Catalog: Popular Collectibles (243)

This 1970 era, laser cut, Ramada Inn Hotel and Restaurant advertising sign sports patriotically-colored red, white and blue detailing. The sign highlights Ramada's SPECIAL GOLF PACKAGES and its very humorously-named "DUFFERS LOUNGE"! (In golf, a duffer is a mediocre or poor golfer.).

The 2 inch thick wood sign measures 20 inches long by 5.5 inches wide and is in very good condition. The sign has some areas of faint edge splits, minor paint loss and other unobtrusive imperfections commensurate with age and use. The patriotic colors and embossed lettering create a striking display piece. Ready for hanging above your home bar or within your golf memorabilia collection!

Measuring 8 3/4 inches long x 6 ½ inches wide, this very charming, circa 1920-1930’s key or pot holder hanger is entirely hand-made- and is a fabulous example of early American Folk Art!

Constructed of hand-cut, ¼ inch wide, black painted wood, this darling little black girl has hand-painted eyes and smiling lips, and is dressed in a hand and machine stitched, cloth-stuffed, one piece, black, tan and green dress! She has a hole in each ear, a metal hanging loop atop her head and one metal hook on each shoe for hanging keys or potholders!

She is in fine condition given her 70+ years of age and has great “patina”. Some minor paint loss, a few teeny holes in her outfit, but very visually appealing Black Americana Folk Art, none the less!

Offered is a highly-collectible, circa 1860's, Staffordshire earthenware, pictorial plate featuring a scene from the enormously popular, 1852 novel, "Uncle Tom's Cabin" by Harriet Beecher Stowe.

"Uncle Tom's Cabin" or "Life Among the Lowly", is an anti-slavery novel that was published in two volumes and which had a profound effect on attitudes toward African-Americans and slavery in the U.S. It is said to have "helped lay the groundwork for the American Civil War".

The plate depicts Uncle Tom seated in a horse-drawn wagon while heavy iron shackles are being clamped around each of his ankles. The text on the plate reads: "Uncle Tom packed up for the 'Down South' Market. Haley made fast a heavy pair of shackles to Tom's ankles".

Plates such as this were produced for use by children as subtle educational tools. England was well ahead of the United States in recognizing the moral evils of slavery, abolishing it in 1833.

The plate measures 8 1/2 inches in diameter and the interior is decorated with the black transfer-printed, Uncle Tom vignette. The rim is quite beautifully embossed with highly decorative swirls which encase two different flying birds- one clutching an olive branch in its beak and the other chasing after a butterfly.

The plate is of great interest due to its slavery-related subject matter and its high degree of rim decoration. Condition of the plate is fair to good due to the numerous edge flakes present along the rim and the two tiny ones within the transfer. The plate has a use-related age crack that is clearly visible on the backside of the plate and which is also partially visible on the front side. This crack is quite tight and does not pose any concern to the structural integrity of the plate.

Despite its age-related imperfections, this plate displays absolutely beautifully, and for those collectors who are interested in slavery-related artifacts, this would be a noteworthy and visually-appealing addition to one's collection.

This lovely and historic plate has been priced to reflect its blemishes.

This very rare, 1894, historically significant work of factually-based fiction by Marietta Holley, recounts the author's perspective of what life in the post-Confederate South was like, detailing the significant adjustment Southerners experienced once the Civil War ended and slavery was wholly abolished.

This nearly-lost historical work was originally published in 1892 exclusively for the subscription market and was entitled, "Samantha on the Race Problem". Two years later when the work was to be sold on the "popular" market, the publishers, Dodd, Mead and Company, New York, deemed it appropriate to re-title the work, "Samantha Among the Colored Folk", including the subtitle, "My ideas on the Race Problem" on the title page only. Interestingly, this re-titled, 1894, popular market edition still retains the title, "Samantha on the Race Problem" at the top of each of its 387 pages! This is truly a fascinating read, particularly for those who have a keen interest in this tumultuous period of American history.

The author, Marietta Holley of New York, born in 1836, was an American humorist who employed satire to comment on American society and politics. Early in her career, she published not as Marietta Holley, but as "Josiah Allen's Wife", sometimes with her own name also added in parentheses beneath his, as is the case in this particular edition. Interestingly, Marietta was never married, and Josiah Allen never existed. She eventually published under her own name enjoying a prolific writing career and becoming a bestselling author by the turn of the 20th century, although, sadly, she was largely forgotten by the time of her death in 1926.

Illustrated by Edward Windsor Kemble, this work contains over eighty of his pen and ink drawings. Each drawing is titled and a listing of all illustrations can be found at the beginning of the book. Kemble, who enjoyed a prolific career as a political cartoonist for a variety of the top US newspapers and periodicals, was well-known for his caricatures of African Americans, and he illustrated for some of the most famous American writers of the day such as Mark Twain (The Adventures of Huckleberry Finn), Harriet Beecher Stowe (Uncle Tom's Cabin") and Washington Irving (Knickerbocker History of New York).

