Catalog (460)

Two circa 1915, aluminum, mallet head putters with hickory shafts are offered for your consideration. Both clubs are marked on the top with the following info: "STANDARD GOLF CO. - Mills Patent - Sunderland".

Club #1 has the patent # 171795 and "ENGLAND" stamped on the top. The base is stamped "BRAID-MILLS 1915 MODEL UPRIGHT LIE 9ozs 15drs". The face has a checkered pattern, slightly curved shaft and good early leather grip. It measures 35.5 inches from the heel to the top of shaft. The condition is very good with a small piece of metal missing at the front of hosel.

Club #2 is stamped on top with the patent # of 137374. The bottom is generously stamped with the following: "J.P.B. (owner), BRAID-MILLS 1915 MODEL - MEDIUM LIE - 9ozs 15 drs - HARRY O. LEE & CO. NEW YORK" (Retailer). The face has a checkered pattern and the hickory shaft is straight, sporting a good leather grip. It measures about 34 inches from the heel to the end of the grip. Overall the condition is very good commensurate with a club over 100 years old.

Together they make a nice duo of playable clubs.

SOME HISTORY:
Sir William Mills began experimenting with aluminum golf club heads in the 1890s. Mills was a marine engineer and used his company, William Mills Ltd, to branch into the golf business, leading to the Standard Golf Co.

This peaceful and serene, mid-summer memory of an idyllic visit to a Maine lakeside retreat protected by the nearby mountains, has been captured in oil on canvas and is unsigned.

An estate piece, the tag placed on the backside by an earlier owner notates the date and location. The palette is predominantly varying shades and tones of browns, greens and grays. The composition features, first, an empty canoe sitting in the forefront shoreline of the painting while numerous sail boats explore the expansive lake on an overcast day. Numerous vacation chalets surrounded by trees and mountains dot the opposite shoreline with a reflection of the largest chalet visible on the lake's surface in the stillness of the moment.

The oil painting is framed in a meticulously and professionally hand-crafted, 2 inch deep, fluted, wood frame that features repeated, swirling, rustic carvings of various leaf forms. Clearly, this frame was custom-executed for this oil painting as it is as detailed and as interesting as the oil is, itself!

The oil painting measures approximately 9.5"H X 11.5"L in a 12.5"H x 14.5"L x 2"(deep) frame.

The condition of the frame is very good with minor, age-related (90+ years of age!) finish loss, and a minor, 3/4 inch long, superficial crack to the frame at the left side top which does not impact the integrity of the frame. The condition of the oil is also very good with no imperfections other than a 1/2" long diagonal "crease line' in the very lower right corner which is barely noticeable and was impossible to photograph clearly.

A lovely, tranquil, folk art vision to just sit back and enjoy!

This artisan-made, vintage 1950s, utterly delightful, little Black Boy Hand Puppet is in wonderful, minimally-played-with condition!

This sweet little pop-eyed character was recently acquired from the artist's daughter who stated that her mother made the puppet for her in the late 1950's.

With hands and head constructed of papier mache and a machine-stitched cotton body, this 10.50 inch long puppet sat for years in a doll cabinet seeing minimal childhood play. The body is very lightly soiled from dust with some seam separation at each shoulder (see photo). The hands and head have acquired a bit of a crackled look due to age; however, there are no flakes or missing pieces.

He has a darling "look" and would make a whimsical addition to one's folk art, puppet or doll collection. This hand-made piece is a truly one-of-a-kind creation!

This vintage 1920's Austrian, cast iron figural group is an authentic piece that was carefully hand-painted some 100 years ago! Austrian pieces of this era were known for their fine craftsmanship and attention to detail.

The darling boy and girl seated on a tree stump measures 2 3/8 inches high. With the exception of the girl's missing right leg, this seldom-found piece is in overall fine condition with age-related paint scrapes here and there. (please see all photos)

A very unusual and interesting figure group that displays exceedingly well!

Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final line of the story. It goes without saying that all versions of this tale are highly derogatory.)

