Catalog (460)

The first club has "THE SPALDING" stamped on the back of the face as well as on the shaft and dates to pre 1900. It measures 36" from the heel to the top of the shaft and appears minimally used. The sturdy hickory shaft has a mild bend near the face and is probably a MASHIE.

The second club, a mid iron, circa 1910, is stamped on the upper shaft and on the back of club "SPALDING SPECIAL" and measures 39 inches from the top of the club to the heel. The replaced grip is new and the shaft is moderately bent but sturdy.

The third club is also a mid iron and sports a straight shaft and fair grip. It has "A.G.SPALDING & BROS" stamped on the shaft and on the back of the club. It measures just over 38 inches from the end of the club to the heel and dates to C1905.

All three clubs enjoy original patina and have mild wear commensurate with the clubs' use and their 110+ years of age. A delightful trio!

The piece is signed in the lower right hand corner by LISTED American artist, Olga Lea Rosenson, who was born September 10, 1892, in Brooklyn, New York (died 1959). She was best known for her work capturing town and city landscapes as well as portraiture. This portrait intimately captures the soul of its subject as he pensively awaits his next customer, and it is supposed to have been inspired by a young man whom Ms. Rosenson frequently observed on the streets of Brooklyn.

Painted in 1934, the framed piece measures 20" x 26.5"; the watercolor, 13” x 19.5 “. It is completed in various subtle tones of blue, gray, green, and brown, and it is double-matted in cream with a subtle gray under-mat.

This watercolor remained in the same collection for over 60 years and was professionally re-framed by the original owner in 1987, with information on this re-framing taped to the back side of this piece. The wood frame is in very good condition with a couple of small, age-related areas of wear that are minimally noticeable. There is a 5 inch vertical tear to the paper backing as seen in a photo that was taped closed by the earlier owner; there is no damage to the foam-core backing underneath. To the left of this tear, is cut-out information on the artist that was also taped on back by the earlier owner.

Ms Rosenson's works are owned both privately and by museums around the world, including Washington D.C.'s National Gallery of Art.

They were originally assembled using glue, wooden pegs, and square head nails, although many of these were replaced at some point with early round head nails.

Condition is quite good with some age-related separation of wood as seen in photos---nothing that disturbs the structural integrity or visual appeal of this very early pair. Both retain wonderful, all-original patina. Please see photos for a fine representation of all angles and insides and outsides of both boxes. The covers of both boxes fit nicely despite the crooked appearance suggested in my photos!

Measurements are 6 inch diameter by 2.5 height and 5.5 inch diameter by 2 inch height. The smaller box fits nicely into the larger or they may be stacked one atop the other for display!

The warmer/vaporizer is made of durable ceramic and sports an elongated, diamond-shaped label on front featuring an arrangement of flowers. Made by HANKSCRAFT, it dates to 1945 per the patent date noted on the underside label and measures about 4.5" tall x 3.25" wide. The underside metal label is packed with information!

The condition of the warmer/vaporizer is very good with no damage noted. The electrical component has not been tested. The box is worn (some loss and unattached pieces) and is generally tattered yet retains its absolutely wonderful graphics.

A delightful baby collectible!

The club sports a nice patina throughout including an original grip and desirable smooth face construction. Measures 37 inches from the heel to end of the straight, sturdy shaft. The club shows mild wear and is void of any cleek or maker marks.

A sweet, well-balanced club ready for your use or for display in your collection.

SOME HISTORY

The jigger is said to have its origins in Scotland during the late 19th century. It was popularized by greats such as Harry Vardon and James Braid. Due to the evolution of golf course design and smoother, faster greens the need for a specialized club for short shots diminished.

The Work Projects Administration was designed to provide jobs across the country during the Great Depression when hundreds of thousands were out of work. While most WPA jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP).

The creation of these fabulous dolls fell under the WPA Federal Art Project, with the goal of representing and preserving the various aspects of the culture, work and lives of the Southern black community of this time period. All of the WPA black folk dolls produced for this project were placed on asphalt shingle stands, they all feature elderly folk, they all share black leather shoes, a cotton-batting stuffed body, and identical hand-stitched facial features, with subtle and unique variations in expression around the eyes due to the clever positioning of the eyebrows!

The gray-hair and bearded, chicken-toting black country gent on the left is attired in machine-stitched clothing wearing blue cotton britches with red suspenders along with a blue and cream striped cotton shirt and a red kerchief around his neck. His hat is constructed of navy blue-colored felt. This country gent holds a very finely-crafted and detailed brown chicken under his left arm, while his right hand clutches a wooden walking stick. Note the lustrous chicken feathers protruding under his arm when he is viewed from the back. He appears to be a bit disgruntled about something given those raised eyebrows!

The female doll depicts a lady out for a stroll with her black umbrella in hand. This sweet gentlewoman wears a red and white polka dot kerchief on her head covering most of her gray hair and has embroidered facial features. Her head is turned to her right as if to see who had just called out her name. This gentlewoman's clothing, with the exception of her neutral-striped knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. topping off her outfit are a pair of gold hoop earrings!

