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The box is in very good condition for its 100+ years of age with teeny tiny chips to the surface as noted in photos.
The box features an incredibly detailed graphic on its cover depicting an African-American family gathering around the patriarch as he readies to strike a match for the very first time.
Entitled "Their First Box of Drawing Room Matches. Paterfamilias: You chillin keep back deah! You want you heads blowed off'n you shouldus?"
A fabulously rare piece for the serious collector!
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The Pore Lil' Mose series was created in 1900 by The New York Herald cartoonist, Richard F. Outcault, the creator of the more popularly known 'Yellow Kid' and 'Buster Brown' comic strips. Pore Lil' Mose was the first Black comic strip.
Measuring 14.75" x 11.75" framed, the comic remains in very fine condition with excellent, vivid color, and no rips or repairs. It is framed in an old black wooden frame with a heavy cardboard backing and would benefit from professional framing using archival, acid-free materials to enhance its life for many years to come.
Highly sought after among Black Americana collectors!
The history of the Pore lil' Mose comic strip:
In creating Pore Lil’ Mose, R.F. Outcault took an absurd concept of a 7 year old black kid living on his own in 1901 New York City with his monkey, bear, dog, and cat friends and was able to make people laugh and at times, take a critical look at themselves and the world they lived in.
The “Pore Lil’ Mose” series was far ahead of its time in social commentary and portrayal of blacks. Before he was a cartoonist, Outcault was a masterful illustrator working for Thomas Edison producing complex illustrations for Edison’s laboratories as well as illustrating for some of the largest newspapers and magazines of the late 1800’s. In the beginning, cartooning was just a way for Outcault to make additional income and have fun. Because of his experience as an illustrator, his early cartoons were drawn with more detail and skill than other cartoonist and are rich in artistic and historical detail.
What truly makes “Pore Lil’ Mose” stand out from other black cartoons of the period is Outcault’s portrayal of blacks. One should keep in mind that in 1900, the Civil War had only been over for 35 years, and the civil rights movement of the 1960’s was still over sixty years away. “Pore Lil’ Mose” was the first comic strip to have a black character as its main protagonist, and for over half a century, “Pore Lil’ Mose” was the only comic strip to have portrayed blacks as judges, teachers and other professionals. When one views the 70 plus “Pore Lil’ Mose” strips, one sees that Outcault created a character in Mose who was polite, kind, generous, accepting, intelligent and at times a deeply profound thinker who loved his family and friends. Pore Lil’ Mose can be viewed as a role model for every human being regardless of race or ethnicity.
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The box measures 6.5" H and has some unobtrusive hand writing on the front panel. It is also missing the bottom though displays perfectly. The lamp is in original condition, complete and has a wonderful patina.
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The machine was successfully developed to increase a pharmacist's capsule production. The patent date is stamped Oct. 31, 1905, and the direction guide is marked "Baltimore Capsule Co." The capsule filler has a filling plate with 4 parallel rows of 24 holes and each row was made for 2 different size capsules.
The condition of this wonderful apothecary tool of the trade is very good, complete with the warm, rich patina one would expect of an antique of this age including the usual scratches, marks and unobtrusive dings and tarnish. The metal parts appear to be nickel plated, and the wood base looks like walnut. The filler measures approximately 13”L x 4.5”W x 4.5” H.
The accessories appear to be complete when compared to the images seen in the guide that is included.
The interior has traces of residue from the sand that was used to stabilize the box when in use.
A must addition for any pharmacy/apothecary collection.
Please check my website often as this and many other vintage pharmacy items from the Pierce Pharmacy will be posted in the coming weeks. (Circa 1960 PHOTOS of the Pierce Pharmacy are NOT INCLUDED in the sale.)
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The oak case measures 11.75"L x 5.5"W and has a rich warm patina with very minor staining to the top. Displays wonderfully!
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The book tells the infamous story of ten little African-American boys who are gradually eliminated in number via one circumstance after another--most utterly horrid-- choking to death, chopping himself in half, being crushed by a bear, being swallowed by a red herring, etc, ending with the last boy sadly living all alone, a circumstance he happily remedies by getting married.
Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed, black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.
This 113 year old book remains in all-original, very good condition with no alterations or repairs. Original binding and stitching remain quite tight and intact. Illustrated by R. J. (James) Williams, the interior illustrations remain very brightly colored. Pages present varying degrees of very light soiling, light foxing, and yellowing of linen, commensurate with age. Some pages also show subtle water staining that has not impacted cloth integrity. No tears or rips to fabric.
This book is in truly remarkable condition for its age and in consideration of its all-cloth construction. This title is very RARELY found in today's market and is an absolute cornerstone piece in any serious Black Memorabilia collection!
To view other versions of this book presently available for separate purchase, please type the words "ten little" into the SEARCH box on our home page.
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One cannot help but wonder whether or not this sampler was completed by black female who was illustrating her life history which included involvement in the UNDERGROUND RAILROAD! The references to BOTH Canada (the maple leaf and the crown) and the US (the American Flag) along with the black images are rather curious, making this a very plausible theory! The sampler certainly depicts happy images of life within an affluent (Irish?) household. Hmmm…could this well-executed sampler have possibly been completed by an ex-slave?????
This magnificent sampler is in very good condition for its 100+ years of age. There is some running of the red wool yarns, most probably the result of a previous owner’s attempt to clean the piece. This likely can be removed professionally, although I do not feel it is a significant detraction and question the necessity of attempting to do so. The edges are a bit frayed, but there are no dirt stains, holes, tears, or repairs, and except for isolated areas, the needlepoint stitching remains in wonderful condition!
