Catalog: Archives (250)

Measuring 10 inches long, this fabulous and rarely-found, all-original, C1900, cast iron, MAMMY Memo Board actually still retains its original pencil, which is labeled "MAMMY MEMO Made in USA No.370"!

This cast iron piece retains a majority of its original paint, and the bug-eyed caricature of Mammy is suggestive of turn-of-the-century manufacture. This memo board is heavy and hefty and is, not unexpectedly, missing its paper pad. This wonderful piece also reveals its manufacture origin on the reverse side indicating Holyoke, Massachusetts, origin (see photo). Mammy may either be displayed propped up on a shelf, or she can be hung via the original hole in the top of her kerchief.

This cast iron Mammy memo board in such fine condition rarely surfaces in today's collecting market. It is the precursor to and model for all subsequent Mammy memo boards that were manufactured much later on in a variety of materials--plaster-of-Paris, wood, and plastic.

Truly a must-have for the collector of Mammy or Aunt Jemima collectibles!

This extraordinarily difficult to find pharmacy “IDEAL CAPSULE FILLER” was used by early 20th century druggists in the Pierce Pharmacy, Hartford, Connecticut.

The machine was successfully developed to increase a pharmacist's capsule production. The patent date is stamped Oct. 31, 1905, and the direction guide is marked "Baltimore Capsule Co." The capsule filler has a filling plate with 4 parallel rows of 24 holes and each row was made for 2 different size capsules.

The condition of this wonderful apothecary tool of the trade is very good, complete with the warm, rich patina one would expect of an antique of this age including the usual scratches, marks and unobtrusive dings and tarnish. The metal parts appear to be nickel plated, and the wood base looks like walnut. The filler measures approximately 13”L x 4.5”W x 4.5” H.

The accessories appear to be complete when compared to the images seen in the guide that is included.

The interior has traces of residue from the sand that was used to stabilize the box when in use.

A must addition for any pharmacy/apothecary collection.

Please check my website often as this and many other vintage pharmacy items from the Pierce Pharmacy will be posted in the coming weeks. (Circa 1960 PHOTOS of the Pierce Pharmacy are NOT INCLUDED in the sale.)

This exceptional, one-of-a-kind, circa 1900, cloth doll was made and designed by Ruie Ann Park, a Van Buren, Arkansas, Civil War History author who wrote “Civil War Letters of the Shibley Brothers, Van Buren, Arkansas”.

This extremely rare SAMPLE doll was, at one time, exhibited by Mrs. Park at a Van Buren drug store for marketing purposes--orders would be taken at the drug store based upon her sample doll or dolls that were displayed.

This richly detailed, finely executed doll wears 2 authenticating cloth tags (see photos) that attest to this doll’s provenance; one tag is a hand-inked-in-script tag sewn to the base of the doll’s apron that reads “Sample”, and the other is a machine-printed tag that is stitched to the waist band of the apron and reads, “Designed by Ruie Ann Park, Van Buren, Ark., All Rights Reserved”.

This lovely, 13 ½ inch long, old black Granny doll has a delicately designed, serious looking face that has been carefully hand-etched in ink. Her curly gray hair pulled back into a bun at the nape of her neck is crafted from yarn, and she wears a small, proper brown cloth hat with pink banding. Her body is quite firmly stuffed with cotton, her hands are stitched to delineate her fingers and (separated) thumbs, and her outfit is machine-stitched and completely original. She wears unbleached, ruffle-edged, muslin pantaloons and underskirt. Her dress is cream colored cotton calico printed with black and pink flowers, and further accented with the most delicate, pink-trimmed, pink polka-dotted, lace cuffs and collar. Her unbleached muslin apron is trimmed with light pink ric-a-rac along its hem and single pocket. Her outfit is completed with black cotton stockings and authentically detailed black, lace-up leather boots.

This extraordinarily rare doll with her very unusual, documented provenance is in very, very fine condition! A truly superb Black doll beckoning to the most sophisticated of doll collectors! Also offered from the same wonderful doll collection is a circa 1920 black cloth doll named "Sallie"- another must-have!

Presented as an historical and cultural artifact, this extraordinarily RARE, very scarcely found, cloth book entitled Ten Little Niggers with Music was published in London, circa 1904, by Dean's Rag Book Co. Ltd. This registered issue is the very early No. 82 and was patented in Great Britain, Germany and the United States. The book measures 8.50 inches long x 6.75 inches wide.

