Catalog: Archives: Collectibles (190)

Measuring 9 inches high, these delightful examples of Folk Art styling, represent two of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women. It has been speculated that their creation was encouraged through FDR’s Depression era program, the Work Projects Administration (WPA), in existence from 1936-1940.

Offered are two of these fabulous WPA craft Black Character dolls.

One doll depicts the black fisherman. He holds a bait pail and bunch of sticks tied together with string that has been flung under his right shoulder. In his left hand, he carries a wooden fishing pole from which a silver-colored, metal fish dangles (the fishing bowl has a bit of scotch tape wrapped around it, leading one to believe that there is some weakness to the pole that required stability provided through the tape). This is an older gentleman who wears a straw hat with gray hair (peeking through the top as well as undersides of the straw hat) and who has embroidered facial features –most characteristic of these dolls. Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. Clothing is machine-sewn cotton with careful detailing right down to the patches on his knees and the red hanker chief tied around his neck. His body is black cotton stuffed with cotton batting.

The second doll, who is posed in the photos lovingly draping her right hand through the crook in the Fisherman’s arm while holding a plaid valise in her left, is dressed quite stylishly in flowered skirt with white bloomers showing, a wine-colored jacket with darling round, matching buttons, and a phenomenal black felt hat adorned with ruby red ribbon accented with pink and white flowers. Quite the stylish Grande Dame!

A pair of very special dolls that takes a snapshot of history in capturing the life of the poor southern black of the Depression era.

Dolls are priced separately at $245.00 each.

This is an authentic signed baseball from former Negro League baseball player Luther "Luke" Atkinson. The ball was signed at an autograph show in March 2006. Luther "Luke" Atkinson was #20, a stand-out performer for the Wilson, North Carolina All Stars, the Carolina Tigers, and the Satchel Paige All-Stars, who played baseball in the Negro Leagues from 1955 to 1960, starting his career right out of high school. As of spring 2018, Mr. Atkinson, who lives in Maryland, remains an active volunteer in the newly opened, Hubert V. Simmons Museum of Negro Leagues Baseball, Inc., at the new Owings Mills Metro Centre Complex.

A brief history of the Negro League:

African Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African Americans from these teams by 1900, with black players left to form their own teams.

In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.

In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.

Offered is a fabulous, one-of-a-kind group of 15, hand-carved and hand-painted, circa 1920-1930's, wooden miniatures of Black Folk as they would have appeared during the Harlem Renaissance!

Hand-executed by Robert A. Myers of 73 E. Hazeltine Avenue, Kenmore, New York, the figures vary in height from 2.25 to 2.75 inches. The colors are absolutely brilliant and the detailing exquisite with the tiniest of details painted with superb precision, control and great artistry.

"HAND MADE, R. A. Myers, 72 E. Hazeltine Ave., Kenmore, NY" is clearly stamped on the soles of approximately 5 of the figures--yet there is no question that all were executed by the same hand, and it is likely that all figures at one time bore this stamp.

Little is known of Robert A. Myers other than the fact that the street address stamped on the soles of the figures' feet was a private residence, and Robert A. Myers was indeed listed as residing at this address in a 1930 Kenmore (a suburb of Buffalo) telephone directory.

The fabulous figures have been safely stored over these many years in a felt-lined, hardwood, hinged box which undoubtedly has contributed to their most excellent condition!

Truly a RARITY! These wonderful folk art figures would make an outstanding addition to the museum quality Black Memorabilia collection! Not to be missed--these are one-of-a-kind!

Offered is an 1809, Augusta, Georgia, slave document - a Bill of Sale between John Woolfolk of Edgefield District, South Carolina, to Thomas Cumming of Augusta for a total of three slaves, all of whom were related: an adult woman named Judy, who was a seamstress, and her two children, Eliza and Edward.

This document is quite unusual in that it was generally atypical that slave families were permitted to remain together when a slave sale was conducted, regardless of the age of any children involved.

The single page, 15.5" wide x 19" long document was folded in half by its author, and the bill of sale is written out on one side of the folded page (see photos). The folded page was then flipped over, folded into thirds, and the title of the document was written out: "Bill of Sale John Woolfolk, Edgefield District. S.C. (South Carolina) for Judy- a Seamstress Edward (and) Eliza her children".