This colorful and mysterious sampler would be a thought-provoking addition to one’s Black Americana collection!
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The case measures 16"H x 16"W x8”D. Displays wonderfully!
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Missing is much of the green liner paper to the box interior as well as the lower portion of the exterior brass latch. Additionally, the cabin lid has detached from the base although all aspects of the brass hinges appear to remain intact. Otherwise, this rarely found Black Americana Log Cabin Cigar Box is in marvelous condition, and the fabulous color litho adds to this piece’s value!!!
The log cabin measures 8 inches long x 5 inches deep x 5.5 inches high.
The wonderful litho which served to advertise the cigars feature a jolly black family singing and dancing as they all – with the exception of the youngest child – enjoy a cigar! In the lower right corner of the litho “Neuman Publishers NY” is partially obscured; in the lower right corner the words “Trade Mark Frey Bros NY”.
An extremely RARE, high quality, Black Americana collectible for the distinguishing collector!
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Showglobes have a rather interesting history in the early drug store / apothecary shop and can be compared to the "Trade Sign" that was hung on the exterior of a business to advertise a product or service. Although there has been much debate over time as to their actual purpose, it has been long thought that the color of the water was symbolic...for example, red and blue water representing arterial and venous blood. Some historians have suggested that showglobes were used as visual communication tools with red water representing plague or disease present in the community, and green water signaling an "all is well" in the community to travelers wishing to stop overnight. It has also been said that show globes in New England apothecaries would be illuminated at night to warn ships in the harbor of sickness, plague, etc.
There are no chains with this 21" tall showglobe. Also note that a creative previous owner has adapted the collar with a hook (for hanging with a single chain) that can be removed if desired.
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These iron, hand-forged, 19th century slave ship shackles were purchased back in the early 1960’s out of a family estate in New Orleans, Louisiana, whose 18th and 19th century ancestors were involved in the slave trade. The shackles remain all-original and untouched with fifteen very heavy chain links that vary in size, measuring a total of 40 inches in length when positioned in a straight line. The cuff size is enormous with diameter measurements of 4.75 and 4.25 inches each; the heft and weight of each cuff is quite impressive. This very weighty set was designed to immobilize when the two circular links were attached to another locking shackle on the interior wall of the ship. An utterly horrible, tangible testament to the malevolence of slavery.
The anonymous museum benefactor from Georgia kept this particular set aside from those items he had planned to donate to the Middle Passage Museum due to the rarity in opportunity of acquiring slave ship shackles---the only set he acquired in his many years of collecting which began in the early 1950's before the collectible field of Black Americana was popular or even socially or politically acceptable.
Also currently offered for sale and priced separately are a rarely found, 19thC Slave Rattle Shackle out of the Charleston, South Carolina area and a set of early 19th century, child/young adolescent - size, Slave Crab Rattle Shackles. Please type the word "shackles" in the search box on our home page to find these sets of shackles.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
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Also currently offered for sale and priced separately are two extraordinarily RARE sets of CHILD's slave shackles-- one set retaining the ORIGINAL KEY. This set of shackles is featured in the last photo. Please type the word "shackles" in the search box on our home page to find all 3 sets of shackles currently offered.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
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The sides of the rattle shackle are constructed of lateral “pockets” each containing one small, iron orb that would “rattle” when the wearer would move about.
Because this particular type of rattle shackle does not have iron loops or openings to “thread” iron chain through, it would have been attached to the ankle or wrist of a very young “house slave” who worked strictly inside the plantation house and thus was under very close supervision by the plantation owner and/or family members.
All original and untouched, an utterly horrible, tangible testament to the malevolence of slavery. A VERY RARE form of rattle shackle, even more particularly so due to its very small size!
Additionally, de-accessioned from the Middle Passage Museum is an ultra-rare set of 19th Century Slave Ship Shackles from a New Orleans, Louisiana, former slave trader estate! Please type the word "shackles" in the search box on our home page to find all sets of shackles currently being offered.
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This fine, walnut, twenty-five compartment case houses twenty three medicine bottles, most of which are embossed FRASER & CO, with a few marked FRASER. A total of seventeen of the bottles sport original, early labels. Three other bottles have hand-written labels, and the remainder are unlabeled- one of which has no embossing. There are a total of six amber bottles, two of which are corked and without labels, while four are complete, inclusive of paper labels. Some of the bottles are partially filled with tablets. Please see photos to view the various medicine labels, one of which is OPIUM.
The walnut cabinet measures 11" W x 10.5" D x 6.25" H, and is in nice condition with a split on the front top that can be restored if desired. The finish has a lovely, warm patina, and the brass escutcheon bears just the right amount of oxidation. A wonderful addition to any collection!
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This rare, antique, hand-wrought golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!
This amazing club sports its original varnish surface and is offered in "as found" condition. The top of the club shows some loss of finish that is commensurate with an antique golf club. The darkening of the finish results a wonderful patina. The club displays a lovely elegance owing to the gently-sculpted angling of the face. The sole of the club shows signs of mild use with linear scuff marks beginning at the front portion of the inlaid horn. It measures a formidable 41 inches from the heel.
The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, Scottish club makers of the 19th century. The lead has been expertly applied to the back of the club, and the original twine adds to the club's character. The hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many years ago and has signs of gentle use.
A phenomenal, rarely-found example of 19th century craftsmanship! A tangible example of exemplary golfing history!
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Each vial measures approximately 1.5 inches in length including the cork. The vials are nestled in the leather case, and each vial sports a small paper label. The fitted case measures 10.5" long x 2" wide x 3.5" high and shows wear commensurate with age and use. Modest wear and loss to the flap closure is noted with general wear and mild loss of material.
