Catalog (460)

Published, designed and printed by Juvenile Productions, LTD, London, England, #1711, circa 1920s, this SELDOM FOUND, soft cover children's book presents a very different, very unique tale inspired by the traditional Little Black Sambo story written by Englishwoman, Helen Bannerman in the early 1900s.

This version, is indeed more aligned with the style of the 19th century stories written by the famous Brothers Grimm of Germany, featuring fairies, a Fairy Queen and tiny elves!

It also, quite unfortunately, utilizes obtuse monikers that, sadly, were in common use during this time period, referring to Sambo as a PICCANINNY and naming his parents, Mr. and Mrs. DARKIE. If not for this usage, this little story would be regarded as very sweet and charming.

The book contains 10 pages, all of which have been photographed here, with illustrations alternating between full color and black line drawings. Color throughout remains brilliant and crisp! Other than some slight rubbing to page edges, very slight foxing here and there, a top corner crease on three pages, and some rusting to the two original staples which still securely bind the pages together, this VERY UNCOMMON book remains in superb condition for its approximate 100 years of age! Measures 7.75 inches high x 5.25 inches wide.

To find our other Little Black Sambo offerings, simply type "Sambo" into the search box on our home page.

Measuring just 2.25 inches in height (minus the hair!!), this extremely RARE, clear glass Golliwogg Perfume Bottle was sold by VIGNY Perfumeries of Paris, France in the 1920’s.

The clear glass perfume was the second version of the Vigny “Le Golliwogg” perfume produced from the 1920’s into the 1930’s. The bottle design and name are based on a character created by Englishwoman, Florence K. Upton, around the turn of the 20th century. The bottle, itself, was made by Verreries Brosse.

This darling, all-glass piece remains in superb condition-other than its partially missing label on the base of the bottle. If complete, this wonderful, original paper label would read in full, “Made in France, Fluid Cont oz 13”. Underneath the label, the base of the clear glass bottle is impressed, “Bottle Made in France”. Most importantly of all, the bottle retains its fabulous, all-original, front label which reads, "Le Golliwogg de Vigny France".

The Golliwogg’s head is the perfume stopper (which presently is quite securely affixed in place), and the facial enameling, which was hand-painted in France, remains as clear and crisp as the day it was applied! Even his black furry hair, which is genuine Siberian Seal fur, retains its vibrant, original, dark tones! The Golly’s glass collar is enameled/painted white with double rows of black polka dots, and his feet are accented in black.

A very, very special, rarely-found piece of Black Memorabilia that has appeal to Black Americana, perfume bottle, and Golliwog collectors alike!

Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!

To see all of our Golliwogg-related items for sale, type "golliwogg" into the SEARCH box on our home page.

Offered is this wonderful, early 1940s, LITTLE BLACK SAMBO Book with beautiful illustrations by Phyllis Robinson, a M.A. Donohue Company, Chicago, book publication. Hardcover, 18 unnumbered pages. Curiously, the M.A. Donohue Company, did not always date their publications as is the case here. They, additionally, were not prolific publishers of the Little Black Sambo story book, and this edition was used over a period of ten years, with changes made only to the cover. The company's final publication of this story came before the onset of WWII, making this copy a very rare find.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 8 out of 10! All the wear on this cloth-bound hardcover book was absorbed by its cover with wear to book edge points and book cover edges. The interior binding is intact and tight as are all pages. No creasing or bends to pages. Illustrations remain very brightly colored and vibrant and are particularly notable for their fine artistry. A couple of very small page edge tears (less than 1/2") are present. A penned inscription is noted: "To Evelyn Field From Dorothy Field Christmas 1943".

Amazing condition for an 80 year M.A. Donohue Publishers book- a book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Offered is a colorful, 1883, lithographed, Lime Kiln Club, Black Americana, Cigar Label by Mensing & Stecher of Rochester, New York (company noted in the lower left corner). The lithographed 8" x 6" label would have been placed on the inside cover of the traditional wooden cigar box of that era. This highly detailed label features a caricature image of a very boisterous group of African Americans at a lodge meeting. The moderator is trying to get order while some of the members talk and fight amongst themselves with one even holding a pistol.

A trademark label affixed to the bottom of a sour mash whiskey barrel, "ICMCo" stands for the Ithaca (New York) Cigar Manufacturing Co. for whom the label was made.

Interestingly, this cigar label was based on a racial parody book featuring a fictitious fraternal organization of African-Americans, titled 'Brother Gardner's Lime-Kiln Club' by "M. Quad". Quad, in actuality, was noted newspaper columnist and satirist, Charles Bertrand Lewis, of the Detroit Free Press.

Framed in an 8.75" x 10.75" silver-toned wood frame, this Lime Kiln Club lithographed label is extraordinarily scarce and highly sought after. It is listed as one of the top 100 blue chip cigar labels by "InStone 100" (a cigar label rating organization). The lower right hand corner notes the US Patent Office Registry date of May 22nd 1883. This 19th century piece would benefit from professional framing using archival, acid-free materials to enhance its life for many more years to come.

Condition: The color remains as brilliant as the day this 140 year old label was produced! Four unobtrusive and minor tears are noted: two in the lower left corner area, one at the center top near the moderator's gavel, and one between the K and I in Kiln. A crease is noted in the white margin above the label title, and a water mark is present in the lower right side of the white margin. However, none of these blemishes detract from this highly intricate lithograph! Take a few moments to carefully study all of the activity and detailing in this colorful piece!

Offered is a circa 1910, original piece of art entitled "Who Said Watermelons". This captivating charcoal on paper portrait of a young African American boy, very much resembles the iconic, fictional figure painted by an unknown artist in the mid 1800's, a figure who has come to be known as 'Johnny Griffin' or the 'Young Black boy with the Torn Hat'.