The Valentine publication follows the original pattern of the young boys meeting their demise one by one, with only one boy remaining at the end of the story. What sets this publication apart from all other versions, is that an entirely different and creative story has been composed. In "Ten Little Nigger Boys", the ten "naughty boys", all about the same age, decide to run away together on a sailboat called "The Saucy Sue", which they "borrowed from an old sailor coon for an hour" with no intention of ever returning. On a mission to find a desert island that they would have all to themselves, the boys, one by one, meet their demise by drowning, by being eaten by a whale, by gunpowder explosion, by accidental gunshot, by abduction by an elephant (they found their island), and by the swallowing of a sea monster! The one remaining boy is rescued at the end by "an aeroplane commanded by a brave army captain", and was brought home "where everyone made a hero of him".

Measuring 8 inches wide x 9 inches tall, each page of the book is imaginatively illustrated with black ink drawings highlighted with red. Valentine & Sons Publishers, a lithographic printing firm, was founded in Dundee, Scotland in 1825, by John Valentine. His son, James, an early pioneer of photography, reproduced his work as prints and stereo-views. By 1896, the company began printing postcards, and it grew to become Scotland's leading manufacturer of color-tone picture postcards. For a brief period of years between the late 1890's and early 1900's, the company produced a small selection of children's books to supplement their earnings, utilizing a style they referred to as a "cut-out"; this book, is an example.

Condition: Good-- for its 111 years of age, showing the expected wear of a well-read, antique, children's book! Sturdy, thick cardboard covers with paper pages. Unpaginated. The book spine is held together by two, large, intact, original staples. The center page has separated from the staples, and a small section of this page is missing as seen in photo (for purposes of photography to better illustrate the missing section, a white paper was placed in its place; otherwise, the missing section would be difficult to discern, blending into the preceding page.). All pages are present, and except for the one separated page, all remain sturdily attached to the spine. Small edge tears and some soiling are present on various pages throughout the book. The front and back covers show edge wear and some soiling, and the top tip of the front cover above the "E" in "Little" is missing. Both the front and back covers are missing the small section that would have, on the front cover, illustrated the head of the boy in the green jacket standing on the right side of the boat. The front cover also displays a horizontal crease line which corresponds to the book's spine. This crease naturally occurred over time due to the book's design and manner in which it is opened (The front cover is lifted up and over to open the book. See photos.) The back cover shows evidence of some superficial water staining that did not seep through to its other side.

All but three pages of this book have been photographed, as I am limited to twelve photos per listing. The first six pages of the story are represented, followed by the final three of the story.

As the production of children's books was only a supplemental sideline for Valentine publishing, very few of these books were originally produced, and fewer still remain today. This is the first copy that I have ever seen in my decades of specializing in Black Memorabilia, and I have found no others available for sale on the internet. This antique children's book is truly a very rare offering, and its age-related flaws do not detract from its significant collectible value.

Offered is a very scarce, quite interesting, California, Folsom State Prison document that includes the Mug Shot and Fingerprints of a 23 year old convict.

The 8" x 8" heavy paper document presents pertinent, highly-detailed, personal data including: name, race, age, date of birth, occupation, county of residence, height, weight, fingerprints, unusual identifying physical marks or scars, and physical description, as well as crime committed and length of sentence. The prisoner was required to sign the completed document in the lower right corner.

The convict's sepia-colored mug shot of front and profile views is presented on the reverse side. He was convicted of embezzlement, and interestingly, his previous criminal record and time served in San Quentin Prison is also noted on this document!

This official prison record is marked on the reverse side with a circular, red-colored stamp reading: Rec'd June 14 1941 Bureau of Crim. Ident.

This prison record comes encased in a glass-fronted, plastic frame.

The condition, including the two photos, is very good.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin inkwell is constructed in solid brass and has a hole for both placement of pen and glass insert for ink. This piece is offered without the pen and glass ink insert.

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 6 inches long x 3.25 inches wide and 2 1/2 inches high. It does not retain any marking other than a mold number 4557.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

These wonderful, circa late 1950-early 1960's, TRU-TONE No Roll, school or art crayons manufactured by the Milton Bradley Company of Springfield, Massachusetts, are in mint condition! The crayons are unused and are all original! The box measures 4.5 inches tall x 4.5 inches wide x 1/2 inch deep.

An absolutely wonderful addition to one's School or Artist Memorabilia collection!