Written in dialect, this nearly 130 year old book bears evidence of its many, many years. The cloth-bound hardcover is very well-worn along all edges with the cloth spine showing the worst of the wear: small tears at top and bottom with some very small areas of missing fabric. The binding is separating from the spine, but all 387 pages still remain bound and attached (some pages just barely - see photos) with the exception of page 109/110 (see photo) which is present, but for some reason, was cut with scissors from the book. A good number of pages have some degree of staining (see photos), there is foxing throughout, and a very teeny tear here and there. An inked ownership inscription exists on the inside front cover.

Having described its significantly aged condition, it must again be emphasized that this 1894, 2nd edition, is EXTREMELY rare, seldom found available for purchase on the retail marketplace.

"Samantha Among Colored Folks - My Ideas On The Race Problem" is a must-read for those interested in the author's perspective of the societal, political, racial and economic struggles which existed in the post-Civil War South.

Professionally framed in 1992 with museum-quality, acid-free backing as well as acid-free double-mats, this fabulous 1863, fashion print from Godey's Lady's Book Magazine depicts the high style of the upper echelons of ladies' fashions during the Abraham Lincoln presidency, 159 years ago!

These fashion prints were typically placed at the front of the magazine, carefully folded to protect them from damage. They were reproduced from an actual, highly-detailed engraving which was then hand-tinted. Accompanying these fashion prints (or fashion plates as they were often referred to as) were very detailed descriptions about the garments featured as well as the occasions in which they could be appropriately worn.

This Godey's print features 5 ladies who have gathered together for tea and cakes while a young girl attempts to play with her dog who is distracted by the cake one lady holds in her hand!

This "fashion plate" print is in wonderful condition with just a single, teeny circular age-related early stain in the extreme lower left corner. Fold lines original to the print's placement in the magazine are noted. The print is double matted in gray and a very pale mauve- colors that reflect the shadowing in the print as well as the shades worn by both the little girl playing with her dog as well as the lady second from the right who wears the most intricately ornate gown featured!

Measuring 12.75" long x 14.75" wide, this highly decorative wood frame is silver toned with subtle hints of gold and is in mint condition.

PLEASE NOTE THAT ALL PHOTOS WERE TAKEN THROUGH THE GLASS which accounts for any and all bizarre reflections and/or aberrations in tone or color that might appear in photos.

A bit of history: Godey's Lady's Book or Magazine was an American women's magazine that was published from 1830 to 1878 in Philadelphia. It not only featured fashions of the time, but short stories, poetry, directions and patterns for sewing garments at home as well as piano sheet music. Even though the yearly subscription of $3 was quite expensive for the time, the magazine was extraordinarily popular - the most popular monthly journal of its time, with subscribers at its peak reaching 150,000.

Please see the other framed Godey's print we are offering featuring two different fashion plates! Simply type "Godey's" into the search bar.

Measuring 6 inches high, this darling, mint condition, Black Memorabilia, pudgy, Boy Child Nodder was made in 1950’s Japan by the Ardalt China Company. Dressed up as a little clown, his arms are bent upright at his sides as if he were in the middle of a trick! Such a darling piece!

The child’s head nods up and down in a "yes" motion by pivoting on a tiny metal bar inserted through his neck (see photos).

Condition is mint, and the piece is signed on the bottom of his right foot: “Hand Painted Lenwile China Ardalt Japan 6530 A”.

Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!

Please see the companion piece also available - the darling Black Girl Child Nodder by Ardalt, Japan. And an additional offering that is not part of the Ardalt Black Child Nodder series is the RARE 1950s Black Americana Sailor Nodder by UCAGCO,Japan.

This vibrantly colored, uncut, circa early 1920's, Little Mary Jane Paper doll designed by Berta and Elmer Hader, an American couple who jointly illustrated more than 70 children's books, ran exclusively in the iconic Good Housekeeping Magazine and features a Halloween theme complete with jack-o-lanterns and a basket of harvested fall apples!

The very popular Mary Jane paper doll series was featured each month in Good Housekeeping Magazine for months, with little girls everywhere excited to immediately cut out the doll and her accessories for play!

From the 1920s through the 1960s, paper dolls were an extremely popular play toy with a wide variety of paper doll "books" sold in the 5 & 10 cent stores of the day such as Woolworth, Berdine and Kresge, to name a few. The Mary Jane paper doll always conformed to seasonal themes, with the coloring and artistry of Berta and Elmer Hader never failing to please little girls everywhere.

Given the extreme play-time popularity of paper dolls, it is very rare to find an uncut sheet such as this!