The text of the Bill of Sale reads as follows, First Paragraph:
"Augusta the 8th June 1809, Received from Thomas Cumming, Six hundred Dollars, being the consideration money infull for the following negro slaves sold and delivered to him this day. Judy a woman of about 21 years old Edward a Boy of about three years old and an infant female, named Eliza, Both Children of the said Woman Judy, which Said three negroes, Judy, Edward and Eliza, I do hereby warrant and defend against the claims of all persons whomsoever"

Second Paragraph:
"Given under my hand and seal the day and date first above written."
"John Woolfolk"

Condition of this slavery document is quite remarkable given its 213 years of age! Expected age-related discoloration of paper and slight (approx 3/4 inch)paper split at one end of one fold only. (see photos)

Offered is an incredibly RARE, COMPLETE, "dexterity" game entitled, "TIP THE BELL BOY, copyright 1929 and 1930, manufactured by All-Fair Toys and Games of Churchville, New York.

This unusual and cleverly conceived game features a VERY brightly colored lithograph target in very fine, virtually unused condition, depicting "a RITZ HOTEL Bell Boy" hanging from a metal stand while balancing 3, all-original, tins cups- two on his arms and one between his feet. The metal stand, from which the bell boy hangs, inserts into a wooden lined hole in the game board base. The stand is designed with a hook at its top from which the Bell Boy hangs, easily swinging back and forth.

The colorful cardboard game base features 18 holes designed to "capture" balls aimed at it with point values of 5, 10, or 15. If one is dexterous enough to have one's ball land in one of the cups on the bell boy's arms, one earns 25 points! A ball landing in the cup between the bell boy's feet, earns 40 points! The game came with 12 wooden balls of different colors, and all 12 original balls remain. The balls are aimed and shot at the target via the original, wood and metal shooting mechanism (see photos and game box cover).

The game directions are printed on the inside of the original cardboard cover and specify a 1929 copyright in tiny print above the words "All-Fair". A copyright of 1930 is printed on the game base and a copyright of 1929 is printed on the game box cover.

Measuring 12 inches tall x 12 inches wide x 1 1/2 inches deep, the game cover as well as the RITZ Bell Boy target and game board all display absolutely fabulously!

As evident in the photos, the box and box cover show expected wear given their 82+ years of age. The box cover shows evidence of minimal creasing, some small areas of paper loss, some slight tearing at the upper right side seam and some edge wear. The box base shows edge wear. The game base has some minimal creasing and minor areas of surface paper loss. The Ritz Hotel Bell Boy ("RITZ" is printed on his red cap) evidences minor areas of surface paper loss, most predominantly at the base of the legs where one of the metal cups is attached.

Given overall condition, the game seems to have seen little if any play!

The All-Fair Toys & Games Company was in business from 1926-1952. Harry O. Alderman and Elmer E. Fairchild were co-founders of the Alderman, Fairchild Company of Rochester NY in 1900, manufacturing paper boxes and novelties. Elmer E. Fairchild held a number of patents related to the paper and novelty industry. When the market for paper boxes dropped, they switched their printing presses designed for color lithography over to the production of games and paper litho on wooden toys. Board games and target games were being advertised and sold under the name "All-Fair" as early as 1922 (The Auto Race Game). In 1926, All-Fair spun off as a separate company and moved to Churchville, NY, some 59 miles east of Buffalo. The box cover as well as the game base are labeled as follows: "COPYRIGHT(s) 1929 & 1930 BY ALL-FAIR incorporated CHURCHVILLE, NY, MADE IN U.S.A." An EXTRAORDINARILY RARE find!!!

Measuring 17 inches long x 9.25 inches wide x .75 inches deep, this untouched, all-original, double-sided wooden sign is an extraordinarily RARE piece of Black American history-- an artifact of the "Jim Crow" era when segregation of the African American race was unfortunately, most commonplace.

This sign once hung on the inside of a railroad car, designating the line behind which African Americans must remain-- in the back of the car.

The sign is painted in gold lettering on both sides as follows: the back of the sign is painted, "FOR COLORED PASSENGERS", while the front of the sign is painted, "FOR WHITE PASSENGERS".

The sign is in all-original condition and has some paint fading, fading of the wood stain in given places (please view photos), and imperfections in the wood as noted in photos. These do not impact the integrity of the sign and are appropriate to the age and purpose of the piece. The sign retains all of its original hardware including "keyhole" receptacle for hanging the sign inside of the railroad car.

An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history that may very well be the only one of its kind extant today!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin item is constructed of cast iron and is a match holder! It remains functional for such use today or may be simply used as an attractive desk paperweight or perhaps as a wall ornament!

The match holder is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 4 1/4 inches long x 4 1/4 inches wide x 1 inch deep. It is unmarked and retains traces of original paint as well as some surface rusting which appears in some photos to be more significant than it is in actuality.

The Johnny Griffin image- in the arena of Black Americana collectibles - should form the cornerstone of any serious Black Memorabilia collection!

