge wear has resulted in some minor leakage of the powder. Because of this, the package has been shrink-wrapped to preserve the remainder of the product.
The shrink wrapping makes the package very difficult to photograph; additionally, some minor leakage of the powder under the shrink wrap also obscures viewing. The first two photos are of the actual package currently offered for sale--with shrink wrap on and minor leakage of powder under the shrink-wrap. The remaining photos clearly show the details of the Zoulou packaging using an undamaged, unshrink-wrapped package that has already been sold, no longer available for purchase. These photos are offered purely for the convenience of the viewer so that the details of the Zoulou package can be readily seen without the encumbrance of the shrink wrap blocking package details; these photos do not represent the condition of the package currently being offered for sale. The first two photos represent the condition of the actual Zoulou package currently offered for sale, with the pricing reflecting condition.
The manufacturers of the Zoulou powder claimed that healing properties were associated with the powder.
A well-detailed, rarely-found example of turn-of-the-century use of graphics in advertising!
$245.00
A trademark label affixed to the bottom of a sour mash whiskey barrel, "ICMCo" stands for the Ithaca (New York) Cigar Manufacturing Co. for whom the label was made.
Interestingly, this cigar label was based on a racial parody book featuring a fictitious fraternal organization of African-Americans, titled 'Brother Gardner's Lime-Kiln Club' by "M. Quad". Quad, in actuality, was noted newspaper columnist and satirist, Charles Bertrand Lewis, of the Detroit Free Press.
Framed in an 8.75" x 10.75" silver-toned wood frame, this Lime Kiln Club lithographed label is extraordinarily scarce and highly sought after. It is listed as one of the top 100 blue chip cigar labels by "InStone 100" (a cigar label rating organization). The lower right hand corner notes the US Patent Office Registry date of May 22nd 1883. This 19th century piece would benefit from professional framing using archival, acid-free materials to enhance its life for many more years to come.
Condition: The color remains as brilliant as the day this 140 year old label was produced! Four unobtrusive and minor tears are noted: two in the lower left corner area, one at the center top near the moderator's gavel, and one between the K and I in Kiln. A crease is noted in the white margin above the label title, and a water mark is present in the lower right side of the white margin. However, none of these blemishes detract from this highly intricate lithograph! Take a few moments to carefully study all of the activity and detailing in this colorful piece!
$165.00
George Thompson’s missionary service to Africa occurs approximately 7 years after the MENDI natives of the AMISTAD were accompanied by missionaries on their return to Africa. He serves this very same mission, now in the of colony Sierra Leone, a colony which was established to serve as refuge for the liberated Africans taken from slave ships.
356 pages long, this journal provides a fascinating account of all aspects of the Mendi culture seen through the eyes, however biased in his mission to convert the Africans to Christianity, of a genuinely well-meaning gentleman of his time. Condition: complete, tight binding, foxing throughout, spine wear as shown in picture.
Thompson states, “It is hoped that the following narrative may, in the hands of GOD, awaken a desire in many hearts to go to Africa, for the purposes of preaching, teaching, farming, building houses, mills, manufactories, etc., and thus assist in making long despised and neglected AFRICA, what it is capable of becoming, THE GARDEN OF THE WORLD.”
$55.00
The assortment features die cuts of musicians, jugglers, a boxer, actors, a bagpipe player, comically portrayed African natives, and die cut heads of adults as well as die cut heads of children. All but the four African die cuts remain connected as a grouping, just as they were when originally produced and shipped from the factory- a very rare find which increases each grouping's value.
The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. All would look fabulous either framed individually or as a grouping!
Approximate measurements are as follows:
The 2 standing, connected figures: 3.25" tall x 4.50" wide
Connected Adult Heads: 2.25" tall x 3.75" wide
Connected children Heads: .75" tall x 4.50" wide
4 African loose figures: 2" tall x 1" wide
Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there. The photo of the verso of all reveals that no repairs or restorations were made to any of the die cuts in this offering.
This entire grouping of die cuts is being sold as one single offering at $55.00.
$125.00
Housed in an ornate, brass frame, the mourning pin measures 1 1/8th inch in diameter.
The celluloid image is quite crisp with some staining evident in left lower and side edges that do not obstruct the gentleman's image. The magnified photos emphasize this staining to a much greater degree than what is evident when viewed with just the naked eye. The brooch is missing its backside pin.