Measuring just 7 inches wide x 9 inches high, this unsigned piece is very skillfully executed accomplishing a three-dimensional sense of depth through the expert use of light and dark, while capturing the intriguing expression on this young boy's face. Just what is he thinking?

Was this enchanting charcoal portrait completed as a study in preparation for a final, more complex piece, or was it, indeed, the final execution of a subject caught in passing?

Condition is quite fine. Note the faint trace of the artist's title for this work done in a lighter charcoal hiding behind the darker, final printing of the title. Framed in an old black wooden frame, this intriguing charcoal portrait would benefit from professional framing using archival, acid-free materials to enhance its life for many years to come.

Offered are five different, circa 1890-1901, Jim Crow era, stereoview cards, highlighting African-American history at the turn of the 20th century, some 120+ years ago. They feature: grueling rice field labor in South Carolina, a slave market in St. Augustine, Florida, a group of Florida sugar cane grinders, five English Springer Spaniels at U.S. Field Dog Trails being held at bay by a young black man, and seven very young black children seated on a mule awaiting orders for work in the fields.

The stereoview cards are titled: "Hoeing Rice, South Carolina", "Old Slave Market At St. Augustine, Florida", "Native Cane Grinders in Sunny Florida", "Who said quail?" (young man holding English Springer Spaniels) and "Waitin Fo De End Man" (7 Boys Sitting on a Mule).

The cards are priced at $35.00 each or all five cards for $140.00. All are in fine condition, and all but "Waitin Fo De End Man" and "Who said quail?" have a detailed, historical description on the reverse side.

As each is priced separately as stated, please specify which stereoview card(s) you wish to purchase so that we can customize your order form.

Offered is a fabulous, antique, all original, Apothecary Show Globe complete with an outstanding and highly detailed Gargoyle hanger and elaborately designed, all brass-plated fittings! Recently acquired out of an amazing collection of exclusive, high end art glass. Photos provide close-up views of this intricately detailed, high end show globe, and the photo from the WHITALL TATUM COMPANY catalog, dated 1891, establishes the age of this beauty.

One prominent feature of this piece to be considered is the excellent condition of all brass components including the hanger! Nearly all of this wonderful brass plating remains, retaining its original glossy sheen enhanced with a rich, aged patina.

Of course, the attention to the detailing and design of all of the brass components of this globe are second to none, pushing this show globe into a class by itself. Note the intricacy and the elegance of design incorporated into both the show globe collar and the finial - simply outstanding! The gargoyle hanger typifies the Victorian era embrace of elaborate detailing with its combination of curves and curlicues, ending with the head of a fierce, warrior-like gargoyle with wide open jaws- quite capable of supporting this gorgeous show globe.

The show globe measures 22 inches tall from the top of the crown to the tip of finial. The hand blown glass globe condition wise is near perfect on the exterior, while the interior notes a mild, unobtrusive haze which will not be visible when the globe is filled with the colored water of your choice. The haziness should clean up if desired.

The elegantly sculpted wall bracket measures 10.25 inches high x 2.75 inches wide, while the ornately and richly detailed gargoyle hanger is 14.75 inches wide x 9.5 inches high.

Acquisition of this rarely found and beautifully stunning show globe is an opportunity not to be missed, absolutely the best apothecary show globe I have had the privilege of offering in over 40 years!

Offered is a rarely found, Ca 1920s, celluloid mourning pin back brooch featuring a young African American man.

Constructed of celluloid with a metal back and pin to allow attachment to one's clothing, this diminutive mourning pin measures just 7/8th inch in diameter.

The image remains quite crisp with surface crackling of the celluloid that does not effect the integrity of the overall structure of the pin. In the highly magnified photos, the crackling appears much, much more intrusive to the eye than when viewed simply with one's eyes, alone.

The backside of the pin carries the maker's mark and manufacturing locations, some of which is partially obscured: "T. J. M..., Dearborn, Chicago".

Offered is a rarely found, Ca 1890s, celluloid and brass mourning brooch featuring a handsome, young African American man.

Housed in an ornate, brass frame, the mourning pin measures 1 1/8th inch in diameter.

The celluloid image is quite crisp with some staining evident in left lower and side edges that do not obstruct the gentleman's image. The magnified photos emphasize this staining to a much greater degree than what is evident when viewed with just the naked eye. The brooch is missing its backside pin.

Offered is a rarely found, Ca 1890s, tintype mourning brooch featuring a young and attractive, African American woman.

Housed in an ornate, brass frame complete with backside pin to allow attachment to one's clothing, the mourning pin measures 1 3/16th inch in diameter.

The image is quite clean and crisp with a very tiny imperfection noted on the image just above the woman's head at the frame edge.

This highly decorative, quite visually appealing, and VERY RARE children's alphabet and nursery rhyme combination block set was designed to teach young ones their ABC's along with the skill of memorizing and reading the popular nursery rhymes of the day.

This 114 year old educational toy manufactured by Parker Brothers of Salem, Massachusetts, New York and London, is marked copyright 1909, in the lower left hand corner of the cover.

De-accessioned from my personal collection and displayed and enjoyed by me for over 20 years, this block set features twelve, 3/4th inch thick, wooden blocks wrapped in brightly colored, glossy, high quality paper, each illustrating a specific letter and a nursery rhyme, on both the front and back of each block.

This set features the letters A through L. It is so very, very rare - likely Parker Bros did not manufacture many - that I have never been able to locate the other half of the set in all my years of ownership! Isn't it further quite curious that Parker Bros chose to divide this alphabet and nursery rhyme series into two separate parts?