Also pictured are two other mint condition, unused, boxed, school crayons that are currently offered for separate sale. The group of three make a charming, visual display!

Offered is a wonderful, circa 1920's, John Wyeth apothecary bottle sporting a fancy, shield-shaped, foil label, Elixir Phenobarbitol.

Decorative stock bottles such as this beauty were meant to be refilled and reused and were the pride of the pharmacy staff. Eye-catching, reflective medicine bottles such as these also served as an advertising mechanism as they often were placed prominently in pharmacy windows to attract passers-by.

This 8.5 inch, amber, wide-mouth example reveals ground glass construction and dates to the 1920's era.

The condition of this empty bottle is excellent with only a tiny edge fleck of the back lip. The ground glass stopper cannot be removed and appears perfect. The front label shows light wear and staining commensurate with age and use. Although the label appears silver in the photos, it is more of a GOLD-toned foil. The back label has modest wear and staining.

Offered is an absolutely wonderful, original, 1930s watercolor portrait of a young "Black Shoe Shine Boy", a figure quite reflective of one aspect of African-American cultural history, as the iconic "shoe-shine boy (or man)" was so very frequently seen on city street corners plying a meager living during the first half of the 20th century.

The piece is signed in the lower right hand corner by LISTED American artist, Olga Lea Rosenson, who was born September 10, 1892, in Brooklyn, New York (died 1959). She was best known for her work capturing town and city landscapes as well as portraiture. This portrait intimately captures the soul of its subject as he pensively awaits his next customer, and it is supposed to have been inspired by a young man whom Ms. Rosenson frequently observed on the streets of Brooklyn.

Painted in 1934, the framed piece measures 20" x 26.5"; the watercolor, 13” x 19.5 “. It is completed in various subtle tones of blue, gray, green, and brown, and it is double-matted in cream with a subtle gray under-mat.

This watercolor remained in the same collection for over 60 years and was professionally re-framed by the original owner in 1987, with information on this re-framing taped to the back side of this piece. The wood frame is in very good condition with a couple of small, age-related areas of wear that are minimally noticeable. There is a 5 inch vertical tear to the paper backing as seen in a photo that was taped closed by the earlier owner; there is no damage to the foam-core backing underneath. To the left of this tear, is cut-out information on the artist that was also taped on back by the earlier owner.

Ms Rosenson's works are owned both privately and by museums around the world, including Washington D.C.'s National Gallery of Art.

Measuring 9 inches in width x 3 inches in height x 1.75 inches deep, this vintage 1920’s, country store advertising display reads, “We Give And Redeem Gold Stamps”. A very unusual find!

Black with hand-painted, gold lettering, this interesting advertising display would sit nicely on a shelf! In fine, all-original condition with the expected nicks and superficial surface scratches.

Offered are two utterly fabulous, one-of-a-kind, DOUBLE-SIDED, hand-painted signs that hung at Joe's "Colored Only" fish shack near Albany, Georgia, on the Flint River during the years that segregation was still enforced in the South. These signs were created by the black folks who owned the fish shack which closed in the early 1960s. Visitors had an area to eat in and were served pig ears and fish-- and the shack owners also caught, cleaned and sold fish.

The signs were purchased directly from the fish shack owners, and were, thirty-something years later, sold out of that purchaser's estate sale. During the purchaser's lifetime, the signs hung, one-over-the-other above the fireplace in the purchaser's den. They have been in my personal collection since 2003.

These signs have a very colorful, folk-art appeal and are certainly utterly unique! They very much fit into the American, Southern "Outsider Art" collecting genre, a genre which highlights the work of self-taught, rural area artists who create fabulous and highly expressive art using the media and materials that they have at hand and which reflects the world that they know and live in.

The signs are quite heavy as each is painted on a solid wood board. The signs are nearly identical in size and measure approximately 25 1/2 inches wide x 14 5/8 high x 3/4ths of an inch thick. One of the signs has very, very slight warping, but the warping is not readily evident as seen in pictures. Each sign has 2 holes from which to hang them, and the old rusted hanging wire which is seen in the photos has been replaced with new wire.

