Catalog (459)

Offered is a wonderfully hand-crafted, mid-19th century, woodworking, HAND SCRAPER PLANE.

This circa 1860s example has an expertly carved, smooth-angled handle that ends in a flourished, curl-like shape. The overall form of the tool, when viewed in profile, takes on a somewhat futuristic, space-age design- an interesting concept given that this tool is approximately 160 years old! This handsome tool measures 8.25 inches long and sports a warm, aged, brownish patina.

The condition is commensurate with a mildly used antique hand tool. There are the expected unobtrusive small dings, scratches and imperfections typically seen in vintage tools. The blade is sharp and well maintained. A vintage split next to the wedge tightening screw is present on the underside of the scraper.

The hand scraper in woodworking serves as a shaping and finishing tool. It manually removes small amounts of material and can be used instead of sandpaper.

Offered is a fabulous, very early example of Tramp Art- a style of woodworking which emerged in America in the latter half of the nineteenth century. Tramp Art features the use of multiple, small pieces of wood that are whittled into layers of geometric shapes whose outside edges are then notch-carved.

This exquisite example exemplifies the early years of Tramp Art at a time when it was practiced largely by skilled craftsmen with artistic talents. Pieces from this era feature a more multi-layered, detailed technique using hard wood bases as opposed to the thin cigar box wood bases prevalent during the early 20th century through the Depression years.

This wonderful, approximate 140 year old piece features multi-layered exterior framing on all sides as well as the box cover; framing which then envelopes amazing pyramidal shapes of all sides.

The box interior is covered in a vibrant floral wallpaper, and it features a small 1.75 inch x 2 inch framed mirror on the underside of the box lid. Likely made for a female given its interior design and decoration, the box also features a functional lock with original key, to safeguard jewels and important mementos.

Measures 8.75 inches wide x 8 inches deep x 6.75 inches high. In very good condition and retaining its original finish! A few missing notch pyramid tips here and there. Just lovely!

A detailed and historical, 19th century, school "Certificate of Distinction" from the "Albemarle Female Institute of Charlottesville, Virginia"!

Text indicates that the certificate was awarded to Emma Shannon on June 12, 1885 (Or 1883--difficult to read as the date is partially concealed under the frame edge). The certificate recognizes that Emma excelled in Latin, Arithmetic, History of France, Rhetoric, and English Literature. Signed by W. P. Dickinson, President of the Faculty.

With the exception of early fold lines, a water stain in the upper left corner, and two small circular age stains on the lower left and within the word "distinction", condition is quite nice!

Measures 16.25 inches X 12.25 inches framed. The piece is framed in wood and is beautifully grain-painted in brown and black tones with delicate, cream-toned, chip-carved stems and leaves at each of the four corners. Original wood backing remains in place.

Once located at the intersection of 10th and Jefferson Streets in downtown Charlottesville, the Albemarle Female Institute was founded in 1853 as a University School for young women by Baptist pastor John A. Broadus. In 1861, one of Charlottesville's most famous 19th century women, Charlotte "Lottie" Moon, earned one of the first Master of Arts degrees ever awarded to a woman by a southern educational institution during this time period. Fluent in Latin, Greek, French, and Italian, Lottie was called to serve as a Baptist missionary in China, devoting 40 years of her life to that mission.

Measuring 9 1/2 inches wide x 13 inches long, this brightly colored, copyright 1937, The Tale of Peter Rabbit book, a sweet story originally written by Beatrix Potter and offered here, in a large softcover book format and illustrated by acclaimed American children's illustrator, Milo Winter, is very rarely found!

Published by The Merrill Publishing Company, Educational Publishers, Chicago, Illinois, this book was meant to be used in the early Primary Grades as an educational tool to promote reading skills.

Condition is an 9.5 out of 10! This unnumbered, softcover book has seen little use with just a teeny bit of wear to book edges which do not effect structural integrity. The fourteen large folio, color illustrations retain their intensely vibrant hues. Amazingly, there is no other noted damage or imperfection other than the three minute tears to the vertical edge of the front cover which likely resulted in, simply, use!