Measuring 9 inches high, this delightful example of Folk Art styling, is one of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women. It has been speculated that their creation was encouraged through FDR’s Depression era program, the Work Projects Administration (WPA), in existence from 1936-1940.

This doll depicts the black fisherman. He holds a bait pail and bunch of sticks tied together with string that has been flung under his right shoulder. In his left hand, he carries a wooden fishing pole from which a silver-colored, metal fish dangles (the fish appears to be newer than the doll and is likely a replacement). This is an older gentleman who wears a straw hat with gray hair and who has embroidered facial features –most characteristic of these dolls. Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. This gent has lost his shingle stand but the remnants are still visible glued to the bottom of his left leather shoe. Clothing is machine-sewn cotton with careful detailing right down to the patches on his knees and the red hanker chief tied around his neck. His body is black cotton stuffed with cotton batting.

A very special doll that takes a snapshot of history in capturing the life of the poor southern black of the Depression era.

Please note: This item was photographed under glass, and thus some photos depict unavoidable light reflection which distorts both color and condition. Coloring of poster is rich and is uniform throughout with consistent color and tone. Please view all photos for true representation of fine condition.

Offered is a fabulous and very seldom found World War I recruitment poster that honors the service of the African-American male Army Calvary soldier.

Tastefully rendered, this 17" x 20" paper lithographed poster on cardboard depicts a World War I African-American Calvary soldier bidding farewell to his proud sweetheart/wife as his regiment marches forward off to war in the background.

This rarely found poster is entitled, "COLORED MAN IS NO SLACKER". It was published in 1918 by S.G. Renesch of Chicago (thus printed in lower left hand corner), and is one of only two WWI recruitment posters that were published for the purpose of encouraging the enlistment of male African-Americans. The theme of the two different posters was to offer participation in the first World War as an opportunity for African Americans to demonstrate their patriotism and serve their country. (The second recruitment poster was entitled "True Sons of Freedom" and invoked the memory of Abraham Lincoln and the staunch bravery of black troops to inspire African Americans to enlist.)

The poster remains in its original, black-painted, wooden frame with glass, with original nails holding the poster in place in the back.

The poster remains in very fine condition for its 90+ years of age, showing some subtle wrinkling of paper to the lower 1/5th of the poster, likely the result of subjection to dampness, although, please note, that NO water staining is present.

This poster is a credit to the service of the many African-American men who so faithfully served and died to protect the liberty of the United States of America.

A must-have addition to one's Black Memorabilia or Militaria collection!

Never opened and retaining all of its original powdered scouring cleanser, this near mint canister of Gold Dust cleanser remains a classic and must-have addition to any Black Memorabilia collection!

Measuring 4.75 inches high x approximately 3.25 inches in diameter, the container has slight scuffing to its paper cover and light rust to the base --which in the photo appears more significant than it actually is--- however, there is no problem with structural integrity to the base!

Eye-appealing with its classic "GOLD DUST TWINS" graphic!!

Once part of the Middle Passage Museum inventory, these authentic and extraordinarily RARE adult’s slave shackles have been de-accessioned. These plantation-made, iron, 19th century shackles were once used on a Georgia plantation. They remain all-original and untouched with over 170 years of patina. Superficial rust is present with structural integrity unaffected. These RARE shackles measure a total of 29 inches in length with fourteen, worn, chain links. A horrible, tangible testament to the malevolence of slavery.

Also currently offered for sale and priced separately are two extraordinarily RARE sets of CHILD's slave shackles-- one set retaining the ORIGINAL KEY. This set of shackles is featured in the last photo. Please type the word "shackles" in the search box on our home page to find all 3 sets of shackles currently offered.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Offered are a group of ten, Black Memorabilia postcards in wonderful, unused condition of 1930's through 1950's vintage, priced at $60.00 for the group of ten.

While some photos may appear a bit blurry, this is a function of photography and not condition. All postcards are crisp and clear! The two comical cartoon postcards are much more brightly and vividly colored than the photos depict. The eight photo postcards also feature titles describing their subjects.

A delightful grouping that would be much-appreciated framed!

Offered is the fabulously RARE BIGGER HAIR Negro Tobacco container produced from the mid 1940's through the early 1960's. This container is actually constructed of cardboard with tin base, and is much less frequently found, and thus, much more rare than the earlier, all-metal, and scarce-in-its-own-right, Nigger Hair container due to the greater fragility of cardboard as compared to metal, as well as the fewer numbers of cardboard containers produced.