A wonderful representation of late 19th century homeopathic medicine!
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One of the most distinctive pieces to be produced came from the Staffordshire pottery of Ridgway and Abingdon, and in time, came to be referred to as 'the slavery relief jug'.
The jug displays two very compelling scenes from the novel: the dreadful slave auction depicting a devastated and weeping, soon-to-be-separated slave family on one side, and on the other side, the fugitive slave, Eliza, fleeing north from enslavement with her baby in her arms across the ice floes of the Ohio River. A notable detail on the side of the jug depicting the auction- the broadside posted on the auctioneer's podium reads, "By Auction this Day a Prime Lot of Negroes".
In addition to these two scenes, the jug handle is decorated with the iconic image of the head and clasped hands of a slave (presumably Uncle Tom) in prayer.
The underside of the jug is stamped by the maker and is dated January 1, 1853, indicating that it was produced within just months of the 1852 publication of UNCLE TOM'S CABIN.
Made of Parian stoneware, the jug measures approximately 7 inches high, with an approximate 3.5 inch diameter mouth. The jug is in all-original and overall excellent condition. Two slight and tight hairline cracks are evident at the base and are best viewed by looking into the interior of the jug as their presence is much more subtle on the exterior and thus more difficult to photograph. One of these hairlines is present along the foot of the jug; the other occurs a bit higher up in acanthus leaves that border the baseline near the ice floes. A single, tight hairline is also present at the interior mouth near the handle (please refer to all photos). None of the hairlines affect structural integrity as they are quite tight; they are not atypical given the jug's 150+ years of age.
An exceptional and formidable piece of history, very rarely found in today's antiques market!
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Measuring 7 3/8 inches wide x 10 3/8 inches long, the book is illustrated in brilliant color with 8 full page chromolithographs. McLoughlin Brothers Publishers were re-known for fabulously-executed illustrations.
Condition: Good-- for its 134 years of age! Unpaginated. Paper covers. The book was stitched at the spine some time ago and this repaired binding remains tight. Several edge tears are present on the cover and to interior pages along with a heavy crease to the back page that is partially separated. These tears are evident in photographs. All original and complete--no missing pages.
Text: "One little nigger feeling rather blue, whistled out another nig and that made two. Three little niggers wanting one more, hadn't any trouble in getting number 4. Four little nigs not knowing how to drive, hired a colored coachman---that made 5. Five little niggers being calculating men, added one apiece, to make their number 10. Dis colored chile am done, dat sum; Five and five's ten---and now's gwine hum."
A must-have for the serious Black Memorabilia collector!!
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"The Golliwogg's Bicycle Club", published in 1896 by Longmans, Green & Co, London & New York, was illustrated by Florence K. Upton, with story written by her mother, Bertha. This book was the 2nd Golliwogg adventure in a series of thirteen Golliwogg adventures by Upton, with the last published in 1909-- all of which are incredibly difficult to find today.
This hard cover book, measuring 8.75 inches high x 11.5 inches long, is a total of 63 pages in length. The book is lavishly illustrated with 30 full-color illustrations and tells the story of Golly's world travels. Golly and his friends, suffering from boredom, create their very own bicycles out of tree-wood and then partake of marvelous adventures in Paris, Japan, Turkey and Africa!
The Golliwog, itself, was based on a Black minstrel doll that Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was a less-than-handsome creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.
The book is in very fine but not perfect condition-- not surprising given the book's 114 years of age! Wear to hard-board-cover edges. Binding remains strong, but thread stitching securing pages to binding has weakened with the two, center-most pages separated from the others. Evidence of tape repair on these loosened pages present. Book is complete, with no missing pages.
Truly a fabulous find! The first time I have EVER had the pleasure of offering this wonderfully-rare children's book in my 26 years of dealing in Black Memorabilia!!
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This exceptional, shield-shaped label is executed in a rare and strikingly colorful design that was certainly a special order item for its owner, JOHN E. MATTES.
The condition of the porcelain mug is excellent! It is embellished with mildly worn gold gilt paint on the rim that coordinates with the gold adornment also on the label. This visually-striking label has mild loss, tiny chips and subtle cracks as noted in the photos. The shaving mug measures 4 inches tall x 3.5 inches in diameter at the top. A gem that is worthy of the most advanced barber shoppe collection!
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The arm is marked "T.O.Co. J. HALL & SON-Makers-Birmingham" and "Class 1 - To Weigh 1 lb."
The scale measures 16"L x 8"W at the wood base and 16 inches high. The condition appears original with only minor distortion to the wood base.
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Bound just like a typical book, this slate was unique in that it was extremely lightweight and offered multiple surfaces on which to complete one's studies (a total of six writing surfaces including interior front and back covers and two interior pages!!). Due to the fragile nature of construction as well as the vigorous use all school slates experienced, not many of these rare slates survived.
Measuring 5 1/8 wide x 8 3/5 long (closed dimensions), the front and back boards are covered with fabric that is embossed with the name of the slate (Silica Book Slate Quartz Surface) and manufacturer info (New York Silicate Book Co).
The interior pages retain some writings that indicate that someone actually used this slate to record information as late as the 1970's!!
A simply wonderful gift for the educator!!
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This label-under-glass (LUG) wide mouth apothecary bottle is in fine condition and sports ground glass construction to the stopper. The label is complete, undamaged and displays very nicely. Note that the reverse side of the label, viewed only through the back of the bottle, has an unusual, stylized "WT&Co" circular trademark label in place.