Measuring approximately 12.5 inches wide x 10 inches long x 1 inch deep, this fabulous ABC block set displays easily upon a common folding stand, which can be acquired at a local craft store or online. The box cover illustration is simply marvelous, filled with much joyous childhood energy as a multitude of children and a dog play in and around a little red rail car caboose. This game/toy/educational teaching tool displays just beautifully!

Each individual block measures approximately 2.5 inches wide x 4 inches long x 3/4ths inch deep. The alphabet letter is featured on front and back, and a different nursery rhyme appears on each block, beginning on the front side and ending on the back side. Also, on each side of every block is printed a three letter word such as "saw" or "dog" or"pet", many of which are "sight" words - words we learn when we first learn to read, memorizing them by simple repetitive recognition or "sight". Quite a comprehensive learning tool for beginning readers!

Condition: The cover had lost its sides long before it came into my possession. The box bottom is completely intact but has been restored with archival-quality, acid-free tape in various places to keep it so. One side of every block is either unblemished or in near perfect condition (see photo). Some of the blocks (see photo) do have some paper loss on their back sides which occurred over time and with active use many years back.

Nonetheless, presented is a very, very rare, beautifully colorful and illustrated set, sure to enhance one's children's toys or early school collection!

Offered for sale is a scarce early 19th century, medium-sized, apothecary pharmacy bottle sporting “Tr. SERPENT.” on the label under glass label!

The 8.5 inch tall bottle sports a pontil on the base, and is of early blown glass construction. The fancy, applied label is complete, shows mild age related stains and wear and is in good condition.

The photo demonstrates an unobtrusive crack above the letters 'SER' on the gold label. The perfect fitting stopper is of ground glass construction and is in very good order as well.

The inside of the bottle notes slight staining and could be cleaned if desired.

Very nice indeed!

.......SOME HISTORY.......

This small shrub, native to the Orient from India to Sumatra, has for centuries been used in Indian medicine. In 1952 reserpine, one of several alkaloids in the plant, was isolated from its root and has since been evaluated in western medicine as one of the most valuable druǵs for treatinǵ hiǵh blood pressure.

 R serpentina was used in folk medicine in India for centuries to treat a wide variety of maladies, including snake and insect bites, febrile conditions, malaria, abdominal pain, and dysentery. It was also used as a uterine stimulant, febrifuge, and cure for insanity. The plant was mentioned in Indian manuscripts as long ago as 1000 bc.

Rauwolfia has been studied for the treatment of mental diseases, including schizophrenia and bipolar disorder, epilepsy and seizures, and of insomnia and sleep problems.

These authentic and extraordinarily RARE, hand-forged, wrought iron, Slave Ship Ankle Shackles were de-accessioned from a private collection. Ankle shackles such as these were used to restrain and imprison kidnapped Africans below decks in the slaver ships' holds during what is known as the ‘Middle Passage’, the brutal voyage endured by captured Africans from the West Coast of Africa to enslavement in the Americas- the second portion of what was known as the transatlantic slave trade.

While the precise age of this late 18th to early 19th century old shackle is unknown, this type of ankle shackle has been documented to have been in use as far back as the 1780's by English slave traders, and was likely in continued use up until the 1860 onset of America's Civil War.

In 2015, the International Slavery Museum in Liverpool, England, acquired a set of ankle shackles very similar to the set offered here. In referring to the museum's acquisition, the museum's Head, Dr Richard Benjamin, related the following:

“A similar pair of shackles was purchased in Liverpool by the campaigner Thomas Clarkson in his antislavery crusade as evidence against the transatlantic slave trade. They were presented in front of Privy Council in 1788 as part of its enquiry into the transatlantic slave trade. An engraving of the shackles with a detailed description also appeared in Clarkson’s antislavery pamphlet."

These hand-forged, wrought iron ankle shackles remain in all-original and untouched condition, measuring approximately 11.75 inches in length. The cuff sizes vary slightly ranging from approximate lengths of 3.75 to 4 inches and approximate widths from 2.75 to 3 inches, a set likely used on a female slave. The shackles can be described as consisting of a wrought iron bolt with a pair of loops slid onto it via holes in both ends of each loop. One end of the iron bar is fixed closed by a triangular-shaped flange large enough to prevent the loops from being removed from the bar. The other end of the bar ends in a circular "eye" that is secured closed by a hand-wrought circular "lock washer" inserted at the time the shackles were applied.

An utterly gruesome, tangible testament to the malevolence and horrors of slavery and the transatlantic slave trade.

Offered is a hard to find, hand-carved and hand-painted, ice fishing decoy from the 1940-1950 era.

This wonderful folk art decoy was recently acquired from the collection of an 81 year old Kansas collector who stated that the decoy originated in Montana.

This sweet folk art beauty has been skillfully crafted and painted to closely reflect the real thing! In fact, this charmer has signs of having been a working decoy (but not that frequently) as evidenced by the light areas of superficial rust on the tin fins and where the fishing line connects and to the metal eyes.

There is faint paint loss and light wear giving this work of art a wonderful vintage patina. One weight on the underside are present giving this decoy a bit of heft. Measures 9 inches long x 2.5 inches wide x 2 inches high including the dorsal fin. Maker is unknown.

A splendid work of folk art! Please take a moment to view our other fish decoys offered for sale by typing "decoy" into our homepage SEARCH box or by clicking on the "American Folk Art" specialty category on our homepage.

Offered is a hard to find, vintage, hand-carved and hand-painted, ice fishing, fish decoy from the 1940-1950 era.

This wonderful folk art decoy was recently acquired from the collection of an 81 year old Kansas collector who stated that the decoy originated in Montana.

A delightful and colorful folk art beauty, this decoy has been skillfully crafted and painted to closely reflect an actual fish.

