Catalog (460)

This handsome club is known as a BRASSIE and measures 40 inches from heel to top of shaft. The checkering to the face, including the rams horn on the leading edge, show minimal signs of wear. The brass plate on the base notes mild wear commensurate with this club's use and 120+ years of age. The lead weight on the back is secure and protrudes slightly from its resting place.

A very fine example of an early, usable, finely-crafted golf club.

This nearly-lost historical work was originally published in 1892 exclusively for the subscription market and was entitled, "Samantha on the Race Problem". Two years later when the work was to be sold on the "popular" market, the publishers, Dodd, Mead and Company, New York, deemed it appropriate to re-title the work, "Samantha Among the Colored Folk", including the subtitle, "My ideas on the Race Problem" on the title page only. Interestingly, this re-titled, 1894, popular market edition still retains the title, "Samantha on the Race Problem" at the top of each of its 387 pages! This is truly a fascinating read, particularly for those who have a keen interest in this tumultuous period of American history.

The author, Marietta Holley of New York, born in 1836, was an American humorist who employed satire to comment on American society and politics. Early in her career, she published not as Marietta Holley, but as "Josiah Allen's Wife", sometimes with her own name also added in parentheses beneath his, as is the case in this particular edition. Interestingly, Marietta was never married, and Josiah Allen never existed. She eventually published under her own name enjoying a prolific writing career and becoming a bestselling author by the turn of the 20th century, although, sadly, she was largely forgotten by the time of her death in 1926.

Illustrated by Edward Windsor Kemble, this work contains over eighty of his pen and ink drawings. Each drawing is titled and a listing of all illustrations can be found at the beginning of the book. Kemble, who enjoyed a prolific career as a political cartoonist for a variety of the top US newspapers and periodicals, was well-known for his caricatures of African Americans, and he illustrated for some of the most famous American writers of the day such as Mark Twain (The Adventures of Huckleberry Finn), Harriet Beecher Stowe (Uncle Tom's Cabin") and Washington Irving (Knickerbocker History of New York).

Written in dialect, this nearly 130 year old book bears evidence of its many, many years. The cloth-bound hardcover is very well-worn along all edges with the cloth spine showing the worst of the wear: small tears at top and bottom with some very small areas of missing fabric. The binding is separating from the spine, but all 387 pages still remain bound and attached (some pages just barely - see photos) with the exception of page 109/110 (see photo) which is present, but for some reason, was cut with scissors from the book. A good number of pages have some degree of staining (see photos), there is foxing throughout, and a very teeny tear here and there. An inked ownership inscription exists on the inside front cover.

Having described its significantly aged condition, it must again be emphasized that this 1894, 2nd edition, is EXTREMELY rare, seldom found available for purchase on the retail marketplace.

"Samantha Among Colored Folks - My Ideas On The Race Problem" is a must-read for those interested in the author's perspective of the societal, political, racial and economic struggles which existed in the post-Civil War South.

First is a choice, five inch, wooden-cased hand-blown glass syringe that appears unused and is in excellent condition. The plunger glides smoothly and the syringe fits snugly inside the treen case.

Second is a 6 inch example that appears lightly used. The plunger is in fine, perfect condition; however,it seems to be stuck inside the syringe, and I have chosen not to try to move it.

An additional, third syringe included in this grouping is missing its tube, but is otherwise in good condition.

This is a fabulous white ceramic 1950s pharmacy drug store display with decorative gold gilt embellishments. The mortar measures 7 inches tall and the solid pestle is 8.5 inches long.

The condition is near excellent with no damage, cracks or dings.

An outstanding display that will compliment any pharmacy collection.

The nine inch tall bottle sports the following embossing on the base: "W.N.WALTON PAT'D SEPT. 23D 1862." The fancy, applied recessed label is complete, shows minor age related flaws and is in very good condition.

The bottle has a few unobtrusive manufacturing bubbles and flaws; otherwise no damage. The stopper is missing as seen. The inside of the bottle notes remnants of original contents.

Very nice indeed!

SOME HISTORY:
Cassia sieberiana, a deciduous tree primarily found in Africa, has been used in traditional medicine as purgative, diuretic, analgesic, antibiotic, anti-inflammatory agent.

Each of these rag books were published as alphabet and numerical teaching tools for the very young children of the wealthier class who could afford to purchase books to furnish their children's home library as well as to support their early home-tutorial education.

While clearly overtly racist in title (pickaninny) and conceptualization ("A" stands for Alabama Coon, "P" stands for Pickaninnies), the book also promotes age-old stereotypes as well ("W" stands for Watermelon, "U" stands for Uncle Tom, "H" stands for Hen-Roost, "C" stands for Cake Walk, etc) that were, unfortunately, acceptable societal references at the turn of the twentieth century.

This 116 year old book remains in all-original, very good condition with no alterations or repairs. While the front and back covers exhibit significant age-related staining, the interior pages are significantly "cleaner" and the illustrations remain very brightly colored. Interior pages present varying degrees of very light soiling, light foxing, and yellowing of linen, commensurate with age. The exterior binding has teeny spots of wear to the first layer of binding fabric which do not impact binding integrity. Top and bottom edges are subtly frayed.