Following the conclusion of World War II, the American Tobacco Company of Virginia changed its product name from Nigger Hair to Bigger Hair, seeking to broaden the product's marketing appeal as well as viewing the latter label as the more-socially acceptable one. (The earlier Nigger Hair moniker was used by the American Tobacco Company from the 1890's through the early, pre-WWII 1940s; the lithographed can was manufactured by the B. Leidersdorf Company, Milwaukee, Wisconsin.) Interestingly, the company DID NOT change the image of the African woman, but merely added the words Fiji Islander to the left of her face in its indifferent and weak attempt to move further away from the earlier, severely derogatory label.

Measuring 7 inches high x 5 3/4 inches wide, the container is in good condition, perhaps a 7 out of 10, with one side exhibiting minor surface scuffing, while on the other side more scuffs and rubs are evident. Some minor wear around the edge of the top of the container likely occurred from simply taking the cover on and off; however, this is completely concealed by the cover. The original cardboard cover was lost with the passage of time; the replacement tin cover shown was in place when this container was acquired.

The original brownish orange color of the container remains consistent throughout, and the structural integrity of the cardboard is quite sturdy. Superficial rust is evident on the inside and outside of the metal base; this rust does not impact integrity of the tin base. The container retains partial remnants of its paper Federal Revenue Tobacco seal on both sides.

This very rare tobacco container is just a wonderful example of latter Black Americana advertising. The container looks better "in person" than in the photos as the camera actually accentuated the appearance of the scuffing, especially on the "better" side!

If the Nigger Hair Tobacco container is currently in your collection, the addition of the Bigger Hair container will complete your collection from both a cultural and historical perspective!

Measuring 14.50 inches high and standing on a 5.50 inch square base, this fabulous, vintage 1930's, chalkware statue of Louis "Satchmo" Armstrong holding his fabled cornet is quite heavy, weighing nearly 5 lbs!

Louis Armstrong (1901-1971) was the greatest Jazz musician of all time, defining what it was, what it meant to play Jazz. His incredible technical abilities, the joy and spontaneity felt in his works, and his amazingly quick, inventive, musical mind continues to dominate Jazz to this day.

This wonderful piece is a superb likeness of "Satchmo", and it remains in very fine, all-original condition! No chips, cracks, repairs or repainting! Minor and tiny, age-related flakes to the surface of this chalkware piece exist here and there and are entirely appropriate given the statue's 70+ years of age. No maker's mark--just a small encircled "C" for copyright on the back of the base. Bottom of base is covered in an original, soft, felt-like material to prevent statue from scratching display surfaces.

A fabulous piece of Louis Armstrong Memorabilia!!

Measuring approximately 5 3/8 inches in length, 4 3/4 inches in width, and 2 3/8" in depth, this wonderful, ceramic, Wide-Smiling Mammy Wall Pocket was made in Japan, circa 1940-50's.

Coloring is quite brilliant, and the condition is very fine with appropriate age-related crazing and some tiny, circular, firing imperfections on Mammy's polka dotted scarf as noted in photos. Please note that white marks are flash reflections, not imperfections. Makers mark is noted on the back--- an "E" inside of a crown.

A delightful piece of Black Memorabilia that displays wonderfully on a wall or shelf!

A very difficult to find Tin, Black Man dancing toy!

In very fine condition, with faint, superficial scratches expected of a 70+ year old metal toy, this wonderful Tuxedoed Dancing Black Man is in working condition! He is stamped "Made in USA" on his back and was made by Buffalo Toy Works. It is operated via a small metal lever at the base that can be jiggled (thus, the name "Jigger" Toy) up and down and back and forth to make Dancing Sambo wave his arms and jiggle his legs!

Measures approximately 6.5 inches high. Maker unknown. Displays wonderfully!

Please note that any white spots appearing in photos are from the camera flash and are not imperfections!

Measuring approximately 5 inches high, this very RARE, Japan-made, circa 1930’s pair of Black Butler and Mammy Salt and Peppers are in unused, mint condition, with just the lightest of glaze crazing visible. This highly appealing pair is considered rare as the Butler wears a green jacket versus the very common black jacket. Each is marked “Japan” on the base. A very wonderful addition to the special Black Memorabilia collection!

Measuring 10 inches long, this fabulous and rarely-found, all-original, C1900, cast iron, MAMMY Memo Board actually still retains its original pencil, which is labeled "MAMMY MEMO Made in USA No.370"!

This cast iron piece retains a majority of its original paint, and the bug-eyed caricature of Mammy is suggestive of turn-of-the-century manufacture. This memo board is heavy and hefty and is, not unexpectedly, missing its paper pad. This wonderful piece also reveals its manufacture origin on the reverse side indicating Holyoke, Massachusetts, origin (see photo). Mammy may either be displayed propped up on a shelf, or she can be hung via the original hole in the top of her kerchief.