The gray-hair, bearded, chicken-toting black country gent doll on the right, is also attired in machine-stitched clothing wearing brown cotton britches with a patch on the left leg, and a bright red hankie protruding from the right pocket. His matching brown suspenders along with a red and cream striped cotton shirt and a red kerchief around his neck complete his outfit, while his brown felt hat tops it all off. This country gent also holds a very finely-crafted and detailed brown fabric chicken with lustrous feathers under his left arm, while his right hand clutches a wooden walking stick. This gent, however, is in much finer spirits than his male companion is, wearing a very pleasant expression on his face!

Three very special dolls, which today, are becoming very, very difficult to find, representing a snapshot of history, capturing the lives of poor southern black folk of the Depression era! All three in perfect condition and priced at $295.00 each.

Detailing in construction sets this mammy doll apart! Her creation was very carefully executed through a combination of hand and machine stitching. Mammy was lovingly dressed in clothing made from old, red, black, and white-patterned handkerchiefs, while both her body and her interesting pair of black pantaloons were constructed of old, black stockings. Detailing was clearly important to the creator--an additional and elegant surprise is the cream-colored, cotton petticoat edged with lace!

Mammy's face is hand-embroidered, and she wears brass-colored, plain, hoop earrings. Her body is machine-stitched together and is stuffed with cotton batting.

Mammy is in near perfect condition with the exception of minor wear (not holes) to her stocking-constructed left foot as well as the underside of her right, stocking-constructed hand. (This wear to the fabric may well be the very reason the stockings were used to construct Mammy as they may have been discarded from personal use. Please refer to photos to view wear.)

Mammy is simply full of charm with lovely and creative detailing! A quite difficult-to-find-in-this condition, 80+-year-old, cloth mammy doll!

Likely Staffordshire, the quill holder features lovely polychrome coloration. Condition is wonderful with no chips, breaks, repairs, or repaints. Age crackling to glaze is evident along with a tiny stain on the dove's breast.

A darling piece!

This lovely advertising sign sports an eye-catching robin's egg blue border that encapsulates J&J's iconic infant image.

The painted sign measures 33.5"L x 7"W x .35" Thick and is constructed of wood. The back has two wood support brackets attached as seen in the photo. The condition is very good with a few scratches and light surface wear.

An absolute must-have sign with fabulous "visual presence" that's sure to add energy to your collection!

SOME HISTORY:
Spalding began making clubs in the USA in the mid 1890s. The most successful seller of all their clubs was the KRO-FLIGHT model, first introduced in 1927. This club's unusual features are: (1) A laminated shaft that was patent pending and (2) the club is endorsed by J.Victor East and identified by the country club in which he worked.
J.Victor East, at the age of only 14, became head golf professional at the Royal Sydney Golf Club, Sydney, Australia. He eventually immigrated to the USA and worked as a professional at various clubs including Longmeadow Country Club in 1924. He also was the chief club designer for Spalding until 1941, and later, worked as a consultant at Wilson Sporting Goods Company. His illustrious professional career also included being an author, educator and clubmaker.

One of the hand towels, "Monday", is entirely hand-cross-stitched and hand-hemmed on a somewhat heavy-weight, cream-colored, cotton muslin. It measures approximately 36 inches square and features Mammy washing clothes using a washboard in a wooden barrel. Condition is quite good with small, scattered, stain spots here and there- none in the area of the cross-stitching.

The other hand towel, "Friday", is made of a slightly lighter weight and whiter-colored, cotton muslin. It measures 28 x 29 inches, and again, it has a tiny stain spot here and there away from the cross-stitched area. The hems are machine stitched while the cross-stitching is entirely hand-completed. This towel features a humorous scene of Mammy serving/making pancakes while a pitcher of milk or water unknowingly spills behind her!

These delightful towels would look charming folded and displayed on a kitchen wall rack or could even be framed - folded so that only the cross-stitched area is visible in the frame!

As the towels are priced both separately or as a pair, please email us stating whether you wish to purchase the pair or only one of the towels so that we can customize your order form.

Photography was a challenge in an attempt to avoid flash reflections. As such, please note that the rich coloring- violet, yellow, green and gray- is even throughout the map.

All print and map detailing is clean and easily read. Some minimal foxing and age staining to map do not detract from the visual appeal of this piece. Framed map measures 12 3/4" wide x 15 1/2" long.

The sole of the club is marked MASHIE NIBLICK. The back of the club is stamped as follows: Guaranteed Forged - R-Z ACCURATE - BAKSPIN (with arrow) MASHIE-NIBLICK and a faint oval stamp with MACGREGOR, DAYTON OH.

In 1921, RIBBED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by both the R&A and USGA.

Measures 35.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight, sturdy and has the following stamping near the grip: THE CRAWFORD MACGREGOR & CAMBY CO. DAYTON, OHIO. The head of the club shows modest and honorable wear, good grooves with generalized tiny unobtrusive pitting to the surface.