This book is in truly remarkable condition for its age and in consideration of its all-cloth construction. This title is very RARELY found in today's market and is the first I have ever had the pleasure of offering for sale in my nearly 40 years dealing in this field! This is an absolute cornerstone piece to any serious Black Memorabilia collection!

Interestingly, whomever wrought this very detailed, family-history sampler omitted just one significant detail- the family surname!

On the left side of the sampler, the Scotch nationality is wrought along with the occupations of Parson and Doctor, with a 1725, antique salt box style home the domicile of the parson (?) wrought below the later 1930s domicile of the doctor (?) at New York City's Park Avenue address.

The right side of the family sampler depicts French origins with a 1777 mentor (teacher) and his red schoolhouse wrought below the 1861 farmer residing in the town of Morrisania (Morristown, NJ?).

The central aspect of the sampler depicts a number of images: a very stylish horse drawn carriage with driver and a sun umbrella--holding, female occupant, a well-landscaped, bright yellow homestead dated 1777, the nationality of "English" stitched out, and finally, a tall-spired village church with accompanying date of 1752.

The French Fleur de Lis is wrought into the sampler as well as the very ancient, stylized, so-called-today "swastika" cross, a symbol of peace and prosperity that can be traced back to ancient Byzantine times and which was frequently featured in early Native American culture as a symbol of abundance.

The sampler hem is completely hand-stitched. The sampler, itself, is in very fine condition retaining bright coloration and an absence of holes, tears or discoloration of any kind. Background color of the linen is an even, mellow, tannish-off-white.

A well-executed cross stitch sampler, an example of fabulous Americana Folk Art, which is shrouded in mystery as to family origin!

Measuring 10.75 inches wide x 8.25 inches long, the book has seen extremely gentle use as evidenced by the minimal wear of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, it is quite remarkable that all heads remain present after 80+ years, with prominent creasing only appearing at the neckline and lessor crease lines present elsewhere on the heads. Four of the heads have suffered minimal tearing at the neckline, and were, at some point, restored and secured with what appears to be an archival quality tape. Front and back covers are constructed of heavy cardboard, the pages of heavier stock paper. Both the front and back boards evidence minor corner and edge wear along with minor soiling from handling. The front cover has a tiny 1/4 inch long tear at the binding, about 1 1/2 inches down from the top of the book. The back cover at the exterior upper corner is missing a small section of the top layer of cardboard. Interior pages are intact and crisp. Please view photos.

The book retains its brilliant, bright, crayon-box-like colors. The book has ten pages with alternating color and black and white illustrations as noted in photos. Sufficient space to post photos of all pages does not exist, but those present are representative of overall condition. Pages evidence some extremely minor age-discoloration and/or foxing, but all pages are free of rips and creases. The binding is tight and the book retains its original, red, binding spiral.

Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.

This 1942 version having changed the derogatory term nigger to that of colored (equally derogatory), also depicts a somewhat tempered portrayal of the violence befalling the characters as compared to earlier versions of the rhyme.

The poem:
Ten little colored boys sitting in a line; one slid off the roof, then there were nine.
Nine little colored boys fished with worms for bait; one fell in the river, then there were eight.
Eight little colored boys flying up to heaven; one tried to parachute, then there were seven.
Seven little colored boys doing circus tricks; one teased an elephant, then there were six.
Six little colored boys found honey in a hive; one tried to pet a bee, then there were five.
Five little colored boys heard a lion roar; One didn't run in time, then there were four.
Four little colored boys started out to ski; One hit a snowman, then there were three.
Three little colored boys cooked some chicken stew; One ate the pot-ful, then there were two.
Two little colored boys playing with a gun; Thought it wasn't loaded, then there was one.
One little colored boy thought it would be fun to settle down and marry, then there was none.
He had a family of colored boys and then, before very long, there were ten of them again.

Included are two different capsule size steel fillers, one of which is presently attached by a universal pin. There are 3 filling trays, tamper, a spatula and roller.

The condition of this wonderful apothecary tool is as good as it gets, complete with the warm, rich patina one would expect of an antique of this age: minor scratches, marks and unobtrusive dings and tarnish.

The metal parts appear to be nickel plated, and the wood base seems to be walnut. The filler measures approximately 13”L x 4.5”W x 4.5” H.

The interior contains sand that was used to add weight and stabilize the box when in use. Weighs 25 pounds.

A must addition for any pharmacy/apothecary or Merck collection!

Fine detailing hallmarks this 11.25 inch tall doll. She is dressed in a black native costume -- all handsewn with yellow and black beads, and is adorned with a matching double-strand beaded necklace and single-strand beaded bracelet along with gold hoop earrings. Her lips, as well as the baby's, are painted red and both have inset life-like, plastic eyes. Her hands swivel at the wrists; her arms and legs are jointed at shoulder and hip, respectively.

No identifying marks are evident; clothing is securely attached and could not be easily removed for a further look.

Condition is excellent with the exception of damaged toes on the right foot.

Measuring 4 inches wide x 3 3/4 inches high, the black color-toned set was manufactured by A.D. Handy, Stereopticon & Supplies, Boston.