The book tells the infamous story of ten little African-American boys who are gradually eliminated in number via one circumstance after another--most utterly horrid-- choking to death, chopping himself in half, being crushed by a bear, being swallowed by a red herring, etc, ending with the last boy sadly living all alone, a circumstance he happily remedies by getting married.

Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed, black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.

This 113 year old book remains in all-original, very good condition with no alterations or repairs. Original binding and stitching remain quite tight and intact. Illustrated by R. J. (James) Williams, the interior illustrations remain very brightly colored. Pages present varying degrees of very light soiling, light foxing, and yellowing of linen, commensurate with age. Some pages also show subtle water staining that has not impacted cloth integrity. No tears or rips to fabric.

This book is in truly remarkable condition for its age and in consideration of its all-cloth construction. This title is very RARELY found in today's market and is an absolute cornerstone piece in any serious Black Memorabilia collection!

To view other versions of this book presently available for separate purchase, please type the words "ten little" into the SEARCH box on our home page.

Offered is a 1910 PISO'S Cough Cold Remedy CANNABIS Patent Medicine Bottle recently acquired at a local estate sale in Myrtle Beach, SC.

This is an investment caliber specimen in original packaging that is unopened, unused and full.

The contents include Extract Cannabis Indica and Chloroform and are clearly marked on the bottom of the packaging front. The FOOD & DRUG ACT of June 30, 1906, is noted on a side panel with information also printed in German on the opposite side panel.

The paper label packaging is mostly complete with some fading, wear, minor loss and aging commensurate with an antique bottle. It measures almost 6"H x 2"W x 1". There are no signs of content leakage or staining. The fancy Victorian images and script found on the label are more pronounced on the front panel. The top appears to sport a small tax stamp printed, "THE PISO COMPANY - WARREN, PENNA".

The last photo (photo #6) shows the back side of packaging.

This is an antique collectible item and contents are not for consumption.

Offered is the 1902, 'Pore Lil Mose' Comic by legendary artist R.F. Outcault entitled, "HE TREATS HIS FRIENDS TO SODA WATER", featuring a multitude of scenes in a turn-of-the-century drug store or apothecary shop!

The Pore Lil' Mose series was created in 1900 by The New York Herald cartoonist, Richard F. Outcault, the creator of the more popularly known 'Yellow Kid' and 'Buster Brown' comic strips. Pore Lil' Mose was the first Black comic strip.

Measuring 14.75" x 11.75" framed, the comic remains in very fine condition with excellent, vivid color, and no rips or repairs. It is framed in an old black wooden frame with a heavy cardboard backing and would benefit from professional framing using archival, acid-free materials to enhance its life for many years to come.

Highly sought after among Black Americana collectors!

The history of the Pore lil' Mose comic strip:

In creating Pore Lil’ Mose, R.F. Outcault took an absurd concept of a 7 year old black kid living on his own in 1901 New York City with his monkey, bear, dog, and cat friends and was able to make people laugh and at times, take a critical look at themselves and the world they lived in.

The “Pore Lil’ Mose” series was far ahead of its time in social commentary and portrayal of blacks. Before he was a cartoonist, Outcault was a masterful illustrator working for Thomas Edison producing complex illustrations for Edison’s laboratories as well as illustrating for some of the largest newspapers and magazines of the late 1800’s. In the beginning, cartooning was just a way for Outcault to make additional income and have fun. Because of his experience as an illustrator, his early cartoons were drawn with more detail and skill than other cartoonist and are rich in artistic and historical detail.

What truly makes “Pore Lil’ Mose” stand out from other black cartoons of the period is Outcault’s portrayal of blacks. One should keep in mind that in 1900, the Civil War had only been over for 35 years, and the civil rights movement of the 1960’s was still over sixty years away. “Pore Lil’ Mose” was the first comic strip to have a black character as its main protagonist, and for over half a century, “Pore Lil’ Mose” was the only comic strip to have portrayed blacks as judges, teachers and other professionals. When one views the 70 plus “Pore Lil’ Mose” strips, one sees that Outcault created a character in Mose who was polite, kind, generous, accepting, intelligent and at times a deeply profound thinker who loved his family and friends. Pore Lil’ Mose can be viewed as a role model for every human being regardless of race or ethnicity.