A nice example of an early club with a controversial history!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

The child’s head nods up and down in a "yes" motion by pivoting on a tiny metal bar inserted through her neck (see photos).

Condition is mint, and the piece is signed on the bottom of her right foot: “Hand Painted Lenwile China Ardalt Japan 6530 B”.

Black nodders are quite difficult to come by and have become an interesting sub-collecting category in the field of Black Americana! Not to be missed!

Please see the equally-difficult-to-find companion piece also available - the Black Boy Child Clown Nodder. And an additional offering that is not part of the Ardalt Black Child Nodder series is the RARE 1950s Black Americana Sailor Nodder by UCAGCO, Japan.

Marked "Copyright 1924", in the lower left hand corner, this extremely hard-to-find advertising piece measures 10.5 inches wide x 13.5 inches high. Colorful and visually interesting, the heavy cardboard die cut depicts an engaging Uncle Wabash serenely strumming his banjo on his front porch! Guess the message to the consumer was, "Eat one of Uncle Wabash's cupcakes to experience your own little slice of heaven and serenity!"

Condition of this charming piece of Black Historical ephemera is quite good given its nearly 100+ years of age!! Old water staining to bottom of the die cut does little to detract from the piece. Crease line to one cupcake edge. Appropriate age-related foxing to back.

This early club is stamped on the back "AUCHTERLONIE - SPECIAL". The replaced lambskin grip is in fine condition, and the hickory shaft sports a nice aged patina. It measures 38 inches from heel to top of shaft and is likely a MASHIE although it is not marked as such. There are various small dings, modest pitting to the metal surface and examples of wear commensurate with this club's use and 110+ years of age.

A very desirable Scottish golf club!

This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.

Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.

Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

The mirror front has a age-faded salmon colored border surrounding an image of a person's face with protruding tongue, about to swallow a "NR" (Nature's Remedy) tablet. The fading makes it a challenge to read the following which is imprinted around the circumference of the mirror: "Take One Tonight - You'll feel Better In The Morning."

AND....

"Better Than Pills For Liver Ills - Get a 25 Cent Box"

Original mirrored backing is in very fine condition with just a few very minute, superficial scratches.

Manufacturer name stamped on bottom edge: "Parisian Novelty Company, Chicago".

An interesting little advertising piece!

Measuring just 7 inches wide x 9 inches high, this unsigned piece is very skillfully executed accomplishing a three-dimensional sense of depth through the expert use of light and dark, while capturing the intriguing expression on this young boy's face. Just what is he thinking?

Was this enchanting charcoal portrait completed as a study in preparation for a final, more complex piece, or was it, indeed, the final execution of a subject caught in passing?

Condition is quite fine. Note the faint trace of the artist's title for this work done in a lighter charcoal hiding behind the darker, final printing of the title. Framed in an old black wooden frame, this intriguing charcoal portrait would benefit from professional framing using archival, acid-free materials to enhance its life for many years to come.

In addition to treating all manner of animal ailments, this product was also marketed as a valuable remedy for barbed wire cuts, old sores, galls, joint stiffness---invaluable to hunters, prospectors, surveyors as a soothing, healing, liniment!

This is an unopened medicine in very good condition that contains a full bottle with an applied label. This circa 1940s medicine measures 6.25"H x 2"W x 2"D and is ready for your veterinary collection!

This seldom found copy was originally published in 1932 by Rand McNally & Company of New York.

This copy has superficial scratches to the front and back covers, as well as surface soiling, and wear on book cover edges.(see photos). The front cover has a slight tear at the crease that does not effect strength or integrity of the cover board. A couple of pages have minor staining. The binding is super-tight and all pages remain present.

Topsy's adventures are divided into three chapters in length, approximately 59 numbered pages. Book is filled with a variety of black-ink and black and red illustrations as represented in photos. The story of Topsy was likely inspired by the Little Black Sambo stories which originated at the turn of the 20th century. PLEASE NOTE: in the photos, the printing seems light and faded- not so! It is merely the function of over-lighting or light reflection.

A wonderful and truly RARE book not to be missed!

Please see the other Topsy Turvy book available for separate purchase, a 1938 copy of Topsy Turvy's PigTails.

This Mammy nipple doll is more unusual and less seldom found because she holds a tiny, plastic, white baby in her left arm. Typically when found, the Mammy nipple doll has empty arms.

Mammy’s sweet little face has been hand-painted, and she has been nicely dressed in a red and white polka dot dress with linen apron and red flowered head scarf. The little baby wears a linen gown edged with lace and has a molded face.

Condition of this wonderful miniature Mammy is very good! With the exception of her nipple face which has contorted a bit due to the ravages of time, she is in delightful condition!

This version, is indeed more aligned with the style of the 19th century stories written by the famous Brothers Grimm of Germany, featuring fairies, a Fairy Queen and tiny elves!

