Catalog: Archives: Collectibles: Memorabilia (159)

Measuring 11 1/4 inches wide x 14 ¼ inches high, this wonderful, subtly colored, all original, Cream of Wheat puzzle featuring the ever-smiling Rastus holding a scythe in a wheat field is a based upon the 1907 advertising lithograph entitled, “What shall the Harvest be?”

The character of Rastus was based on an actual person- a black waiter from Chicago- who was paid $5 for the use of his image by Colonel Mapes, the General Manager of the Nabisco Company, the owner of Cream of Wheat. The company began using the waiter’s image in the early 1900’s, replacing the original woodcut of a black chef that appeared on the packaging from 1894 until that time. Interestingly from a social and historical perspective, the depiction of the ever-pleasant, always-smiling Rastus was both a subtle yet positive departure from the extremely derogatory advertising much more typical of the era- advertising that nearly always featured blacks with wildly contorted and exaggerated features most often in very undignified poses and predicaments.

This beautiful, rarely-found puzzle, which is in excellent condition, is attractively framed in a hardwood molding colored in walnut, ebony and gold. The puzzle frame is original to the puzzle, and it is contemporary to the production date of the puzzle as it still retains its original wood panel backing, a framing technique not typically found after 1910. The puzzle pieces, themselves, are very finely and delicately cut, and are of a much smaller size than what is typically found in puzzles dating from the 1920’s and beyond.

A phenomenal piece that would be a centerpiece to any serious Black Americana, Advertising, or Cream of Wheat collection!

PLEASE NOTE: Any discoloration, white spots, or other unnatural variances in color are due to the unavoidable light reflections caused by the glass in the framing. The presence of the glass made photography quite a challenge!

A note to collectors: vintage Black Memorabilia puzzles from the pre-WWII era are a VERY rare find. Many were given out as "premiums" for utilizing a given product, and did not stand the test of time. Happy collecting!

Measuring 5 1/2 x 7 1/2, this framed piece of early Black Memorabilia features the hardboard cover only (not the complete book) of "The DARKIES' Painting Book"! Cover depicts 2 jauntily stepping Black children. Color is quite vivid in this very visually-striking piece! Protected in a gold-tone, decorative frame. (Please disregard unavoidable reflections in the glass)

Delightful item!

Used by the Atlantic and Pacific Tea Company, New York, - the A & P grocery store chain - for advertising purposes, this rarely-found and sizable die cut has been protected in a 12 3/4 x 9 1/2 inch, gold-toned frame.

Vividly colored, this Black Memorabilia themed piece features a smiling black girl seated on a large straw basket while holding 2, smaller-sized, flower-filled straw baskets in each arm. The young girl is nicely attired in a ruffled blue and yellow dress and wears red sandals, white lacy gloves, and a rose-accented, straw bonnet!

The die cut is in excellent condition! A very rare find!

Measuring 15 ¾ x 19 ½ inches, this extraordinarily RARE, circa 1920’s (or earlier!), heavy painted cardboard, BIMBO RINGO Ring Toss game board is all original and complete. Included are 6 rubber toss rings that have the appearance of mason jar washers and which may or may not be original to this game board. At any rate, the previous owner had these rings displayed with the game board at the time of acquisition, and they will be passed along to the next owner.

This item has phenomenal visual appeal! The striking graphic of an African native holding a shield and spear has been completed in red, black, cream and green colors that show no evidence of fading over these many years. The native's facial features are exaggerated which is quite typical of early 20th century depiction of African Americans.

Manufactured by the G.H. Robinson Company of Chicago (the paper manufacturer’s label remains affixed to the back of the game), the game comes with an attached cardboard stand in back that allowed it to remain upright during play. The game board retains its 5 original metal ring hooks at the native’s ears, nose, shield and spear. The object of the game was to successfully toss and hook a ring onto each of the hooks, with different point values awarded to the various hooks. The first person to accumulate 200 points won the game!