Offered is an extraordinarily decorative pair of late 19th century, English, Arsenic and Opium, apothecary shelf bottles.

The amethyst glass poison bottle is labeled "LIQ:ARSEN: or ARSENIC, and the cobalt bottle is labeled "EXT:PAPAV:LIQ" - the abbreviation for the Latin PAPAVER which is an OPIUM alkaloid.

Each narrow-neck bottle features a gorgeous, faceted, ground-glass stopper that enhances the appearance of this lovely cobalt and amethyst pair!

The bottles also feature stunning, hand-painted labels as well as hand-painted English shields with double lions.

Each bottle measures 7 1/4 inches high.

A must-have addition to the advanced drug store or apothecary collection!

This very rarely found, 19th century, iron, hand-forged, Child SLAVE Rattle Shackle measures a diminutive 2 3/4" high x 2 1/2" wide. The interior diameter is only a tiny 2 inches wide, and thus able only to fit the wrist of a very young or tiny-framed child. This came from the collection of a Charleston, South Carolina, collector who purchased the artifact years ago out of a Charleston area estate that was once a thriving rice plantation in the 18th and 19th centuries.

The sides of the rattle shackle are constructed of lateral “pockets” each containing one small, iron orb that would “rattle” when the wearer would move about.

Because this particular type of rattle shackle does not have iron loops or openings to “thread” iron chain through, it would have been attached to the ankle or wrist of a very young “house slave” who worked strictly inside the plantation house and thus was under very close supervision by the plantation owner and/or family members.

All original and untouched, an utterly horrible, tangible testament to the malevolence of slavery. A VERY RARE form of rattle shackle, even more particularly so due to its very small size!

Additionally, de-accessioned from the Middle Passage Museum is an ultra-rare set of 19th Century Slave Ship Shackles from a New Orleans, Louisiana, former slave trader estate! Please type the word "shackles" in the search box on our home page to find all sets of shackles currently being offered.

Those who are ardent collectors of the famed Florence Upton creation - the Golliwogg - recognize this 19th century, first edition, children's book as an extraordinarily RARE find indeed, very seldom available for purchase in today's market!

"The Golliwogg's Bicycle Club", published in 1896 by Longmans, Green & Co, London & New York, was illustrated by Florence K. Upton, with story written by her mother, Bertha. This book was the 2nd Golliwogg adventure in a series of thirteen Golliwogg adventures by Upton, with the last published in 1909-- all of which are incredibly difficult to find today.

This hard cover book, measuring 8.75 inches high x 11.5 inches long, is a total of 63 pages in length. The book is lavishly illustrated with 30 full-color illustrations and tells the story of Golly's world travels. Golly and his friends, suffering from boredom, create their very own bicycles out of tree-wood and then partake of marvelous adventures in Paris, Japan, Turkey and Africa!

The Golliwog, itself, was based on a Black minstrel doll that Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was a less-than-handsome creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

The book is in very fine but not perfect condition-- not surprising given the book's 114 years of age! Wear to hard-board-cover edges. Binding remains strong, but thread stitching securing pages to binding has weakened with the two, center-most pages separated from the others. Evidence of tape repair on these loosened pages present. Book is complete, with no missing pages.

Truly a fabulous find! The first time I have EVER had the pleasure of offering this wonderfully-rare children's book in my 26 years of dealing in Black Memorabilia!!

Offered for sale is a 19th century, medium-sized, apothecary pharmacy bottle sporting “PULV. CANEL. ALB.” on the label under glass label!

The 8.25 inch tall bottle is marked on the base, “WN WALTON PAT. SEP 23 1862”, and is of early blown glass construction. The fancy, recessed applied label is complete and is in very nice condition. The stopper is of ground glass construction and is in very good order as well.

The inside of the bottle is 1/3 full of a light brown powder. Very nice indeed!

Offered is a very scarce, 1870s, Scotland Maker, Long Nose, Mid Spoon, Wood Golf Club with original finish!

This rare, antique, hand-wrought golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!