It also, quite unfortunately, utilizes obtuse monikers that, sadly, were in common use during this time period, referring to Sambo as a PICCANINNY and naming his parents, Mr. and Mrs. DARKIE. If not for this usage, this little story would be regarded as very sweet and charming.

The book contains 10 pages, all of which have been photographed here, with illustrations alternating between full color and black line drawings. Color throughout remains brilliant and crisp! Other than some slight rubbing to page edges, very slight foxing here and there, a top corner crease on three pages, and some rusting to the two original staples which still securely bind the pages together, this VERY UNCOMMON book remains in superb condition for its approximate 100 years of age! Measures 7.75 inches high x 5.25 inches wide.

To find our other Little Black Sambo offerings, simply type "Sambo" into the search box on our home page.

This difficult to find revised stereotyped edition, was published in Boston by the Benjamin B. Mussey and Co., the book having been originally published in 1852. It features 83 highly-detailed engraved illustrations and 191 information-packed pages. A very comprehensive and quite interesting volume that discusses normal and abnormal conditions, treatment of various diseases and recommendations for proper health.

This very early educational hardcover book is in fair to good condition. The front cover has separated from the binding as has the very first page which is blank, but both are present. All other pages remain bound. The majority of the exterior black leather edge binding cover is missing. This 168 year old book has expected, moderate yellowing and foxing to the pages, some minor staining and ancient water marks, and some tiny folds here and there. Measures approximately 7.25"L x 4.75"W.

A highly valued resource book of its time for instruction in the grammar school grades or for use by more financially well-to-do 19th century families who could afford to maintain personal, home libraries.

Quite an interesting read!

When pulled by its string, the toy rolls along on its metal and rubber wheels, causing the jockey to raise and lower himself off of the horse as the horse makes a coordinated "jumping" motion as his front legs raise up slightly.

The toy is labeled "Loros Bros Ltd London England" within a small triangle that is painted on one side of the metal supporting rim (see photos). The horse and rider are constructed of wood and are affixed to the metal frame. The toy measures 11 inches tall when the rider is standing straight up and is 10.5 inches long.

Condition is quite fine given the toy's 80+ years of age. There are scrapes and minor wear to the paint here and there, the horse's tail is missing, and 2 newer nails in the horse's hind legs were added as reinforcement at some point. The toy is structurally sound, very colorful, and works quite well! It is simply adorable and displays beautifully!!

Mammy's wonderful, smiling face is all hand-stitched while her clothes are machine sewn. Her blouse is striped cotton, as are Mammy's head, arms, skirt, apron, and cap. Her head, arms, and upper torso have been stuffed with cotton batting. The natural bristle broom fills out both Mammy's torso and skirt & the wooden broom handle extends upward through her neck and head.

Mammy is in all original condition with no mends or repairs. The structural integrity of the broom remains quite sound. Mammy's white cotton apron and cap have been professionally cleaned, removing nearly all traces of old stains, dirt, and dust.

A fabulous piece of vintage Black Americana, and a seldom seen form of the Black Mammy Doll!

The green colored tins date to the 1910 - 1923 time period and measure about 3.25" long x 2 inches wide.

The tin with paint loss especially on the bottom is priced @ $70.00. .The better tin is $90.00

The covers and hinges work well. Made by "METAL PKGE CORP. BKLYN, NY".

****The brown colored tin is sold****

Some History: Henry Clay Glover started practicing veterinary medicine sometime prior to 1877. In 1888, his medicines were awarded the medal of superiority by the American Institute of New York. He identified himself as a “Specialist in Canine Diseases". As a personal testimonial, he stated that as of 1897, he had been the Veterinarian to the Westminster Kennel Club for 20 years.

The first known address for Dr. Glover is 1293 Broadway, New York City. Tins with this address state “H. Clay Glover,V.S. Prop", and appear to be the earliest-known. Some time prior to 1914, the company moved to 118 West 31st Street. Glover was still sole proprietor, but by 1917 the company was incorporated, and the tins stated “H. Clay Glover Co” while retaining the West 31st Street address. The company moved to 127-129 West 24th Street in 1923.

The book contains lovely black ink line drawings and etchings which accompany a great variety of wonderful short stories for children designed to teach strong moral values, attitudes and behaviors. The story, A Little Colored Boy, is the first and the longest tale in the book. Undoubtedly, Reverend Jackson often used this book in teaching the congregation's children their Sunday school lessons.

The book is inscribed in faded blue ink inside the front cover as follows: "Rev. J. H. Jackson Book. Pastor Greenburg Indiana's A.M.E Church".

Published by the Abingdon Press of Cincinnati and New York, the book contains no publishing date. However, it was likely published in the late 1890's as one story references President Grover Cleveland's eldest child who was born in 1891: "Little Ruth Cleveland, when she was the baby of the White House,..."

President Cleveland served two separate presidential terms of four years each from 1885-1889 and again from 1893- 1897. It is highly likely that this book was published during Cleveland's 2nd term of office or shortly thereafter when the populace would have been well familiar with "Little Ruth", who was popularly known as "Baby Ruth".