This cast iron Mammy memo board in such fine condition rarely surfaces in today's collecting market. It is the precursor to and model for all subsequent Mammy memo boards that were manufactured much later on in a variety of materials--plaster-of-Paris, wood, and plastic.

Truly a must-have for the collector of Mammy or Aunt Jemima collectibles!

A wonderful and extremely RARE hard cover book with original paper dust cover by Kate Gambold Dyer, copyrighted 1942 by Platt and Munk Publishers and measuring 8 x 9.25 inches.

Fabulous black and red line illustrations as represented by photos adorn this 38 page book! The book features the Christmas-time adventures of eight year old Turquoise "Turky" Trott, one of six of Mammy Trott's children. Featured in the book is a Black Santa!

Interior pages are in fine condition--they are tightly bound together; front and back covers are also tight. The hard bound covers appear to be in mint condition, having remained protected by the original dust cover which has remarkably minimal wear to its edges and retains its brilliant coloration. A penciled in number has been written on the interior front of the book. Stamped on the edge of the interior of the paper dust cover is the original 1942 selling price of 85 cents!

A charming addition to one's Black Americana collection, and a black-themed children's book that is very rarely found in today's collectible market!!

Measuring 39.75 inches long x 17.50 inches high, this untouched, all-original, single-sided, porcelain, circa 1930-40s sign is an extraordinarily RARE piece of Black American history-- an artifact of the "Jim Crow" era when segregation of the African American race was unfortunately, most commonplace.

The origin of this sign is unknown, but given its very substantial size and weight, it likely once hung as a directional sign in a major bus or railroad station, designating the "WHITES ONLY" area where African-Americans were not permitted to sit, stand, or otherwise, occupy.

The subtly convex sign has had no restoration and remains in all-original condition. It bears areas of paint loss, scratching and superficial rusting (some areas larger in scope than others) typical for its age and use as noted in photos. Please view photos for further assessment of the sign's condition. The age and use-related signs of wear do not impact the physical integrity of the sign and are more than appropriate to the age and purpose of the piece.

An utterly phenomenal, extremely RARE, one-of-a-kind, museum-worthy piece of Black American history!

Please take a moment to view the other "Jim Crow" Segregationist Era signs that I currently have the pleasure of offering.

Those who are ardent collectors of the famed Florence Upton creation - the Golliwogg - recognize this 19th century, first edition, children's book as an extraordinarily RARE find indeed, very seldom available for purchase in today's market!

"The Golliwogg's Bicycle Club", published in 1896 by Longmans, Green & Co, London & New York, was illustrated by Florence K. Upton, with story written by her mother, Bertha. This book was the 2nd Golliwogg adventure in a series of thirteen Golliwogg adventures by Upton, with the last published in 1909-- all of which are incredibly difficult to find today.

This hard cover book, measuring 8.75 inches high x 11.5 inches long, is a total of 63 pages in length. The book is lavishly illustrated with 30 full-color illustrations and tells the story of Golly's world travels. Golly and his friends, suffering from boredom, create their very own bicycles out of tree-wood and then partake of marvelous adventures in Paris, Japan, Turkey and Africa!

The Golliwog, itself, was based on a Black minstrel doll that Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was a less-than-handsome creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

The book is in very fine but not perfect condition-- not surprising given the book's 114 years of age! Wear to hard-board-cover edges. Binding remains strong, but thread stitching securing pages to binding has weakened with the two, center-most pages separated from the others. Evidence of tape repair on these loosened pages present. Book is complete, with no missing pages.

Truly a fabulous find! The first time I have EVER had the pleasure of offering this wonderfully-rare children's book in my 26 years of dealing in Black Memorabilia!!

Measuring approximately 12 inches in height, these vintage plastic dolls were offered as Aunt Jemima Company premiums in 1949! Purchase price was 25 cents each plus 3 box tops from any Aunt Jemima product! They were sold as cutouts for the buyer to sew together and then stuff as desired.

This pair was machine stitched and lightly stuffed with cotton batting. Aunt Jemima holds a stack of her famous pancakes while Uncle Mose politely holds his top hat in his hands.

Both dolls retain their vivid, brilliant color and are free of rips, tears, holes. Some teeny dirt spots/stains here and there, and Aunt Jemima has a little, 1 inch long, heat-related indentation in her apron--maybe from being stored in an attic and having something press into her? Not a big deal- no tear to plastic - just an impression into the plastic that does blend into the "wrinkliness" of her form anyway.....

A very colorful pair that displays quite nicely as seen in photos! **Please note that any white marks seen in photos are flash reflections only and are not damage to the dolls.**

Measuring 9-7/8 tall x 13-1/2 inches wide, this extraordinarily rare, Jim Crow era, segregation sign advertises a "colored-only" hotel, Coleman's of Ashland, Virginia.