$1,595.00
Merrill, known for creating extraordinary art collages of cut paper, cut birch bark, ink, and watercolor mounted on black construction weight paper, fashioned this particular piece depicting the fictional African-American Blackville Debating Society, by encompassing all of these preferred artistic mediums.
One can see the beautiful grain of the white birch bark Merrill used to execute each figure and form, which he then detailed using black ink and added depth and color by applying varying natural tones of watercolor. Merrill added additional elements of detail to the black mounting paper using a lighter toned ink, such as the entrance/exit door to the left of the moderator. The resulting work of art is simply exquisite!
Merrill's subject matter ranged from various genre pieces to racist scenes inspired by Solomon Eytinge, Jr.'s, (1833-1905) "Blackville" series that Eytinge created for Harper's Weekly in the 1870s. Merrill's artwork offered here was inspired by Solomom Eytinge's "Blackville" lithograph printed in the January 4, 1879, edition of Harper's Weekly. (A photo of Eytinge's litho is presented for client reference and comparison to E.W. Merrill's work and is not available for sale.) When comparing the two pieces, one will note that Merrill changed his artwork from that of Eytinge's by eliminating one of the "scorner's" in the right corner, many of the club members featured at the bottom Eytinge's litho as well as the signage above the debate moderator and by adding the 25 lb "Best Soap" box under the moderator's table leg.
At the base of this work reads the following: The Blackwell Debating Society- "Wedder Lord Dorwin Involved Hisself or Somebody Else." -The Scorner in the Corner Will Reply Drawn By E.W. Merrill Concord NH .
Measurements including the handsome, original oak frame are 26" wide x 18.5" in length. The original hanging eyelets have been removed for ease in shipping and are present under the tape as seen in the photo of the verso of the artwork.
$975.00
The single page, 16" x 25" document was folded in half by its author, and the charge is written out on one side of the folded page and then completed on the back of the same side of the page (see photos). The folded page was then flipped over, folded into fourths, and the title of the charge was written out: "The State VS Henry Negro Boy Slave".
The text of the charge reads as follows, Paragraph one:
"Georgia Warren County"
"Before me Matthew Sheilds a justice of the peace for said county, personally came Stephen Blount who being duly sworn deposeth and sayeth that according to the best of his knowledge and belief Henry a negro boy slave the property of the estate of Hardy Pitts late of said county deceased, did commit a violent assault and battery with intent to kill Deponent, with a heavy stick - and Deponent believes said stick was ferreled (an action suggestive of a wild beast)- upon the person of Deponent - on this night of the thirteenth of this Instant in said county of Warren to wit upon the plantation of Thomas Persons, near Warrenton.
Sworn to and subscribed before me this 14th March 1842."
"Matthew Sheilds JP"
"Stephen Blount"
Paragraph two:
"Georgia Warren County"
"By Matthew Sheilds one of the Justices To Sheriff the Constables of Said County and to all other lawful officers for as much as Stephen Blount who being duly sworn deposeth and sayeth that according to the best of his knowledge and belief Henry a Negro boy Slave the property of the estate of Hardy Pitts late of Said County deceased did commit a violent assault and battery with intent to kill Deponent - with a heavy stick and Deponent believes said stick was ferreled upon the person of Deponent on the night of the thirteenth of this Instant...." (continued next page)
Next Page:
"in Said County of Warren to wit on the plantation of Thomas Persons near Warrenton. These are therefore to Command you that you apprehend the Said Negro Boy Henry and bring him before me or some other Justice of the peace of Said County to Answer the said charge and to be further dealt with according to Law Herein fail not. Given under my hand and Seal this 14th day of March 1842."
"Matthew Sheilds JP" (JP written a second time and encircled in a squiggle to simulate a wax seal)
Condition of this very unique slavery document is quite fine given its 180 years of age. Expected aging of paper with insignificant and minor tears at creases. Also present are three long spillages of ink (as seen in photos) which likely occurred at the time this document was written out with, obviously, no intention of the author to start over again and rewrite!
An extraordinarily rare historical document that defines a specific slave-related incident.
SOLD
The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. This grouping would look fabulous framed!
Approximate measurements are as follows:
6 Musicians: 6.6" tall x 3.50" wide
Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.