In addition, this charmer has evidence of having been a working decoy as noted by the mild areas of surface rust on the tin fins and where the fishing line connects. There is light loss of paint and wear giving this work of art a wonderful vintage patina. Present are two weights on the underside of the decoy providing a bit of heft. Measures 7.5 inches long x 2.75 inches wide x 2.25 inches high including the fins. Maker is unknown.

A splendid work of folk art!

Please take a moment to view our other fish decoys offered for sale by typing "decoy" into our homepage SEARCH box or by clicking on the "American Folk Art" specialty category on our homepage.

Offered is a hard to find, vintage hand-carved and hand-painted, ice fishing fish decoy from the 1940-1950 era.

This wonderful folk art decoy was recently acquired from the collection of an 81 year old Kansas collector who stated that the decoy originated in Montana.

This delightful and visually appealing folk art beauty has been skillfully crafted and painted with lifelike details to closely reflect a real fish. In fact, this charmer has evidence of having been a working decoy as noted by the mild areas of surface rust on the tin fins and where the fishing line connects.

A loss of paint and light wear gives this work of art a wonderful vintage patina, and one large weight on the bottom provides a bit of heft. Measures 9.0 inches long x 2.0 inches wide x 2.0 inches high including the dorsal fin. Maker is unknown.

A splendid work of folk art!

Please take a moment to view our other fish decoys offered for sale by typing "decoy" into our homepage SEARCH box or by clicking on the "American Folk Art" specialty category on our homepage.

Offered is a hard to find, hand-carved and hand-painted, ice fishing decoy from the 1940-1950 era.

This wonderful folk art decoy was recently acquired from the collection of an 81 year old Kansas collector who stated that the decoy originated in Montana.

This sweet folk art beauty has been skillfully crafted and painted to closely reflect the real thing! In fact, this charmer has signs of having been a working decoy (but not that frequently) as evidenced by the light areas of superficial rust on the tin fins and where the fishing line connects and to the metal eyes.

There is faint paint loss and light wear giving this work of art a wonderful vintage patina. Two weights on the underside are present giving this decoy a bit of heft. Measures 7 inches long x 2.5 inches wide x 2 inches high including the dorsal fin. Maker is unknown.

A splendid work of folk art!

Please take a moment to view our other fish decoys offered for sale by typing "decoy" into our homepage SEARCH box or by clicking on the "American Folk Art" specialty category on our homepage.

Offered is a very difficult to find, hand-carved and hand-painted, ice fishing FISH DECOY from the 1940s era.

This wonderful folk art decoy was recently acquired from the collection of an 81 year old Kansas collector who stated that the decoy originated in Montana.

Expertly carved and painted to simulate an actual Perch fish, this beauty quite closely reflects the real thing!

In fact, this charmer has some subtle signs of having once been an actual working decoy as evidenced by the light areas of superficial rust on the tin fins and at the junction where the fishing line connects to the eyelet in front of the dorsal fin. Clearly, given this decoy's incredible condition and its 80+ age, it did not see much use below the waterline!

There is faint loss of paint and light wear giving this a work of art a wonderful vintage patina. Two weights are present on the underside of Mr. Perch. Measures 9 inches long x 3 inches wide x 2.5 inches high including the fins. Maker unknown.

An utterly splendid work of folk art!

Please take a moment to view our other fish decoys offered for sale by typing "decoy" into our homepage SEARCH box or by clicking on the "American Folk Art" specialty category on our homepage.

Professionally framed in 1989 with museum-quality, acid-free backing as well as acid-free double-matting, this fabulous 1863, double fashion print from Godey's Lady's Book Magazine depicts the high style of the upper echelons of ladies' fashions during the Abraham Lincoln presidency, 159 years ago!

These fashion prints were carefully folded by Godey's to preserve the image and then were typically placed at the front of the magazine. The prints were reproduced from an actual, intricately detailed engraving which was then hand-tinted. Accompanying these fashion prints (or fashion plates as they were often referred to during this time period) were very detailed descriptions about each garment featured as well as the occasions in which a lady would appropriately wear each one.

This Godey's fashion offering features two prints detailing a total of 10 ladies and one young girl in the highest fashions of the day!

In the left side print, three different ladies model the latest in outerwear cover garments, while a fourth young woman is dressed ethereally in oyster white linen and lace. She looks on over the shoulder of a fifth woman dressed in creamy satin who quite expertly paints the portrait of a young girl. A little dog patiently waits! As an artist myself, I have always been especially fond of this Godey print!

The right side print features 5 young women dressed in exquisitely designed satin gowns adorned with lace and hand-embroidery straight from the fashion books of Paris! One of the ladies still models a brilliant ruby outer wear garment, having just arrived to the party that we see in the distance on the right side of the print beyond the heavily brocaded drapery entrance.

The hairstyles and the head-dresses in all Godey's fashion prints were also deliberately depicted so that one's "complete appearance" reflected the latest fashions from Europe, most particularly, France.

Both "fashion plate" prints are in wonderful condition with no concerns noted. Fold lines original to the prints' placement in the magazine are present as is expected as folding these fabulous prints within the magazine was viewed as a mechanism of protection while being transported through the postal system. The fashion plates were expected to be removed and used to either recreate one's own costume, or to add to one's visual collection of current fashion in a memory book or diary.

The prints are double matted in oyster white and a very neutral earth tone- colors that compliment the shadowing in the prints as well as the multiple shades of color worn by the featured ladies.

Measuring approximately 12.75" high x 28.25" wide, this highly decorative wood frame is antiqued-gold-toned and is in mint condition. PLEASE NOTE THAT ALL PHOTOS WERE TAKEN THROUGH THE GLASS which accounts for any and all bizarre reflections and/or aberrations in tone or color that might appear in photos. This stunning piece is perfect!