Constructed of cardboard with black printing, this circa 1920-30s sign reads: " Coleman's Hotel Colored. Special Attention to Tourists. Ashland Virginia".

The sign remains in all-original condition inclusive of minor discoloration as noted in photos and small chips to the upper right and lower left corners. Print source is noted: "Herald-Progress Print, Ashland, VA".

This is NOT a reproduction, but rather a fortunate preservation. It is quite amazing that this sign has survived the many years being constructed out of cardboard. It was clearly stored away in such a manner that preserved its original condition.

Travel for African Americans during the Jim Crow period was difficult and complicated, with limited options for eating, sleeping, even procuring gasoline for the car. As a result, black-owned hotels and motels placed signs such as this one prominently in their windows. There were even special travel-guides to help African Americans plan their trips, hopefully, without incident. Victor Green's "Green Guide" provided state by state lists of colored hotels, motels and other travel-related businesses that catered to African-Americans.

Quite possibly the ONLY sign remaining extant from this particular, racially segregated establishment. An historically significant piece!

Measuring 9.5 x 11.5 inches framed, this lovely, circa 1950’s, multi-colored, cross stitch sampler is entitled, “Enough Is As Good As A Feast”. In excellent condition and appearing to have been recently re-framed, this lovely piece features a Mammy and child carrying meal-filled dishes, presumably, to the dinner table. The sampler also features pretty flowers, and appropriately, a knife and a fork! The tiniest trace of a stain is barely visible at the top of the fork, but truly, it is not readily noticeable and certainly does not detract from the marvelous visual appeal of this very sweet piece!

Measuring a diminutive 4.50 inches wide x 2.25 inches long x 1.5 inches high, this very early, metal, circa 1900, Diamond Match Co. box is very rarely found on today's market.

The box is in very good condition for its 100+ years of age with teeny tiny chips to the surface as noted in photos.

The box features an incredibly detailed graphic on its cover depicting an African-American family gathering around the patriarch as he readies to strike a match for the very first time.

Entitled "Their First Box of Drawing Room Matches. Paterfamilias: You chillin keep back deah! You want you heads blowed off'n you shouldus?"

A fabulously rare piece for the serious collector!

Measuring 25.5 inches wide x 22 inches high in its original oak frame (the artwork itself measures 19.5 inches x 16.5 inches), this extremely rare, museum-quality example of American Folk Art with Deep South Black Americana theme, features the unusual combination of stenciled (?) cotton, crewel stitch-work, and oil and watercolor painting to achieve its phenomenal look!

Cheerily entitled, “Down Where The Cotton Blossoms Grow”, the scene encapsulates a moment in time in the life of poor, southern, Black folk living as part of a tenant farming family in a wooden cabin at the edge of a expansive cotton field. A young, barefoot black boy and his graying mama are caught in a happy moment smiling and dancing next to a freshly-picked burlap bag of cotton.

This artwork has been completed on a tightly woven piece of tan cotton, with the outline of the basic design either pre-stenciled or hand-painted with black India ink. (Without removing the piece from its frame and examining it under the stronger power of a microscope, this is difficult to determine.)

The artist then used watercolors to paint in the broad areas of color prior to using embroidery cotton and silk thread to stitch the title, and to outline the trees, the landscape, the wooden cabin, the two black figures and their clothing, etc. The final touch was to paint in the cotton blossoms and aspects of the folk’s facial features with a white oil paint. The result is a larger scale, utterly charming Folk Art Black Americana scene!

The condition of the piece, which is framed under glass, is excellent with no staining, tears, or other damage to the cotton fabric. The original solid oak frame shows some scuffing and subtle traces of paint. The original wood backing remains as well as several original square head nails.

This piece is truly a unique example of traditional, late 19th century, American Folk Art! Coupled with its Black Americana theme, this artistic rendering is a rare and precious offering!

Identical to Milton Bradley's "Jolly Darkie Target Game" manufactured circa 1910, this visually striking dexterity game is very curiously unmarked---quite likely a very rare error in manufacture.

This fabulous game features a brightly colored lithograph target depicting the dapper, banjo-playing, "Jolly Darkie" with a gigantic mouth.

The target box remains in very fine condition, appearing to have seen little, if any, use. It has four openings through which one was to toss the four wooden balls that the game originally came with, but which are no longer present. It measures 13 inches tall x 6 3/4 inches wide x 1.5 inches deep.

As evident in the photos, the side-less box cover shows expected wear given its 100+ years of age, with some pencil writing in the mouth and some surface soiling.

