Catalog (460)

Published in 1926 by the Whitman Publishing Company of Racine, Wisconsin, this very rare, miniature-size, HARDCOVER book measuring just 4x5 inches, offers a very unique continuation of the original Little Black Sambo story! It is thought that this mini size Sambo book was manufactured as a salesman's sample edition, meant to be strictly used as a marketing prop to sell orders for the full-size edition of the same book.

Entitled A New Story of Little Black Sambo, this tale picks up the story with Little Sambo's mother, Black Mumbo, exclaiming that Sambo, after almost losing his best Sunday clothes to the tigers, would- from now on- only be allowed to wear his every day clothes. Now very unhappily dressed in only a grass skirt, a pouting and naughty Sambo decides to run off into the jungle once again without permission, and climbs a tree to gather coconuts. A tiger soon arrives threatening to eat Little Black Sambo, trapping him up in the tree for the entire day! Eventually, Tusker the Elephant arrives, successfully chasing off the tiger and saving Sambo. Sambo then returns home, where an angry Black Mumbo spanks him with a hairbrush for running off, despite the gift of coconuts Sambo hoped would appease his mother. The conclusion of the tale then moves forward one month later when the family goes to visit Little Black Sambo’s cousins, the Bimboes, who admire his fine Sunday best clothing that he was finally allowed to wear again!

Although no author is attributed, it is thought by some that the tale was co-authored by the book's two illustrators, Clara Bell Thurston, who rendered all of the lovely colored drawings and Earnest Vetsch, who rendered the "black and white" illustrations (which, actually, are done in navy blue ink) as well as the fancy hand-lettering of the text which further embellishes the book.

With 36 unnumbered pages which alternate between the superbly rendered color and navy blue line illustrations, this unique little book is in near mint condition. The original paper dust jacket is present and in wonderful condition, and at some point, it was protectively covered with a contemporary, clear, dust jacket protector that can be removed if so desired. No fading of color, no rips, creases or missing pages. Binding is tight with all three original staples present. Cover edges are subtly worn, and a one-time owner, Neva Merchant, signed her name on both front and back interior covers.

This very rarely-found, miniature-size edition of the continuation of the original Little Black Sambo story is a must have for the collector of Little Black Sambo books!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is a rarely found, Ca 1920s, celluloid mourning pin back brooch featuring a young African American man.

Constructed of celluloid with a metal back and pin to allow attachment to one's clothing, this diminutive mourning pin measures just 7/8th inch in diameter.

The image remains quite crisp with surface crackling of the celluloid that does not effect the integrity of the overall structure of the pin. In the highly magnified photos, the crackling appears much, much more intrusive to the eye than when viewed simply with one's eyes, alone.

The backside of the pin carries the maker's mark and manufacturing locations, some of which is partially obscured: "T. J. M..., Dearborn, Chicago".

Measuring just 2.25 inches in height (minus the hair!!), this extremely RARE, clear glass Golliwogg Perfume Bottle was sold by VIGNY Perfumeries of Paris, France in the 1920’s.

The clear glass perfume was the second version of the Vigny “Le Golliwogg” perfume produced from the 1920’s into the 1930’s. The bottle design and name are based on a character created by Englishwoman, Florence K. Upton, around the turn of the 20th century. The bottle, itself, was made by Verreries Brosse.

This darling, all-glass piece remains in superb condition-other than its partially missing label on the base of the bottle. If complete, this wonderful, original paper label would read in full, “Made in France, Fluid Cont oz 13”. Underneath the label, the base of the clear glass bottle is impressed, “Bottle Made in France”. Most importantly of all, the bottle retains its fabulous, all-original, front label which reads, "Le Golliwogg de Vigny France".

The Golliwogg’s head is the perfume stopper (which presently is quite securely affixed in place), and the facial enameling, which was hand-painted in France, remains as clear and crisp as the day it was applied! Even his black furry hair, which is genuine Siberian Seal fur, retains its vibrant, original, dark tones! The Golly’s glass collar is enameled/painted white with double rows of black polka dots, and his feet are accented in black.

A very, very special, rarely-found piece of Black Memorabilia that has appeal to Black Americana, perfume bottle, and Golliwog collectors alike!

Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!

To see all of our Golliwogg-related items for sale, type "golliwogg" into the SEARCH box on our home page.

Offered is a fabulous, early 20thC, Patent Medicine Bottle sporting the image of an old geezer - OLD HERMIT EMBRO. Wonderful label graphics! Made by OLD HERMIT REMEDY CO. SCHENECTADY, NY - LABORATORIES - SCOTIA, NY, this nostrum was primarily a remedy for a variety of lung and respiratory afflictions as seen on the label: WHOOPING COUGH, ASTHMA in addition to frostbite, sprains and more! It was quite common for early medicines to purport to have many different benefits, and the "old hermit" manufacturer capitalized upon this.

The 4.5 inch high bottle sports a corked top which is covered by a plastic seal. The highly decorative label with wonderful graphics surrounds most of this cylindrical 1 1/2 ounce bottle. The label has an amber tone color and some minor wear, scuffs and loss commensurate with its age.

An interesting addition to one's apothecary, drugstore collection.

Circa 1910-1921, very scarce, MacGregor, DEEP GROOVE Golf Club that was designed to significantly enhance the backspin of a golf ball. As history would have it, these clubs actually worked and gave an unfair advantage to those professionals who were adept at using them!

The sole of the club is marked MASHIE NIBLICK. The back of the club is stamped as follows: Guaranteed Forged - R-Z ACCURATE - BAKSPIN (with arrow) MASHIE-NIBLICK and a faint oval stamp with MACGREGOR, DAYTON OH.

In 1921, RIBBED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by both the R&A and USGA.

Measures 35.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight, sturdy and has the following stamping near the grip: THE CRAWFORD MACGREGOR & CAMBY CO. DAYTON, OHIO. The head of the club shows modest and honorable wear, good grooves with generalized tiny unobtrusive pitting to the surface.

A nice example of an early club with a controversial history!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

Offered is this rare, circa 1910-1921, BURKE STANDARD DEEP GROOVE Golf Club that was designed to significantly enhance the backspin of a golf ball. As history would have it, the clubs actually worked and gave an unfair advantage to those professionals who were adept at using them.

The back of the club is stamped as follows: Warranted Hand Forged - BURKE STANDARD - MASHIE NIBLICK

Measures 35.5 inches from heel to top of shaft. The leather grip appears original and in good condition. The hickory shaft is mildly bent but quite sturdy. The head of the club shows modest and honorable wear and good grooves with generalized pitting to the surface.

A nice example of an early club with a controversial history!

SOME INTERESTING HISTORY:
The BURKE GOLF COMPANY started in 1910 and had a reputation for quality and intriguing innovation as evidenced by the fact that Jock Hutchison used their clubs, and Harry Vardon later gave them his endorsement. It was the company's deeply grooved mashie niblick which Hutchison used to win the 1921 Open, the first "American" to win it (although he was born and brought up in St Andrews). When the ban on such clubs later came into effect in July of that year, Jock presented the club to the R&A.

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

Offered is a rare, circa 1910-1921, Macgregor DEEP GROOVE Golf Club that was designed to significantly enhance the backspin of a golf ball. As history would have it, the clubs actually worked and gave an unfair advantage to those professionals who were adept at using them.

The back of the club is stamped as follows: WONT-RUST 9-R ACCURATE - BAKSPIN (with arrow) MASHIE-NIBLICK and an oval stamp with MACGREGOR, DAYTON OH.

In 1921, RIBBED GOLF CLUBS were banned by the R&A and USGA just after the OPEN CHAMPIONSHIP.

Measures 35.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight, sturdy, and has the following stamping near the grip: THE CRAWFORD MACGREGOR & CAMBY CO. DAYTON, OHIO. The head of the club shows moderate and honorable wear, worn grooves with a good surface.

A nice example of an early club with a controversial history.