Of note, the medicine this bottle once contained was a syrup of powdered OPIUM as well as IPECAC, which is an expectorant/emetic. Ipecac was used to induce sweating, treat colds, and reduce fever in adults and children. Opium had been used for centuries as a sedative and to relieve pain. Beginning in the early 19th century, it became a common treatment in the US for an alarmingly wide range of ailments in both children and adults, quickly leading to an addiction epidemic which peaked in 1895. Advances in medicine during this time period and education of doctors via medical instructors and textbooks vehemently warned against the overuse of opium, leading to a drop-off in common use. Regulations were also passed during this time period which restricted access to opiates formerly available "over-the-counter" to access via valid prescription only. A bit of brief history of the medicine once contained in this bottle.
A rarely found narcotic bottle in superb condition!
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This fabulous 19th century sign is constructed of heavy gauge brass and sports incised lettering "PRESCRIPTION DRUGGIST" as well as complimentary Victorian stylized detailing.
This visually striking sign measures 17.5 inches wide x 24 inches high and weighs nearly 8 pounds. There are 10 holes drilled into the sign designed to support wall mounting.
The following maker's name is scribed into the lower left base of the sign: "L.H. MOISE. - San Francisco". Research indicates that L.H. Moise was a very prominent company operating under that name from 1893 - 1897; the company made high quality signage, tokens, badges,and medals.
Condition: surface patina, various minor scratches and blemishes are noted, all quite typical of a 100+ year old sign. The flat black paint within the letters and detailing appears to be a 20th century addition.
An exquisite and eye-dazzling piece of 19th century pharmacy memorabilia, likely---one of a kind!
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The amethyst glass poison bottle is labeled "LIQ:ARSEN: or ARSENIC, and the cobalt bottle is labeled "EXT:PAPAV:LIQ" - the abbreviation for the Latin PAPAVER which is an OPIUM alkaloid.
Each narrow-neck bottle features a gorgeous, faceted, ground-glass stopper that enhances the appearance of this lovely cobalt and amethyst pair!
The bottles also feature stunning, hand-painted labels as well as hand-painted English shields with double lions.
Each bottle measures 7 1/4 inches high.
A must-have addition to the advanced drug store or apothecary collection!
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Also currently offered for sale and priced separately are a second set of rarely found, Georgia, child's, slave shackles (no key with this set) that is featured in the last photo. An additional set of ADULT shackles is also available. Please type the word "shackles" in the search box on our home page to find all 3 sets of shackles currently offered for sale.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
SOLD
The chains belonging to this 21" tall showglobe do not have the original central hook attachment. The hook that is currently attached to the chains is quite sturdy and can be easily replaced if desired. The fancy collar and base are in very good condition. The showglobe is complete with all 3 original finials and a decorative Victorian hangar and wall bracket making it ready to display in your collection. A very lovely and highly unusual -- perhaps one-of-a-kind apothecary show globe!
Showglobes have a rather interesting history in the early drug store / apothecary shop and can be compared to the "Trade Sign" that was hung on the exterior of a business to advertise a product or service. Although there has been much debate over time as to their actual purpose, it has been long thought that the color of the water was symbolic...for example, red and blue water representing arterial and venous blood. Some historians have suggested that showglobes were used as visual communication tools with red water representing plague or disease present in the community, and green water signaling an "all is well" in the community to travelers wishing to stop overnight. It has also been said that show globes in New England apothecaries would be illuminated at night to warn ships in the harbor of sickness, plague, etc.
SOLD
This rare, antique, hand-wrought golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!
This amazing club sports its original varnish surface and is offered in "as found" condition. The darkening of the finish results a wonderful patina. The club displays an enchanting elegance owing to the gently-sculpted angling of the face. The sole of the club shows signs of mild use with linear scuff marks beginning at the front portion of the inlaid horn. It measures a formidable 42 inches from the heel.
The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, Scottish club makers of the 19th century. The lead has been expertly applied to the back of the club, and the original twine adds to the club's character. The hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many, many years ago and has signs of gentle use.
A phenomenal, rarely-found example of 19th century craftsmanship! A tangible example of exemplary golfing history!
SOLD
The blown-glass globe is in very good condition with the expected and minor, age-related scratches and imperfections of antique glass. There are no cracks, and the globe holds water just fine!
The lovely and decorative, iron supporting frame sports an early, gold-painted finish which is quite appealing. (The original, factory-manufactured finish was completed in brass plate.) The interior of the globe's metal crown has minimal, superficial rust as seen in the photo.
This globe displays quite nicely and is ready for exhibit in your collection!
SOLD
This wonderful, all-original pair of matching, 19th century, Whital Tatum, hanging, egg-shaped Apothecary show globes each measure approximately 33 inches from top of chain to bottom of fixture. The 3 1/2 gallon size globes have a patent date embossed inside the brass-plated crown on top: "June 16, 1895".
Both blown-glass globes retain their original brass chains and hooks and are in very good condition with the expected, minor, age-related scratches of an antique glass globe. There are no cracks, and the globes hold water just fine! The interior of the glass globes have a mild hazy appearance, notably towards the upper third of glass. The haziness disappears when the globes are filled with colored water.
The iron supporting frames sport brass plating and are most decorative. There is the expected, age-related, modest loss and tarnishing to the brass features with some metal pitting of the interior and top edge of globe hangers noted.
These globes originally hung in the Yalowich Pharmacy in Rochester, New York. They display beautifully and will add the "WOW" factor to any apothecary collection.