Prolifically used in the primary school setting, this book supported the development of not only sight word vocabulary but supported the rudiments of the "sound it out " theory.

Regardless, for either the early primary school officienado or lover of classic nursery tales, this book is superb!

An educational tool pairing that spans a century!

Offered are two school slates, both designed to support children's learning, either while in school or at home.

The C1870 school slate was commonly known as a book slate as it is constructed of two separate slates that are bound together on one side allowing the slates to open and close like a book. This construction also allows the bound slates to stand freely on a flat surface. Each slate measures 7" wide x 9' long, and are framed in wood with a decorative, thread bound leather edging that has been tacked into place around the perimeter. The two slates are joined together by a cloth binding. The condition of the slates are quite fine with no cracks, fractures or missing elements either to the slates' surfaces or to the framing. Traces of ancient writings and numerals are subtly visible. Double slates are much less common versus the single slate as doubles were not only more expensive to produce but also were more expensive to purchase!

The companion slate offered was produced by the well-known US child toy and game manufacturer, Transogram, circa early 1960s. This slate retains its original and quite visually-appealing box and is constructed of a masonite-type board-- with a smooth surface on the backside and a textured gray-colored surface on the front side. The slate is in very good condition and is imprinted with the alphabet and numerals 0-9 as well as a pair of stars and school bells on either side of its name: TRANSO-SLATE. The slate is advertised on the box cover as washable, and the set originally came with a little eraser and colored chalk. The eraser is no longer present and only remnants of colored and white chalk remain. The condition of the box is quite fine with only superficial wear to some of the cover edges. No rips or repairs. Imaging and printing on the box cover remain bright and intact. The box measures 8.25" wide x 6.25" long. The slate measures just a fraction smaller, fitting snugly inside of the box.

A wonderful pairing of 19th and mid-20th century educational tools!

Offered is a very appealing pair of Mid Century Modern, vintage-design-decorated, apothecary jars that once embellished the shelves of a Claymont, Delaware pharmacy.

Dating to the 1950s - 1960s era, this beautiful, white and cobalt blue colored pair are in excellent condition. The large jar measures 10.75 inches tall x 6 inches in diameter. The small jar measures 7.5 inches high x 4.75 inches in diameter.

Ready for display in your vintage drug store collection!

Offered is a wonderful, C1950s, Art Deco-styled, advertising store sign that features in bold capital letters the word, "COSMETICS". This sign, which originally hung in a Grand Rapids, Michigan, establishment, might well have been displayed in either a drug store or a beauty salon which sold various lines of ladies' cosmetics.

The black-painted, metal frame houses a plastic, cream-colored insert that features an embossed lettering and design technique that advertises the name of the product for sale. The background of this insert sports a streamlined, horizontal, raised "striping" reminiscent of the Art Deco era. When light is allowed to pass through the plastic, translucent insert, the insert appears to be magically illuminated so that the green-colored backside of the sign shines through with brilliance. This effect can be enjoyed by either hanging the sign in front of a window or by fastening tiny LED lights (not included) on the backside of the frame.

The dimensions are approximately 48"L x 5.5"W x 3/4"D, and the overall condition of the sign is very good. The plain metal frame has been repainted in a durable, semi-gloss, black finish. The painted finish is in very good condition with areas of minor surface imperfection and slight areas of roughness here and there.

The vintage plastic insert is laminated in two tones, with the front noting a rich, aged, cream color, and the back noting a rich green tone. The front of the insert has faint surface imperfections and some areas of uneven discoloring. Overall, the insert retains a nice glossed surface patina commensurate with its age.

A note: the first photo best represents what the sign will look like when illuminated from the back with LED or natural window lighting.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin tie rack is constructed in solid brass. It remains functional for such use today; however, only two of the five original tie hooks remain.