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

Offered is a series of 18, circa 1920s, colorfully lithographed trade cards published by the Liebig Extract of Meat Company of London. Each "picture card" as they were called then, features very colorful and highly detailed images on the front side with extensive educational information on the back side, written in French, on the various African tribes living in the Belgian Congo during this time period. The cards, of course, were a strategic marketing concept designed to provide the customer with a tangible reminder of all of the delicious soup extracts and bouillons it produced.

The cards measure approximately 2.75 inches x 4.25 inches and are in very good condition with no observable flaws or damage- quite remarkable given their 100+ years of age. Liebig cards were lavishly produced in Germany from 1875 to 1930 using chromolithographic printing techniques incorporating 12 different colors- an extravagance! The cards were enclosed as "give-aways" with purchase of Liebig products, and the Liebig Company was the first to give away serialized images with its products.

The Liebig Extract of Meat Company was established in London in 1865 by Belgian entrepreneur, George Christian Giebert, when he became interested in commercializing the Belgian chemist, Baron Justus von Leibig's, formula for beef extract. The venture was a resounding success, producing various meat extracts, soups and bouillons into the early 1970s.

Offered is a circa early 1900s Scotland-made, hickory shaft golf club. Generous stamping is evident on the back of club including the following: "WILLIAM GIBSON - KINGHORN SCOTLAND" inside of an oval. "H LOGAN'S 'THE GENIE MODEL' MASHIE NIBLICK" - STAR cleek mark and more!

Measures 35.5 inches from heel to top of shaft. The old leather grip is in good condition. The hickory shaft is straight and has an old repair but remains quite sturdy. The face has a dot pattern and shows mild and honorable wear.

SOME HISTORY:
William Gibson was the maker of this club and Hugh Logan was the professional who endorsed the popular high-end GENIE MODEL. Gibson was born in 1868 and was first a blacksmith who turned cleekmaker (a skilled blacksmith who manufactured early iron clubs). Gibson started his firm in Edinberg in 1887 and changed its name and location to Kinghorn in 1903 when his partner passed away.

Hugh Logan was born in Prestwick, Scotland, in 1880, and first worked for Tom Morris's successor, Charles Hunter, then, honed his skills at the famous London Scottish club at Wimbledon where he patented the adjustable club 'Genii'. He was held in high regard in the club-making fraternity, he played in the OPEN numerous times, and he served as a golf professional.

Offered together are two collectible golf clubs from different makers.

The first one is a handsome club stamped "THOS. E. WILSON & Co." HAND FORGED and SPADE MASHIE. It dates to the early 1930s shortly after hickory shafted clubs transitioned to metal shafts. The club head is artfully paired with a "BRISTOL" labeled painted steel shaft and completed with a handsome leather grip. The club measures 36.5 inches from the heel to the end of the grip. The condition is good with generalized paint loss on shaft, a full original leather grip and a lightly worn club head sporting a handsome patina.

The second club sports a hickory shaft, original leather grip and a club head stamped with the following: "Professional Golfers Association" - "STANDARD" - "SPECIAL" plus the letter "W". The club is stamped "5" on the sole and measures about 36 inches from the heel to the end of the shaft. The solid shaft is slightly bent and the club head sports a nice patina showing leading edge dings.

Two very nice entry level vintage clubs!

Offered are two, circa 1920 - 1930 era, hickory shaft golf clubs.

The first club, dating to 1925, has "TED RAY SEVENTY-TWO" "LADIES - SPECIAL - HAND FORGED and PUTTER" stamped on the back of the face. This WILSON-made club measures 33" from the heel to the top of the shaft and appears minimally used. The sturdy hickory shaft has a mild bend from front to back on the lower shaft. The leather grip is in good condition.

The second club, a mid iron, circa 1920-1930, is stamped on the on the back of club "KRO-FORGED PROFESSIONAL" and measures 37.5 inches from the top of the shaft to the heel. This KROYDON made club sports a sturdy straight shaft and a good original grip. There is faint superficial pitting to the club head.

Both clubs enjoy original patina and have mild wear commensurate with the clubs' use and their nearly 100 years of age. A delightful duo, ready for play or display!

SOME HISTORY:

https://www.si.com/golf/news/ted-ray-was-golfs-original-long-driver-and-a-true-original

It is worth a visit to this SPORTS ILLUSTRATED link for some great info on this delightful man, MAJOR winner and unheralded pro golfer TED RAY who deserves to be in the GOLF HALL OF FAME!

Offered is a very handsome circa 1920-1930 era, hickory shaft, BRASSIE golf club sporting a fancy 7 DOT face.

This delightful club is marked "MAJESTIC" on the crown and is likely a Macgregor made club based on its quality plus the configuration of the seven dot designed face, which is a Macgregor feature.

This attractive club appears all original and is in very good condition considering its nearly 100 year existence. It has a straight 42.5 inch hickory shaft, an original grip and appealing patina in addition to wear and scuffs common to vintage clubs. The brass sole plate shows mild wear and has the #5 stamped near the middle. The face plate is not quite flush with the front of the club but is otherwise very tight and secure in place.

A delightful example of the fusion of beauty and function in sports equipment!

Up for your consideration is a handsome Hillerich and Bradbsy 7 Iron, sporting a hickory shaft and a professionally replaced leather grip. Measures 35.5 inches from heel to end of the straight shaft. The stamping on the back includes the "HAND & CARDS" CLEEK mark, and "Hillerich & Bradbsy Co. Louisville, KY". The popular club model "GRAND SLAM" is proudly stamped on the front sweet spot. The condition is very good with the expected minor scratches and dings complete with a newly replaced leather grip. Overall, this club sports a nice patina and is worthy of any collection. I believe that this club dates to the 1920 - 1930 era.

SOME HISTORY:
H&B operated as a carpentry business starting in 1855 by J.F. Hillerich. In the mid 1880s, his son expanded the business into making bats for a local semi-pro baseball team which were an instant hit with the players. In 1894, they were labeled the "LOUISVILLE SLUGGER", and in 1905, HONUS WAGNER signed an endorsing contract attesting to their quality. Salesman, Frank Bradsby, became a partner in 1916, and the company was renamed "The Hillerich and Bradsby Co". This same year, the company started making golf clubs. By 1923, TY COBB, BABE RUTH and Lou GEHRIG all used their bats!

Offered are two, choice, circa 1920s - 1930 era hickory shaft golf clubs.

The first club, the ladies' 7 iron, comes with considerable pedigree. It was offered by the golf professional Frank Belwood while employed as Club Pro at Garden City Golf Club in NY. This club is a handsome ladies' mid iron with a somewhat low profile construction measuring 38 inches to the heel. The hickory shaft has a nice original patina. Noted is a slight bend towards the club head with a faint split at the hosel. The leather grip appears original and is in good condition except for some loss as seen in the photo. The club head sports dot face styling and is in good condition with mild leading edge dings. The back of the club is stamped "F.BELWOOD - GARDEN CITY"- (within a double oval) plus "SPECIAL - HAND FORGED, and (L)" indicating a ladies club.

The second club, a Putting Cleek, is in very good overall condition sporting a solid hickory shaft with an original patina. The early grip is generally good except for a small missing piece. The head sports a dot-punched style on the front, and the shaft is straight. The back is stamped with the following: "GUARANTEED HAND FORGED - PUTTING CLEEK" - and H. WATE?? SPECIAL" in an oval.

SOME HISTORY ON FRANK H. BELWOOD:
Garden City Golf Club, founded in 1899, was one of the first golf courses established in the USA, and in 1902, hosted the US OPEN. Frank H. Belwood was a successful golfer for many years and was the club professional for Garden City Golf Club in NY until the early 50s. He was a charter member of the PGA, and during the early history of American golf, he participated in various major tournaments competing against the best players of his era.

ADDITIONAL INFO ON THE PUTTING CLEEK:
A putting cleek has more loft than a putter. The cleek putting style was popular in early golf and it was said to give the player more options. On smoother greens, the players hands would be placed forward in the stroke to de-loft the club and get the ball rolling smoothly. On bumpy/rough greens it would be held normally and the extra loft would "raise the ball above the roughness".