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Early laboratory equipment is a challenge to find but search no more! Offered is an exceptional, very scarce, mid-Victorian, wooden, laboratory funnel stand. This circa 1870s funnel stand is constructed entirely of hardwood sporting a wonderful surface patina.
This fully-adjustable stand measures 17 inches high and can be completely disassembled for storage and transport. The base measures 9 inches long x 4.25 inches wide and has a beveled edge.
The condition of the stand and screw mechanism is very good with some stains and honorable wear commensurate with the age and use of a 150 year old, scientific antique.
*****PLEASE NOTE THAT THE EARLY GLASS FUNNEL PICTURED IS FOR DEMONSTRATION PURPOSES ONLY AND IS NOT INCLUDED IN THE OFFERING AND/OR SALE OF THIS LABORATORY FUNNEL STAND*****
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Cheerily entitled, “Down Where The Cotton Blossoms Grow”, the scene encapsulates a moment in time in the life of poor, southern, Black folk living as part of a tenant farming family in a wooden cabin at the edge of a expansive cotton field. A young, barefoot black boy and his graying mama are caught in a happy moment smiling and dancing next to a freshly-picked burlap bag of cotton.
This artwork has been completed on a tightly woven piece of tan cotton, with the outline of the basic design either pre-stenciled or hand-painted with black India ink. (Without removing the piece from its frame and examining it under the stronger power of a microscope, this is difficult to determine.)
The artist then used watercolors to paint in the broad areas of color prior to using embroidery cotton and silk thread to stitch the title, and to outline the trees, the landscape, the wooden cabin, the two black figures and their clothing, etc. The final touch was to paint in the cotton blossoms and aspects of the folk’s facial features with a white oil paint. The result is a larger scale, utterly charming Folk Art Black Americana scene!
The condition of the piece, which is framed under glass, is excellent with no staining, tears, or other damage to the cotton fabric. The original solid oak frame shows some scuffing and subtle traces of paint. The original wood backing remains as well as several original square head nails.
This piece is truly a unique example of traditional, late 19th century, American Folk Art! Coupled with its Black Americana theme, this artistic rendering is a rare and precious offering!
SOLD
The leather case measures 6"L x 4"W x 1.5"H and the corked bottles are just about 3" without cork. No damage to the glass.
SOLD
The tin sports an early and original, hand-painted, mustard-colored surface, and it measures approximately 7 inches high x 4 inches wide x 5 inches deep (front to back including the distinctive front floral embellishment).
Structurally, the canister is a solidly crafted container, with a slanted, well-fitting, hinged cover that snaps into place when closed. The right top portion of container is slightly bent, and the finish shows modest wear and paint loss. The condition is commensurate with a 19th century well-loved and well-used, dispensary antique.
SOLD
Measuring approximately 10 inches long x 8 inches wide, this extraordinary and historical document is handwritten and was executed on April 29, 1861, just 12 days after Virginia chose to secede from the Union on April 17, 1861.
The document is in excellent condition save the fold marks; this document clearly has been stored in this folded state for the past 153 years. It is suitable and ready for archival preservation- appropriate acid-free backing and matting materials with framing. In the upper left hand corner, the local stationery store's embossed imprint is visible and reads: “S & P Lawrence Superfine”.
The text of the document is as follows:
“Know all men by these presents, that A A Cowdery, of the city of Norfolk, for and in consideration of the faithful services of my negro man George Danley, do hereby emancipate and set free the said negro man George Danley and absolve him from all claim to my service; and for the consideration aforesaid hereby warrant unto him his freedom against the claim of myself and of all persons whomsoever to witness my hand and seal at the city of Norfolk, this 29th day of April 1861.”
A A Cowdery (SEAL)
“City of Norfolk, to wit
Simon S. Stubbs (sp?) a Notary Public in the city aforesaid in the state of Virginia hereby certify, that A.A. Cowdery, whose name is signed to the writing above (?) bearing (?) date on the 29th day of April 1861, has acknowledged the same before me in the city aforesaid. Given under my hand this 29th day of April 1861.”
Simon. S. Stubbs
Notary Public
Truly an extraordinarily rare piece of historical ephemera documenting a tiny light shining within a very dark period in American history. If only the circumstances and "story" surrounding the execution of this document were known today!
Some relevant family history that was very kindly provided by extant Cowdery-Taylor family ancestors:
Alexander Augustus Cowdery was born May 11, 1817, in Norfolk, Virginia, the son of Jonathan Cowdery of Sandisfield, Berkshire County, Massachusetts, and Elizabeth Reddick of White Haven, England. Jonathan Cowdery was a career physician surgeon in the United States Navy, serving until his death in 1852.
Alexander Augustus Cowdery was uncle to Walter Herron Taylor, who served as Lieutenant Colonel in the Confederate Army as Aide-de-Camp and then Adjutant-General under General Robert E. Lee, becoming one of Lee's most trusted aides and an intimate friend. Taylor later authored two works documenting his wartime experiences: "Four Years With General Lee" and "General Lee, His Campaigns in Virginia, 1861-1865".
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The surface sports a vintage patina with traces of rust still present. This appealing cork press measures 9.25� long and is untouched original �as found� undamaged condition.
One of the hardest to find of the vintage figural cork presses.
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This document is an exceptionally rare piece of historical ephemera in that it is the actual, formal and legal lawsuit filed by slave owner, Esther Miller, along with 25 other named male citizens of Decatur County, Georgia, against one Cader Powell for the "offense of beating, whipping, and assaulting a slave without sufficient provocation."