The four slides tell the story, through drawings and southern black dialogue, of a black boy attempting to steal a watermelon (slide 1). Four other black boys hiding behind a fence and watching, spook him, making the boy think there is a ghost behind him (slide 2)! Dropping the watermelon in fright, he dashes off for safety (slide 3). The shattered watermelon is then left on the ground, already broken into bite-sized pieces for the 4 other boys to enjoy!

This offering is truly an exceptionally scarce Black Americana collectible!!

The bowl sits on a 1/8" high footed base and has a lovely turned edge rim. It has glaze crazing typical of an 85+ year old piece of pottery as well as two, very tight hairlines approximately 1.50 inches in length. One is placed at the pouring spout and the other near the back fingerhold. There are also two, tiny, 1/8" long superficial flakes--one on the outside edge to the rim and one on the body of the batter bowl. The batter bowl is also missing its wire handle.

An outstanding piece of American Spongeware which is seldom found due to the heavy every-day use that a batter bowl would encounter. Becoming much more difficult to find!

Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.

The assortment features die cuts of musicians, jugglers, a boxer, actors, a bagpipe player, comically portrayed African natives, and die cut heads of adults as well as die cut heads of children. All but the four African die cuts remain connected as a grouping, just as they were when originally produced and shipped from the factory- a very rare find which increases each grouping's value.

The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. All would look fabulous either framed individually or as a grouping!

Approximate measurements are as follows:
The 2 standing, connected figures: 3.25" tall x 4.50" wide
Connected Adult Heads: 2.25" tall x 3.75" wide
Connected children Heads: .75" tall x 4.50" wide
4 African loose figures: 2" tall x 1" wide

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there. The photo of the verso of all reveals that no repairs or restorations were made to any of the die cuts in this offering.

This entire grouping of die cuts is being sold as one single offering at $55.00.

This lovely example has a subtle, coffin-shape form and sports a dovetailed base that was expertly joined. This handsome tool measures 7.25 inches long and retains its original, aged, brownish patina. The owner's initials, "N.S", are stamped on the heel of this plane.

The condition is commensurate with a mildly-used, antique hand tool. There are the expected unobtrusive small dings, scratches and imperfections typically seen in vintage tools. The blade is sharp, well maintained and has a "BUCK BROTHERS" stamp imprinted upon it. The wedge and blade fit perfectly.

A smoothing plane is typically the last plane used in woodcraft, and when skillfully employed, it offers a finish superior to that of fine sandpaper!

Measuring 8.5" wide x 6.6" long, the original frame is unusually embellished in the lower left hand corner with a very detailed, three-dimensional image of a wicker baby carriage fashioned from an unidentifiable medium. The carriage is missing part of the handle, part of one carriage wheel, and a teeny bit has also been lost on the upper part of that same wheel, but these missing pieces do little to take away from this embellishment's unique character. This is a unique and interesting piece, indeed!

The lithograph measures 5.5" wide x 3.5" long and is signed "Wall" in the grass under the toddler's left foot. The copyright date, 1906, and the publisher, The Ullman Mfg. Co. of New York, appear in the lower right corner. The original backside paper liner is missing.

For a ten cent purchase, one had the opportunity to puncture one of the white dots on the board, and then remove the tiny piece of curled paper which was printed with a random number. If the number on the tiny curled paper matched one of the numbers on the board, one would win the corresponding prize for only a ten cent expenditure! If the number failed to match any numbers on the board, one walked away 10 cents poorer along with a unfulfilled desire for delicious chocolate!

The board remains unpunched with the exception of 2 fully punched holes out of a total of 300 opportunities to win! Of the two punched holes, one is missing its paper strip, while the other remains in place and can easily be removed with tweezers...alas, this take-a-chance paper has a number printed on it which dos not match any on the board, making it a non-winner!

The board is constructed of a wooden frame completely covered in paper, with a hollow interior which allows for the insertion of the Take-A-Chance curled papers. The piece remains quite sturdy and easily displayed. The photographs indicate the subtle, paper edge wear evident of this 100 year old piece! Displays wonderfully!

A seldom found piece of chocolate memorabilia! A reluctant de-accession from my own personal, chocolate lover's collection due to downsized, change of residence.

Perfect timing for that very unique St. Valentine's Day gift, accompanied of course, by a box of actual delicious chocolates!

This stunning example measures 11.5 inches high with the pestle in place and is 5.5 inches in diameter. The bulbous pestle is 10.5 inches long and sports sculpted turnings.

The condition is very good with mild wear and loss to the finish, various unobtrusive edge chips and slight hairline splits to the mortar and pestle.

Lignum vitae, Latin for "wood of life", is an exotic wood native to the West Indies and the tropical regions of the Americas. It is a hard, durable, extremely dense wood and was once very important for applications requiring a material with its extraordinary combination of strength, toughness, and density. As such, it was frequently used in wood turning applications requiring these characteristics, including early apothecary mortar and pestles. The plant derives its name from its medicinal uses as its resin was been used to treat a variety of medical conditions from coughs to arthritis.

A lovely and difficult to find example of a 19th century apothecary "tool-of-the-trade!