Catalog (459)

Measuring 10.75 inches wide x 8.25 inches long, the book has seen extremely gentle use as evidenced by the minimal wear of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, it is quite remarkable that all heads remain present after 80+ years, with prominent creasing only appearing at the neckline and lessor crease lines present elsewhere on the heads. Four of the heads have suffered minimal tearing at the neckline, and were, at some point, restored and secured with what appears to be an archival quality tape. Front and back covers are constructed of heavy cardboard, the pages of heavier stock paper. Both the front and back boards evidence minor corner and edge wear along with minor soiling from handling. The front cover has a tiny 1/4 inch long tear at the binding, about 1 1/2 inches down from the top of the book. The back cover at the exterior upper corner is missing a small section of the top layer of cardboard. Interior pages are intact and crisp. Please view photos.

The book retains its brilliant, bright, crayon-box-like colors. The book has ten pages with alternating color and black and white illustrations as noted in photos. Sufficient space to post photos of all pages does not exist, but those present are representative of overall condition. Pages evidence some extremely minor age-discoloration and/or foxing, but all pages are free of rips and creases. The binding is tight and the book retains its original, red, binding spiral.

Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.

This 1942 version having changed the derogatory term nigger to that of colored (equally derogatory), also depicts a somewhat tempered portrayal of the violence befalling the characters as compared to earlier versions of the rhyme.

The poem:
Ten little colored boys sitting in a line; one slid off the roof, then there were nine.
Nine little colored boys fished with worms for bait; one fell in the river, then there were eight.
Eight little colored boys flying up to heaven; one tried to parachute, then there were seven.
Seven little colored boys doing circus tricks; one teased an elephant, then there were six.
Six little colored boys found honey in a hive; one tried to pet a bee, then there were five.
Five little colored boys heard a lion roar; One didn't run in time, then there were four.
Four little colored boys started out to ski; One hit a snowman, then there were three.
Three little colored boys cooked some chicken stew; One ate the pot-ful, then there were two.
Two little colored boys playing with a gun; Thought it wasn't loaded, then there was one.
One little colored boy thought it would be fun to settle down and marry, then there was none.
He had a family of colored boys and then, before very long, there were ten of them again.

Likely Staffordshire, the quill holder features lovely polychrome coloration. Condition is wonderful with no chips, breaks, repairs, or repaints. Age crackling to glaze is evident along with a tiny stain on the dove's breast.

A darling piece!

The back of the club is stamped as follows: Warranted Hand Forged - BURKE STANDARD - MASHIE NIBLICK

Measures 35.5 inches from heel to top of shaft. The leather grip appears original and in good condition. The hickory shaft is mildly bent but quite sturdy. The head of the club shows modest and honorable wear and good grooves with generalized pitting to the surface.

A nice example of an early club with a controversial history!

SOME INTERESTING HISTORY:
The BURKE GOLF COMPANY started in 1910 and had a reputation for quality and intriguing innovation as evidenced by the fact that Jock Hutchison used their clubs, and Harry Vardon later gave them his endorsement. It was the company's deeply grooved mashie niblick which Hutchison used to win the 1921 Open, the first "American" to win it (although he was born and brought up in St Andrews). When the ban on such clubs later came into effect in July of that year, Jock presented the club to the R&A.

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

The condition is very good with only signs of mild wear commensurate of a modestly used tool of the trade. No damage or loss, just scruffs and a nice surface patina.

Measures about 10.5 inches long and ready for your collection or use. The #7 is stamped into the edge of porcelain.

They are being sold separately for $55.00 each. The POISON bottle BELLADONNA is SOLD as is GELATINE CAPSULES QUININE.

Decorative stock bottles such as these beauties were meant to be refilled and reused and were the pride of the pharmacy staff. Eye-catching, reflective medicine bottles such as these also served as an advertising mechanism as they often were placed prominently on the front row of pharmacy cabinets.

Each amber colored bottle measures 8.5 inches tall, has a narrow or wide mouth and sports a stopper with ground glass construction. The bottles date to the 1920-1930's era.

The condition of these empty bottles are excellent. Some of the stoppers are stuck in place.

The bottles sport either gold or silver toned foil labels which show slight wear and staining, commensurate with age and use.

A lovely group indeed!