A bit of history: Godey's Lady's Book or Magazine was an American women's magazine that was published from 1830 to 1878 in Philadelphia. It not only featured fashions of the time, but short stories, poetry, directions and patterns for sewing garments at home as well as piano sheet music. Even though the yearly subscription of $3 was quite expensive for the time, the magazine was extraordinarily popular - the most popular monthly journal of its time, with subscribers at its peak reaching 150,000.

Please note that because this item would be classified as oversize (the length) by delivery carriers, this item does not qualify for free shipping.

Type "Godey's" into the SEARCH bar on our homepage to locate the other Godey's Fashion print we have available for sale.

Professionally framed in 1992 with museum-quality, acid-free backing as well as acid-free double-mats, this fabulous 1863, fashion print from Godey's Lady's Book Magazine depicts the high style of the upper echelons of ladies' fashions during the Abraham Lincoln presidency, 159 years ago!

These fashion prints were typically placed at the front of the magazine, carefully folded to protect them from damage. They were reproduced from an actual, highly-detailed engraving which was then hand-tinted. Accompanying these fashion prints (or fashion plates as they were often referred to as) were very detailed descriptions about the garments featured as well as the occasions in which they could be appropriately worn.

This Godey's print features 5 ladies who have gathered together for tea and cakes while a young girl attempts to play with her dog who is distracted by the cake one lady holds in her hand!

This "fashion plate" print is in wonderful condition with just a single, teeny circular age-related early stain in the extreme lower left corner. Fold lines original to the print's placement in the magazine are noted. The print is double matted in gray and a very pale mauve- colors that reflect the shadowing in the print as well as the shades worn by both the little girl playing with her dog as well as the lady second from the right who wears the most intricately ornate gown featured!

Measuring 12.75" long x 14.75" wide, this highly decorative wood frame is silver toned with subtle hints of gold and is in mint condition.

PLEASE NOTE THAT ALL PHOTOS WERE TAKEN THROUGH THE GLASS which accounts for any and all bizarre reflections and/or aberrations in tone or color that might appear in photos.

A bit of history: Godey's Lady's Book or Magazine was an American women's magazine that was published from 1830 to 1878 in Philadelphia. It not only featured fashions of the time, but short stories, poetry, directions and patterns for sewing garments at home as well as piano sheet music. Even though the yearly subscription of $3 was quite expensive for the time, the magazine was extraordinarily popular - the most popular monthly journal of its time, with subscribers at its peak reaching 150,000.

Please see the other framed Godey's print we are offering featuring two different fashion plates! Simply type "Godey's" into the search bar.

Entitled "A Little Colored Boy and Other Stories, this extremely scarce, small folio book was the property of Reverend J. H. Jackson, pastor of the Greenburg, Indiana, A.M.E. (African Methodist Episcopalian) Church.

The book contains lovely black ink line drawings and etchings which accompany a great variety of wonderful short stories for children designed to teach strong moral values, attitudes and behaviors. The story, A Little Colored Boy, is the first and the longest tale in the book. Undoubtedly, Reverend Jackson often used this book in teaching the congregation's children their Sunday school lessons.

The book is inscribed in faded blue ink inside the front cover as follows: "Rev. J. H. Jackson Book. Pastor Greenburg Indiana's A.M.E Church".

Published by the Abingdon Press of Cincinnati and New York, the book contains no publishing date. However, it was likely published in the late 1890's as one story references President Grover Cleveland's eldest child who was born in 1891: "Little Ruth Cleveland, when she was the baby of the White House,..."

President Cleveland served two separate presidential terms of four years each from 1885-1889 and again from 1893- 1897. It is highly likely that this book was published during Cleveland's 2nd term of office or shortly thereafter when the populace would have been well familiar with "Little Ruth", who was popularly known as "Baby Ruth".

The book measures 4.5"x 6.5" and contains over 30 little stories within its 64 pages. Hardcover, the book is in amazing condition for its age, an 8 out of 10. The cloth-bound cover has minimal wear with only one 1/4' long split on the rear binding and some staining certainly commensurate with its 120+ years of age. The binding and pages are tight. Some minor, age-related staining here and there throughout the book, with one page noted as having a tiny tear at its top.

A highly unusual find!

Offered is this early 1930's, LITTLE BLACK SAMBO Book with beautiful illustrations by Phyllis Robinson, a M.A. Donohue Company, Chicago, book publication. Hardcover, 18 unnumbered pages. Curiously, the M.A. Donohue Company, did not always date their publications as is the case here. They, additionally, were not prolific publishers of the Little Black Sambo story book. It is believed that this edition was the company's final publication of this story which was used over a period of ten years up until WWII, with changes only to the cover design. M.A. Donohue's Little Black Sambo books, today, are a very rare find!

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 7.5 out of 10! All the wear on this brightly colored hardcover book was absorbed by its cover with wear to book edge points, book cover edges, and splits to the exterior spine. The interior binding is intact and tight as are all pages. No rips, creasing or bends to pages or pen/pencil markings. Illustrations remain very brightly colored and vibrant and are known for their very fine artistry. There is a small spot of brown paint that likely dropped onto the book while it was closed because a tiny remnant of this paint appears on the very edge of each page approximately one inch from the top of the pages (as seen in photos). Interestingly, both the front and back covers are identical in design!

Amazing condition for a nearly 90 year M.A. Donahue Publishers book- a book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Published in 1926 by the Whitman Publishing Company of Racine, Wisconsin, this very rare, miniature-size, HARDCOVER book measuring just 4x5 inches, offers a very unique continuation of the original Little Black Sambo story! It is thought that this mini size Sambo book was manufactured as a salesman's sample edition, meant to be strictly used as a marketing prop to sell orders for the full-size edition of the same book.