As indicated earlier, the extant game pieces do not retain a copyright year or maker name; however, this game is very similar to two other Milton Bradley Jolly Darkie Target games that were manufactured from 1890-1910, suggesting that this game was also manufactured during this era by Springfield, Massachusetts' Milton Bradley Company. The directions to this game are not present, and it is quite possible that the manufacturer and manufacture date both appeared on the direction card-- as has been found to be the case on other Milton Bradley games of this era.

The game cover as well as the JOLLY DARKIE target box display absolutely wonderfully and would be a colorful asset to one's vintage black Americana game collection!

Offered is an ULTRA-RARE, UNCUT, 1924, COMPLETE SET of the FOUR members of the Aunt Jemima Rag Doll Family---Aunt Jemima, Uncle Mose (Aunt Jemima's Husband-- so labeled on his upper back), Little Diana, and Wade Davis.

The dolls were conceptualized as advertising pieces and were only obtainable from the Aunt Jemima Mills of St. Joseph, Missouri, in return of 25 cents in stamps or coins along with 4 box tops or backs from select Aunt Jemima products (proofs of purchase!). Dolls were then shipped promptly, postpaid upon receipt!

I have never come upon a complete, uncut set!!! Rather, these dolls are more typically found as "singletons" here and there by chance-- already cut, sewn, stuffed and played with as opposed to the pristine, complete, uncut versions offered here.

The set is in quite wonderful condition given its 93 years of age. The color of each doll remains amazingly crisp and brilliant! Mild foxing is noted here and there throughout. Fold lines are evident as well; HOWEVER, it must be noted that these fold marks are the result of ORIGINAL PACKAGING and SHIPMENT as these linen pieces were carefully folded to fit within a simple, small to medium-sized envelope when mailed out from the factory.

Additionally, a prior owner likely had framed these pieces as mild tape staining is noted on the backsides of each piece of linen, with some mild, tape-stain, bleed-through noted at the feet of Uncle Mose and Aunt Jemima on the front side. The set is truly in fine condition given its age and was obviously prized and very well cared for over the years.

Each figure is printed on its own, separate piece of linen. Aunt Jemima measures 10.5" wide by 35" long; Uncle Mose measures 10" wide by 35" long; Diana and Wade each measure 12.5" wide by 17.5" long.

A rare opportunity for the advanced collector to acquire an uncut, complete set of 1924, Aunt Jemima Family Advertising Rag Dolls!

This offering will be sold as a complete set ONLY; offers for individual pieces will not be entertained.

Offered is a C1950-60s, vintage package of Zulu Lulu Swizzle Sticks, Novelty Party Bar-ware that has never been opened. The plastic swizzle sticks on a colorful cardboard display remain sealed within their original clear plastic packaging. Never Used! Perfect condition! Measures 11 inches wide x 8.5 inches high.

Offered are 3 nice hand forged golf clubs sporting hickory shafts. Included are clubs from Nicolls of Scotland, Hillerick and Bradbys Co. from the USA, and G. Schmidt. All 3 clubs date to the 1920s and are in good condition.

The first club is from George Nicolls and is stamped on back as follows: "HAND FORGED IN SCOTLAND" - '2 IRON' - 'CARRYING POWER 150/70Yds - and in a circular stamp 'NICOLLS INDICATOR'". The stamp of a hand palm also embellishes this nice Scotland created club. The INDICATOR model was introduced in 1926 and became very popular. The face is DOT stamped and there is a small ding on the leading edge close to the heel. Measures 36.5 inches from then end of shaft to the heel. There is slight gap between the hosel and shaft connection and ancient crimp marks on the hosel are noted. This may indicate that the shaft, while appearing period, may be an early replacement. The leather grip is in very good condition and overall the club sports a nice patina.

The second club is stamped on back with the following information: "Hillerick and Bradbys Co. Louisville, KY 'GRAND SLAM' and a stamp of a hand hold playing cards with an 'A' on the front. It is stamped with the number '5' on the sole. The 36.5 inch shaft is stamped "Made by Hillerick and Bradbys Co. Louisville, KY". A small gap is noted between the shaft and hosel. The club has a wonderful surface patina throughout and the grip is solid. The face sports a square stamped pattern.

Club number 3 is stamped on the back with the following: "G. Schmidt - NIBLICK - FORGED and the letter 'W'". The 'W' may be the owners mark. This 36.5 inch club sports a nice patina, and a good complete grip. The shaft has a barely noticeable split by the hosel. The large face has 'line' pattern stamping and the leading edge shows two honorable dings. A neat club to display!

Offered is an incredibly RARE, undoubtedly one-of-a-kind, authentic, 19th century, slavery artifact!