The document goes on to state that Cader Powell assaulted "a certain male slave named Issac (property of Esther Miller) with sticks, fists, cow pokins, and other dangerous weapons and then did unlawfully whip beat him, so that the healthy body of service of said slave was greatly injured without sufficient provocation being first given by said slave to the great annoyance of the said Esther Miller, the lawful owner of said slave..."
While one would like to think that this formal lawsuit was filed as a result of the tremendous outrage against humanity felt by the 26 parties bringing the suit, one has to consider that this lawsuit was more likely filed due to financial considerations--that the cruelly assaulted slave, Issac's, monetary value as owned, usable property was greatly diminished as a result of his beating. It is quite reasonable to infer that the slave, Isaac, suffered permanent physical injury as a result of his beating and that his monetary worth was thus, permanently devalued.
Regardless of the motivation behind the filing of the lawsuit, to find such extant documentation describing the conditions of southern slavery as well as the objection of slave-owners to the cruel and inhumane treatment of a slave is rare indeed.
The document remains in excellent, all-original condition. It measures 7.75 inches wide x 9.75 inches long.
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The figure is decorated in underglaze black, measures 9 inches high, and is in perfect condition with the exception of expected and appropriate superficial crackling to the glaze, and a shallow and very tight, early hairline to the back of the figure at its base. It is titled “Uncle Tom & Eva” on the front base.
An very exceptional piece of Black Memorabilia for the discriminating collector.
Withdrawn
This product was produced by the lime manufacturers, Hatmaker and Place, of Canaan, Connecticut, in the late 1800s. This small company was located within a large "lime belt" that stretched from Connecticut to Vermont. Back in the day, lime powder mixed with water was quite commonly used to "white wash" or paint numerous surfaces, and it was also used as a medicinal disinfectant! The manufacture of lime from marble was one of the earliest and most successful mineral industries in Connecticut, with historical records dating the establishment of the first CT lime manufactory to 1722.
Given its age and the fragility of paper, condition of this wonderful box is quite good. The lower portion of the back side of the box evidences light surface wear with some of the printing on the lower portion of the box worn away as a result. The front of the box has a 3.25 inch long tear which resulted in the loss of the lime powder from the box.
This early piece of Black Americana advertising is EXCEEDINGLY RARE and may well be a ONE-OF-A-Kind item! The Hatmaker and Place Company was one of a number of very small manufactories located within the "lime belt" that were ALL bought out and immediately closed down by a wealthy group of investors who then created and incorporated the mammoth monopoly, The New England Lime Company, early in 1902.
This fabulous piece of Black Americana is NOT to be missed by the serious collector!
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The machine was made by The J. M. Grosvenor Co., Boston, and was the most widely used cachet preparation device in American pharmacies.
The condition of this wonderful apothecary tool of the trade is very good, complete with the warm, rich patina one would expect of an antique of this age including the usual scratches, marks and unobtrusive dings and tarnish. The metal parts appear to be nickel plated, and the case is of a hard wood construction. The apparatus measures approximately 18”L x 10”W x 2” H.
The accessories appear to be complete when compared to the images seen in the directions that is glued to the inside case and my reference text. There are 3 packets full of directions for patient use. There is an extra set of funnels included with this sale.
The interior divider has some partially missing edges that does not distract from this set .
A must addition for any pharmacy/apothecary collection.
Please check my website often as this and many other vintage pharmacy items from the Pierce Pharmacy will be posted in the coming weeks. (Circa 1960 PHOTOS of the Pierce Pharmacy are NOT INCLUDED in the sale.)
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Measuring 11 inches by 25 inches wide, the piece is signed in the lower right corner, "Copyright by McCrary & Branson 189_ Knoxville, Tenn.", with the numeral 7 gone due to missing bits of the paper edge. Research has documented the copyright date of 1897.
The condition is very fine and all-original including the wooden frame and wooden backing. The glass is a replacement. There is some minor water damage here and there along the lower edge as documented in photos which does not impact the image. Some minor paper edge loss is noted in photos.
Indeed, an extraordinarily powerful and historic piece!
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The 30 inch chains are complete and attach to the fancy collar. All parts are in very good condition and the globe CAN hold water. The decorative Victorian hanger and wall bracket make this handsome globe ready to display in your collection.
Showglobes have a rather interesting history in the early drug store / apothecary shop and can be compared to the "Trade Sign" that was hung on the exterior of a business to advertise a product or service. Although there has been much debate over time as to their actual purpose, it has been long thought that the color of the water was symbolic...for example, red and blue water representing arterial and venous blood. Some historians have suggested that showglobes were used as visual communication tools with red water representing plague or disease present in the community, and green water signaling an "all is well" in the community to travelers wishing to stop overnight. It has also been said that show globes in New England apothecaries would be illuminated at night to warn ships in the harbor of sickness, plague, etc.
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Diminutively sized, this tablet sorter is easily placed anywhere for display, measuring just 6" L x 6" W x 1.5" H.
A rare piece and a must-have for the advanced collector of early drugstore or apothecary items!
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The age of the very neat piece is from the late 1800s to early 19th century. Measures 7.5"L x 5"W x 1"H and is in "as found" condition from a long closed New Jersey pharmacy. The contents are wrapped in paper which sports a complete aged and stained label. There are pieces of wrapper that are missing and some edge loss of product. This honorable wear is commensurate with age, storage and travel.
This specimen is the only one I have seen and belongs in a museum or fine collection.
The sourcing of this product was from sperm whales and was not from their blubber. I will leave it to the new owner to discover the not so colorful history of the whaling trade. Moby Dick is a great start.