It is in all original condition with fabulous patina- not a reproduction- no replaced parts- and measures 13 inches long.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Offered is a colorful, 1883, lithographed, Lime Kiln Club, Black Americana, Cigar Label by Mensing & Stecher of Rochester, New York (company noted in the lower left corner). The lithographed 8" x 6" label would have been placed on the inside cover of the traditional wooden cigar box of that era. This highly detailed label features a caricature image of a very boisterous group of African Americans at a lodge meeting. The moderator is trying to get order while some of the members talk and fight amongst themselves with one even holding a pistol.

A trademark label affixed to the bottom of a sour mash whiskey barrel, "ICMCo" stands for the Ithaca (New York) Cigar Manufacturing Co. for whom the label was made.

Interestingly, this cigar label was based on a racial parody book featuring a fictitious fraternal organization of African-Americans, titled 'Brother Gardner's Lime-Kiln Club' by "M. Quad". Quad, in actuality, was noted newspaper columnist and satirist, Charles Bertrand Lewis, of the Detroit Free Press.

Framed in an 8.75" x 10.75" silver-toned wood frame, this Lime Kiln Club lithographed label is extraordinarily scarce and highly sought after. It is listed as one of the top 100 blue chip cigar labels by "InStone 100" (a cigar label rating organization). The lower right hand corner notes the US Patent Office Registry date of May 22nd 1883. This 19th century piece would benefit from professional framing using archival, acid-free materials to enhance its life for many more years to come.

Condition: The color remains as brilliant as the day this 140 year old label was produced! Four unobtrusive and minor tears are noted: two in the lower left corner area, one at the center top near the moderator's gavel, and one between the K and I in Kiln. A crease is noted in the white margin above the label title, and a water mark is present in the lower right side of the white margin. However, none of these blemishes detract from this highly intricate lithograph! Take a few moments to carefully study all of the activity and detailing in this colorful piece!

Professionally framed in an intricate, antique-look, gold gilt molding with museum quality, acid-free mat and mounting materials, this 1840, hand-colored map of Germany, Switzerland, and Northern Italy will be well-preserved for many, many years to come!

Photography was a challenge in an attempt to avoid flash reflections. As such, please note that the rich coloring- violet, yellow, green and gray- is even throughout the map.

All print and map detailing is clean and easily read. Some minimal foxing and age staining to map do not detract from the visual appeal of this piece. Framed map measures 12 3/4" wide x 15 1/2" long.

Offered is an early portable Steelyard scale that is designed to weigh goods up to 30 pounds. This primitive iron scale sports hand-forging construction and measures just over 13 inches in length. The manufacturer's identifying name is almost fully readable and is stamped "?? WHITHFIELD & SONS".

The arm on one side is stamped in increments 1 through 9 (pounds) and 7-30 on the opposite side. Photo #5 shows two fancy and not often seen, "cross-shaped" embellishments.

The condition is very good with some mild wear, traces of rust, and faint pitting of the iron, all commensurate with an early tool of the trade.

An interesting and scarce example of early American craftsmanship.

Increasingly more and more difficult to find, this pot metal pencil sharpener was made in pre-WWII Germany in the 1930's.

Measuring 1.5 inches long x 1 inch wide, this sharpener depicts a derogatory caricature of a Black Man. The glaring eyes are painted a stark white with teeny black pupils, while the red painted lips surround the pencil sharpener blade which takes the place of the man's teeth. Curly molded hair and eyebrows are painted black, while the face is painted brown- inside and out.

The pencil sharpener is stamped GERMANY on the back inside.

Condition is very good with approximately 75% of the original paint remaining. There is no repaint! The paint is worn in expected areas, with the majority of paint wear seen on the sides of the face and bottom of the chin where one would grasp the sharpener. Facial feature paint is strong.

Germany apparently made a good steel blade as the sharpener still works!

Offered is a very nice set of brass weights manufactured by Fisher Scientific Co., dating to the turn of the 20th century.

The weights are housed in a fitted, hard wood case that appears to be maple, and it includes a brass tweezers for securing the six individual milligram weights. Also included are eight of the nine brass matching weights, with only the 1mg weight missing.

The wooden case measures 6 inches long x 2.5 inches wide x 1.5 inches high and sports a metal label on top. Condition is very good with the finish and wear commensurate of a used antique collectible.