As stated earlier, condition is quite fine with no fading of colors. The metal ring hooks have acquired a nice patina. This game was attentively cared for over the years and at one time was reinforced at each of the four corners with cotton stitching. There is some creasing to the upper right hand corner and a ½ inch long tear- as opposed to a missing piece- to the top border directly aligned with and above the right ear. The stand was also sewn and taped at one time, but remains intact.

This Black Memorabilia game is truly quite rare as it is not documented in any of the extant Black Memorabilia source guides! It is quite likely that not many of the Bimbo Ringo Ring Toss games have survived given the inherently fragile nature of a cardboard – as opposed to a metal- toy!

This is a fabulous and eye-appealing toy that should not be missed by the serious collector of Black Memorabilia!!!

Measuring 4 ¼ inches high with a 3 /14 inch diameter, this UNUSED, 1 pound can of circa EARLY 1930’s, Old BLACK JOE Axle Grease is in very fine condition! There is some wear to the paint along the edge of the lid cover and at the top and bottom side surfaces, but virtually no rusting! The only noted rusting was to the base of the can and this is very superficial and can be buffed away. The can is quite structurally sound with no leaking as demonstrated by the photos taken on unprotected, white, antique bed linens!

Old Black Joe Axle Grease was manufactured by the John Hancock Oil Company of Minneapolis/St. Paul, Minnesota- the Twin Cities. The can was made by the St. Louis Can Company and is so labeled (see photos). Note the exaggerated facial features of OLD BLACK JOE---an unfortunate, but very typical depiction of African Americans during this time period.

A wonderful and scarce find Black Memorabilia collectible in near excellent condition!

Protected in a 12 ¾ x 22 ½ inch, gold and green painted wood frame, this authentic GOLD DUST Trolley Sign was manufactured by the N.K. Fairbanks Company in 1921!

GOLD DUST Trolley Signs are a very rare find in today’s market as they were made of cardboard, a material much less likely to withstand the test of time as opposed to tin advertising signs which were much sturdier!

This Gold Dust trolley sign features the Gold Dust Twins busily scrubbing a bathtub in a gleaming blue-green tiled bathroom! On a stool to the left, sits a large, opened box of Gold Dust Washing Powder. The advertisement proclaims in yellow-outlined, navy blue lettering: “Kept Clean with Gold Dust”.

The Gold Dust sign is marked, “Copyright 1921 The N.K. Fairbanks Company.” in the lower left hand corner. In the lower right hand corner, the following appears: “G.D.115 10-21. 64”.

The condition of this trolley sign is truly quite fine. Colors are very strong and consistent throughout; please ignore the various glass reflections seen in some of the photos- they were unavoidable and do appear to make the colors appear faded—which is inaccurate! The sign is free of rips or tears although it does have two surface abrasions at the lower left near the Twins where a top layer of paper is missing- looks as though this occurred long ago when some tape was removed. Some light dirt marks are also seen near the lower twin and between the letters G & O in the word “GOLD”. They are unobtrusive and do not detract from the wonderful image this sign conveys.

An unusual opportunity to acquire a very RARE piece of Black Americana !!

Please take a moment to view the circa 1910-1920 GOLD DUST Scouring Powder can filled with original contents-never opened- that I also have available for purchase as of this writing.

This fourth edition, miniature, hard cover book , "The Story of Little Black Sambo and the Twins" was written and illustrated by Helen Bannerman, an Englishwoman living in India at the turn of the 20th century who wrote this and a series of six other SAMBO stories to amuse her two little daughters. These subsequent stories are much more rarely found as fewer were published, because at that time, none ever reached the popularity of the original “Little Black Sambo”. "The Story of Little Black Sambo and the Twins" is one of these stories!

To the collector of Helen Bannerman books, no collection is considered complete without a copy of each of the “Sambo” books:

Sambo and the Twins

The Story of Little Black Mingo

The Story of Little Black Quasha

The Story of Little Black Quibba

and in French, Histoire du Petit Negre Sambo.

All are quite difficult to find in any condition!