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The sign measures approximately 6’ long x 12" wide and is double sided. It is in very nice overall condition except for areas of paint loss, some crackling and general wear expected of a vintage sign, noted especially to one side. There is also a very subtle bow to the sign, but this does not take away from its most unusual appeal. There are 2 metal brackets, one on each side, which were originally used for mounting upon a building exterior.
A highly unusual and macabre offering for those who collect funerary pieces!
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A pill rounder was used to create perfect pill spheres just prior to the pill being dusted with powder.
Made of a light colored hardwood, this pill rounder is in fine condition and is double sided which means that it was used to finish two different diameter pills.
Measuring approximately 4 inches wide, this pill rounder would make a wonderful addition to any collection.
On Hold
The overall condition of the doll is quite good. It remains in all original condition. The papier mache head is solid with no chips, cracks, or broken areas, and the hand-painted details are strong with little to no loss. The torso is solid and the arms are attached with no breaks. The legs have some damage to the wood. They have split near the top and have some small wood loss, thus, are held securely in place with a string that has been tied to them. The wooden center dowels are still present, however, and they can be repaired if so desired. The clothing is all original and is still in nice condition with no tears or holes, only some light fading and discoloration from age.
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The AYER'S Cathartic Pills card is copyrighted 1883 in the lower right front corner by the J.C. Ayer Company Company, Lowell, Massachusetts. This card is brilliantly colored with a phenomenal graphic of the Black "Country Doctor" holding a small child who clutches an Ayer's Pills advertisement in her hand. The reverse side carries a testimony to the wonder of the multitude of curative properties of Ayer's Pills. The card measures 2 5/8 inches x 4 3/4 inches.
The 1st J.P. Coat's Company card is not copyrighted but is at the latest, a circa 1890's card, and features a smiling African-American boy seated on a spool of Coat's thread tickling a bright yellow shining sun. The card measures 3 inches x 4.50 inches. The reverse side is an advertisement for J.P. Coat's Fast Black Spool Cotton thread.
The Clarke's Spool Cotton Thread advertising card featuring an African-American boy beating a drum is sold.
The 2nd J.P. Coat's Thread card depicts a humorous scene of an African-American couple attempting to move a very stubborn mule. The card measures 3 inches x 4.75 inches. It is copyrighted on the reverse 1881 by Auchincloss & Brothers, New York. The reverse side advertises the myriad of J.P. Coat's products.
The final card is another Clark's Mile-End Spool Cotton advertisement that features a humorous lithograph of a well-dressed African-American man being tripped by a young Caucasian boy holding Clark's super-strong thread, and measures 2.75 inches x 4.50 inches. The reverse side is a continuation of testimony and advertisement for the product.
All trade cards are in very fine condition with nice color and some very subtle evidence of age staining as seen in photos. The cards have no rips, bends, or fading.
These seldom-found trade cards would look fabulous framed as a group!
As each is priced separately (see photos for pricing), please email us stating which item you wish to purchase so that we can customize your order form.
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The traveling case's exterior is constructed of leather, and the interior sports 5 compartments packed with a total of 62 medicine bottles. Specifically, there are 32 narrow medicine vials with metal screw-on caps, plus 17 medium-size vials. There are six miscellaneous vials, 5 of which are corked, and one that houses a later-date, glass syringe. Finally, there are 7 apothecary bottles with ground glass stoppers residing in their individual compartments.
Imprinted in gold-gilding on the inside cover flap is the manufacturer name, "H.K. MULFORD COMPANY", which is a precursor to today's Merck. The label cites "7 Highest Awards from the 1893 World's Columbian Exposition" (which took place in Chicago) and which dates the case to the 1890's.
This interesting case measures 11 inches L x 5.5 inches W x 6.25 inches H. The case is complete and has modest wear and tear commensurate of a used antique. Some separation of leather parts with stains of age and use reside on the interior and exterior surfaces.
An intriguing piece of early pharmacy and physician care.
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The lighter blue bottle is embossed "W.T. & CO." on the base. The dark blue bottle has a faint, double stamped mark. Together they make a wonderful pair waiting for a place in your collection.
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The brass pans and scale are marked “Henry Troemner” Philadelphia. His company began making balances in the USA in 1840, and was singularly, the most successful scale maker of his day.
The scale measures approximately 20 inches long x 9 inches wide and is in excellent condition. The oak wood case is designed in the handsome Eastlake style and retains its original honey colored finish. The pink marble top and brass pans round out a near mint 19th century scale!
Difficult to find in this condition!
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This lovely 19th century, hand-blown, diamond swirl glass apothecary show globe is a rarity indeed! The condition of the glass is wonderful with no chips or cracks noted and with only minor, faint, interior water remnants seen. Noted on the sculptured finial are some faint unobtrusive scratches.
There are 3 pieces to this gorgeous, 29.5 inch show jar or show bottle. The base is molded to the decorative bottom globe; the equally decorative middle section and the finial are each separate pieces. The base has an open pontil mark and all stoppers are ground glass that fit perfectly!! The hand-blown finial ends in a solid ground stopper; thus, it cannot be filled with color water. However, both the bottom and middle globes can each be filled with a different color liquid if so desired.
A similar showglobe (without decoration) can be found in SCHIEFFELEIN'S 1883 catalogue and is listed as a “Pineapple Show Globe”.
This extraordinarily RARE show globe is part of a pharmacy collection from the Crutch & MacDonald Pharmacy, Litchfield, CT.
A great find indeed!
***Please see my other auctions for a magnificent OPIUM LUG from the same pharmacy as well as an extremely rare LUG with Grecian Key decoration.***
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Complete with functional locking mechanism and -even more scarcely found- a working key, this seldom found piece remains in excellent, all-original condition and stands as a horrid, tangible testament to the malevolence of slavery.