Entitled A New Story of Little Black Sambo, this tale picks up the story with Little Sambo's mother, Black Mumbo, exclaiming that Sambo, after almost losing his best Sunday clothes to the tigers, would- from now on- only be allowed to wear his every day clothes. Now very unhappily dressed in only a grass skirt, a pouting and naughty Sambo decides to run off into the jungle once again without permission, and climbs a tree to gather coconuts. A tiger soon arrives threatening to eat Little Black Sambo, trapping him up in the tree for the entire day! Eventually, Tusker the Elephant arrives, successfully chasing off the tiger and saving Sambo. Sambo then returns home, where an angry Black Mumbo spanks him with a hairbrush for running off, despite the gift of coconuts Sambo hoped would appease his mother. The conclusion of the tale then moves forward one month later when the family goes to visit Little Black Sambo’s cousins, the Bimboes, who admire his fine Sunday best clothing that he was finally allowed to wear again!

Although no author is attributed, it is thought by some that the tale was co-authored by the book's two illustrators, Clara Bell Thurston, who rendered all of the lovely colored drawings and Earnest Vetsch, who rendered the "black and white" illustrations (which, actually, are done in navy blue ink) as well as the fancy hand-lettering of the text which further embellishes the book.

With 36 unnumbered pages which alternate between the superbly rendered color and navy blue line illustrations, this unique little book is in near mint condition. The original paper dust jacket is present and in wonderful condition, and at some point, it was protectively covered with a contemporary, clear, dust jacket protector that can be removed if so desired. No fading of color, no rips, creases or missing pages. Binding is tight with all three original staples present. Cover edges are subtly worn, and a one-time owner, Neva Merchant, signed her name on both front and back interior covers.

This very rarely-found, miniature-size edition of the continuation of the original Little Black Sambo story is a must have for the collector of Little Black Sambo books!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

This peaceful and serene, mid-summer memory of an idyllic visit to a Maine lakeside retreat protected by the nearby mountains, has been captured in oil on canvas and is unsigned.

An estate piece, the tag placed on the backside by an earlier owner notates the date and location. The palette is predominantly varying shades and tones of browns, greens and grays. The composition features, first, an empty canoe sitting in the forefront shoreline of the painting while numerous sail boats explore the expansive lake on an overcast day. Numerous vacation chalets surrounded by trees and mountains dot the opposite shoreline with a reflection of the largest chalet visible on the lake's surface in the stillness of the moment.

The oil painting is framed in a meticulously and professionally hand-crafted, 2 inch deep, fluted, wood frame that features repeated, swirling, rustic carvings of various leaf forms. Clearly, this frame was custom-executed for this oil painting as it is as detailed and as interesting as the oil is, itself!

The oil painting measures approximately 9.5"H X 11.5"L in a 12.5"H x 14.5"L x 2"(deep) frame.

The condition of the frame is very good with minor, age-related (90+ years of age!) finish loss, and a minor, 3/4 inch long, superficial crack to the frame at the left side top which does not impact the integrity of the frame. The condition of the oil is also very good with no imperfections other than a 1/2" long diagonal "crease line' in the very lower right corner which is barely noticeable and was impossible to photograph clearly.

A lovely, tranquil, folk art vision to just sit back and enjoy!

Offered is a very difficult-to-find, large grouping of twenty one, 19th century, porcelain, matching apothecary cabinet drawer pulls, priced at $45 for each pull.

Each pull measures approximately 1.4"W x 1.3"H x 1" front to back (not including bolt). (Please note- "INULA HELEN" is sold.)

The condition of the pulls is very good with only a few minor manufacturing imperfections that add to the desired patina of an antique of this age and period. The decorative gold embellishments painted above and below the medicinal labeling of each pull show moderate loss, primarily "use-wear", due to decades of continual handling over their 140+ years of age. Please note that the "TEREBINT" pull has a rear chip as noted in the individual, close-up photo.

The pulls each sport the following maker's mark on the bottom of the knob: "PAT. FEB 12, 89 - M.D.B. CO. - ST. LOUIS, MO", although on some of the pulls, this marking has been illegibly applied.

Ready for display in your apothecary collection or for retro-chic decorating use on an actual cabinet, be it antique or contemporary!

Offered is a simply outstanding, extraordinarily scarce, 1920-1930s Art Deco era, ceiling-mount-hanging, drugstore show globe in impeccable condition!

The fancy and highly-stylized, Art Deco, aluminum frame cradles an equally highly-stylized, classically-ribbed, clear glass show globe and finial. If so desired, the show globe will hold colored-water as was the display fashion back "in-the-day". The frame is embellished with a buffed, silver matte finish with design details outlined in contrasting black to further enhance the fabulous, Art Deco styling. The chain link is also painted black, echoing the black detailing of the frame, and it retains most of its gorgeous, original finish, with absolutely no pitting! The hanger medallions retain their original finish and are ready for mounting. Here and there, the metal parts retain a faint honey tone adding to the show globe's antique charm. This fabulous apothecary showpiece measures approximately 34.5 inches from the top of its fancy, ceiling-mount hanger to the base. If desired, it is possible to add additional chain links to further extend the overall length of the globe.

The condition is excellent. The globe glass is clean and clear except for some very, very faint haze on the interior top of the globe just below the neck. A perfectly fitting, ground-glass faceted finial echoing Art Deco design, rounds out this beauty.

The combined take-away of this offering, this outstanding piece of nearly 100 year old, American pharmacy history, is its exquisite Art Deco styling with extraordinary visual appeal, its utterly excellent condition, and its very scarce, ceiling-mount design, making it a true rarity among extant Apothecary antiques and collectibles!

Offered is a choice, late 19th century, physician's, Homeopathic Medicine Case No. 1 from Parke Davis & Company.