Berta and Elmer Hader worked together to design children's sections for Good Housekeeping, McCall's, Pictorial Review, Asia, Century, and The Christian Science Monitor. They created pictures and cut-outs, often featuring children dressed in national costumes. In Berta and Elmer Hader's Picture Book of Mother Goose, the couple collated pen-and-ink and color drawings they had done for Monitor and Good Housekeeping to great acclaim. When the US Postal Service dis-allowed the sending of magazines with cut-out segments in 1926, the Haders switched gears, gaining a contract with MacMillan for a series of children's books. They began writing the stories for some of the books in this period. Demand for their product soared, and they worked incessantly from 1927–1931, illustrating, in some cases writing, producing, and helping to sell thirty-four titles. They stayed busy for the rest of their lives, producing another seventy or so books before they retired in 1964. One book in particular, Billy Butter (1936), so impressed writer John Steinbeck that he requested Elmer Hader do the cover to The Grapes of Wrath (1939). Hader eventually did covers for two other Steinbeck works, East of Eden (1952) and The Winter of Our Discontent (1961).

Professionally matted and framed some many, many years back, this lovely piece of wall art advertising measures 10.5 inches wide x 13.5 inches long and remains in excellent original condition given its 100 years of age! Any discoloration, facing of color or reflection seen in photos is related to the difficulty photographing an object under glass and is NOT an imperfection to the piece.

Salvaged from a battered and heavily damaged 1907 story book, this delightful, hand-colored lithograph drawn by L. Hobbins is entitled, "Teaching Hannah Mariah To Skate".

Measuring 9 by 11 inches framed, this litho retains its vibrant colors! A delightful piece which features the accompanying poem on the reverse side.

The frame is a temporary and inexpensive one to allow the potential buyer to view the poem on the backside, but the piece should be properly framed to enable its continued conservation once purchased.

A note: It IS possible to frame this 110+ year old piece using glass on both sides to allow perpetual view of the poem.

Please ignore any white streaks or marks seen in photos; these are the result of light reflection off of the glass.

This extremely rare cross stitch sampler of a young black boy with hands placed on his hips is dated to at least circa 1890, although it is quite likely an earlier example of 19th century needlework making it highly scarce and sought after.

Completed in silk thread on early, thick, pressed paper canvas, the diminutive, 1 5/8 x 2 3/4 inch piece of needlework remains stitched onto the original, 1 ¾ x 8 inch long, deep red satin banding. Standing on deep red ground, the black boy wears pale green and black striped clothing.

This wonderful, early piece of Black Americana needlework remains in excellent, original condition. At some point in time, a previous owner matted and framed the piece to allow for both ease of display and protection; however, to meet archival requirements, the piece requires a replacement of its current cardboard backing, and spacer bars separating the needlework from the glass should be added. Framed measurements are 4.5 inches wide x 11 inches long.

A phenomenally rare piece for the advanced Black Memorabilia collector!

It is difficult to photograph glass without reflection- please note that any aberrations are reflections only.

Measuring a diminutive 4.50 inches long x 2.50 inches high, this very unusual tin and pot metal piece features a small black shoe shine boy with shoe polishing brush in hand, about to polish a giant ladies lace-up shoe!!

The piece has two tiny holes in its bowl suggesting that this was once screwed or fastened into another piece. Logic suggests that perhaps this may have been an advertising display item of some sort.

Remnants of red paint are easily visible on the back of the black boy's hat as well as on his lips, and the giant shoe also displays remnants of black paint. When one looks quite closely, one can see that the entire figure was at one time painted. Some light superficial rusting to the bowl is evident here and there.

Certainly a mystery piece as to purpose, this fascinating Black Memorabilia collectible remains quite intriguing and does reinforce a stereotypical occupation associated with black folk during the unfortunate Jim Crow era.

Measuring 2 2/8 inches in diameter x 5/16 of an inch high, this rarely-found, circa 1910’s, dexterity game depicts a wide-eyed, black man wearing a hat, a wide white collar and a big red bow! The puzzle is quite colorful and is very visually appealing! The puzzle contains 5 tiny white balls of unknown material, that, with the proper manual dexterity, are to be placed two in the gent's eyes and the remaining three between the lips as teeth!

Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the graphic remaining in bright color and free of scratches and abrasions. Although the glass front is somewhat cloudy, as one can see in photos, the image is readily visualized. The mirrored back shows significant loss of silvering due to its 110+ years of age. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

A delightful piece of early, pocket-toy, Black Memorabilia!

This delightful Black Boy Rag Doll has a face with a story to tell! What an expression!

Measuring 13 inches tall, he is constructed of black, machine-stitched, vintage 1930-1940's, polished cotton which has been stuffed with cotton batting. Facial features have been hand-embroidered, are quite expressive and are exceedingly well done. His hair has been styled in tightly wound little ringlets.

His brown-patterned, machine-stitched shirt and pants are also vintage 1930-40's fabric, accented with two miss-matched buttons holding up cute red suspenders.