The collar is constructed of two, hefty, separate, semi-circular pieces of iron that are hinged together via a thick iron pin that has a "head" on either end preventing the two pieces from separating. While the interior of the collar is plain, the exterior, very unusually, has been "decorated" with incised diagonal lines cut between horizontal, incised banding at the top and bottom of each piece (see photos). The collar, thus, opens and closes at only one end.
The collar is locked and unlocked via a hand-forged locking mechanism that, amazingly, retains its original key--- an extraordinarily rare occurrence today as typically the key has been long ago lost. The locking mechanism remains smooth and is readily operable. It is unlocked by fully inserting the key and slowly turning it to the right until the pin holding the lock in place is released. To lock, reinsert the open hinge into the lock and hold in place while turning the key to the left.
An excellent and rare example of an artifact of slavery- a material reminder of the malevolence and cruelty suffered by African-Americans in 17th, 18th, and 19th century America.
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Inspired by Harriet Beecher Stowe’s 1853 publication of her controversial “Uncle Tom’s Cabin”, the figure depicts the gentle Uncle Tom holding his little mistress, Miss Eva, who is standing on his knee.
The figure is decorated in wonderfully vivid colors, measures 10.5 inches high, and is in very fine condition with the exception of expected and appropriate superficial crackling to the glaze.
It is titled “Uncle Tom” on the front base, and is referenced in Harding's Victorian Staffordshire Figures 1835-1875, figure 1090 (Book I).
An very exceptional piece of Black Memorabilia for the discriminating collector.
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There are 3 pieces to the 33 inch show globe with the base being molded to the bottom globe, the decorative middle section and the finial. The base has an open pontil mark and all stoppers are ground glass which fit perfectly.
A similar example can be found in SCHIEFFELEINS 1883 catalogue and is listed as a “Pineapple Show Globe”.
An original 1940s photograph showing the globe on display in the front window of Delafields pharmacy is included. C.J. Cather, R. Ph., was the proud pharmacist owner of this great drugstore display.
A point of clarification: the hand-blown finial ends in a solid ground stopper- very, very rare- thus, it cannot be filled with color water. However, both the bottom and middle globes can each be filled with a different color liquid if so desired.
A great find indeed!
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The sign states:
"Scott's Santal-Pepsin Capsules A Positive CURE for Kidney and Bladder Diseases.
Cures Quickly And Permanently The Most Obstinate Case of Gonorrhea and Gleet No Matter of How Long Standing.
Absolutely Harmless.
Sold by Druggists Price $1.00.
Put Up Only By The SANTAL-PEPSIN Co., Bellefontaine, O.
SOLD BY PHELPS PHARMACY, F.W. Beavees, Mgr., Cor. Wyoming Ave. and Spruce St., Se******, PA."
This amazing venereal disease cure sign features a most formidable likeness of Mr. Scott flanked by a Laurel Crown in the upper left hand corner, no doubt intended to add fortitude to the claims he makes of his product!
The sign was made by the Scioto Sign Co of Kenton, Ohio, and is so marked in the lower right corner.
This bright yellow sign shows ravages of its 118+ years of age, with crimps and creases to the tin, small holes-- no doubt made to hang the sign up--, scratches to the surface resulting in paint loss, and some superficial rusting where paint is missing. Some fading to lettering in the lower right.
Regardless of its "age marks", this sign is certainly a one-of-a-kind find that will add sparkle to a collection! May be hung on a wall on displayed on a shelf! Not to be missed!
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These wonderful tools of the trade measure 12 inches for the capsule counter and 11.75 inches for the pill counter. The front of each device is tapered to facilitate the ability to "scoop" the pills from a tray.
Please note that there is some edge wear on each counter commensurate with age and use. The handles are painted and have evidence of appropriate wear. Overall, the counters sport perfect patina and offer stunning visual appeal!
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According to Elisabeth Bennion, author of “Antique Hearing Devices” page 31, “The great advantage of the conversation tube as a type of hearing aid was that it obtained greater enhancement of sound by placing the bell close to the mouth of the speaker, thereby allowing for a normal conversational tone;.......It proved very effective as the sound, having been collected at source before being conducted to the ear, the speech sound level could therefore be increased considerably without danger of background noise.”
The ear trumpet conversation tube measures approximately 39.5 inches. The metal bell and gutta percha ear piece are in very nice condition. The spiral conical long aluminum tube is encased in silk or plaited wool that is intact though worn and still appealing . A great “conversation” piece!
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The box is mildly worn commensurate with age and use, with some tape holding the top sides together. It measures 5.5"L x 3.75"W x 3.5"H.
Twenty three of the 24 bottles retain their contents, with the one bottle displaying a dark cork being empty and broken (parts of the glass from this broken vial are stuck to the box interior compartment). The vials measure just over 3 inches tall including corks and sport handwritten labels, most of which are legible (a few are faded and illegible).
Overall a very unusual find when you consider that the contents remain.
Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician, Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.
A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook describing the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China, and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.
His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.
Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the traditional medical establishment systematically acted to remove its influence.
Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.
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The advertising card measures 2.75 inches x 4.50 inches and is entitled "Photography Under a Cloud". It features a fabulous litho of 5 African-American boys with exaggerated facial features who are attempting to take a photograph using an early camera. The litho is marked in the lower right corner "Bufford, Boston". The reverse side further advertises WELCOME SOAP and features two shaking hands.
The trade card is in very fine condition with nice color and some very subtle evidence of age staining as seen in photos. The card has no rips, bends, or fading, and would be lovely matted and framed!