Measuring 3.25 inches high, this delightful English child or baby transfer porcelain mug is a quite rare find!

In excellent condition with the exception of some minor wear to the gilt rim and scripted banner, the cup or mug features two gentleman sharing a tub bath- one Caucasian and one African-American. The African-American gent is surrounded by musical notes indicating that he is doing quite a bit of whistling, while the Caucasian gent covers his ears in annoyance. The scripted banner above their heads reads, "Whistling Rufus." "There's music in the air."

The mug is signed in the lower right corner of the tub, "Copyright Sid Smith". The base bears the black crown and banner stamp of Allertons, England as well as the printed, red-inked number "2089".

Measuring 9 inches in diameter and 2.75 inches high, this gorgeous, Ohio-made, yellowware fruit bowl features fabulous blue sponging with gold gilt highlights along its decoratively embossed and scalloped rim.

The bowl has glaze crazing typical of an 85+ year old piece of pottery. An extremely tight hairline on one side of the bowl has been photographed for one’s perusal. It does not affect structural integrity, and the pricing of the bowl reflects this imperfection. No other flaws!

An outstanding piece of American Spongeware! Becoming much more difficult to find- particularly in this condition!

Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.

This 1851 educational text was published by the Sanborn & Carter Company of Portland, Maine. Authored by Salem Town, L.L.D., this revised edition from the original published in 1848 is touted as, “A reader designed for the middle class pupils of our public schools, embracing full and important exercises in elocution and articulation.”!

Hardcover, 288 pages; Good condition: Minimal foxing, no tears, tight binding, corner edge wear to cover.

A delightful addition to the School Memorabilia collection!

Offered is an extraordinarily rare, 1842, Warren County, Georgia, Apprehension Order for a SLAVE boy named Henry who is accused of committing a violent assault and battery with intent to kill.

The single page, 16" x 25" document was folded in half by its author, and the charge is written out on one side of the folded page and then completed on the back of the same side of the page (see photos). The folded page was then flipped over, folded into fourths, and the title of the charge was written out: "The State VS Henry Negro Boy Slave".

The text of the charge reads as follows, Paragraph one:
"Georgia Warren County"
"Before me Matthew Sheilds a justice of the peace for said county, personally came Stephen Blount who being duly sworn deposeth and sayeth that according to the best of his knowledge and belief Henry a negro boy slave the property of the estate of Hardy Pitts late of said county deceased, did commit a violent assault and battery with intent to kill Deponent, with a heavy stick - and Deponent believes said stick was ferreled (an action suggestive of a wild beast)- upon the person of Deponent - on this night of the thirteenth of this Instant in said county of Warren to wit upon the plantation of Thomas Persons, near Warrenton.
Sworn to and subscribed before me this 14th March 1842."
"Matthew Sheilds JP"
"Stephen Blount"

Paragraph two:
"Georgia Warren County"
"By Matthew Sheilds one of the Justices To Sheriff the Constables of Said County and to all other lawful officers for as much as Stephen Blount who being duly sworn deposeth and sayeth that according to the best of his knowledge and belief Henry a Negro boy Slave the property of the estate of Hardy Pitts late of Said County deceased did commit a violent assault and battery with intent to kill Deponent - with a heavy stick and Deponent believes said stick was ferreled upon the person of Deponent on the night of the thirteenth of this Instant...." (continued next page)

Next Page:
"in Said County of Warren to wit on the plantation of Thomas Persons near Warrenton. These are therefore to Command you that you apprehend the Said Negro Boy Henry and bring him before me or some other Justice of the peace of Said County to Answer the said charge and to be further dealt with according to Law Herein fail not. Given under my hand and Seal this 14th day of March 1842."
"Matthew Sheilds JP" (JP written a second time and encircled in a squiggle to simulate a wax seal)

Condition of this very unique slavery document is quite fine given its 180 years of age. Expected aging of paper with insignificant and minor tears at creases. Also present are three long spillages of ink (as seen in photos) which likely occurred at the time this document was written out with, obviously, no intention of the author to start over again and rewrite!