Offered are two, circa 1930 era golf clubs, each sporting complete, original, leather grips and hickory shafts, all in good condition.

The first club has the following stamped on the back in an oval: "Wright & Ditson SPECIAL", plus "HAMMER FORGED" and the cleek mark image. A worn "MASHIE NIBLICK" stamp is noted on the sole. The face has a dot style stamping, and the shaft has "WRIGHT & DITSON" stamped near the grip. The shaft has an old repair and a bend. Overall, a nice club with mild wear to the metal appropriate for its age.

The second club is a handsome 3 iron Spalding Kro-Flite model sporting a lined face with a fancy circular design in the sweet spot. The #3 is stamped on the sole. The back has the following stamping: "Professional Golf Assoc. - Custom Made KRO-FLITE" and a crow cleek mark. The condition is very good noting a slight bend towards the handle and a wonderful patina.

In 1892, A. G. Spalding & Bros, acquired the Wright & Ditson Company to enhance their position in the club making industry. Wright & Ditson company was founded in 1871, and the name continued to be used by Spalding on both golf clubs & balls into the 1940's.

Offered are three nice, collectible, C1920 - 1930 era, hickory shaft golf clubs.

The first club is stamped on the back with the following: "Hillerich & Bradsby Co. - Louisville, KY - GRAND SLAM" with the "hand and cards" cleek mark". The "#7" is stamped on the sole. The face is DOT stamped with a fancy "GRAND SLAM" mark on the sweet spot. The straight shaft measures 35.5 inches to the heel and sports a replaced leather grip.

The second club is stamped on the back with the following: "LADY BURKE" in an oval - the "#11", the "SCALES" cleek mark and "NIBLICK". The straight shaft is 35 inches long to the heel and sports a nice patina and original grip with a small piece missing. The face has a straight line configuration.

The third club, which has "MASHIE" stamped on the sole, measures 36.5 inches and has an original leather grip and a shaft with a slight bend. The back has the following stamps: "Approved by GOLFERS ASSN. of AMERICA" and "CRAIG WOOD - LOUISVILLE G.C. - MASHIE and P-52".

SOME HISTORY:
The Burke Company was the offshoot of another Ohio golf manufacturer. Its founder, William Burke, had managed MacGregor's club-making for nearly 15 years before branching out on his own in 1910 and converting his new company into Burke Golf Company, beginning with a full production of complete golf clubs.
Truly one of the world’s best golfers during his era, Craig Wood, was the winner of 21 PGA Tournaments including both the Masters and U.S. Open in 1941. He spent many of his most competitive seasons as a head professional in New Jersey and was a member of three Ryder Cup teams (1931, 1933, 1935). He worked at Forest Hill Field Club in Bloomfield from 1928-31 and at Hollywood Golf Club in Deal from 1932-35.

Craig Wood was the first player to lose all four major championships in extra holes. His major wins came late in his career at age 39.

Measuring 13 inches long, this very RARE, Ca 1910, Black, Composition Shoulder Head Doll is in wonderful condition!

She has a muslin, machine-stitched body which is stuffed with sawdust. Her feet are black cotton. Upper arms are also stuffed muslin with composition forearms.

Her curly-haired head is molded composition; eyes, nostrils, and lips are handpainted-- note the BLUE EYES!!

She wears a muslin slip under a Victorian styled, machine-stitched, tiered ruffled dress. Her clothing has been professionally laundered but does remain darkened with age in some areas- the photos make these dark areas appear more prominent than they are when viewed by the naked eye.

Condition: Difficult to photograph due to camera glare off the composition, her head remains in pristine, all original condition- no repaint- with just a couple of very teeny white flecks here and there! The breastplate has an old glue repair which appears to be quite solid. The repair is not visible unless the doll is undressed. Superficial wear to each thumb is evident as is seen in photos. No cracking or peeling to composition. She was very well cared for over the years!

A very lovely and rare Black doll!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1900-1910 Johnny Griffin item is a double image still bank that features 2 images of Johnny's head placed back-to-back. It was manufactured by the A.C. Williams Company of Ravenna, Ohio, which at the turn of the 20th century and up until World War II, was the largest toy and still bank manufacturer in the world. (At the start of WWII, production declined sharply as iron was needed for military consumption, marking the end of an era.) The bank is constructed of cast iron in two pieces which unscrew to facilitate the emptying of coins. There is a coin slot at the top of Johnny's head for use in depositing the coins. This sweet bank remains functional for banking use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- and measures 3 inches high x 2 1/2 inches wide. It retains traces of the original gold leaf paint and may (or may not!) have a replaced screw.

The Johnny Griffin image- in the arena of Black Americana collectibles- should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Having conceived of the revolutionary idea of a lithographed, molded-mask doll face in 1901, New Yorker, Albert Bruckner applied for and was awarded the patent for his idea that same year. All Bruckner dolls were then stamped, "PAT'D JULY 8th 1901" on the lower right neck edge.

From 1901-1924, Bruckner produced this original, 12" Topsy Turvy doll for Horsman's Babyland Rag Doll line that features Caucasian, "Betty", on one end and African American, "Topsy", on the other. The inspiration for this doll is based on the character of Topsy in Harriet Beecher Stowe's classic 1852 novel, "Uncle Tom's Cabin".

The Bruckner Topsy Turvy doll was advertised in a 1907 Babyland Rag Doll catalog as follows:

"TOPSY-TURVY---What is this?
Looks like just a pretty miss.
But turn her over and you'll find,
She is quite another kind.
First she's White and then she's Black,
Turn her over and turn her back.
Topsy that side--Betty this--
Yet complete, each little Miss."

The detail on this hard to find classic doll is lovely. Both heads indeed have the pressed, molded mask faces with lithographed features. Topsy's face is in mint condition! Betty's face is very fine with superficial rubs to the flesh-toned coating of her mask; her lithographed facial features, however, remain beautiful. (Such rubs are not unexpected as these particular doll masks are, unfortunately, prone to rubbing.)

Grinning Topsy has red bows tied to her black mohair braided pigtails which are tucked into her red headscarf. Her red blouse, which matches her head scarf, is trimmed with cream banding around the sleeve and neck edges. The cream scarf she wears around her shoulders tucks into her very full, red/cream checked, gingham skirt. Flip her over, and....

Betty's more subtle Anglo face and her hair are lithographed. She wears the same red/cream checked gingham fabric of which both her dress and ruffled bonnet are constructed. Over her very full gingham dress, Betty also wears a sheer, ruffled pinafore.

Both dolls have the typical "mitten" hands of the stuffed rag dolls of this era. There are no other difficulties to report other than the rubs to Betty's face and some tiny, stray (original) glue spots here and there. No rips, tears, soiling, or odors, and she has been stored in a smoke-free home. The photos show it all- these two girls are a charming pair! A very difficult to find doll in near excellent condition!

Measuring 3.5 inches long x 2.25 inches high x 1.25 inches wide, this unique and petite, highly beaded, Iroquois-made, change purse was made for the tourist market at the beginning of the 20th century.

Embellished with beaded edges, a large, 5-petal flower, and a detailed leaf on a heavy cardboard-like material that is lined with a red polished cotton, the little purse closes via a hook and eye closure.

It is in overall fine condition with expected creasing given its 100+ years of age as seen in photos, as well as some loose beadwork and a small amount of missing beadwork to the bottom center.

Measuring 4 inches high with a 3.75 inch base diameter, this authentic looking 1919 Patent model bank of the historic Philadelphia Liberty Bell, is in wonderful all-original condition!

Given away as a premium for opening a bank account, this still bank advertises the Mechanics Savings Bank of Hartford, Connecticut.

The bank is complete with the famous Liberty Bell crack down its front as well as this slogan etched around its top, "Proclaim Liberty Throughout All the Land Unto All The Inhabitants Thereof. LEV XXV 10".

Manufactured by the Bankers S & C System Company, Cleveland, Ohio, this bank bears a patent date of February 18, 1919, as inscribed on its base.

Made of metal and wood. The whereabouts of the original key is unknown but it is likely that any flat metal key of the period and appropriate size would open it.