A delightful piece of Black Memorabilia Folk Art! This wonderful, 1940's-vintage-look, one-of-a-kind, Artisan Doll was constructed in the 1990's by a Maine Folk Artist who is now deceased.

Please take a moment to view his big sister by typing the words "Maine Doll" into the SEARCH box.

Measuring a diminutive 2.5 inches tall, this darling pair of Black Memorabilia, ceramic, boy and girl dolls remain in perfect, all-original condition. They remain housed in their original box complete with cardboard divider, and still retain the tiny ribbon bows tied on each of their six pigtails. Both the dolls and their box appear to have been safely tucked away unused and untouched in a drawer all of these years, the condition is that wonderful! The boy is incised "JAPAN" on the back of his white shirt while the girl's "JAPAN" marking appears on the back of her neck. The bottom of the box is stamped in ink, "237 2 PCS JAPAN". Not to be missed---- fabulous new-old stock!

This handsome Black Memorabilia Male Golliwogg doll comes straight from an English home!

A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

Measuring 21.5 inches long, this delightful and appealing cloth Golli is unmarked and is thought, by his original and quite elderly owner, to have been made in the mid 1940's! (She speculates that he could even be a bit older than that, but she remembers not acquiring him until after the end of WWII.)

His nose and mouth are hand-stitched and he has round, cloth covered button eyes- the pupils were hand-colored using black ink! His nicely coiffed, black hair appears to have been styled from soft, "stuffed animal-type" fur! Rather interesting and ingenious! He has a machine-stitched, cotton batting stuffed, black sock cloth body. His colorful wardrobe is also machine stitched- green wool mourning coat, gold vest, and red and white polka-dotted cotton pants and matching bow tie!

He is in wonderful condition with the exception of some tiny moth holes to the back of his mourning coat (see photos) as well as another tiny moth hole to the back of his right arm and back right pants leg. The polka dot clothing shows the slightest hint of fading. His dark black fur hair also shows some age-related color change to brown at the roots. Hmm...then again...perhaps he's simply overdue for another hair coloring appointment at the Salon!

A very sweet addition to one's Black Memorabilia or Golliwogg collection!

A vividly colorful piece, this 1940's vintage, all-original, chalkware Black Mammy memo paper holder measures 9.75 inches high x 5.75 inches wide. This particular color and form is less seldom seen on today's collectible's market!

Mammy's paper memo pad is original to the piece; however, she is missing her original pencil which would slip into the hole in her right hand and down into the broom top to form the broom handle! A present day pencil may be used as a replacement.

Condition is quite good with some tiny, age-related, surface and edge flecks as seen in photos. No repaint, cracks, repairs, no breaks! No maker's mark.

A fabulous, vintage school teaching tool from the early 20th Century! Copyrighted 1940 and manufactured by the Richmond School Furniture Company, Muncie, Indiana, this early teaching tool featured the unusual option to practice both spelling on one side and computation on the reverse!

Measuring 13 inches wide x 9.50 inches high x 1/8 inch thick and constructed of heavy, multi-layered cardboard, this wonderful piece is in very fine, all-original condition with a warm, rich patina and color. All of the board's original, wooden, letter/number squares are in such a perfect state that they appear never to have been used! To spell a word, one slides the letters along cut out tracks in the board. To perform computation exercises, one simply flips the board over and is presented the opportunity to practice addition, subtraction, multiplication, division and percentages!

Quite visually appealing and easy to display!

Condition: some tiny edge rubs and surface wear due to use here and there on each side of the board- quite reasonable given this teaching tool's age and use by young children. See all photos.

A seldom found vintage, early School House item!

Offered is this very rarely found, 1938, LITTLE BLACK SAMBO book with beautiful, full color illustrations by Hidegard Lupprian, a McLoughlin Brothers Inc, Springfield, Massachusetts, book publication. Hardcover, 53 unnumbered pages.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 8 out of 10! All wear on this brightly colored hardcover book was absorbed by its cover with minor wear to book edge points, book cover edges, and spine edges. Light scuffing to front and back covers. The interior binding is intact and tight as are all pages. No missing pages, rips, creasing, pen/pencil markings or bends to pages with one exception: the initial front blank page is missing its lower corner, and it also has five circular hole punches running at the bottom of the page. Child mischief, no doubt!

The fourteen colored illustrations remain very bright and vibrant with the McLoughlin Bros. well known for their very fine artistry. Three black ink illustrations. Pages printed with a larger font suitable for young readers. Subtle age discoloration to pages.

Wonderful condition for a nearly 90 year old book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply enter “Sambo” into the search box on our website homepage.