An extraordinarily rare historical document that defines a specific slave-related incident.

Offered is a delightful trio of 19th century, Horn, Apothecary Pharmacy Powder or Tablet Scoops. These tools of the trade were made in three different sizes ranging from nearly 5 inches long to 5.75 inches long.

These interesting pharmacy implements have a warm honey translucent tone and are complemented by a natural brownish color which is especially noted in the largest scoop. They were most likely made from cow horn as was typical of the period. Depending upon their size, a scoop, such as these, was capable of holding from 2 ounces to about 4 ounces of medicine when used compounding process.

The smooth surface of each scoop shows minor wear from usage. Overall, they have a very handsome and rich patina with various minuscule scuffs and imperfections commensurate with age and use. The only minor damage noted is a 1/4" split near the corner of the handle of the largest scoop.(SEE PHOTO).

This very scarce group of 19th century horn scoops will make a wonderful addition to any apothecary collection!

Measuring 33 inches long x 15 inches high, this vintage 1869, black ink, original lithograph was published as an art supplement to Appleton's Journal.

The litho was executed by John Karst with his signature appearing in the lower left hand corner. Highly detailed, the litho reproduces a bustling New Orleans' dock scene featuring numerous slaves at work.

This litho was professionally re-framed using museum-quality, acid-free materials in 2004. The frame is a classic styled, black painted, beaded, hardwood accented with a dark rose, acid-free mat.

A fascinating glimpse into life on the docks of the Mississippi River at New Orleans!

Please note that any white spots or streaking appearing in photos are the result of light reflection and are not damage to the litho.

This extremely rare, circa 1900, COMPLETE set of 4 Magic Lantern glass slides with Black Americana theme is in mint condition! True to the era in which they were produced, these 4 slides typify the black derogatory stereotypes prolific during this period.

Measuring 4 inches wide x 3 3/4 inches high, the black color-toned set was manufactured by A.D. Handy, Stereopticon & Supplies, Boston.

The four slides tell the story, through drawings and southern black dialogue, of a black boy attempting to steal a watermelon (slide 1). Four other black boys hiding behind a fence and watching, spook him, making the boy think there is a ghost behind him (slide 2)! Dropping the watermelon in fright, he dashes off for safety (slide 3). The shattered watermelon is then left on the ground, already broken into bite-sized pieces for the 4 other boys to enjoy!

This offering is truly an exceptionally scarce Black Americana collectible!!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This very scarce piece is very much reminiscent of Johnny Griffin items with the exception of the intact, broad-rimmed hat on this piece versus the torn rim typically seen on all "named" Johnny Griffin pieces.

This circa 1920-30's novelty piece is constructed in solid brass, is hefty in weight, and was likely used as an ash tray given its tobacco leaf design/theme. The "Johnny Griffin-like" head of the young African-American boy that serves as the centerpiece of this wonderful piece, was molded separately and screwed into place. The screw is concealed under an original brass cap, done purely for esthetics.

The piece is in all original condition with the delightful, warm, rich, golden patina of old brass- not a reproduction- no replaced parts- and measures 7 inches long x 4 1/2 inches wide. It does not retain any markings, and country of origin is unknown, although likely of European origin.

A very seldom found piece of Black Memorabilia, that indeed pairs well with Johnny Griffin items or one's Tobacciana collection!

To view all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Offered is this very scarce, circa 1910, Willie Dunn, Smooth Face Hickory Shaft Golf Club. Although smooth face golf clubs fell out of fashion by the very early 1900s, they were still offered in catalogues for a number of years beyond this date.

This smooth face club is stamped on the back "WILLIE DUNN - NEW YORK". The leather grip is in good condition, and the slightly bent hickory shaft sports a nice aged patina.

Measures 39 inches from heel to top of shaft and is probably a MASHIE although it is not marked as such. There are various small dings, mild pitting to the metal surface and examples of wear commensurate with this club's 110+ years of age and use.