A fine decorative piece for either the still bank collector or Revolutionary War buff!

Well, this was recently acquired from the estate of a 100 year old resident. The nickel plated shaver is in very nice condition, complete with a blade and box that is lined in a purple velvet type material. The interior is labeled “ANTICOR – The Saftey Corn Shaver” and the directions are printed on the label noted on the bottom of the box.

The box measures 4 inches long and is in good condition.

A must for the foot doctor in your life.

Measuring 15 inches long by 13 inches wide, this delightful, unsigned, watercolor features a charming rendition of a young black boy straddling a fence while clutching a plump watermelon!

Remaining in its original frame with original wooden and paper backing, this watercolor retains its framer's identifying sticker which reads, "Staton's Art Shop 5409 Germantown Ave." Perhaps this Germantown address indicates Philadelphia area origin? In the interests of proper conservation, the new owner should re-frame this lovely piece with appropriate acid-free materials.

Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.

A lovely watercolor- nicely executed!

Measuring 6.25 inches long x 5 inches wide, this rarely found and well detailed, circa 1910, brass ashtray depicts a smiling black male native reclining on a stylized seashell.

In fabulous condition with 100+ years of all original surface patina, this phenomenal piece is very highly detailed and displays wonderfully! It authentically depicts the highly fashionable Art Nouveau styling which was so wildly popular at the turn of the 20th century. This brass ashtray promotes the English settlement of the CONGO on the African continent, and thus, the words "CONGO" are impressed across the native's chest. The earliest version of this ashtray was crafted in BRONZE did not feature the Congo label across the native's chest.

A must-have piece for the sophisticated Black Americana collection!

Measuring a diminutive 4.50 inches long x 2.50 inches high, this very unusual tin and pot metal piece features a small black shoe shine boy with shoe polishing brush in hand, about to polish a giant ladies lace-up shoe!!

The piece has two tiny holes in its bowl suggesting that this was once screwed or fastened into another piece. Logic suggests that perhaps this may have been an advertising display item of some sort.

Remnants of red paint are easily visible on the back of the black boy's hat as well as on his lips, and the giant shoe also displays remnants of black paint. When one looks quite closely, one can see that the entire figure was at one time painted. Some light superficial rusting to the bowl is evident here and there.

Certainly a mystery piece as to purpose, this fascinating Black Memorabilia collectible remains quite intriguing and does reinforce a stereotypical occupation associated with black folk during the unfortunate Jim Crow era.

Offered are three different 78 RPM records featuring JIM CROW era, minstrel music of the 1900-1920's. All three records come with their original paper jackets. They are priced at $30 each.

The records are in used condition with minor scuffing and/or scratching typical of used records of 80+ years of age. These records have not been recently played and are presented as historical artifacts, and as such, they are offered for sale without guarantee of "playing quality".

Offered are:

1) 1912 "I'se Gwine Back to Dixie" by the Haydn Quartet

2) 1923 "Two Black Crows Part 1 and Part 2" A Comedy Sketch by Moran and Mack

3) C1915 "No One Loves You Any Better Than Your Mammy" by Link-Nelson

As each is priced separately, please email us stating which item you wish to purchase so that we can customize your order form.

Offered is an antique, C1910, German-made dexterity puzzle that measures 1 15/16" in diameter and 3/8" thick. This delightful game features a fixed, small mouse trap with two, moving, metal mice. The object of the game is to get the mice into the trap.

Colorful detailing of cats on cardboard covered-bottom is marked "Made in Germany". Tin frame holds game with glass cover on one side and mirror on reverse side.

In excellent condition considering age. Glass cover is free of cracks. Game color is still bright. Original mirror has a few spots of silvering and light scratching but is free of cracks. Displays quite well!

********PLEASE NOTE THAT THE SMALL NITRO IS AVAILABLE*****THE OTHERS HAVE BEEN SOLD****

Offered is an interesting heart specific medicine dating to 1990.

The cute Parke Davis Nitrostat bottle measures 1.25 inches and is priced at $8.00.

Offered is a scarce, vintage, boxed case of SS White Dental Burs from the 1920 era.

This awesome tool-of-the-trade includes many unused burs housed in their original, individual boxes! A detailed, complete label is pasted on the interior lid and is in good condition.

The hardwood case measures 11" L x 5.5" W x 3" H and has wear to the finish commensurate with age and use. A visually-appealing display piece that would enhance any dental instrument and artifact collection!

Measuring 5.50" in long x 8" wide, this delightful, C1910 cardboard box once held typewriter ribbons produced by the A.P. Little Company, manufacturer of typewriter ribbons and carbon paper.

The graphics on the cover of this box feature a smiling, happy, young African-American boy (the company's trademark) who is peering through a rip in the paper, unknowingly about to be pounced down upon by a very ugly and venomous-looking spider!

The box is in amazingly near-perfect condition despite its 100+ years of age with very insignificant soiling present as well as rubs and abrasions to box edges, all of which are more than perfectly reasonable given the age of the piece.

A very seldom-seen advertising piece featuring a Black Americana theme! The first that I have had from this company! is in excellent, all-original, perfect condition!

This is a very nice example of a Lowell, Massachusetts, patent medicine complete with box.

The 8.5 inch bottle is in fine condition and sports a label only on the side panel because it is embossed on the remaining three sides. The bottle label is almost complete with modest staining from content leakage.

This medicine retains its original, very decorative box which notes a 1915 date-- apparently when this "new" box was first introduced to the public in August of that year. The box is complete and in good condition noting modest content stain, mostly on the left panel.

Ayer's Sarsaparilla was actually a quack medicine first introduced in the mid 19th century, with no real evidence of therapeutic value, and in that regard, quite similar to many other medicines of that era. Sarsaparilla, J.C. Ayer's most popular product, was cited as a real blessing to humanity in that it purified the blood, stimulated the vital functions, restored and preserved health, and infused new life and vigor throughout the whole system!! Sarsaparilla was also recommended for jaundice, dyspepsia, pimples, boils, ringworm, female weaknesses and ‘lassitude and debility peculiar to the Spring.'

Offered is a wonderful grouping of five, choice C1900-1920, Patent Medicine Drugstore Pill Vials.

The first two medicines are from Denver, Colorado, are labeled KIDNEY TABLETS, and measure about three inches tall. As noted on their brightly colored labels, they are a remedy for a variety of disorders including: URINARY, LIVER, DIABETES, and LUMBAGO to name a few! The tablets are housed within wooden vials which are covered by the labels. The labels shows mild loss primarily on the ends. The condition of the wooden vials is very good. A hard to find Western medicine!

Thirdly, is another nice Western medicine: SWAIN'S BACKACHE AND KIDNEY PILLS from Kansas City, MO. This three inch remedy mentions the Food and Drug Act and sports a wooden vial housed in a very decorative paper label. The condition is very good with loss of the label on both ends.

The fourth medicine, DEBELL'S KIDNEY PILLS, dates to the early 1900s and also mentions the 1906 Pure Foods and Drug Act. It sports a wood vial enclosed in a paper label. This medicine is specific for kidney and bladder complaints and is from the C.W.BEGGS SONS & Co., Chicago, USA. The condition is good with modest wear and loss to one end of the label.

Finally, is DOAN'S REGULETS touted "A MODERN LAXATIVE" from Foster-Milburn CO., Buffalo, N.Y. The label on this 2.5 inch cutie is complete, mildly worn and colorful. Dates to the 1920s era.

Overall a nice group of early medicines ready for your collection!

For your consideration are two, difficult to find, CANINE, veterinary medicine texts published in the first quarter of the 20th century!

Presented first is "DR. LITTLE'S DOG BOOK", with an original copyright of 1924 - this being a second printing from May 1925. It features 345 pages that include seven photos along with some illustrations depicting dog care. The contents covered in this text are vast with chapters discussing the history of the dog, their care, diet, training, as well as canine diseases and their treatment. A very comprehensive, early volume!p> The condition of "DR. LITTLE'S DOG BOOK" is good with a solid binding, one loose photo in the front pages and one moderately torn (but complete) photo of a terrier (pg 38), some mild yellowing and slight foxing to the pages, and wear and fading to the cover commensurate for a book 95 years of age. Measures approximately 8.5"L x 5.75"W x 1.5"H.