This 1936 copy of “Little Black Sambo and the Twins” published by Frederick A. Stokes of New York, is in quite fine condition with tight binding, tight pages, no rips or tears, minor edge wear to corners! Please view all photos for condition representation.

The story itself is truly quite violent and frightening in both text and in drawings- involving the kidnapping of the adorable twins, Woof and Moof, by very wicked monkeys!!! And this was bedtime reading for children!!!!

A very RARE book!!!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

This exceptional, one-of-a-kind, circa 1900, cloth doll was made and designed by Ruie Ann Park, a Van Buren, Arkansas, Civil War History author who wrote “Civil War Letters of the Shibley Brothers, Van Buren, Arkansas”.

This extremely rare SAMPLE doll was, at one time, exhibited by Mrs. Park at a Van Buren drug store for marketing purposes--orders would be taken at the drug store based upon her sample doll or dolls that were displayed.

This richly detailed, finely executed doll wears 2 authenticating cloth tags (see photos) that attest to this doll’s provenance; one tag is a hand-inked-in-script tag sewn to the base of the doll’s apron that reads “Sample”, and the other is a machine-printed tag that is stitched to the waist band of the apron and reads, “Designed by Ruie Ann Park, Van Buren, Ark., All Rights Reserved”.

This lovely, 13 ½ inch long, old black Granny doll has a delicately designed, serious looking face that has been carefully hand-etched in ink. Her curly gray hair pulled back into a bun at the nape of her neck is crafted from yarn, and she wears a small, proper brown cloth hat with pink banding. Her body is quite firmly stuffed with cotton, her hands are stitched to delineate her fingers and (separated) thumbs, and her outfit is machine-stitched and completely original. She wears unbleached, ruffle-edged, muslin pantaloons and underskirt. Her dress is cream colored cotton calico printed with black and pink flowers, and further accented with the most delicate, pink-trimmed, pink polka-dotted, lace cuffs and collar. Her unbleached muslin apron is trimmed with light pink ric-a-rac along its hem and single pocket. Her outfit is completed with black cotton stockings and authentically detailed black, lace-up leather boots.

This extraordinarily rare doll with her very unusual, documented provenance is in very, very fine condition! A truly superb Black doll beckoning to the most sophisticated of doll collectors! Also offered from the same wonderful doll collection is a circa 1920 black cloth doll named "Sallie"- another must-have!

Measuring 12 inches tall, this unusual, early 1920's, all-original, handmade cloth doll exudes tremendous personality, and even has a hand-inked name tag stitched to her right arm-- "Sallie"!

Constructed of cotton-stuffed, brown stockinette, Sallie's finely detailed, molded, hand-embroidered face is absolutely priceless! Her painted ceramic button eyes gazing off to her left make her come alive and draw one to her! Sallie's fuzzy, black, real-wool hair further authenticates her look!

Sallie wears well-made, all-original, machine stitched clothing. Her dress and hat are a subtlely toned red, white, and blue plaid cotton. Her hat is lined with the same unbleached cotton muslin that both her double-pocketed apron and laced-trimmed pantaloons are constructed from. On her tiny feet, Sallie wears cream colored cotton stockings and sweet little leather shoes complete with tiny leather bows! Care was taken in the construction of her hands with each finger delineated through careful hand-stitching!

Other than 2 tiny rubs to the surface of her stockinette nose (which appear in photos as lighter-colored tiny dots), Sallie is in excellent condition! She is a very, very fine early cloth doll that should not be overlooked by the serious doll collector! Sallie comes from the same distinguished doll collection as the very rare, C1900, Old Black Granny SAMPLE doll made by Civil War author, Ruie Ann Park of Arkansas, that is also currently being offered.

This fabulously detailed, circa 1920, hand-made, 18 inch long cloth Golliwog doll has been most finely and meticulously crafted. A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

This Golly is in excellent condition with the exception of an old, small tear above his left eye that truly does little to detract from his overall outstanding appeal. His facial features are hand-stitched of silky embroidery thread, and his very soft curly hair has the luster and feel of a Persian lamb coat! His little hands have the thumbs delineated through careful stitching. On his feet are delicately-crafted, very supple, black leather boots! His body is constructed of a fine quality, soft, black cotton stuffed with cotton batting.