The book measures 4.5"x 6.5" and contains over 30 little stories within its 64 pages. Hardcover, the book is in amazing condition for its age, an 8 out of 10. The cloth-bound cover has minimal wear with only one 1/4' long split on the rear binding and some staining certainly commensurate with its 120+ years of age. The binding and pages are tight. Some minor, age-related staining here and there throughout the book, with one page noted as having a tiny tear at its top.

A highly unusual find!

Deep grooved clubs were designed to significantly enhance the backspin of a golf ball. As history would have it, these clubs actually worked and gave an unfair advantage to those professionals who were adept at using them! In 1921, RIBBED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by both the R&A and USGA.

The back of the club is stamped as follows: "Kroydon U5 ?....? J.F. MATHEWS", and measures 36.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight and sturdy. The head of the club shows mild and honorable wear, good grooves with mild unobtrusive pitting to the lower surface.

A nice example of an early club with a controversial history!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

This stunning, 125 year old+ example of statuesque Black Americana is in wonderful condition absent two very tiny areas of loss, not unexpected given the age and use of the piece. One area is at the extreme edge of the right tip of the base, and the other, very minor loss to the tips of the right thumb and index finger. Neither of these areas of loss are easily noticed, nor do they distract from the truly incredible rarity of this early piece.

Very well made, the frame easily comes apart into 3 pieces for safe shipping and/or storage.

An extraordinary opportunity to acquire an extremely RARE and highly coveted piece of turn-of-the-19th-into-20th-century Black Americana! One will be very hard-pressed to find another example!

Pull the original string attached at the base, and Mr. Googly's eyes move into all sorts of silly positions! Three photos are included to demonstrate the variety of eye positions possible.

The paint is in wonderful condition with just the tiniest, pinprick size dots of loss noted here and there, and only well-seen under magnification. A small crease under the nose is present with no impact to the toy's integrity. This toy was also designed to be wearable, and on the backside one of the two original clothing pins remain.

The toy is marked "Made in Germany" on the reverse side. Two photos were taken in an attempt to clarify this marking, although the beginning and the end of the word "Germany" have worn away over time, making the task difficult!

A seldom found vintage toy in functional, all-original condition! Displays nicely!

Enter "Googly" into the SEARCH box to see our other Googly-Eye collectibles!

The 8.5 inch tall bottle sports a pontil on the base, and is of early blown glass construction. The fancy, applied label is complete, shows mild age related stains and wear and is in good condition.

The photo demonstrates an unobtrusive crack above the letters 'SER' on the gold label. The perfect fitting stopper is of ground glass construction and is in very good order as well.

The inside of the bottle notes slight staining and could be cleaned if desired.

Very nice indeed!

.......SOME HISTORY.......

This small shrub, native to the Orient from India to Sumatra, has for centuries been used in Indian medicine. In 1952 reserpine, one of several alkaloids in the plant, was isolated from its root and has since been evaluated in western medicine as one of the most valuable druǵs for treatinǵ hiǵh blood pressure.

 R serpentina was used in folk medicine in India for centuries to treat a wide variety of maladies, including snake and insect bites, febrile conditions, malaria, abdominal pain, and dysentery. It was also used as a uterine stimulant, febrifuge, and cure for insanity. The plant was mentioned in Indian manuscripts as long ago as 1000 bc.

Rauwolfia has been studied for the treatment of mental diseases, including schizophrenia and bipolar disorder, epilepsy and seizures, and of insomnia and sleep problems.

”Black Topsy” is dressed in a striking pink, green, orange, and black cotton, geometric-patterned dress- very Art Deco! Her mouth and nostrils are stitched in red thread and she has white pearl button eyes.

The Caucasian doll is dressed in a cotton lavender dress- also with a geometric, Art Deco pattern in black, green and yellow. Her blouse and bandanna are lavender sateen. Her entire face has been finely stitched. She has pink nostrils and mouth, black eyebrows, and her black stitched eyes have pretty lashes that highlight her silvery gray irises! She has the very palest of staining to her face above her nostrils, but it is barely noticeable, and there is some light fading to her sateen bandanna.

Condition and detailing of both sides of this Topsy Turvy is really quite extraordinary, setting her apart from other Topsy’s!! A wonderful addition to one’s doll or Black Memorabilia collection!

These interesting pharmacy implements have a warm honey translucent tone and are complemented by a natural brownish color which is especially noted in the largest scoop. They were most likely made from cow horn as was typical of the period. Depending upon their size, a scoop, such as these, was capable of holding from 2 ounces to about 4 ounces of medicine when used compounding process.

The smooth surface of each scoop shows minor wear from usage. Overall, they have a very handsome and rich patina with various minuscule scuffs and imperfections commensurate with age and use. The only minor damage noted is a 1/4" split near the corner of the handle of the largest scoop.(SEE PHOTO).

This very scarce group of 19th century horn scoops will make a wonderful addition to any apothecary collection!