The second book offered is a nice 1915 edition of "KENNEL DISEASES", by "ASHMONT", containing 424 pages. This volume includes one photo and a few illustrations and is packed with information dealing with all manner of kennel diseases including symptoms, nature, causes and treatment. Quite comprehensive and a fabulous resource.

The condition of this book is good with a tight binding, and yellowing and some foxing to pages. Overall wear is quite light especially given the book's 100 years of age. Measures 9.5"L x 7"W x 2"H.

The two texts are offered as a pair for $75.

Measuring 2 2/8 inches in diameter x 5/16 of an inch high, this rarely-found, circa 1910’s, dexterity game depicts a wide-eyed, black man wearing a hat, a wide white collar and a big red bow! The puzzle is quite colorful and is very visually appealing! The puzzle contains 5 tiny white balls of unknown material, that, with the proper manual dexterity, are to be placed two in the gent's eyes and the remaining three between the lips as teeth!

Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the graphic remaining in bright color and free of scratches and abrasions. Although the glass front is somewhat cloudy, as one can see in photos, the image is readily visualized. The mirrored back shows significant loss of silvering due to its 110+ years of age. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

A delightful piece of early, pocket-toy, Black Memorabilia!

Offered are a scarcely-found group of three pharmacy ointment mill tube fillers that date to the circa 1910 - 1930s era. These tools-of-the-trade were typically found in compounding pharmacies. This particular grouping came from the estate of a pharmacist who first began practicing in the early 1900's.

The first example, as seen on the left, measures 3.5 inches and has a heavy brass base and an aluminum compression rod. There is a removable brass nozzle that screws into the base. This diminutive hand size mill would fill 1 to 2 ounce medication tubes and sports a nice patina. There are no markings seen and just minor superficial wear is evident.

The second mill, as seen on the right, measures 4 inches and has a one piece molded aluminum base and a brass compression rod. Perfect for filling smaller tubes, this example fits comfortably in one's hand. The condition is very good except for a small chip noted at the end of nozzle.

The third and final mill featured in the center of the primary photograph sports 3 legs and two removable brass nozzles. The nickel plating covers what appears to be brass, showing minimal wear only to the top of the feet. This unmarked 6.25 inch high beauty has all-original patina and has capacity enough to have filled either multiple or larger-sized medicine tubes.

Also included are four medicine recipe cards from the 1950's noting proprietary medicines from "BUTLERS" drug store establishment.

Offered is a RARE, UNCUT, C1917, pair of the adult members of the Aunt Jemima Rag Doll Family, Aunt Jemima and Uncle Mose. (Uncle Mose is Aunt Jemima's Husband, and he is labeled Uncle Mose on his upper back).

These dolls were conceptualized as advertising pieces and were only obtainable from the Aunt Jemima Mills of St. Joseph, Missouri, in return of 24 cents in stamps along with 4 box tops from select Aunt Jemima products for the full set which also included children, Little Diana and Wade Davis, OR for JUST ONE DOLL, 1 box top and 6 cents in stamps! Dolls were then shipped promptly, postpaid upon receipt!

The original purchaser of these uncut dolls, Mrs O. W. Lewis of Ethel, Missouri, clearly only ordered the Aunt Jemima and Uncle Mose dolls, as these dolls remained within the family, untouched in the original mailing envelope, until their recent discovery by the purchaser's descendants.

It is quite unusual to find uncut versions of these dolls -along with the original mailing envelope which typically is quickly tossed away- as more commonly, the dolls are found by chance as "singletons" here and there-- already cut, sewn, stuffed and played with as opposed to the pristine, uncut versions offered here.

The pair is in quite wonderful condition given their 100+ years of age and are suitable for framing. Each doll is printed on a separate piece of linen, and the color of each doll remains amazingly crisp and brilliant! Aunt Jemima measures 10.5" wide by 35" long, and Uncle Mose measures 10" wide by 35" long. (Please note that any variation in color noted in photos is a result of lighting issues and light reflection only. Background of linen remains its original, crisp, bright white with each doll retaining its "like-new" consistent and brilliant color.)

Mild foxing is noted only on Aunt Jemima and not on Uncle Mose, likely due to the manner of storage. The Uncle Mose doll fabric was folded and stored inside of the Aunt Jemima fabric, and then they were placed inside of the envelope, with only Aunt Jemima coming into contact, for decades, with the high-acidic content of the envelope which caused the foxing. Fold lines are evident as well; however, these fold lines are the result of original factory packaging and storage in the envelope for over 100 years. Other than the foxing as described, the pair remain in truly fine condition!

A rare opportunity for the advanced collector to acquire an uncut, complete pair of C1917, Aunt Jemima and Uncle Mose Advertising Rag Dolls, suitable for framing!

This offering will only be sold as a pair; offers for an individual piece will not be entertained.

Offered is a circa 1910, original piece of art entitled "Who Said Watermelons". This captivating charcoal on paper portrait of a young African American boy, very much resembles the iconic, fictional figure painted by an unknown artist in the mid 1800's, a figure who has come to be known as 'Johnny Griffin' or the 'Young Black boy with the Torn Hat'.

Measuring just 7 inches wide x 9 inches high, this unsigned piece is very skillfully executed accomplishing a three-dimensional sense of depth through the expert use of light and dark, while capturing the intriguing expression on this young boy's face. Just what is he thinking?

Was this enchanting charcoal portrait completed as a study in preparation for a final, more complex piece, or was it, indeed, the final execution of a subject caught in passing?

Condition is quite fine. Note the faint trace of the artist's title for this work done in a lighter charcoal hiding behind the darker, final printing of the title. Framed in an old black wooden frame, this intriguing charcoal portrait would benefit from professional framing using archival, acid-free materials to enhance its life for many years to come.

Published, designed and printed by Juvenile Productions, LTD, London, England, #1711, circa 1920s, this SELDOM FOUND, soft cover children's book presents a very different, very unique tale inspired by the traditional Little Black Sambo story written by Englishwoman, Helen Bannerman in the early 1900s.

This version, is indeed more aligned with the style of the 19th century stories written by the famous Brothers Grimm of Germany, featuring fairies, a Fairy Queen and tiny elves!

It also, quite unfortunately, utilizes obtuse monikers that, sadly, were in common use during this time period, referring to Sambo as a PICCANINNY and naming his parents, Mr. and Mrs. DARKIE. If not for this usage, this little story would be regarded as very sweet and charming.

The book contains 10 pages, all of which have been photographed here, with illustrations alternating between full color and black line drawings. Color throughout remains brilliant and crisp! Other than some slight rubbing to page edges, very slight foxing here and there, a top corner crease on three pages, and some rusting to the two original staples which still securely bind the pages together, this VERY UNCOMMON book remains in superb condition for its approximate 100 years of age! Measures 7.75 inches high x 5.25 inches wide.

To find our other Little Black Sambo offerings, simply type "Sambo" into the search box on our home page.

Offered is this exceedingly rare and unusual, circa 1910, Dallas, Texas, 10 page, all-paper (including front and back covers), advertising "Give-Away" pamphlet which tells the complete story of LITTLE BLACK SAMBO, featuring both black line and color illustrations. I have not seen anything quite like this before!

On the back cover are the advertisements of six local, Dallas, Texas, merchants who joined together to produce this little pamphlet for children as an advertising promotion for each of their respective businesses. Named are the Stacey Baking Company, T.P. Hudson Kodak Picture Developer and Sundry Shop, Moore Brothers Laundry and Dye Works, Star Messenger Service, McKinney Furniture Company, and Thornton and Bracey Fine Stationery and School Supplies.

Such an unique and very exceptional piece of turn-of-the-20th-century, Dallas, Texas, historical ephemera!

The story of Little Black Sambo, of course, was to become a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending! Condition is an amazing 7.5 out of 10, remembering, of course, that this is an ALL PAPER PAMPHLET that is now approximately 110+ years of age! All pages have been photographed which clearly show condition throughout.