Offered is this 1932 copyright, LITTLE BLACK SAMBO Book with lovely illustrations signed "EULALIE", A Platt and Munk Company Book publication. Softcover, 10 unnumbered pages. These beautifully illustrated drawings alternate by page between full color and black ink. The Platt and Munk Company was renowned for its exquisite, highly-detailed illustrations of children's books.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 7.5 out of 10! This softcover book has seen little use with just a teeny bit of wear to book edge points. The front and back inside covers are separated at the lower of the two binding staples downward; the remainder of the cover binding is intact as are all pages. There is mild, vertical creasing to the book throughout near page edges (see photos), likely from someone folding the book at some point in its lifetime; the front cover at the lower right corner also shows crease lines. None of the crease lines effect structural integrity. No pen/pencil markings.

Amazing condition for a nearly 90 year soft-cover book!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is a scarce, C1930 era, laminated wood shafted, 3 iron golf club. The stamping on the back includes: "SPALDING KRO-FLITE" with the crow cleek mark plus "J.VICTOR EAST - LONGMEADOW C.C. - LONGMEADOW MASS." etc. The club is stamped "3" on the sole and measures 37 inches from the heel to the end of the straight shaft. The club is in very good condition with minimal wear, scratches and some finish loss to the shaft commensurate with age and use.

SOME HISTORY:
Spalding began making clubs in the USA in the mid 1890s. The most successful seller of all their clubs was the KRO-FLIGHT model, first introduced in 1927. This club's unusual features are: (1) A laminated shaft that was patent pending and (2) the club is endorsed by J.Victor East and identified by the country club in which he worked.
J.Victor East, at the age of only 14, became head golf professional at the Royal Sydney Golf Club, Sydney, Australia. He eventually immigrated to the USA and worked as a professional at various clubs including Longmeadow Country Club in 1924. He also was the chief club designer for Spalding until 1941, and later, worked as a consultant at Wilson Sporting Goods Company. His illustrious professional career also included being an author, educator and clubmaker.

Those who are ardent collectors of the famed Florence Upton creation - the Golliwogg - recognize this 19th century, first edition, children's book as an extraordinarily RARE find indeed, very seldom available for purchase in today's market!

"The Golliwogg at the Sea-Side", published in 1898 by Longmans, Green & Co, London & New York, was illustrated by Florence K. Upton, with story written by her mother, Bertha. This book was the 3rd Golliwogg adventure in a series of thirteen Golliwogg adventures by Upton, with the last published in 1909-- all of which are incredibly difficult to find today.

This hard cover book, measuring 8.75 inches high x 11.5 inches long, is a total of 63 pages in length. The book is lavishly illustrated with 32 full-color illustrations and tells the story of Golly's adventures at the sea shore. Golly and his friends, suffering from boredom, go off to the seashore to try their hand at sunbathing, swimming in the ocean, crab fishing, boating—all with considerable catastrophe—until finally trying a hoped-for-peaceful hayride through the countryside—all for naught!!

The Golliwog, itself, was based on a Black minstrel doll that Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was a less-than-handsome creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

The book is in very fine but not perfect condition-- not surprising given the book's 113 years of age! Wear to hard-board-cover edges and corners. Binding remains strong and tight with center-taping coming a bit lose on one side, but not effecting integrity. A couple of the pages have 1/2inch tears at base, likely the result of simply turning the pages. Book is complete, with no missing pages.

Truly a fabulous find! Only the 2nd time I have EVER had the pleasure of offering one of these wonderfully-rare, 1st edition, Upton, children's book in my 26 years of dealing in Black Memorabilia!!

Offered is a near-mint, 1935, 2nd edition of Helen Bannerman's, original Little Black Sambo story, accompanied by five additional and delightful Little Black Sambo stories by noted author and illustrator Frank Ver Beck. Published by the Platt & Munk Company of New York which was renown for hiring highly talented artists and illustrators- of which Frank Ver Beck was one -all of whom contributed to the company's reputation for publishing exquisitely illustrated children's books.

The first story, illustrated by Frank Ver Beck, is the much-beloved children's classic written and illustrated in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

The following five stories written and illustrated by Frank Ver Beck follow Helen Bannerman's original tale, all featuring Little Black Sambo and his encounters with a variety of different animals, from a Baby Elephant and a Tiger Kitten, to Monkeys, Bears and Crocodiles! Each of Ver Beck's tales were originally published as individual mini-size books, which today, are extremely difficult to come by and are quite expensive to acquire if found. Ver Beck's stories are as delightful as Helen Bannerman's original, and publishing them all together in one single volume proved to be a successful marketing strategy for Platt & Munk. His illustrations are detailed, highly imaginative and just delightful! Representative photos are offered from each of the six stories.

De-accessioned from a school library (the name of the school inside the front cover is indecipherable), this 88 year old book is in wonderful, near mint condition! The only flaws are light soiling to the exterior covers, with subtle edge wear to cover end points and two, teeny indentations into the covers- one on the front cover at the middle top and the second to the back cover at the middle bottom. Both are quite unremarkable. Just fabulous condition!!! A must-have for the lover of Little Black Sambo stories!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measuring 15 inches long by 13 inches wide, this delightful, unsigned, watercolor features a charming rendition of a young black boy straddling a fence while clutching a plump watermelon!