This Golly’s costume sets him apart from the vast majority of early vintage Golliwog dolls that are available on today’s market. His very formal, long-tailed wool mourning coat is a combination of hand and machine stitching and is accented with elegant silk lapels and stamp-designed silver buttons; the back detailing is completed with two cloth-covered buttons that show some minor age wear. Golly’s red and white, cotton striped pants are hand-hemmed and have been hand-stitched to his brown and white cotton checkered vest that features lapel detailing. (Please note: in some photos, a small brass safety pin is shown attached to Golly’s pants. This has since been removed as it was not original to the doll, and it served no function.) To complete his finely tailored outfit, Golly wears a most unique, very stiff (glossy cardboard perhaps?), high-collared, formal white shirt, accented with a wonderful little black silk bow tie and a Victorian era, onyx and gold-plated stickpin that is further emphasized with the central placement of a tiny diamond chip.

An exceptional, painstakingly-crafted Golly for the sophisticated doll collector!

Measuring 9 inches high, this delightful example of Folk Art styling, is one of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women. It has been speculated that their creation was encouraged through FDR’s Depression era program, the Work Projects Administration (WPA), in existence from 1936-1940.

This doll depicts the black stick or kindling gatherer. He holds a bunch of sticks tied together with string that has been flung over his right shoulder. In his left hand, he holds a wooden walking stick. This is an older gentleman who wears a straw hat, gray beard and hair and has embroidered facial features –most characteristic of these dolls. Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. This gent has lost his shingle stand but the remnants are still visible glued to the bottom of his leather shoes. Clothing is machine-sewn cotton with careful detailing right down to the patch on his left knee and the red hanker chief poking out of his right pocket. His body is brown cotton stuffed with cotton batting.

A very special doll that takes a snapshot of history in capturing the life of the poor southern black of the Depression era.

Measuring 9 inches high, this delightful example of Folk Art styling, is one of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women. It has been speculated that their creation was encouraged through FDR’s Depression era program, the Work Projects Administration (WPA), in existence from 1936-1940.

This doll depicts the black fisherman. He holds a bait pail and bunch of sticks tied together with string that has been flung under his right shoulder. In his left hand, he carries a wooden fishing pole from which a silver-colored, metal fish dangles (the fish appears to be newer than the doll and is likely a replacement). This is an older gentleman who wears a straw hat with gray hair and who has embroidered facial features –most characteristic of these dolls. Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. This gent has lost his shingle stand but the remnants are still visible glued to the bottom of his left leather shoe. Clothing is machine-sewn cotton with careful detailing right down to the patches on his knees and the red hanker chief tied around his neck. His body is black cotton stuffed with cotton batting.

A very special doll that takes a snapshot of history in capturing the life of the poor southern black of the Depression era.

Measuring 9 inches high, this delightful example of Folk Art styling, is one of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women. It has been speculated that their creation was encouraged through FDR’s Depression era program, the Work Projects Administration (WPA), in existence from 1936-1940.

This doll depicts the black washerwoman. She holds an authentic-looking wood and tin washboard in her left arm. This gentlewoman wears a red kerchief on her head covering all hair and has embroidered facial features –most characteristic of these dolls. Also characteristic of this type of doll is a small square of asphalt shingle glued to the feet to serve as a stand. This doll still retains her original shingle stand but it has come loose from the left shoe. Clothing, with the exception of her navy-colored knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. Her body, which is well-stuffed to be anatomically correct, is black cotton fabric stuffed with cotton batting.

A very special doll that takes a snapshot of history in capturing the life of the poor southern black of the Depression era.

"Beloved Belindy" was the MAMMY of the well-known Raggedy Ann and Raggedy Andy dolls!!!