Measures 35.5 inches from heel to top of shaft. The old leather grip is in good condition. The hickory shaft is straight and has an old repair but remains quite sturdy. The face has a dot pattern and shows mild and honorable wear.

SOME HISTORY:
William Gibson was the maker of this club and Hugh Logan was the professional who endorsed the popular high-end GENIE MODEL. Gibson was born in 1868 and was first a blacksmith who turned cleekmaker (a skilled blacksmith who manufactured early iron clubs). Gibson started his firm in Edinberg in 1887 and changed its name and location to Kinghorn in 1903 when his partner passed away.

Hugh Logan was born in Prestwick, Scotland, in 1880, and first worked for Tom Morris's successor, Charles Hunter, then, honed his skills at the famous London Scottish club at Wimbledon where he patented the adjustable club 'Genii'. He was held in high regard in the club-making fraternity, he played in the OPEN numerous times, and he served as a golf professional.

This circa 1920-30's Johnny Griffin letter opener is constructed in solid brass. It remains functional for such use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 10 1/4 inches long. Remnants of green paint are visible on Johnny's shirt. Interestingly, this piece also doubles as an advertising piece as on the reverse side it is impressed, “I. C. Herman + Co., 507-9 Broadway, NY (New York)”.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

This smooth face club is stamped on the back "R. LESLIE - CHICAGO" - MADE IN SCOTLAND. The leather grip is in good condition, and the straight hickory shaft sports a nice aged patina.

Measures 35 inches from heel to top of shaft and is in very nice condition with only minimal wear commensurate with light use.

Leslie, who is of Scottish pedigree, was the designer of GLEN VIEW CLUB in Chicago in 1897, the site of the 1904 US OPEN and various US Amateur events. He was also was their first head professional, and by the looks and craftsmanship of this club, quite the club maker!

The case measures 5.5" L x 5' W x 3" H. Hard to find microscope / laboratory tool of the trade.

The Spencer Lens Company was founded in 1895, but was actually a continuation of the earlier business originally established by Herbert Spencer in the 1840s.

Demonstrating some degree of age-related paint loss as seen in photos, Shufflin' Sam remains fully functional, shuffling his feet and twirling his blue umbrella when he is gently pulled along a flat surface. His manufacturer is unknown. On his base is written in ink, a very OLD price of $22.00!

The paint loss imperfections do not interfere with the toy's overall charming visual appeal! This exceptional toy has never been repaired or repainted; it remains in all-original condition!

Wooden toys were produced with less frequency than their tin counterparts and also tended to be less hardy, and thus, a far fewer number of them survive today as compared to the more frequently discovered tin and metal toys of the same era.

"Shufflin' Sam" is very RARELY found (The FIRST time I have ever been able to offer him!!!), and the opportunity to acquire him should not be overlooked!

This diminutive tin case is painted black with gold accenting and gold lettering present on the front of the case. The black paint shows reasonable wear given its 130+ years of age with the majority of wear evident along seam lines and at the base. The gold painting on the front of the case remains quite nice with very small areas of unobtrusive paint loss present (please see all photos). This tin case was clearly well cared for over the years.

The case contains three, pull-out, tin drawers with tiny, circular, loop pulls at the ends, that when slid out, reveal 15 separate compartments designed to hold the corked, glass, sample bottles. Fourteen bottles remain present, all of which are original to the case. The bottles advertise the spices and perfume waters that the Loverin and Browne Company manufactured for wholesale purchase by various independent groceries. The base of each bottle sits on a spring which would have facilitated secure storage during travel.

An interesting addition to one's advertisement collection! Very easy to display with great visual appeal!

This is a fabulous white ceramic 1950s pharmacy drug store display with decorative gold gilt embellishments. The mortar measures 7 inches tall and the solid pestle is 8.5 inches long.

The condition is near excellent with no damage, cracks or dings.

An outstanding display that will compliment any pharmacy collection.

The double carbon amplifier microphones measure 4¾" x 2⅜" x 7/16" thick. The front view sports two decorative "snowflake" designed ports, and the base has a small swiveling leg for standing on a flat surface. The leather tab is provided so that the hearing device could be attached to a shirt button.

The receiver microphone is attached to both an "ON/OFF" switch and the earpiece via two coiled wires that have a two-pronged end for battery attachment. Please note that the battery is not functional nor does it have the correct ports for receiving the wire prongs...but it came with the case and fits quite nicely!!

The condition is very good with wear commensurate with a well-loved antique.

WIKIPEDIA has some very inetersting info on this style of hearing aid which was produced from the early 1900s till the late 1930s.

Mammy's paper memo pad is original to the piece; however, she is missing her original pencil which would slip into the hole in her right hand and down into the broom top to form the broom handle! A present day pencil may be used as a replacement.

Condition is quite good with some tiny, age-related, surface and edge flecks as seen in photos. No repaint, cracks, repairs, no breaks! No maker's mark.