This club actually presents a number of qualities that indicate it may, in fact, be an example of pre-1860s craftsmanship: : LENGTH of the face is 6 inches. The DEPTH of the face is 1 1/8 inches max. The face is SMOOTH and CURVED, and the club head is shaped in the form of a TEARDROP. The club is UNMARKED. The neck is slightly thin at just over 3/4 inches--- all indicators of an early, pre-1860s club!

This amazing club sports most of its original varnish surface and is offered in "as found" condition. The darkening of the finish results in a wonderfully rich patina. The club displays an enchanting presence owing to the gently-sculpted angling of the face. The sole of the club is without the usual ram's horn which was the typical norm, making this particular club that much more intriguing and quite unusual!!! I have not been able to find reference to clubs that were made in this fashion. RARE!!!

The early golfer must have been quite robust and sturdy as this heavy club face is one that most folks today would have a difficult time keeping "square" at impact. Long spoon clubs were used off of grassy surfaces which accounts for the very nice condition of this beauty. Besides the unobtrusive, expected scuff marks on the sole, there is only one tiny, barely-noticeable chip on the leading edge of the club face at the sole, consistent with hitting something other than a grassy surface!

The lead on the back of the club has been partially removed to customize it for the golfer. The slightly warped hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many, many years ago and has signs of honorable wear.

The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, UK club makers of the 19th century. According to author and golf history expert, Jeffrey B. Ellis, unsigned, long-nosed golf clubs were the norm in the pre-1870 era.

This rare, antique, hand-wrought, golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!

A phenomenal, rarely-found example of 19th century craftsmanship, and a tangible example of exemplary golfing history.

The black-painted, metal frame houses a plastic, cream-colored insert that features an embossed lettering and design technique that advertises the name of the product for sale. The background of this insert sports a streamlined, horizontal, raised "striping" reminiscent of the Art Deco era. When light is allowed to pass through the plastic, translucent insert, the insert appears to be magically illuminated so that the green-colored backside of the sign shines through with brilliance. This effect can be enjoyed by either hanging the sign in front of a window or by fastening tiny LED lights (not included) on the backside of the frame.

The dimensions are approximately 48"L x 5.5"W x 3/4"D, and the overall condition of the sign is very good. The plain metal frame has been repainted in a durable, semi-gloss, black finish. The painted finish is in very good condition with areas of minor surface imperfection and slight areas of roughness here and there.

The vintage plastic insert is laminated in two tones, with the front noting a rich, aged, cream color, and the back noting a rich green tone. The front of the insert has faint surface imperfections and some areas of uneven discoloring. Overall, the insert retains a nice glossed surface patina commensurate with its age.

A note: the first photo best represents what the sign will look like when illuminated from the back with LED or natural window lighting.

The box approximately measures 4.5"H x 1.5"W and is in fair condition missing both the top and bottom flaps and shows wear commensurate with age. The delightful 4 inch bottle sports complete front and back labels and is in undamaged condition. The insert is included and the paper is brittle with signs of loss mostly at the folded areas.

A nifty medicine for quelling coughs caused by colds, croup, bronchitis and other afflictions. The bottle and box display quite nicely as seen in the photos. A neat find!

Unmarked, the toy was likely produced in post WWII Germany. It is in wonderful, barely-used condition with just the tiniest degree of scratching wherever metal rubs metal during toy movement. To operate the toy, one simply squeezes the metal lever on the back, which causes the woman to hit the poor monkey on the head with a mallet!

A RARE toy with crisp color and which displays wonderfully!

The very popular Mary Jane paper doll series was featured each month in Good Housekeeping Magazine for months, with little girls everywhere excited to immediately cut out the doll and her accessories for play!

From the 1920s through the 1960s, paper dolls were an extremely popular play toy with a wide variety of paper doll "books" sold in the 5 & 10 cent stores of the day such as Woolworth, Berdine and Kresge, to name a few. The Mary Jane paper doll always conformed to seasonal themes, with the coloring and artistry of Berta and Elmer Hader never failing to please little girls everywhere.

Given the extreme play-time popularity of paper dolls, it is very rare to find an uncut sheet such as this!