Of Scottish origin, Willie Dunn settled with his wife and son in New York and established his club manufacturing business there. Not only was he a very talented golf club maker, he was also an accomplished professional golfer, finishing 2nd in the inaugural US OPEN, but also had gained a fine reputation as an outstanding golf course designer.

Offered is a wonderful, circa 1920's, John Wyeth apothecary bottle sporting a fancy, shield-shaped, foil label, Elixir Phenobarbitol.

Decorative stock bottles such as this beauty were meant to be refilled and reused and were the pride of the pharmacy staff. Eye-catching, reflective medicine bottles such as these also served as an advertising mechanism as they often were placed prominently in pharmacy windows to attract passers-by.

This 8.5 inch, amber, wide-mouth example reveals ground glass construction and dates to the 1920's era.

This empty bottle is in excellent condition with no damage. The ground glass stopper cannot be removed and appears perfect.

The label shows light wear and staining commensurate with age and use. Although the label appears silver in the photos, it is more of a GOLD-toned foil.

A difficult to find bottle with a label in this very nice condition.

Offered is this circa 1910-1921, very scarce, Macgregor DEEP GROOVE Golf Club that was designed to significantly enhance the backspin of a golf ball. As history would have it, the clubs actually worked and gave an unfair advantage to those professionals who were adept at using them.

The back of the club is stamped as follows: Guaranteed Hand Forged - BAKSPIN (with arrow - a Macgregor identifier) and MASHIE.

In 1921, RIBBED GOLF CLUBS were banned by the R&A and USGA just after the OPEN CHAMPIONSHIP.

Measures 36.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft has a slight bend and is sturdy. The head shows modest and honorable wear, good grooves with generalized, unobtrusive pitting to the surface.

A nice example of an early club with a controversial history!!!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB.

Offered are US Civil War era, Confederate, fractional paper currency notes issued February 1, 1863, in the denominations of 15 cents and 25 cents.

The currency notes are marked "The Bank of the STATE OF SOUTH CAROLINA" which closed in 1869, thus, ending the production of this currency. Featured in the center of each note is the State Tree of South Carolina, the Palmetto tree, adding to the notes' visual appeal.

The condition is very good for each note with the expected patina, marks and discoloration of 150+ year old, circulated, paper money. No tears or other obtrusive issues noted. The currency notes measure approximately 4 inches wide x 2.5 inches tall. A bit of history waiting to be framed!

Measuring just barely 6 inches in length, this fabulous example of 1920's folk art and hand craftsmanship exemplifies the stereotypical Mammy of the early 20th century.

Constructed with care and skill, Mammy's floral dress, white apron and white under-pantaloons were neatly machine stitched. Her facial features--- eye brows, eyes, nose, and lips --- are hand-stitched with embroidery thread. She has yarn-constructed black curls peeking out from under her red and white polka dot head scarf. Her arms, torso and head are stuffed with cotton or cloth scraps with the torso securely tucked over the top of the clothespin and into the pantaloons. Her black-painted clothespin legs are hidden under her long skirt.

A very sweet little doll in wonderful all-original condition-- no repairs, rips, stains or odor. Displays quite nicely!!

For your consideration are two, difficult to find, CANINE, veterinary medicine texts published in the first quarter of the 20th century!

Presented first is "DR. LITTLE'S DOG BOOK", with an original copyright of 1924 - this being a second printing from May 1925. It features 345 pages that include seven photos along with some illustrations depicting dog care. The contents covered in this text are vast with chapters discussing the history of the dog, their care, diet, training, as well as canine diseases and their treatment. A very comprehensive, early volume!p> The condition of "DR. LITTLE'S DOG BOOK" is good with a solid binding, one loose photo in the front pages and one moderately torn (but complete) photo of a terrier (pg 38), some mild yellowing and slight foxing to the pages, and wear and fading to the cover commensurate for a book 95 years of age. Measures approximately 8.5"L x 5.75"W x 1.5"H.