The stereoview cards are titled: "Hoeing Rice, South Carolina", "Old Slave Market At St. Augustine, Florida", "Native Cane Grinders in Sunny Florida", "Who said quail?" (young man holding English Springer Spaniels) and "Waitin Fo De End Man" (7 Boys Sitting on a Mule).

The cards are priced at $35.00 each or all five cards for $140.00. All are in fine condition, and all but "Waitin Fo De End Man" and "Who said quail?" have a detailed, historical description on the reverse side.

As each is priced separately as stated, please specify which stereoview card(s) you wish to purchase so that we can customize your order form.

Little Jasper was created by George Pal, a cartoonist who worked for Paramount Studios and who created the Puppetoons, a popular cartoon series played in movie theaters of the era prior to the screening of the feature film.

Push or pull him along, and he twirls around while the two present wooden flowers spin along with him! (One wooden flower top is, unfortunately, missing--the only imperfection to this fabulous toy!)

Overall condition is rated as excellent, barely-used condition! There is very insignificant edge wear to paint here and there, but the four wheels don't show even the tiniest trace of wear from use, suggesting that this toy quite likely sat either in a display cabinet or was packed away for its entire existence! Even the original, paper manufacturing sticker remains intact and in pristine condition!

"Little Jasper" is very RARELY found, and the opportunity to acquire him should not be overlooked!

This circa 1900-1910 Johnny Griffin item is a double image still bank that features 2 images of Johnny's head placed back-to-back. It was manufactured by the A.C. Williams Company of Ravenna, Ohio, which at the turn of the 20th century and up until World War II, was the largest toy and still bank manufacturer in the world. (At the start of WWII, production declined sharply as iron was needed for military consumption, marking the end of an era.) The bank is constructed of cast iron in two pieces which unscrew to facilitate the emptying of coins. There is a coin slot at the top of Johnny's head for use in depositing the coins. This sweet bank remains functional for banking use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- and measures 3 inches high x 2 1/2 inches wide. It retains traces of the original gold leaf paint and may (or may not!) have a replaced screw.

The Johnny Griffin image- in the arena of Black Americana collectibles- should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

The first club, a ladies' MASHIE iron, is stamped with the following: "HENDRY & BISHOP Ltd. - EDINBURGH - Made in Scotland - Warrented Hand Forged - SPECIAL (L) with the MITRE BRAND" cleek mark. This circa 1930 club has a handsome construction and measures 35 inches to the heel. The straight hickory shaft sports a nice patina, and its original leather grip is in good condition. The club head is in good condition with mild leading edge dings and sports dot face stamping.

The second club, a circa 1905 JIGGER, is in very good overall condition sporting a solid, straight hickory shaft with an original patina. The club head sports a random sized dot-punched style on the face. The back is stamped with the following: "HAND FORGED IN SCOTLAND and M.J. BRADY - SPECIAL" in an oval. T.S.St.A plus REGISTERED TRADEMARK and a PIPE" cleek mark. (T.S.St.A stands for TOM STEWART-ST ANDREWS.) A JIGGER is a short-shafted club with low loft which was used in the same way as the modern chipper. The club has minimal dings and wear to the head. A high quality, low profile specialty club! A very nice example indeed!

The third club is a fine example of a circa 1900 crafted, low profile and low lofted driving iron or mashie. The leather grip has been professionally replaced, and the straight hickory shaft sports an original patina. The club measures 37 inches to the heel. There is deep nicking to the hosel and a slight wiggle where the shaft joins. The face has a ding by the toe end, perhaps the result of an honorable blow that caught both ball and stone many years ago. The back is stamped with the following: "SCCMCoy LTD - ED......." (? Edinburgh).

A nice trio of Scottish clubs!

This neat kit was a special issue item produced during WWII labeled WAR EMERGENCY PACKING as noted on the side panel of box. There are 2 boxes with this item - an exterior box that is stained, worn and tattered, and a second box- the interior box that is in very good condition except for some ancient, dried fluid staining on the inside (see photos for further details).

The contents include 1 TOURNIQUET (with a 1938 Patent Date) - 3 IODINE SWABS in small box (not original) - 1 retracting SNAKE BITE LANCET - 1 VENOM SUCTION SYRINGE - 2 different rubber SUCTION CUPS - 2 ADHESIVE COMPRESSES (3 originally) 1 TUBE SYRINGE LUBRICANT. Missing AMMONIA

The outside of the box is complete with printed directions including how to execute the various cuts designed to cause blood to flow freely from the snake bite location!

A seldom -found, WW2 era, emergency snake bite kit that appears to be in unused condition with a missing ammonia packet and a couple of additional items that were deemed potentially necessary by the owner. Measures 4.25"L x 2.75"W x 1.75"H.

Very hard to find in this condition!

No breaks or other damage. A tiny spot of very superficial rust here and there that may be removed, if so desired, by polishing with a clear paste wax.

A sweet accent piece for the country kitchen!