The pamphlet is bound together via two staples which remain intact and are firmly holding all pages and the covers together. The front and back covers have separated from one another at the top and bottom of the pamphlet up to each respective staple; however, the area between the two staples remains intact. A few tiny edge rips are present as noted in photos. The black line drawings have been "expertly" colored-in with crayon by a budding artist of long ago who carefully and very diligently stayed within the lines. As such, one tends not to even notice that this "artwork" was not original to the publication. Original in-color illustrations remain very bright and vibrant. Pages have darkened with age. Measures approximately 6.75 inches x 9.5 inches.

Interestingly, in addition to relating the complete tale of Little Black Sambo, four pages are devoted to illustrations that identify specific characters and situations within the story, all individually entitled such as "First Tiger", "Tigers Fighting", "Purple Shoes Gone", "Lucky Sambo", "Pancake Supper", etc.

Amazing condition for a 110+ year old advertising story pamphlet that was clearly enjoyed by at least one youngster long ago - and one that may very well be the only copy remaining in existence! For the collector and lover of the tale of Little Black Sambo, this is a must-have!

To see the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is this circa 1910-1921, very scarce, Macgregor DEEP GROOVE Golf Club that was designed to significantly enhance the backspin of a golf ball. As history would have it, the clubs actually worked and gave an unfair advantage to those professionals who were adept at using them.

The back of the club is stamped as follows: Guaranteed Hand Forged - BAKSPIN (with arrow - a Macgregor identifier) and MASHIE.

In 1921, RIBBED GOLF CLUBS were banned by the R&A and USGA just after the OPEN CHAMPIONSHIP.

Measures 36.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft has a slight bend and is sturdy. The head shows modest and honorable wear, good grooves with generalized, unobtrusive pitting to the surface.

A nice example of an early club with a controversial history!!!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB.

Offered are two, desirable, circa 1910 era, smooth face, hickory shaft golf clubs made in Scotland. Although smooth face golf clubs fell out of fashion and perhaps function by the very early 1900s, they were still offered in catalogues for a number of years beyond this date.

The first club is stamped "J. NICHOLLS - SPECIAL - MASHIE" and measures 34" from the heel to the top of the shaft. The second club is stamped "J. KENNEDY - SPECIAL - MASHIE" and measures 37.5 inches from the top of the club to the heel.

Both clubs have leather grips, straight hickory shafts and sport nice aged patina on the hickory shaft and the metal clubs.

There are various small leading edge dings and examples of wear on both of the clubs that are commensurate with their use and 110+ years of age. Both clubs are very likely of Scottish origin based upon the style and construction of very similar clubs found in reference sources.

Offered are two, very nice, circa 1910, Seymour Dunn, DEEP DOT Face, hickory shaft golf clubs.

These scarce clubs are stamped on the back "MAKER - SEYMOUR DUNN - LAKE PLACID NEW YORK U.S.A. - a CROWN (VIET ARTE)..". The leather grips are in good condition, and the shafts sport a nice aged patina.

The PITCHER measures 35.5 inches from heel to top of shaft. The MIDIRON measures 37.5 inches from the heel to top of club, and there is a slight bend in the shaft. Both clubs have various small dings to the metal surface and areas of wear commensurate with the club's use and 110+ years of age.

Seymour Dunn, of Scottish origin, was the nephew of Willie Dunn, an accomplished golf pro, course designer and club maker. Seymour worked with his uncle for two years until setting up his own shop in 1910. Seymour, just like his uncle, became an accomplished golf pro, course designer and club maker, and additionally, was a successful author of books on golf and a frequent contributor to golf magazines. Quite a talented family!

Offered are three, desirable, circa 1910-1920 era, smooth face, hickory shaft golf clubs. Although smooth face golf clubs fell out of fashion and perhaps function by the very early 1900s, they were still offered in catalogues for a number of years beyond this date.

The first club is stamped on the back "SPALDING - GOLD MEDAL" and measures 39.5" from the heel to the top of the shaft. The Gold Medal line was first introduced in 1905 and offered till 1919. The complete grip shows mild separation and is in good condition. The shaft on this long club (likely a #2 iron) has a modest bend near the grip.

The second club, a putter, is stamped on the upper shaft "THE CRAWFORD MACGREGOR & CAMBY CO - DAYTON, OH" and measures 32.5 inches from the top of the club to the heel. The sheepskin grip is worn and the face of the club is heavy by design.

The third club is likely a MASHIE, has a straight shaft and good grip. The name of the maker is not discernible due to a partially worn stamped label. It measures almost 36 inches from the end of the club to the heel.

All three clubs show various, small, leading edge dings, original patina and mild wear commensurate with the clubs' use and 110+ years of age. A delightful trio!

This is an exceptional example of a circa 1915, MacGregor, DEEP GROOVE golf club that was designed to significantly enhance the backspin of a golf ball. As history would have it, these clubs actually worked and gave an unfair advantage to those professionals who were adept at using them! In 1921, RIBBED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by both the R&A and USGA.

The sole of the club is marked MASHIE. The back of the club is stamped as follows: PILOT (with arrow) ACCURATE and oval stamp with MACGREGOR, DAYTON OH.

Measures 36 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight, sturdy and has the following stamping below the grip: THE CRAWFORD MACGREGOR & CAMBY CO. DAYTON, OHIO. The head of the club shows light wear and good grooves with generalized tiny unobtrusive pitting to the surface.

A terrific example of an early club with a controversial history!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

Offered is this circa 1910-1921, very scarce, Kroydon DEEP GROOVE Golf Club with atypically-designed grooves called BRICK FACE.

Deep grooved clubs were designed to significantly enhance the backspin of a golf ball. As history would have it, these clubs actually worked and gave an unfair advantage to those professionals who were adept at using them! In 1921, RIBBED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by both the R&A and USGA.

The back of the club is stamped as follows: "Kroydon U5 ?....? J.F. MATHEWS", and measures 36.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight and sturdy. The head of the club shows mild and honorable wear, good grooves with mild unobtrusive pitting to the lower surface.

A nice example of an early club with a controversial history!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

Offered are two, very nice, circa 1915, smooth face, hickory shaft, golf clubs. Smooth face golf clubs fell out of fashion and perhaps function by the very early 1900s, but they were still offered in catalogues for a number of years beyond this date.

The 1st smooth face club is stamped on the back "M.S.J." owner with a faint maker's stamp "N.Y. and a tulip cleek stamp". It is a striking right handed model with original grip, straight hickory shaft, sporting a nice, aged patina. It measures 35.5 inches from heel to top of shaft and has small dings mainly to the leading edge and surface wear commensurate with use and it's 110+ years of age.

The 2nd club is unmarked, and it, too, has signs of mild honorable use and wear and has an original grip. The club has a straight shaft, sports an appealing patina and measures 35 inches from the top of the shaft to the heel. Probably a 3-4 iron.

Two desirable examples of early 1900s clubs!

Offered are three, handsome, McGregor Brass head hickory shaft golf putters that are all different. All three clubs have a wonderful aged patina and solid straight shafts that include a stamp noting the following: "MADE BY THE CRAWFORD, McGREGOR, & CAMBY CO DAYTON, OHIO".

Club #1 sports sleek Art Deco styling with a milled flange on the base and a beveled edge on the top back of putter. The #60 stamped on the bevel indicates the model number. It measures 34 inches from heel to top of shaft and has small dings and surface wear commensurate with use and its 100+ years of age.

The 2nd handsome club notes fewer custom features but is similar in style and shape to club #1. Measures 34 inches from the heel to the end of the shaft and its condition is similar to club #1.

The 3rd McGregor brass putter is a smooth face blade example that sports a new grip. Measures 33 inches from heel to the end of the club and is in good condition for an 100 year old club.

A terrific trio!

Offered are two, very nice, circa 1915, smooth face, hickory shaft, golf clubs. Smooth face golf clubs fell out of fashion and perhaps function by the very early 1900s, but they were still offered in catalogues for a number of years beyond this date.