Remaining in its original frame with original wooden and paper backing, this watercolor retains its framer's identifying sticker which reads, "Staton's Art Shop 5409 Germantown Ave." Perhaps this Germantown address indicates Philadelphia area origin? In the interests of proper conservation, the new owner should re-frame this lovely piece with appropriate acid-free materials.

Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.

A lovely watercolor- nicely executed!

Measuring 6 1/2 x 11 3/4, this lovely, early 1900's, Black subject die cut by Enoch Morgan & Sons, England, features three individual Sapolio Soap die cuts used to advertise the company product. Each die cut features the head of a young black boy centered inside a piece of fruit or vegetable- a cabbage, a watermelon and a (?) pear.

Sapolio was a brand of soap noted for its unique and clever advertising, led by Artemas Ward from 1883–1908. Bret Harte, an American short story writer and poet, wrote jingles for the brand, and the sales force also included King Camp Gillette, who went on to create the fabulously successful Gillette safety razor and the razor and blades business model. Time magazine described Sapolio as "probably the world's best-advertised product" of its time period!

This pleasant trio of Sapolio Soap die cuts is in excellent condition and comes protected in an attractive, walnut-toned, oak decorative frame!

This very rarely found advertising trio together create quite a visually appealing decorative piece!

Measuring only 2.75 inches high, this darling 1920's Black Memorabilia souvenir piece is in amazing condition considering its delicate, sea shell construction.

A tiny bisque black boy holding a watermelon slice is seated on a throne of sea shells. The name of the location that this sea shell souvenir was meant to commemorate is worn and is no longer readable.

Two very minor chips are present as shown in photos which do not detract from the beauty of this piece!

This charming grouping of FOUR vintage, wooden, Black Railroad Porter and Mammy clothes brushes were all made in the 1930's by the Rhody Brush Company of Woonsocket, Rhode Island.

All of these colorful brushes have natural bristles, and range in height from 7.5 inches and 8 inches tall to the smaller, 4.5 inches tall, green and red-dressed little Mammy brushes.

The two railroad porter brushes are priced at $85 each. The two smaller 4.5", green and red-dressed mammy brushes are priced at $60 each.

The black and cream railroad porter brush and the small red Mammy brush are all in near excellent condition with evidence of having been very lightly used as described:
Black and Cream Railroad Porter: teeny, superficial "dings" to paint here and there with one teeny mark near the mouth; paint wear to edges of cap.
Small Red Mammy: paint in excellent condition; faint trace of original red dots on natural bristle skirt.

The following brushes are also in very nice, barely used condition with minor imperfection as described below:
Small Green Mammy: green cap and blouse, small, 4.5" tall --in very good condition with exception to paint striation on face that occurred during manufacture (close-up photo makes this appear more prominent than what is seen with the eye).
Red and Cream Railroad Porter brush: has minor paint wear to his cream colored pant legs, to the edges of his cream colored hat and also has some very teeny paint wear spots round his eyes. The Porter's wear is consistent with where one would hold onto the brush while using it.

Please note that many of the white spots seen in the photos are light reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.

Enter "BRUSH" into the SEARCH BOX to find other Black Americana brushes for sale.

Offered is a truly one-of-a-kind piece of Black Memorabilia!

This 1920-30s, hinged, wooden game piece box features an original, hand-executed, ink-on-paper drawing of a black figure in a tuxedo that has been pasted to the box cover. The drawing has been preserved with a shellac covering.

The box contains fifty, sequentially numbered 1-50, wooden game pieces painted red and white. The game pieces are in mint condition and appear to have only been lightly used. They remain firmly in place within the box with the support of non-stick, archival tape which may be easily removed without damage to the game pieces, if desired.

The game box measures 5.25 inches wide x 10.50 inches long x 1 inch high.

Truly a one-of-a-kind piece of vintage Black Memorabilia! Displays wonderfully!

Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final line of the story. It goes without saying that all versions of this tale are highly derogatory.)

The Valentine publication follows the original pattern of the young boys meeting their demise one by one, with only one boy remaining at the end of the story. What sets this publication apart from all other versions, is that an entirely different and creative story has been composed. In "Ten Little Nigger Boys", the ten "naughty boys", all about the same age, decide to run away together on a sailboat called "The Saucy Sue", which they "borrowed from an old sailor coon for an hour" with no intention of ever returning. On a mission to find a desert island that they would have all to themselves, the boys, one by one, meet their demise by drowning, by being eaten by a whale, by gunpowder explosion, by accidental gunshot, by abduction by an elephant (they found their island), and by the swallowing of a sea monster! The one remaining boy is rescued at the end by "an aeroplane commanded by a brave army captain", and was brought home "where everyone made a hero of him".