This incredible slave collar speaks for itself, opening yet another small window into the history of African-American slavery. The collar is labeled with the enterprise's business name, Ross and Drum, out of Florence, South Carolina (SC), and is dated 1846. This enterprise was likely involved in the trading and auctioning of African-American slaves given its pronouncement of the phrasing "Negroes &" on the metal plate of the collar. The "&" likely implied the service of selling all "other" manner of estate "property" from land to livestock. Slaves- or Negroes as they were commonly referred to in the "slave states"- were considered "property", not human beings.

Measuring approximately 33 inches in length, the collar band is constructed of thick, sturdy leather, upon which is fastened a brass-appearing, engraved plaque, with ten, hand-forged, iron links forming the chain. Two circular, iron loops appear at either end of the leather collar. The collar weighs a hefty 1.6 lbs.

The slave collar plaque, ironically, is decoratively etched and features two crosses and two Masonry symbols, along with other symbolic engravings.

A stunning and important museum-quality offering without question!

Offered is a graphically appealing, 1950s, Kodak Film Advertising Display. This beauty comes in the original box and shows very little wear. There is scant patina from minimal use, minor surface scratches and blemishes, and one bend in the metal as seen in the photo. The display turns easily on its circular base, and the colors are as bright as if it was brand new! Definitely a discerning collector's dream!

Measures 20.75" tall x 7.25" in diameter. The overall height includes the removal top pediment.

A five-sided display seldom found in this condition!

This extraordinarily RARE, circa 1920's, vintage Americana Folk Art, BLACK MINSTREL SHOW Banjo & Case is a Black Memorabilia collector's dream!

Seldom found on today's Black Americana market, this piece comes out of a Chicago estate and was said to have been used in Chicago area Black Minstrel Shows.

The FOLK ART quality painting to this authentic banjo is wonderful, with little paint wear, and it depicts a smiling, pig-tailed, black man playing the very same model banjo! The name, "JoJo" is also hand-painted in red and pink on the front of the original leather banjo case.

The banjo does not bear a maker's mark, but is stamped "patent applied for" as noted in one photo. It measures 22 inches long x 8 inches wide at its widest point. The overall condition of the piece is quite remarkable given its 85+ years of age with expected age wear.

This phenomenal piece of BLACK MEMORABILIA from the BLACK MINSTREL SHOW era remains a RARE & IMPORTANT historical artifact, and is absolutely stunning as a Folk Art display piece!

Measuring 3 /12 inches high x 5 ¼ inches wide x 3 inches deep, this early 1950’s USA-made, plastic, RED Aunt Jemima Recipe Box has seen little, if any, use.

Manufactured by FOSTA Products, this highly sought after piece of Black Memorabilia is in near mint condition with some light superficial scratching that is only visible when the box is held under bright lighting and angled to catch the light just right! A small paint rub to the tip of Aunt Jemima’s nose and some 1950’s dirt tucked into tiny crevices are the only other imperfections! The gold painted word, “RECIPES” , written on the lid is mint! Truly in very, very fine condition----- most fortuitous as these recipe boxes were usually well used!

A delightful and essential, vintage piece of early 50’s Black Americana for the serious collector!

Offered is a rarely found, copyright 1910, Milton Bradley Company of Springfield, Massachusetts, dexterity game entitled "Ring A Pin".

The game features a wooden target with a brightly colored, paper lithograph depicting nine different male faces, including that of an African-American with exaggerated facial features. The target is in very good condition with some minimal surface soiling and paper loss. It retains its original, orange wooden stands.

Each gentleman sports a metal hook from his mouth upon which one is to attempt to toss a very small ring. NOT an easy task by any stretch!

This brightly lithographed game retains four, original, celluloid-like throwing rings. The game directions, which are printed on the back side of the box cover, do not specify the number of rings that were originally included in the game, so it is not known if four was the original number. The game box cover, featuring the original paper lithograph, no longer retains its sides. The cover lithograph is in good condition given its 103 years of age with small areas of surface loss, some tiny rips and missing paper segments, and some light pencil writing evident.

The game box measures 6 1/2 inches tall x 9 1/2 inches wide x 2 inches deep.

The game cover as well as the target piece displays absolutely wonderfully! A RARELY found, quite visually captivating, Black Memorabilia collectible!

An utterly fabulous, all-original, 1930s, "pure licorice", English Toffee tin with a phenomenal caricature of a black man eating a large piece of yummy toffee! This piece is enhanced with a striking visual graphic making this the centerpiece of one's Black Memorabilia collection!!

Measures 9.75 inches high x 6.25 inches wide x 4.25 inches deep. Condition is quite fine with superficial scratches and minor surface rust near the base and on some seams--see photos--no problems to structural integrity!