It is a nearly complete example containing 23 of the original 24 screw cap empty vials! This example was most likely part of a set of 2 or 3 other matching cases offering various additional remedies as the gold printing on the flap notes the following: "TABLET TRITURATE CASE NO. 1. A partial printed label marked "ASSORTMENT A..." indicates that Parke Davis offered a large assortment of different homeopathic medicines.

Each cylindrical vial measures approximately 3 inches in length including the cap. The vials are nestled in the leather case with most of them sporting a small paper label that is hand written or printed upon. The fitted leather case measures 7" long x 1.5" wide x 3.5" high and shows wear commensurate with its use and its 120+ years of age. Modest loss to the flap closure is noted with general wear and mild loss of material. One flap is separated as seen in the photo.

A wonderful pharmaceutical relic representative of late 19th century homeopathic medicine!

Offered is an 1854 edition of Dr. Calvin Cutter's instructional and educational book entitled "First Book of Anatomy, Physiology, and Hygiene, for GRAMMAR SCHOOLS and FAMILIES".

This difficult to find revised stereotyped edition, was published in Boston by the Benjamin B. Mussey and Co., the book having been originally published in 1852. It features 83 highly-detailed engraved illustrations and 191 information-packed pages. A very comprehensive and quite interesting volume that discusses normal and abnormal conditions, treatment of various diseases and recommendations for proper health.

This very early educational hardcover book is in fair to good condition. The front cover has separated from the binding as has the very first page which is blank, but both are present. All other pages remain bound. The majority of the exterior black leather edge binding cover is missing. This 168 year old book has expected, moderate yellowing and foxing to the pages, some minor staining and ancient water marks, and some tiny folds here and there. Measures approximately 7.25"L x 4.75"W.

A highly valued resource book of its time for instruction in the grammar school grades or for use by more financially well-to-do 19th century families who could afford to maintain personal, home libraries.

Quite an interesting read!

Offered is a rarely seen Patent Medicine from Maine that is in unused, as-found condition and is complete with all of its original components: its wooden mailing tube, its colorful and decorative advertising insert, and its unopened corked bottle with intact label and contents. Simply a home run when considering a Patent medicine find!

The clear glass medicine tube sports a complete, highly decorative label marked "BALM OF TULIPS", "A SURE CURE for COLD SORES", inclusive of use directions, etc, and finally followed by "Dr. ROBINSON - FOXCROFT, Me."

The highly decorative advertising insert is quite colorful and beautifully lithographed adding additional interest to this "cure" medicine. The wooden shipping container has small, difficult to read print stamped upon its side, possibly noting "ROBINSONS SAFETY POSTAL PACKET"?

The bottle measures close to 3.75 inches tall and safely resides in the 5 inch long mailing tube. Dates to the 1880-1890 time period.

Offered is a fabulous, 19th century antique, hand-carved, wood, FLYING GARGOYLE from a South Carolina estate. Exquisitely crafted in the gothic-style, this piece undoubtedly was once an interior architectural focal point in a grand Victorian mansion.

Significant carving expertise and skill was required to create such a wonderfully executed object of art which emanates fierce expression and unrelenting strength.

The gargoyle is crafted from a hardwood, and it sports an unfinished surface with a patina reflecting its 125+ years of age. The length of the gargoyle measures just about 14 inches from the tip of its nose to the flat end of its tail, and its height is approximately about 9.5 inches high. The wing span is 7.25 inches, and its weight is 3 pounds. In terms of condition, the gargoyle is in quite fine condition given its significant age, with expected, age-related imperfections: a very small piece of wood is missing from the underside of the tongue and various, very tiny unobtrusive pieces of wood are missing here and there on its body.

A fabulous work of gothic architectural art!

Offered is a delightful trio of 19th century, Horn, Apothecary Pharmacy Powder or Tablet Scoops. These tools of the trade were made in three different sizes ranging from nearly 5 inches long to 5.75 inches long.

These interesting pharmacy implements have a warm honey translucent tone and are complemented by a natural brownish color which is especially noted in the largest scoop. They were most likely made from cow horn as was typical of the period. Depending upon their size, a scoop, such as these, was capable of holding from 2 ounces to about 4 ounces of medicine when used compounding process.

The smooth surface of each scoop shows minor wear from usage. Overall, they have a very handsome and rich patina with various minuscule scuffs and imperfections commensurate with age and use. The only minor damage noted is a 1/4" split near the corner of the handle of the largest scoop.(SEE PHOTO).

This very scarce group of 19th century horn scoops will make a wonderful addition to any apothecary collection!

Offered are US Civil War era, Confederate, fractional paper currency notes issued February 1, 1863, in the denominations of 15 cents and 25 cents.

The currency notes are marked "The Bank of the STATE OF SOUTH CAROLINA" which closed in 1869, thus, ending the production of this currency. Featured in the center of each note is the State Tree of South Carolina, the Palmetto tree, adding to the notes' visual appeal.

The condition is very good for each note with the expected patina, marks and discoloration of 150+ year old, circulated, paper money. No tears or other obtrusive issues noted. The currency notes measure approximately 4 inches wide x 2.5 inches tall. A bit of history waiting to be framed!

Offered is a very handsome apothecary MORTAR & PESTLE from the 19th century made from lignum vitae wood.

This stunning example measures 11.5 inches high with the pestle in place and is 5.5 inches in diameter. The bulbous pestle is 10.5 inches long and sports sculpted turnings.

The condition is very good with mild wear and loss to the finish, various unobtrusive edge chips and slight hairline splits to the mortar and pestle.

Lignum vitae, Latin for "wood of life", is an exotic wood native to the West Indies and the tropical regions of the Americas. It is a hard, durable, extremely dense wood and was once very important for applications requiring a material with its extraordinary combination of strength, toughness, and density. As such, it was frequently used in wood turning applications requiring these characteristics, including early apothecary mortar and pestles. The plant derives its name from its medicinal uses as its resin was been used to treat a variety of medical conditions from coughs to arthritis.