Measuring 8 inches wide x 9 inches tall, each page of the book is imaginatively illustrated with black ink drawings highlighted with red. Valentine & Sons Publishers, a lithographic printing firm, was founded in Dundee, Scotland in 1825, by John Valentine. His son, James, an early pioneer of photography, reproduced his work as prints and stereo-views. By 1896, the company began printing postcards, and it grew to become Scotland's leading manufacturer of color-tone picture postcards. For a brief period of years between the late 1890's and early 1900's, the company produced a small selection of children's books to supplement their earnings, utilizing a style they referred to as a "cut-out"; this book, is an example.

Condition: Good-- for its 111 years of age, showing the expected wear of a well-read, antique, children's book! Sturdy, thick cardboard covers with paper pages. Unpaginated. The book spine is held together by two, large, intact, original staples. The center page has separated from the staples, and a small section of this page is missing as seen in photo (for purposes of photography to better illustrate the missing section, a white paper was placed in its place; otherwise, the missing section would be difficult to discern, blending into the preceding page.). All pages are present, and except for the one separated page, all remain sturdily attached to the spine. Small edge tears and some soiling are present on various pages throughout the book. The front and back covers show edge wear and some soiling, and the top tip of the front cover above the "E" in "Little" is missing. Both the front and back covers are missing the small section that would have, on the front cover, illustrated the head of the boy in the green jacket standing on the right side of the boat. The front cover also displays a horizontal crease line which corresponds to the book's spine. This crease naturally occurred over time due to the book's design and manner in which it is opened (The front cover is lifted up and over to open the book. See photos.) The back cover shows evidence of some superficial water staining that did not seep through to its other side.

All but three pages of this book have been photographed, as I am limited to twelve photos per listing. The first six pages of the story are represented, followed by the final three of the story.

As the production of children's books was only a supplemental sideline for Valentine publishing, very few of these books were originally produced, and fewer still remain today. This is the first copy that I have ever seen in my decades of specializing in Black Memorabilia, and I have found no others available for sale on the internet. This antique children's book is truly a very rare offering, and its age-related flaws do not detract from its significant collectible value.

Entitled "SLUGGER CHAMPIONS", this circa 1945-1949, tin windup BOXING Toy features the unusual pairing of Black and White boxers!

Made in post World War II, US Zone Germany, this tin toy measures 3.5" square, with the boxing figures measuring 2.25" tall. The toy retains its original box which measures 4" square, and features a start/stop lever on one side with the (original) key windup on another. Both the toy and the box are labeled "MADE IN US ZONE GERMANY".

The toy still works! The boxers rock back and forth as they attempt to jab one another. The toy is designed to have the right arm on each boxer punch while the immobile left arm is molded into the body.

Condition is a 9/10 as can be seen in all photos. This toy appears to have seen minimal use as the condition of the paint is impeccable, with just a few teeny rubs to the toy base and the black boxer's legs here and there. The box shows minor wear on all edges as noted in photos. All box parts are present with the box cover flap remaining attached to the box by only about 1 inch in the center, and one box flap is completely detached but intact.

A tip for the new owner: to easily remove the toy from the box, open the BOTTOM flap instead of the top flap and simply slide the toy out of the box onto the palm of your hand.

In a frame measuring 7 3/4 inches wide x 9 1/2 inches long, this brightly colored, all original, circa 1920s, Little Black Sambo Puzzle is in near perfect condition! This very rarely-found puzzle (I've NEVER seen another one like this) attracts additional interest due to the whimsical cutting of some of the individual puzzle pieces- in the shape of a heart, a fish, a bird and a dog!

This puzzle features a rendition of Little Black Sambo depicting Sambo trying on his new red jacket---one presumably crafted by his Mama given the sewing pins she clutches between her lips. His Pappy is at the threshold holding in hands, a new blue umbrella as well as new purple slippers to complete Sambo's new outfit! A joyous moment before Sambo then ventures into the jungle dressed in his newly acquired ensemble-- soon to attract the attention of those nasty tigers!

The puzzle is in very fine condition, clearly having seen little play from children. A previous owner chose to enclose it in a frame that complements the teal border of the puzzle which is labeled at the base: "little Black Sambo". Coloring is true and quite lovely.

A note to collectors: vintage Black Memorabilia puzzles from the pre-WWII era are a VERY rare find. Many were given out as "premiums" for utilizing a given product, and did not stand the test of time. Happy collecting!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is a bucolic and beautifully-colored, medium-folio, copyrighted 1854, Nathaniel Currier, New York, lithograph entitled, "Catching A Trout". The image measures approximately 10" x 14", and depicts a fancily-dressed African-American man "netting" the trout caught by one of the two well-dressed gentleman enjoying a relaxing day of fishing. This Currier + Ives lithograph is infrequently found, and is quite highly collectible.