This rarely found copy was written and illustrated by the renowned author of a number of Raggedy Ann and Raggedy Andy stories of the period, Johnny Gruelle. The book was published in both the United States and Great Britain in 1926, by the P.F. Volland Company of Joliet, Illinois.

This copy has superficial scratches to the front and back covers, wear on book cover edges, inside cover has a small black marker smear, inside front & back covers have minor soiling here and there(see photos). The binding is super-tight and all pages remain very clean and present.

The book is eleven chapters in length, approximately 88 unnumbered pages. Book is filled with a variety of wonderful black-ink and full-color illustrations as represented in photos. PLEASE NOTE: in the photos, the printing seems somewhat light and faded- not so! It is merely the function of over-lighting or light reflection.

A wonderful and truly RARE book not to be missed--- it currently lists in Black Memorabilia books at $200-250!

This stately, titled, English Staffordshire figure of a seated Uncle Tom and Little Eva was produced circa 1855. Inspired by Harriet Beecher Stowe’s 1853 publication of her controversial “Uncle Tom’s Cabin”, the figure depicts the gentle Uncle Tom bouncing his little mistress, Miss Eva, on his knee.

The figure is decorated in underglaze black, measures 9 inches high, and is in perfect condition with the exception of expected and appropriate superficial crackling to the glaze, and a shallow and very tight, early hairline to the back of the figure at its base. It is titled “Uncle Tom & Eva” on the front base.

An very exceptional piece of Black Memorabilia for the discriminating collector.

Measuring 4 3/4 inches high, this pre-World War II, Austrian-made, metal ashtray features a very intriguing, slouching, black nodder figure smoking a cigar!

In wonderful, working condition, the black man's head is attached to his body via the original, flexible, metal rod which allows the head to bob back and forth when jiggled.

Marked on the base of the ashtray "Made in Austria". Paint loss as seen in photos with no repairs or repainting!

An interesting character!

Measuring 6 inches high, this highly sought after Black wax figure which is mounted on its original wooden platform, is one of a series of fascinating "street character wax dolls" conceived of and crafted by Mrs. Conception Vargas Alfonso, daughter of the world-renowned, turn-of-the-century-New Orleans, Spanish sculptor, Francisco Vargas.

From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.

This particular figure is known as Ole Charley who, severely bent over with age, was once a well known figure in the Vieux Carre.

Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. Ole Charley wears a yellow hat with blue band, a red patterned neck scarf, a yellow flowered shirt and blue jeans- all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. He supports all of his weight with an actual stick cane! His wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base.

This wonderful figure is in very fine condition for his 75+ years of age with the following imperfections: missing left-hand fingers with present left thumb (an unfortunate, but extremely common consequence of time), a chip out of his yellow hat (which actually looks appropriate to the character!!) and a re-molded right hand- a repair made long ago. There is a spot of old glue on the base which suggests that something might be missing- a small stool perhaps? Regardless of his imperfections, his brilliantly executed face and his incredibly realistic pose is most delightful- a snapshot of New Orleans history!

Please see the other two Vargas figures that are currently available. One is depicted in the group photo and all are priced separately. Please note that the Vegetable Seller (with basket) has been sold.

Please note- photos were taken outside in natural sunlight. Any white or light spots on the figure are a result of sun glare and are not reflective or discoloration or fading.

This signed, original artwork rendered in 2003 by the emerging, self-taught, New Orleans, Louisiana Folk Artist, L. Sister Raya, measures 11 X 14 inches.

The work is entitled, "Coffee With the Spirit World" and is done in acrylics on watercolor paper. It comes mounted on acid-free foam core which can continue to be used when the piece is framed.

Of this piece of artwork, Sister Raya says, “When peoples get up in the morning they slog on coffee and stumble round full of stress and worry, but they don’t be knowin that’s the time when the spirit folk be slippin round they heads. They be friendly folk and like you to say good morning to them. People go too fast today, slow down when you be drinkin yo coffee and say good mornin!”

The vibrant blues, yellows and reds make this art work tremendously visually appealing and thought-provoking!