A lovely and difficult to find example of a 19th century apothecary "tool-of-the-trade!

Offered is a RARE, UNCUT, C1917, pair of the adult members of the Aunt Jemima Rag Doll Family, Aunt Jemima and Uncle Mose. (Uncle Mose is Aunt Jemima's Husband, and he is labeled Uncle Mose on his upper back).

These dolls were conceptualized as advertising pieces and were only obtainable from the Aunt Jemima Mills of St. Joseph, Missouri, in return of 24 cents in stamps along with 4 box tops from select Aunt Jemima products for the full set which also included children, Little Diana and Wade Davis, OR for JUST ONE DOLL, 1 box top and 6 cents in stamps! Dolls were then shipped promptly, postpaid upon receipt!

The original purchaser of these uncut dolls, Mrs O. W. Lewis of Ethel, Missouri, clearly only ordered the Aunt Jemima and Uncle Mose dolls, as these dolls remained within the family, untouched in the original mailing envelope, until their recent discovery by the purchaser's descendants.

It is quite unusual to find uncut versions of these dolls -along with the original mailing envelope which typically is quickly tossed away- as more commonly, the dolls are found by chance as "singletons" here and there-- already cut, sewn, stuffed and played with as opposed to the pristine, uncut versions offered here.

The pair is in quite wonderful condition given their 100+ years of age and are suitable for framing. Each doll is printed on a separate piece of linen, and the color of each doll remains amazingly crisp and brilliant! Aunt Jemima measures 10.5" wide by 35" long, and Uncle Mose measures 10" wide by 35" long. (Please note that any variation in color noted in photos is a result of lighting issues and light reflection only. Background of linen remains its original, crisp, bright white with each doll retaining its "like-new" consistent and brilliant color.)

Mild foxing is noted only on Aunt Jemima and not on Uncle Mose, likely due to the manner of storage. The Uncle Mose doll fabric was folded and stored inside of the Aunt Jemima fabric, and then they were placed inside of the envelope, with only Aunt Jemima coming into contact, for decades, with the high-acidic content of the envelope which caused the foxing. Fold lines are evident as well; however, these fold lines are the result of original factory packaging and storage in the envelope for over 100 years. Other than the foxing as described, the pair remain in truly fine condition!

A rare opportunity for the advanced collector to acquire an uncut, complete pair of C1917, Aunt Jemima and Uncle Mose Advertising Rag Dolls, suitable for framing!

This offering will only be sold as a pair; offers for an individual piece will not be entertained.

Measuring 5.75" wide x 8.25" long x 6" high, this C1890s, unique and interestingly designed school lunch box has four parts: the base, which is 4" deep, the lid, a removable handled cup cleverly fitted to the top of the lunchbox lid, and a removal interior tray to dine upon that rests on a small edge inside the base!

Constructed of tin with well-executed soldered seams and rolled edges on nearly all areas which are smooth and comfortable to the touch.

In great condition for its 120 years of age with an old tarnished and mellowed patina! A couple of little "use-dings" and hints of light oxidation that add to its character. Some superficial rusting on the base and here and there.

The perfect addition to one's Vintage School Collection! Where will you find another one like it?

Offered is an extraordinarily rare, 1842, Warren County, Georgia, Apprehension Order for a SLAVE boy named Henry who is accused of committing a violent assault and battery with intent to kill.

The single page, 16" x 25" document was folded in half by its author, and the charge is written out on one side of the folded page and then completed on the back of the same side of the page (see photos). The folded page was then flipped over, folded into fourths, and the title of the charge was written out: "The State VS Henry Negro Boy Slave".

The text of the charge reads as follows, Paragraph one:
"Georgia Warren County"
"Before me Matthew Sheilds a justice of the peace for said county, personally came Stephen Blount who being duly sworn deposeth and sayeth that according to the best of his knowledge and belief Henry a negro boy slave the property of the estate of Hardy Pitts late of said county deceased, did commit a violent assault and battery with intent to kill Deponent, with a heavy stick - and Deponent believes said stick was ferreled (an action suggestive of a wild beast)- upon the person of Deponent - on this night of the thirteenth of this Instant in said county of Warren to wit upon the plantation of Thomas Persons, near Warrenton.
Sworn to and subscribed before me this 14th March 1842."
"Matthew Sheilds JP"
"Stephen Blount"

Paragraph two:
"Georgia Warren County"
"By Matthew Sheilds one of the Justices To Sheriff the Constables of Said County and to all other lawful officers for as much as Stephen Blount who being duly sworn deposeth and sayeth that according to the best of his knowledge and belief Henry a Negro boy Slave the property of the estate of Hardy Pitts late of Said County deceased did commit a violent assault and battery with intent to kill Deponent - with a heavy stick and Deponent believes said stick was ferreled upon the person of Deponent on the night of the thirteenth of this Instant...." (continued next page)

Next Page:
"in Said County of Warren to wit on the plantation of Thomas Persons near Warrenton. These are therefore to Command you that you apprehend the Said Negro Boy Henry and bring him before me or some other Justice of the peace of Said County to Answer the said charge and to be further dealt with according to Law Herein fail not. Given under my hand and Seal this 14th day of March 1842."
"Matthew Sheilds JP" (JP written a second time and encircled in a squiggle to simulate a wax seal)

Condition of this very unique slavery document is quite fine given its 180 years of age. Expected aging of paper with insignificant and minor tears at creases. Also present are three long spillages of ink (as seen in photos) which likely occurred at the time this document was written out with, obviously, no intention of the author to start over again and rewrite!

An extraordinarily rare historical document that defines a specific slave-related incident.