Condition of the litho is considered very good given the rich coloration that remains. Some minor wear does exist: 2 small tears measuring less than 1/2 inch each on either side border edge-- one in the trees on the right side and the other on the left side in the water. There are several teeny holes in the sky to the right of the bearded gentleman's fishing pole as well as one single hole in the black gentleman's hair. (Please see photos.) Some wear to the border at top as shown in photos.

Despite the noted imperfections, this lithograph displays beautifully, with rich color and crisp lines. It presently resides in an early 1920's frame; ideally from a conservation point of view, it would benefit from a re-framing with acid-free materials to continue to preserve its historic importance.

Offered is a wonderful, C1950s, Art Deco-styled, advertising store sign from a Grand Rapids, Michigan, establishment that features, in bold capital letters, the word, "LIQUOR".

The black-painted, metal frame houses a plastic, cream-colored insert that features an embossed lettering and design technique that advertises the name of the product for sale. The background of this insert sports a streamlined, horizontal, raised "striping" reminiscent of the Art Deco era. When light is allowed to pass through the plastic, translucent insert, the insert appears to be magically illuminated so that the green-colored backside of the sign shines through with brilliance. This effect can be enjoyed by either hanging the sign in front of a window or by fastening tiny LED lights (not included) on the backside of the frame.

The dimensions are approximately 33"L x 5.5"W x 3/4"D, and the overall condition of the sign is very good. The plain metal frame has been repainted in a durable, semi-gloss, black finish. The frame is missing an approximate 5 inch piece at the top half of the left side of the frame; It is not noticeable when the frame is hanging.(see photo) There is also an unobtrusive crimp to the left edge of the frame. (see photo) The painted finish is in very good condition with areas of minor surface imperfection and slight areas of roughness here and there.

The vintage plastic insert is laminated in two tones, with the front noting a rich, aged, cream color, and the back noting a rich green tone. The front of the insert has faint surface imperfections and some areas of uneven discoloring. The lower left portion of the letter "M" has a minor, small, unobtrusive crack. Overall, the insert retains a nice glossed surface patina commensurate with its age.

A note: the first photo best represents what the sign will look like when illuminated from the back with LED or natural window lighting.

Offered are a grouping of 11, circa 1920-30s, colorfully chromolithographed trade cards published by the Liebig Extract of Meat Company of London as well as a smattering of other French and Belgian producers of sweets and clothing for men and women.

"Picture cards" as they were called then, feature very colorful and highly detailed images on the front side with product advertising generally on the back side. For those with advertising on the backside, the advertising, in most cases, is written in French. These cards, of course, were a strategic marketing concept designed to provide the customer with a tangible reminder of the food stuff or article of clothing that had just been purchased.

All but one of the cards measure approximately 2.75 inches x 4.25 inches, with the remaining card measuring approximately 2.50 inches x 5 inches. All but two are in very good condition with no observable flaws or damage.

The two exceptions:
-the 2.50 inch x 5 inch card- which has been scissor-trimmed, has a fold line down the center, and was pulled from a scrap book obscuring some of the printing on the backside-
-and one Liebig card which is missing one corner edge.
Condition quite remarkable given their 80-100+ years of age.

A nice early collection of trade cards!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin tie rack is constructed in solid brass. It remains functional for such use today; however, only two of the five original tie hooks remain.

It is in all original condition with fabulous patina- not a reproduction- no replaced parts- and measures 13 inches long.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Measuring just 11 inches tall, this sweet cloth doll with a composition face may be placed in either a standing or sitting position.

Her composition face is in impeccable condition with sharp, well-drawn painted facial features. Her face is further accented by 3 darling curls peaking out from under her brightly colored cloth bandanna!

Her body is machine-stitched cotton fabric stuffed with sawdust. On the back of her right thigh, her place of origin is stamped: "POLAND". Her little flowered skirt is also machine stitched and is the only piece of clothing that may be removed.

Condition is superb with the exception of a hand-stitched repair to the seam line of her left foot where the foot is joined to the leg. Does not detract.

Measuring 3 inches high, this delightfully sweet, circa 1940’s, black bisque baby boy is in mint condition! Excellent paint, with not a chip or flake to be found! Dressed in painted blue shorts and white shirt, this little darling even retains his three, original yarn pigtails! Incised on back: JAPAN. A very, very charming piece of vintage Black Memorabilia!

Measuring 5 3/4 x 7 3/4, this lovely, early, Pre-WWI, English or Continental origin, Black subject advertising die cut features two sweet, smiling, pretty young girls under a tattered umbrella.

This pleasant die cut is in excellent condition and comes protected in an attractive, walnut-tone decorative frame! Likely originally produced to advertise a specific, product, store or location, but then was never utilized for that purpose.

A sweet piece, perhaps, one-of-a-kind!