The second book offered is a nice 1915 edition of "KENNEL DISEASES", by "ASHMONT", containing 424 pages. This volume includes one photo and a few illustrations and is packed with information dealing with all manner of kennel diseases including symptoms, nature, causes and treatment. Quite comprehensive and a fabulous resource.

The condition of this book is good with a tight binding, and yellowing and some foxing to pages. Overall wear is quite light especially given the book's 100 years of age. Measures 9.5"L x 7"W x 2"H.

The two texts are offered as a pair for $75.

Measuring 15.75 inches long by 4 inches in height, this metal, circa 1930s, brown and yellow, French advertising sign reads:

"Defense de Fumer..sans Microphosphate Schloesing."

Translated to English, it literally means "No Smoking without Schloesing Microphosphate", clearly an advertisement for a chemical product made by the Schloesing Company.

Certainly a conversation piece in very good condition with the expected mild and non-substantial wear with minor rust here and there to the painted surface. The sign has 4 small holes at each corner for easy mounting.

These authentic and extraordinarily RARE, hand-forged, wrought iron, Slave Ship Ankle Shackles were de-accessioned from a private collection. Ankle shackles such as these were used to restrain and imprison kidnapped Africans below decks in the slaver ships' holds during what is known as the ‘Middle Passage’, the brutal voyage endured by captured Africans from the West Coast of Africa to enslavement in the Americas- the second portion of what was known as the transatlantic slave trade.

While the precise age of this late 18th to early 19th century old shackle is unknown, this type of ankle shackle has been documented to have been in use as far back as the 1780's by English slave traders, and was likely in continued use up until the 1860 onset of America's Civil War.

In 2015, the International Slavery Museum in Liverpool, England, acquired a set of ankle shackles very similar to the set offered here. In referring to the museum's acquisition, the museum's Head, Dr Richard Benjamin, related the following:

“A similar pair of shackles was purchased in Liverpool by the campaigner Thomas Clarkson in his antislavery crusade as evidence against the transatlantic slave trade. They were presented in front of Privy Council in 1788 as part of its enquiry into the transatlantic slave trade. An engraving of the shackles with a detailed description also appeared in Clarkson’s antislavery pamphlet."

These hand-forged, wrought iron ankle shackles remain in all-original and untouched condition, measuring approximately 11.75 inches in length. The cuff sizes vary slightly ranging from approximate lengths of 3.75 to 4 inches and approximate widths from 2.75 to 3 inches, a set likely used on a female slave. The shackles can be described as consisting of a wrought iron bolt with a pair of loops slid onto it via holes in both ends of each loop. One end of the iron bar is fixed closed by a triangular-shaped flange large enough to prevent the loops from being removed from the bar. The other end of the bar ends in a circular "eye" that is secured closed by a hand-wrought circular "lock washer" inserted at the time the shackles were applied.

An utterly gruesome, tangible testament to the malevolence and horrors of slavery and the transatlantic slave trade.

Measuring 12 inches in length, this circa 1930’s, Topsy Turvy Doll is in superb condition and is unusually and wonderfully appointed with great attention to detail! Both black and white sides of the doll have been very finely dressed with rose blossoms on their bandannas as well as at their waists- very, very rare for the “Black Topsy” to be so well attired!

”Black Topsy” is dressed in a striking pink, green, orange, and black cotton, geometric-patterned dress- very Art Deco! Her mouth and nostrils are stitched in red thread and she has white pearl button eyes.

The Caucasian doll is dressed in a cotton lavender dress- also with a geometric, Art Deco pattern in black, green and yellow. Her blouse and bandanna are lavender sateen. Her entire face has been finely stitched. She has pink nostrils and mouth, black eyebrows, and her black stitched eyes have pretty lashes that highlight her silvery gray irises! She has the very palest of staining to her face above her nostrils, but it is barely noticeable, and there is some light fading to her sateen bandanna.

Condition and detailing of both sides of this Topsy Turvy is really quite extraordinary, setting her apart from other Topsy’s!! A wonderful addition to one’s doll or Black Memorabilia collection!

This handsome Black Memorabilia Male Golliwogg doll comes straight from an English home!