The 1st club is marked "FORGAN & SO.." and sports signs of honorable use and wear with faint pitting and has an original grip. The club has a straight shaft, an appealing patina and measures 38.5 inches from the top of the shaft to the heel. The shaft is stamped "FORGAN & SON - ST ANDREWS.

The 2nd smooth face club is stamped on the back "WRIGHT-DITSON". It is a handsome right handed model with a replaced lambskin grip, straight hickory shaft, sporting a nice, aged patina. It measures 37 inches from heel to top of shaft and has minimal pitting, small dings and surface wear commensurate with use and its 110+ years of age.

Two hard to find examples of early 1900s clubs which includes the popular Scottish club maker FORGAN!

Two circa 1915, aluminum, mallet head putters with hickory shafts are offered for your consideration. Both clubs are marked on the top with the following info: "STANDARD GOLF CO. - Mills Patent - Sunderland".

Club #1 has the patent # 171795 and "ENGLAND" stamped on the top. The base is stamped "BRAID-MILLS 1915 MODEL UPRIGHT LIE 9ozs 15drs". The face has a checkered pattern, slightly curved shaft and good early leather grip. It measures 35.5 inches from the heel to the top of shaft. The condition is very good with a small piece of metal missing at the front of hosel.

Club #2 is stamped on top with the patent # of 137374. The bottom is generously stamped with the following: "J.P.B. (owner), BRAID-MILLS 1915 MODEL - MEDIUM LIE - 9ozs 15 drs - HARRY O. LEE & CO. NEW YORK" (Retailer). The face has a checkered pattern and the hickory shaft is straight, sporting a good leather grip. It measures about 34 inches from the heel to the end of the grip. Overall the condition is very good commensurate with a club over 100 years old.

Together they make a nice duo of playable clubs.

SOME HISTORY:
Sir William Mills began experimenting with aluminum golf club heads in the 1890s. Mills was a marine engineer and used his company, William Mills Ltd, to branch into the golf business, leading to the Standard Golf Co.

Offered are two desirable antique mallet head aluminum putters sporting good grips, nice patina and hickory shafts.

The first club is a nice circa 1900 example from the shop of Peter Hendrie. It measures 33.5 inches from the heel to end of shaft and sports a dot pattern on the face. The straight hickory shaft and leather grip are in good condition. The top of the club is stamped "P. HENDRIE" and H.B. "BYERGASON" (club owner). The head of the club has the expected dings, scuffs and wear of an early club.

Club number two is stamped "MACGREGOR 3 1/2" on the top and sports a deep checkered pattern on the face. The solid straight hickory shaft and leather grip are in very good condition on this 30.5 inch club. It sports an original patina and handsome styling- both desirable features of this nice playable club.

SOME HISTORY:
Peter Hendrie was born in North Berwick, Scotland, in 1872, where he caddied as a boy before obtaining his first professional position at the York club in 1897. He returned to North Berwick in 1900 and worked as a clubmaker for a few years. In 1902, he emigrated to Canada with his wife and took up the professional’s post at the Victoria Golf and Country Club in Montréal.

He moved south to the United States in 1911, becoming the professional at the Fort Mitchell Country Club in Kentucky. He assumed various professional positions in the US until 1924 when he was appointed the first professional at the new Ulen Country Club in Lebanon, Indiana, where he remained until his retirement in 1946.

Offered is a fine, all-original, aluminum, golf mallet putter from the Dave Cuthbert shop of St. Andrews Scotland.

This well balanced and sleek appearing club sports a straight hickory shaft and a nice leather grip. Deep checkering lines adorn the face and a well struck "D. CUTHBERT - SPECIAL" stamp is seen on the top.

The condition is very good with the expected small dings, scratches and wear of a club that is over 100 years old. The club measures 34 inches from the sole to the end of the club.

SOME HISTORY

David Scott “Dave” Cuthbert was born in St. Andrews, Scotland in 1885. He got his start in golf as a caddy at St. Andrews Golf Club, and as a young man, he worked in Old Tom Morris’ golf shop. He often caddied for Freddie Tait who was one of the greatest amateurs in Great Britain. In 1912, Cuthbert learned from a friend who had worked in America that Huntingdon Valley Country Club was looking for a golf professional, so he set sail at once. He arrived in Philadelphia during a March blizzard with his golf clubs and a suitcase. He then proceeded to seek out the Huntingdon Valley green chairman. Without an appointment he announced that he was David Cuthbert of St. Andrews and he had come all the way from Scotland for the position of golf professional. He was hired and stayed seven years. He relocated to Canada for four years and returned to PA when Ashbourne Country Club opened in 1923. Cuthbert was Ashbourne’s first golf pro, and he remained there for fifteen years. In the club's opening year, 1923, Cuthbert finished second by one stroke in the 1923 Pennsylvania Open.

Offered are three C1905-1930, hickory shaft golf clubs from Edinburgh, Scotland.

The first club, a ladies' MASHIE iron, is stamped with the following: "HENDRY & BISHOP Ltd. - EDINBURGH - Made in Scotland - Warrented Hand Forged - SPECIAL (L) with the MITRE BRAND" cleek mark. This circa 1930 club has a handsome construction and measures 35 inches to the heel. The straight hickory shaft sports a nice patina, and its original leather grip is in good condition. The club head is in good condition with mild leading edge dings and sports dot face stamping.

The second club, a circa 1905 JIGGER, is in very good overall condition sporting a solid, straight hickory shaft with an original patina. The club head sports a random sized dot-punched style on the face. The back is stamped with the following: "HAND FORGED IN SCOTLAND and M.J. BRADY - SPECIAL" in an oval. T.S.St.A plus REGISTERED TRADEMARK and a PIPE" cleek mark. (T.S.St.A stands for TOM STEWART-ST ANDREWS.) A JIGGER is a short-shafted club with low loft which was used in the same way as the modern chipper. The club has minimal dings and wear to the head. A high quality, low profile specialty club! A very nice example indeed!

The third club is a fine example of a circa 1900 crafted, low profile and low lofted driving iron or mashie. The leather grip has been professionally replaced, and the straight hickory shaft sports an original patina. The club measures 37 inches to the heel. There is deep nicking to the hosel and a slight wiggle where the shaft joins. The face has a ding by the toe end, perhaps the result of an honorable blow that caught both ball and stone many years ago. The back is stamped with the following: "SCCMCoy LTD - ED......." (? Edinburgh).

A nice trio of Scottish clubs!

Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final line of the story. It goes without saying that all versions of this tale are highly derogatory.)

The Valentine publication follows the original pattern of the young boys meeting their demise one by one, with only one boy remaining at the end of the story. What sets this publication apart from all other versions, is that an entirely different and creative story has been composed. In "Ten Little Nigger Boys", the ten "naughty boys", all about the same age, decide to run away together on a sailboat called "The Saucy Sue", which they "borrowed from an old sailor coon for an hour" with no intention of ever returning. On a mission to find a desert island that they would have all to themselves, the boys, one by one, meet their demise by drowning, by being eaten by a whale, by gunpowder explosion, by accidental gunshot, by abduction by an elephant (they found their island), and by the swallowing of a sea monster! The one remaining boy is rescued at the end by "an aeroplane commanded by a brave army captain", and was brought home "where everyone made a hero of him".

Measuring 8 inches wide x 9 inches tall, each page of the book is imaginatively illustrated with black ink drawings highlighted with red. Valentine & Sons Publishers, a lithographic printing firm, was founded in Dundee, Scotland in 1825, by John Valentine. His son, James, an early pioneer of photography, reproduced his work as prints and stereo-views. By 1896, the company began printing postcards, and it grew to become Scotland's leading manufacturer of color-tone picture postcards. For a brief period of years between the late 1890's and early 1900's, the company produced a small selection of children's books to supplement their earnings, utilizing a style they referred to as a "cut-out"; this book, is an example.