The photo of the verso of all 6 figures reveals that only the violinist has received some restoration- a single piece of archival tape reinforcing a crease.
This entire grouping of die cuts is being sold as one single offering at $45.00.
$145.00
Housed in an ornate, brass frame complete with backside pin to allow attachment to one's clothing, the mourning pin measures 1 3/16th inch in diameter.
The image is quite clean and crisp with a very tiny imperfection noted on the image just above the woman's head at the frame edge.
$45.00
This offering features two lovely die cuts- one, a well-to-do Victorian era husband and wife sitting down to dinner, and the second, a colorfully dressed bride and groom at the altar about to take their wedding vows. The third offering is a glossy finish mini-size litho featuring three siblings arriving at school with book bags on their backs, and one sporting an umbrella in case it later rains. Three children peer out the school window awaiting their arrival.
The products for which these die cuts and litho were meant to endorse is unknown. The litho features a very glossy finish, and the die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. All would look fabulous either framed individually or as a grouping! Think gift!
Approximate measurements are as follows:
The dining couple & the Wedding: 4" tall x 5.75" wide
School children: 6" tall x 4.50" wide
Priced each at $45.
Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.
The photo of the verso of all three pieces reveal that only the wedding die cut has a small restoration made to one of the altar candlesticks using archival quality tape. There have been no repairs or restorations made to either the school litho or the Dinner die cut.
$795.00
This is single page, partial document written on both front and back sides. It is missing its first page which would have shown the name of the deceased slave owner and the listing of the interior household goods and furnishings, and the last page which would have noted the date and county in which the document was executed as well as witness and judicial signatures. However, the most historically significant page exists and is offered here- a plantation estate document in which the slaves are referenced by name and further described by their family position and marital status!
What makes this document EXTRAORDINARILY RARE, UNUSUAL, and ATYPICAL is that it proceeds to, first, categorize the 40 slaves using the word SLAVES instead of the common verbiage of the time -Negroes-, and secondly, it proceeds to list the male slaves BY NAME, ALONG WITH THE NAMES OF THEIR WIVES AND THEIR CHILDREN, with monetary value listed in the right column of the document!!!! In two instances, the number of years married is also listed! Children are labeled "Girl, "Boy", or "Infant". Total value of these 40 slaves was calculated at $24,200.00!
Given that slaves were viewed as property and not human beings in any way equal to the Caucasian race which enslaved them, it is extraordinarily unusual to find a document which recognizes and lists slaves as "Family Units", further designating family position- husband, wife or child! Typically,there was little, if any, thought given to the pain and anguish such slave families would suffer if their "owner" chose to sell off any one of them at any given time. Such estate documents as this listing ENTIRE SLAVE FAMILIES BY NAME is simply without precedent! It would indeed be a phenomenal discovery to be able to identify the plantation and/or deceased slave owner as such an estate listing speaks to an uncommon, albeit, rare and unique perspective of slave ownership. Such a personalized and humanized account of the slaves owned makes this particular document all the more heart-wrenching, and it certainly begs the very sad question of whether or not these slave families were allowed to remain united and intact once the final estate disposition was conducted.
The document measures approximately 8 1/2 inches wide x 14 1/8 inches long, is double-sided and is in good condition, with fold lines evident along with some age-related foxing at top and bottom fold lines. 1 3/4 tear along the fold line of the top fold at right edge. The ink color is sepia toned (likely as a result of some fading over time) on a pale blue, vertically-ruled, heavy paper. This phenomenal piece of cultural ephemera is ready for appropriate archival preservation/framing.
The listing of slaves is on the back side of the document with the front side listing farm animals, equipment and supplies along with values- "The following property set apart for the use and benefit of the farm".
Middle Passage Museum History: The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
$395.00
Completed in silk thread on early, thick, pressed paper canvas, the diminutive, 1 5/8 x 2 3/4 inch piece of needlework remains stitched onto the original, 1 ¾ x 8 inch long, deep red satin banding. Standing on deep red ground, the black boy wears pale green and black striped clothing.
This wonderful, early piece of Black Americana needlework remains in excellent, original condition. At some point in time, a previous owner matted and framed the piece to allow for both ease of display and protection; however, to meet archival requirements, the piece requires a replacement of its current cardboard backing, and spacer bars separating the needlework from the glass should be added. Framed measurements are 4.5 inches wide x 11 inches long.