This amazing club sports its original varnish surface and is offered in "as found" condition. The top of the club shows some loss of finish that is commensurate with an antique golf club. The darkening of the finish results a wonderful patina. The club displays a lovely elegance owing to the gently-sculpted angling of the face. The sole of the club shows signs of mild use with linear scuff marks beginning at the front portion of the inlaid horn. It measures a formidable 41 inches from the heel.

The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, Scottish club makers of the 19th century. The lead has been expertly applied to the back of the club, and the original twine adds to the club's character. The hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many years ago and has signs of gentle use.

A phenomenal, rarely-found example of 19th century craftsmanship! A tangible example of exemplary golfing history!

Offered is a choice, 19th century, physician's, Homeopathic Medicine Case, a nearly complete example containing 147 of the original 150 corked vials!

Each vial measures approximately 1.5 inches in length including the cork. The vials are nestled in the leather case, and each vial sports a small paper label. The fitted case measures 10.5" long x 2" wide x 3.5" high and shows wear commensurate with age and use. Modest wear and loss to the flap closure is noted with general wear and mild loss of material.

A wonderful representation of late 19th century homeopathic medicine!

The 1852 publication of Harriet Beecher Stowe's, UNCLE TOM'S CABIN, caused an international sensation which prompted many potters in Great Britain to produce a plethora of objects depicting various scenes and sentiments from the novel.

One of the most distinctive pieces to be produced came from the Staffordshire pottery of Ridgway and Abingdon, and in time, came to be referred to as 'the slavery relief jug'.

The jug displays two very compelling scenes from the novel: the dreadful slave auction depicting a devastated and weeping, soon-to-be-separated slave family on one side, and on the other side, the fugitive slave, Eliza, fleeing north from enslavement with her baby in her arms across the ice floes of the Ohio River. A notable detail on the side of the jug depicting the auction- the broadside posted on the auctioneer's podium reads, "By Auction this Day a Prime Lot of Negroes".

In addition to these two scenes, the jug handle is decorated with the iconic image of the head and clasped hands of a slave (presumably Uncle Tom) in prayer.

The underside of the jug is stamped by the maker and is dated January 1, 1853, indicating that it was produced within just months of the 1852 publication of UNCLE TOM'S CABIN.

Made of Parian stoneware, the jug measures approximately 7 inches high, with an approximate 3.5 inch diameter mouth. The jug is in all-original and overall excellent condition. Two slight and tight hairline cracks are evident at the base and are best viewed by looking into the interior of the jug as their presence is much more subtle on the exterior and thus more difficult to photograph. One of these hairlines is present along the foot of the jug; the other occurs a bit higher up in acanthus leaves that border the baseline near the ice floes. A single, tight hairline is also present at the interior mouth near the handle (please refer to all photos). None of the hairlines affect structural integrity as they are quite tight; they are not atypical given the jug's 150+ years of age.

An exceptional and formidable piece of history, very rarely found in today's antiques market!

Offered is an interesting antique hearing device from the late 1800s called a CONVERSATION TUBE.

According to Elisabeth Bennion, author of “Antique Hearing Devices” page 31, “The great advantage of the conversation tube as a type of hearing aid was that it obtained greater enhancement of sound by placing the bell close to the mouth of the speaker, thereby allowing for a normal conversational tone;.......It proved very effective as the sound, having been collected at source before being conducted to the ear, the speech sound level could therefore be increased considerably without danger of background noise.”

The ear trumpet conversation tube measures approximately 39.5 inches. The metal bell and gutta percha ear piece are in very nice condition. The spiral conical long aluminum tube is encased in silk or plaited wool that is intact though worn and still appealing . A great “conversation” piece!

An extraordinarily RARE 19th CENTURY piece of Black Americana advertising featuring a fabulous graphic of 2 young African American painters holding a "White-Wash Boy's Hydrated Lime" box.

This product was produced by the lime manufacturers, Hatmaker and Place, of Canaan, Connecticut, in the late 1800s. This small company was located within a large "lime belt" that stretched from Connecticut to Vermont. Back in the day, lime powder mixed with water was quite commonly used to "white wash" or paint numerous surfaces, and it was also used as a medicinal disinfectant! The manufacture of lime from marble was one of the earliest and most successful mineral industries in Connecticut, with historical records dating the establishment of the first CT lime manufactory to 1722.