Berta and Elmer Hader worked together to design children's sections for Good Housekeeping, McCall's, Pictorial Review, Asia, Century, and The Christian Science Monitor. They created pictures and cut-outs, often featuring children dressed in national costumes. In Berta and Elmer Hader's Picture Book of Mother Goose, the couple collated pen-and-ink and color drawings they had done for Monitor and Good Housekeeping to great acclaim. When the US Postal Service dis-allowed the sending of magazines with cut-out segments in 1926, the Haders switched gears, gaining a contract with MacMillan for a series of children's books. They began writing the stories for some of the books in this period. Demand for their product soared, and they worked incessantly from 1927–1931, illustrating, in some cases writing, producing, and helping to sell thirty-four titles. They stayed busy for the rest of their lives, producing another seventy or so books before they retired in 1964. One book in particular, Billy Butter (1936), so impressed writer John Steinbeck that he requested Elmer Hader do the cover to The Grapes of Wrath (1939). Hader eventually did covers for two other Steinbeck works, East of Eden (1952) and The Winter of Our Discontent (1961).

Professionally matted and framed some many, many years back, this lovely piece of wall art advertising measures 10.5 inches wide x 13.5 inches long and remains in excellent original condition given its 100 years of age! Any discoloration, facing of color or reflection seen in photos is related to the difficulty photographing an object under glass and is NOT an imperfection to the piece.

A treasure of early signage designed in the Art Nouveau style, this sign measures 46 inches long by 7 inches wide. The sign weighs at least 25 pounds and sports cast detailing seldom found!

The sign features a delightful and mellow patina with an old painted surface retaining traces of old blue coloring beneath the exterior battleship gray tones. Scattered areas of unobtrusive surface rust add to the wonderful appeal of this vintage sign.

Visually appealing and artfully designed, this vintage piece of signage would make an interesting addition to one's Medical Memorabilia Collection!

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 7.5 out of 10! This softcover book has seen little use with just a teeny bit of wear to book edge points. The front and back inside covers are separated at the lower of the two binding staples downward; the remainder of the cover binding is intact as are all pages. There is mild, vertical creasing to the book throughout near page edges (see photos), likely from someone folding the book at some point in its lifetime; the front cover at the lower right corner also shows crease lines. None of the crease lines effect structural integrity. No pen/pencil markings.

Amazing condition for a nearly 90 year soft-cover book!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

This circa 1920-30's Johnny Griffin letter opener is constructed in solid brass. It remains functional for such use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 10 1/4 inches long. Remnants of green paint are visible on Johnny's shirt. Interestingly, this piece also doubles as an advertising piece as on the reverse side it is impressed, “I. C. Herman + Co., 507-9 Broadway, NY (New York)”.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Marked "Pat Applied For" on its base, this darling match holder features two small black boys playing around a rather large cotton bale (the bale is labeled "COTTON").

Well-executed detail! A lovely piece seldom found in today's collectible market!

This is a fabulous white ceramic 1950s pharmacy drug store display with decorative gold gilt embellishments. The mortar measures 7 inches tall and the solid pestle is 8.5 inches long.

The condition is near excellent with no damage, cracks or dings.

An outstanding display that will compliment any pharmacy collection.

This wonderful, 1940-1950s vintage hand made and painted mortar and pestle display once adorned the interior of a Connecticut pharmacy. The display is decorated in red with painted bronze details for added flair.

Measures about 7 high” x 4.5” wide and is in very nice condition! Some unobtrusive surface paint loss and scuffing including a few tiny nail holes are apparent but do not distract from their visual appeal!

This is part of many “female specific” old pharmacy stock items for sale.

Presented first is "DR. LITTLE'S DOG BOOK", with an original copyright of 1924 - this being a second printing from May 1925. It features 345 pages that include seven photos along with some illustrations depicting dog care. The contents covered in this text are vast with chapters discussing the history of the dog, their care, diet, training, as well as canine diseases and their treatment. A very comprehensive, early volume!p> The condition of "DR. LITTLE'S DOG BOOK" is good with a solid binding, one loose photo in the front pages and one moderately torn (but complete) photo of a terrier (pg 38), some mild yellowing and slight foxing to the pages, and wear and fading to the cover commensurate for a book 95 years of age. Measures approximately 8.5"L x 5.75"W x 1.5"H.

The second book offered is a nice 1915 edition of "KENNEL DISEASES", by "ASHMONT", containing 424 pages. This volume includes one photo and a few illustrations and is packed with information dealing with all manner of kennel diseases including symptoms, nature, causes and treatment. Quite comprehensive and a fabulous resource.

The condition of this book is good with a tight binding, and yellowing and some foxing to pages. Overall wear is quite light especially given the book's 100 years of age. Measures 9.5"L x 7"W x 2"H.

The two texts are offered as a pair for $75.