A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

Measuring 21.5 inches long, this delightful and appealing cloth Golli is unmarked and is thought, by his original and quite elderly owner, to have been made in the mid 1940's! (She speculates that he could even be a bit older than that, but she remembers not acquiring him until after the end of WWII.)

His nose and mouth are hand-stitched and he has round, cloth covered button eyes- the pupils were hand-colored using black ink! His nicely coiffed, black hair appears to have been styled from soft, "stuffed animal-type" fur! Rather interesting and ingenious! He has a machine-stitched, cotton batting stuffed, black sock cloth body. His colorful wardrobe is also machine stitched- green wool mourning coat, gold vest, and red and white polka-dotted cotton pants and matching bow tie!

He is in wonderful condition with the exception of some tiny moth holes to the back of his mourning coat (see photos) as well as another tiny moth hole to the back of his right arm and back right pants leg. The polka dot clothing shows the slightest hint of fading. His dark black fur hair also shows some age-related color change to brown at the roots. Hmm...then again...perhaps he's simply overdue for another hair coloring appointment at the Salon!

A very sweet addition to one's Black Memorabilia or Golliwogg collection!

Measuring 12.25 inches long x 8 inches in width, this two-sided, 19th century estate document listing all of the worldly goods of LEWIS MATTAIR is de-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below). The document is undated but is estimated to be circa 1865-66 based on current research of federal and state archival documents.

This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.

Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.

Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Offered for sale is a neat 19th century apothecary bottle – TINCT. COLCH. SEM. - sporting a white with gold bordered painted glass label!

The 8.5 inch tall bottle has the manufacturer's letters “W.T.CO. – Pat. 1889 - USA” embossed on the base.

This label under glass (LUG) tincture bottle is in fine condition. The stopper sports ground glass construction as well. The label is complete and displays well.

This appealing bottle originated from a former pharmacy in Putnam, CT, which closed in 1949.

Offered is a very nice 1950 - 1960s era painted wood sign found in a Myrtle Beach antiques shop.

This double sided sign has the same word "WATERFRONT" painted on each side. The white background and bold black stenciled lettering are identical.

This handsome sign measures 24 inches long x 6 inches high and 3/8 inches thick. There are 2 unobtrusive small holes on either side which were used when hanging the sign. Other than the expected scuff marks, surface mars, and minor stains, this sign is well preserved.

Would complement any decor or collection. PERFECT for the BEACH HOUSE!

Offered is a wonderful group of seven, circa 1920-1930's, John Wyeth apothecary bottles sporting fancy, shield-shaped, foil labels.

They are being sold separately for $55.00 each. The POISON bottle BELLADONNA is SOLD as is GELATINE CAPSULES QUININE.

Decorative stock bottles such as these beauties were meant to be refilled and reused and were the pride of the pharmacy staff. Eye-catching, reflective medicine bottles such as these also served as an advertising mechanism as they often were placed prominently on the front row of pharmacy cabinets.

Each amber colored bottle measures 8.5 inches tall, has a narrow or wide mouth and sports a stopper with ground glass construction. The bottles date to the 1920-1930's era.

The condition of these empty bottles are excellent. Some of the stoppers are stuck in place.

The bottles sport either gold or silver toned foil labels which show slight wear and staining, commensurate with age and use.

A lovely group indeed!

Offered is a wonderfully hand-crafted, 19th century SMOOTHING PLANE.

This lovely example has a subtle, coffin-shape form and sports a dovetailed base that was expertly joined. This handsome tool measures 7.25 inches long and retains its original, aged, brownish patina. The owner's initials, "N.S", are stamped on the heel of this plane.

The condition is commensurate with a mildly-used, antique hand tool. There are the expected unobtrusive small dings, scratches and imperfections typically seen in vintage tools. The blade is sharp, well maintained and has a "BUCK BROTHERS" stamp imprinted upon it. The wedge and blade fit perfectly.

A smoothing plane is typically the last plane used in woodcraft, and when skillfully employed, it offers a finish superior to that of fine sandpaper!