Given its age and the fragility of paper, condition of this wonderful box is quite good. The lower portion of the back side of the box evidences light surface wear with some of the printing on the lower portion of the box worn away as a result. The front of the box has a 3.25 inch long tear which resulted in the loss of the lime powder from the box.

This early piece of Black Americana advertising is EXCEEDINGLY RARE and may well be a ONE-OF-A-Kind item! The Hatmaker and Place Company was one of a number of very small manufactories located within the "lime belt" that were ALL bought out and immediately closed down by a wealthy group of investors who then created and incorporated the mammoth monopoly, The New England Lime Company, early in 1902.

This fabulous piece of Black Americana is NOT to be missed by the serious collector!

This hard to find pharmacy “KONSEAL FILLING and CLOSING APPARATUS” was used by early 20th century druggists in the Pierce Pharmacy, Hartford, Connecticut.

The machine was made by The J. M. Grosvenor Co., Boston, and was the most widely used cachet preparation device in American pharmacies.

The condition of this wonderful apothecary tool of the trade is very good, complete with the warm, rich patina one would expect of an antique of this age including the usual scratches, marks and unobtrusive dings and tarnish. The metal parts appear to be nickel plated, and the case is of a hard wood construction. The apparatus measures approximately 18”L x 10”W x 2” H.

The accessories appear to be complete when compared to the images seen in the directions that is glued to the inside case and my reference text. There are 3 packets full of directions for patient use. There is an extra set of funnels included with this sale.

The interior divider has some partially missing edges that does not distract from this set .

A must addition for any pharmacy/apothecary collection.

Please check my website often as this and many other vintage pharmacy items from the Pierce Pharmacy will be posted in the coming weeks. (Circa 1960 PHOTOS of the Pierce Pharmacy are NOT INCLUDED in the sale.)

Offered for sale is a rare, 19th century, apothecary, pharmacy hanging show globe that is complete with original chains and wall hanging bracket. This hand-blown glass globe sports an interior that is somewhat hazy and could use a slight cleaning.

The 30 inch chains are complete and attach to the fancy collar. All parts are in very good condition and the globe CAN hold water. The decorative Victorian hanger and wall bracket make this handsome globe ready to display in your collection.

Showglobes have a rather interesting history in the early drug store / apothecary shop and can be compared to the "Trade Sign" that was hung on the exterior of a business to advertise a product or service. Although there has been much debate over time as to their actual purpose, it has been long thought that the color of the water was symbolic...for example, red and blue water representing arterial and venous blood. Some historians have suggested that showglobes were used as visual communication tools with red water representing plague or disease present in the community, and green water signaling an "all is well" in the community to travelers wishing to stop overnight. It has also been said that show globes in New England apothecaries would be illuminated at night to warn ships in the harbor of sickness, plague, etc.

Offered is an extraordinarily RARE, pre-Civil War, Negro slave document from Decatur County, Georgia, dated May 1837.

This document is an exceptionally rare piece of historical ephemera in that it is the actual, formal and legal lawsuit filed by slave owner, Esther Miller, along with 25 other named male citizens of Decatur County, Georgia, against one Cader Powell for the "offense of beating, whipping, and assaulting a slave without sufficient provocation."

The document goes on to state that Cader Powell assaulted "a certain male slave named Issac (property of Esther Miller) with sticks, fists, cow pokins, and other dangerous weapons and then did unlawfully whip beat him, so that the healthy body of service of said slave was greatly injured without sufficient provocation being first given by said slave to the great annoyance of the said Esther Miller, the lawful owner of said slave..."

While one would like to think that this formal lawsuit was filed as a result of the tremendous outrage against humanity felt by the 26 parties bringing the suit, one has to consider that this lawsuit was more likely filed due to financial considerations--that the cruelly assaulted slave, Issac's, monetary value as owned, usable property was greatly diminished as a result of his beating. It is quite reasonable to infer that the slave, Isaac, suffered permanent physical injury as a result of his beating and that his monetary worth was thus, permanently devalued.

Regardless of the motivation behind the filing of the lawsuit, to find such extant documentation describing the conditions of southern slavery as well as the objection of slave-owners to the cruel and inhumane treatment of a slave is rare indeed.

The document remains in excellent, all-original condition. It measures 7.75 inches wide x 9.75 inches long.