Condition of the litho is considered very good given the rich coloration that remains. Some minor wear does exist: 2 small tears measuring less than 1/2 inch each on either side border edge-- one in the trees on the right side and the other on the left side in the water. There are several teeny holes in the sky to the right of the bearded gentleman's fishing pole as well as one single hole in the black gentleman's hair. (Please see photos.) Some wear to the border at top as shown in photos.

Despite the noted imperfections, this lithograph displays beautifully, with rich color and crisp lines. It presently resides in an early 1920's frame; ideally from a conservation point of view, it would benefit from a re-framing with acid-free materials to continue to preserve its historic importance.

The bowl sits upon a one inch high foot and has glaze crazing typical of an 85+ year old piece of pottery. No chips, cracks, or hairlines. One teeny, tiny fleabite on rim too small to be photographed with any clarity.

An outstanding piece of American Spongeware! Becoming much more difficult to find- particularly in this outstanding condition!

Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.

This wonderful Depression Era piece features a whimsical 10 inch long cutout figure of a little wooden black girl with hand-painted smiling mouth and eyes! She is dressed in a hand-stitched cotton costume that has been stuffed with scrap fabric.

Her feet feature two brass-finish hooks, presumably to either hang keys or pot holders from. Her ears each have a punched out hole--whether this is functional or purely decorative remains a mystery. A small brass hoop threaded through a piece of fabric which was then tacked to the back of the girl's head facilitates hanging on a wall. Overall condition is fine with age-related soiling to the dress and minor paint wear typical of a 70 year-old-piece.

One of my favorite hand-made pieces with true folk art appeal!

Measuring 13 inches tall, he is constructed of black, machine-stitched, vintage 1930-1940's, polished cotton which has been stuffed with cotton batting. Facial features have been hand-embroidered, are quite expressive and are exceedingly well done. His hair has been styled in tightly wound little ringlets.

His brown-patterned, machine-stitched shirt and pants are also vintage 1930-40's fabric, accented with two miss-matched buttons holding up cute red suspenders.

A delightful piece of Black Memorabilia Folk Art! This wonderful, 1940's-vintage-look, one-of-a-kind, Artisan Doll was constructed in the 1990's by a Maine Folk Artist who is now deceased.

Please take a moment to view his big sister by typing the words "Maine Doll" into the SEARCH box.

Beautiful "Copper Lustre" paint accents a central yellow band with copper colored, feather detailing. Interior rim is painted in a pink lustre band.

Condition is quite fine with no damage or repair. Some expected light wear from actual use to painted rim and base and a teeny firing imperfection on the handle that is not readily evident to the eye.

A darling piece to add to one's collection!

This mammy's cute face is completely hand-stitched and is accented by original celluloid hoop earrings. She wears a flowered bandanna, a cream colored flowered shawl, and an off white apron over her green and black mini-checked dress. She even has a cream colored petticoat underneath all! Her machine-stitched clothes are odor free and are nicely constructed, although her apron does have tiny age holes!

Although her bottle frame is covered by a black stocking, the stocking has risen up revealing her sand-filled milk bottle with red lettering from R.W. Tripp's Dairy, established 1889. The milk bottle lettering is in great shape and even features a graphic of a school boy and girl! Among milk bottle collectors, this particular milk bottle is quite rarely found and quite highly sought after, adding further collectible value to this sweet doll!

This great, early mammy bottle doll is one of 3 currently offered mammy bottle dolls --- rarely found in today's market and all priced separately.

The 8.5 inch tall bottle has the manufacturer's letters “W.T.CO. – Pat. 1889 - USA” embossed on the base.

This label under glass (LUG) tincture bottle is in fine condition. The stopper sports ground glass construction as well. The label is complete and displays well.

This appealing bottle originated from a former pharmacy in Putnam, CT, which closed in 1949.

The first club, dating to 1925, has "TED RAY SEVENTY-TWO" "LADIES - SPECIAL - HAND FORGED and PUTTER" stamped on the back of the face. This WILSON-made club measures 33" from the heel to the top of the shaft and appears minimally used. The sturdy hickory shaft has a mild bend from front to back on the lower shaft. The leather grip is in good condition.

The second club, a mid iron, circa 1920-1930, is stamped on the on the back of club "KRO-FORGED PROFESSIONAL" and measures 37.5 inches from the top of the shaft to the heel. This KROYDON made club sports a sturdy straight shaft and a good original grip. There is faint superficial pitting to the club head.

Both clubs enjoy original patina and have mild wear commensurate with the clubs' use and their nearly 100 years of age. A delightful duo, ready for play or display!

SOME HISTORY:

https://www.si.com/golf/news/ted-ray-was-golfs-original-long-driver-and-a-true-original

It is worth a visit to this SPORTS ILLUSTRATED link for some great info on this delightful man, MAJOR winner and unheralded pro golfer TED RAY who deserves to be in the GOLF HALL OF FAME!

The golly's clothing is machine stitched; his red mouth and white eyeballs are constructed of felt. His body is tightly stuffed with cotton batting allowing him to be displayed either in a sitting position or standing with the support of a doll stand.

A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

A very sweet piece!