A phenomenally rare piece for the advanced Black Memorabilia collector!
It is difficult to photograph glass without reflection- please note that any aberrations are reflections only.
$675.00
This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.
Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.
Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
$35.00
The products which these advertisements were meant to endorse is unknown. The advertisements feature a high-shine, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Both would look fabulous framed!
The advertisement featuring the strolling family measures approximately 7.25 inches wide x 10.25 inches long. The advertisement featuring the nine celebrators measures approximately 10.25 inches wide x 7.25 inches long.
Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged advertisements. These pieces are approximately 140 years old, and while in very good condition given their age, both do have tiny surface imperfections, bend lines and light edge wear. The advertisement featuring the celebrators has significant edge wear and some paper loss along the horizontal top and bottom of the piece; however, with proper matting and framing, these imperfections can be easily and completely hidden.
The advertisements are PRICED EACH as follows: $35 for the family of five out for a stroll and $25 for the advertisement featuring the 9 celebrating and dancing folk.
$1,195.00
The single page, 16" x 25" document was folded in half by its author, and the charge is written out on one side of the folded page (see photos). The folded page was then flipped over, folded into fourths, and the title of the charge was written out: "Warrant of Slave girl Ally Crime of Murder "Tho. Roney (?)Pros(?)".
The text of the charge reads as follows, Paragraph one:
"Georgia Warren County"
"Before me Elisha Burson as Justice of the peace for Said County personally came before me Thomas Roney who being duly Sworn Saith that, he had Just reason to believe and verify doth believed that a negro girl by the name of Ally, hired by, and in the possession of Said Thomas, and the property of Nancy Mayhamry, did on Sunday afternoon twelfth last in Said County in Sweetwater Creek, feloniously and willfully drown two of his children, to wit, two daughters, one ten years old, the other seven years old - Sworn and Subscribed to before me May 30th, 1844" - (signed) Elisha C Burson J.P. (signed) Tho. Roney
Paragraph Two:
"Georgia Warren County"
"To any lawful officer to execute and return - Whereas Thomas Roney hath this day made complaint before me on oath, that he hath just reason to believe and verify doth believed that a negro girl by the name of Ally, hired by, and in the possession of Said Thomas, and the property of Mary Mayhamry, did on Sunday afternoon twelfth last- in Said County in Sweetwater creek, feloniously and willfully drown two of his children, to wit, two daughters one ten years old, the other Seven years old - This was therefore to command you, to apprehend this Said negro girl Ally, and bring her before me that she may be dealt with as the law directs - here of fail not - - - In testimony whereof I have hereunto Set my hand and Seal, May 30th, 1844" - - - (signed) Elisha C Burson J.P. S.S.--(the S.S. encircled perhaps to signify his Seal)
Condition of this very, very unique slavery document is quite fine given its 178 years of age. Expected aging of paper with insignificant and minor tears at creases and tiny areas of soiling. (see photos)
Truly an extraordinarily rare historical document that defines a specific slave-related incident.
One has to wonder what became of Ally? Was she ever caught? If so, she was likely put to death. But was she innocent or guilty? Because she was a slave, it, heinously, did not matter as she would be allowed no voice...
$325.00
Condition of the litho is considered very good given the rich coloration that remains. Some minor wear does exist: 2 small tears measuring less than 1/2 inch each on either side border edge-- one in the trees on the right side and the other on the left side in the water. There are several teeny holes in the sky to the right of the bearded gentleman's fishing pole as well as one single hole in the black gentleman's hair. (Please see photos.) Some wear to the border at top as shown in photos.
Despite the noted imperfections, this lithograph displays beautifully, with rich color and crisp lines. It presently resides in an early 1920's frame; ideally from a conservation point of view, it would benefit from a re-framing with acid-free materials to continue to preserve its historic importance.
$695.00
The needlework measures approximately 15 by 14 inches and is in good condition overall, given its 120+ years of age! The central design is superb with no problems, but the two upper corners show evidence of some unraveling, particularly the upper right, which has a small hole. This little hole could be repaired, or if the piece was framed, it could be visually eliminated; however, it truly does little to detract from the central focal point of the children on the seesaw, when viewed in its entirety. The piece does show subtle evidence of typical, age-related discoloration.
An utterly wonderful and scarce example of 19th century Black Americana themed Needlework!