Condition: Good-- for its 111 years of age, showing the expected wear of a well-read, antique, children's book! Sturdy, thick cardboard covers with paper pages. Unpaginated. The book spine is held together by two, large, intact, original staples. The center page has separated from the staples, and a small section of this page is missing as seen in photo (for purposes of photography to better illustrate the missing section, a white paper was placed in its place; otherwise, the missing section would be difficult to discern, blending into the preceding page.). All pages are present, and except for the one separated page, all remain sturdily attached to the spine. Small edge tears and some soiling are present on various pages throughout the book. The front and back covers show edge wear and some soiling, and the top tip of the front cover above the "E" in "Little" is missing. Both the front and back covers are missing the small section that would have, on the front cover, illustrated the head of the boy in the green jacket standing on the right side of the boat. The front cover also displays a horizontal crease line which corresponds to the book's spine. This crease naturally occurred over time due to the book's design and manner in which it is opened (The front cover is lifted up and over to open the book. See photos.) The back cover shows evidence of some superficial water staining that did not seep through to its other side.

All but three pages of this book have been photographed, as I am limited to twelve photos per listing. The first six pages of the story are represented, followed by the final three of the story.

As the production of children's books was only a supplemental sideline for Valentine publishing, very few of these books were originally produced, and fewer still remain today. This is the first copy that I have ever seen in my decades of specializing in Black Memorabilia, and I have found no others available for sale on the internet. This antique children's book is truly a very rare offering, and its age-related flaws do not detract from its significant collectible value.

Measuring 3.25 inches X 4 inches, this early 1900's, Glass Magic Lantern Slide is in pristine condition!

Featuring wonderful, vivid colors, this slide is titled "Two Old Chums" on the paper label attached to the back of the slide. The slide depicts an older black gentleman standing, hat in hand, beside a seated, very despondent-looking, white gentleman- who appears to have been drinking.

The slide has wonderful detailing--In particular, please note the print of a Black Child playing the Banjo which hangs on the wall at the far right side of the room!

Very hard to find Black Memorabilia in fabulous condition!

Measuring approximately 7 inches high, this most rarely found, circa 1900’s, cloth, Black Mammy doll boasts a body form that is constructed of a dried cob of corn!

Mammy sports hand-stitched facial features, and all original, machine-stitched clothing. Mammy’s hands and arms are made of fabric-coated pipe cleaners allowing for flexibility and movement. Her corn cob body has been neatly encased in muslin. Mammy's costume is complete and quite brightly colored and even features a tiny apron pocket in which a teeny hankie is tucked!

Mammy has been well cared for over the years- no fading to clothing, no rips, tears or other blemishes! A most interesting and very seldom found Mammy doll in utterly excellent condition!

This extremely rare, circa 1900, COMPLETE set of 4 Magic Lantern glass slides with Black Americana theme is in mint condition! True to the era in which they were produced, these 4 slides typify the black derogatory stereotypes prolific during this period.

Measuring 4 inches wide x 3 3/4 inches high, the black color-toned set was manufactured by A.D. Handy, Stereopticon & Supplies, Boston.

The four slides tell the story, through drawings and southern black dialogue, of a black boy attempting to steal a watermelon (slide 1). Four other black boys hiding behind a fence and watching, spook him, making the boy think there is a ghost behind him (slide 2)! Dropping the watermelon in fright, he dashes off for safety (slide 3). The shattered watermelon is then left on the ground, already broken into bite-sized pieces for the 4 other boys to enjoy!

This offering is truly an exceptionally scarce Black Americana collectible!!

Measuring 14 inches high x 8 inches wide, this early and VERY, VERY RARE, Circa 1890-1900, exotic Female Blackamoor, metal frame mirror is complete with all original parts including its original 8" x 10" beveled mirror which is in amazing condition!. An extraordinarily difficult to find, highly captivating piece! Unmarked.

This stunning, 125 year old+ example of statuesque Black Americana is in wonderful condition absent two very tiny areas of loss, not unexpected given the age and use of the piece. One area is at the extreme edge of the right tip of the base, and the other, very minor loss to the tips of the right thumb and index finger. Neither of these areas of loss are easily noticed, nor do they distract from the truly incredible rarity of this early piece.

Very well made, the frame easily comes apart into 3 pieces for safe shipping and/or storage.

An extraordinary opportunity to acquire an extremely RARE and highly coveted piece of turn-of-the-19th-into-20th-century Black Americana! One will be very hard-pressed to find another example!

Salvaged from a battered and heavily damaged 1907 story book, this delightful, hand-colored lithograph drawn by L. Hobbins is entitled, "Teaching Hannah Mariah To Skate".

Measuring 9 by 11 inches framed, this litho retains its vibrant colors! A delightful piece which features the accompanying poem on the reverse side.

The frame is a temporary and inexpensive one to allow the potential buyer to view the poem on the backside, but the piece should be properly framed to enable its continued conservation once purchased.

A note: It IS possible to frame this 110+ year old piece using glass on both sides to allow perpetual view of the poem.

Please ignore any white streaks or marks seen in photos; these are the result of light reflection off of the glass.

Having conceived of the revolutionary idea of a lithographed, molded-mask doll face in 1901, New Yorker, Albert Bruckner applied for and was awarded the patent for his idea that same year. All Bruckner dolls were then stamped, "PAT'D JULY 8th 1901" on the lower right neck edge.

From 1901-1924, Bruckner produced this original, 12" Topsy Turvy doll for Horsman's Babyland Rag Doll line that features Caucasian, "Betty", on one end and African American, "Topsy", on the other. The inspiration for this doll is based on the character of Topsy in Harriet Beecher Stowe's classic 1852 novel, "Uncle Tom's Cabin".

The Bruckner Topsy Turvy doll was advertised in a 1907 Babyland Rag Doll catalog as follows:

"TOPSY-TURVY---What is this?
Looks like just a pretty miss.
But turn her over and you'll find,
She is quite another kind.
First she's White and then she's Black,
Turn her over and turn her back.
Topsy that side--Betty this--
Yet complete, each little Miss."

The detail on this hard to find classic doll is lovely. Both heads indeed have the pressed, molded mask faces with lithographed features. Topsy's face is in mint condition! Betty's face is also in excellent condition with no superficial rubs to the flesh-toned coating of her mask; her lithographed facial features remain just beautiful!! (Such rubs are not unexpected as these particular doll masks are, unfortunately, very prone to rubbing. To find one of these 100+ year old dolls without such rubbing is quite rare!)

Grinning Topsy has red bows tied to her black mohair braided pigtails which are tucked into her red headscarf. Her red blouse, which matches her head scarf, is trimmed with cream banding around the sleeve and neck edges. The cream scarf she wears around her shoulders tucks into her very full, red/cream checked, gingham skirt. Topsy’s cream banding is lightly soiled and there is also some subtle fading to her red head scarf, most notably in the back. Flip her over, and....

Betty's more subtle Anglo face and her hair are lithographed. She wears the same red/cream checked gingham fabric of which both her dress and ruffled bonnet are constructed. Over her very full gingham dress, Betty should also wear a sheer, ruffled, white pinafore, however, it has been lost over time. Betty’s cream banding around each sleeve is also lightly soiled as are her hands.

Both dolls have the typical "mitten" hands of the stuffed rag dolls of this era. There are no other difficulties to report other than some tiny, stray (original) glue spots here and there. No rips, tears, or odors, and she has been stored in a smoke-free home. The 1901 Patent Bruckner Topsy Turvy doll typically carries a $650+ dollar price tag, but deductions to price have been levied to account for the minor imperfections that are noted in this doll.

The photos show it all- these two girls are a charming pair! A very difficult to find doll in such wonderful condition!

Also offered for sale is a COMPLETE 1901 Patent Bruckner Topsy Turvy doll with absolutely no soiling or fading. To view, simply type Bruckner into the SEARCH box on our homepage.

Offered is a fabulous, early 1900s, veterinary doctor sign, advertising the practice of a Dr A. A. Bennet. This 18 inch x 11 inch brass sign is a wonderful advertisement piece. The black painted lettering has been cut into the brass sign to give a two dimensional effect.

Veterinary signs of any type are quite scarce! Wonderful patina!