Measuring 7 1/2 x 9 1/2, this lovely, 1920-30's, English or Continental origin, Black subject die cut features a very pretty, smiling young woman in a straw bonnet with unknown book in hand.

This die cut was manufactured to advertise a specific item, store or location but was never used for that purpose or otherwise personalized. Likely, this vintage advertising piece was discovered and then framed so that it could be enjoyed despite its anonymity.

This pleasant die cut is in excellent condition and comes protected in an attractive, walnut-tone, oval decorative frame! The frame bears some minor veneer loss that does not impact the frame integrity, nor is it immediately noticeable.

A sweet piece!

Published in 1926 by the Whitman Publishing Company of Racine, Wisconsin, this very rare, miniature-size, HARDCOVER book measuring just 4x5 inches, offers a very unique continuation of the original Little Black Sambo story! It is thought that this mini size Sambo book was manufactured as a salesman's sample edition, meant to be strictly used as a marketing prop to sell orders for the full-size edition of the same book.

Entitled A New Story of Little Black Sambo, this tale picks up the story with Little Sambo's mother, Black Mumbo, exclaiming that Sambo, after almost losing his best Sunday clothes to the tigers, would- from now on- only be allowed to wear his every day clothes. Now very unhappily dressed in only a grass skirt, a pouting and naughty Sambo decides to run off into the jungle once again without permission, and climbs a tree to gather coconuts. A tiger soon arrives threatening to eat Little Black Sambo, trapping him up in the tree for the entire day! Eventually, Tusker the Elephant arrives, successfully chasing off the tiger and saving Sambo. Sambo then returns home, where an angry Black Mumbo spanks him with a hairbrush for running off, despite the gift of coconuts Sambo hoped would appease his mother. The conclusion of the tale then moves forward one month later when the family goes to visit Little Black Sambo’s cousins, the Bimboes, who admire his fine Sunday best clothing that he was finally allowed to wear again!

Although no author is attributed, it is thought by some that the tale was co-authored by the book's two illustrators, Clara Bell Thurston, who rendered all of the lovely colored drawings and Earnest Vetsch, who rendered the "black and white" illustrations (which, actually, are done in navy blue ink) as well as the fancy hand-lettering of the text which further embellishes the book.

With 36 unnumbered pages which alternate between the superbly rendered color and navy blue line illustrations, this unique little book is in near mint condition. The original paper dust jacket is present and in wonderful condition, and at some point, it was protectively covered with a contemporary, clear, dust jacket protector that can be removed if so desired. No fading of color, no rips, creases or missing pages. Binding is tight with all three original staples present. Cover edges are subtly worn, and a one-time owner, Neva Merchant, signed her name on both front and back interior covers.

This very rarely-found, miniature-size edition of the continuation of the original Little Black Sambo story is a must have for the collector of Little Black Sambo books!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin letter opener is constructed in solid brass. It remains functional for such use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 10 1/4 inches long. Remnants of green paint are visible on Johnny's shirt. Interestingly, this piece also doubles as an advertising piece as on the reverse side it is impressed, “I. C. Herman + Co., 507-9 Broadway, NY (New York)”.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Offered is a wonderful, 1940 era, SENTINEL First Aid Kit sporting GREAT graphics. This visually-attractive, metal case contains all of its contents and appears to be in minimal and perhaps in unused condition!

This diminutive kit was designed to be portable and most useful for scrapes and scratches. The case measures 6" x x 3" x 1.25" and is in very nice condition with minor surface scratches and stains commensurate with age. The contents are near perfect.

Distributed by FOREST CITY PRODUCTS, INC. Cleveland, Ohio.

A wonderful kit for your medical, nursing or emergency-care student or professional in your life!

An additional tube of Ophthalmic ointment and a few early Band-aids are included!

Offered is a very scarce, 19th century, strength measuring medical device known as a dynamometer that was manufactured by the G. Tiemann Company, New York, the most renown and respected surgical device manufacturers of the 19th century. Sold in the US by a gymnasium apparatus company out of St. Louis, the Fred Medart Company, the device was designed to assess the strength of the chest, back and legs up to a pull capacity of 1400 lbs.

This fabulous early tool of the medical trade sports a visually-interesting, graphic, brass face with a scale delineating increments from 0 to 1400 pounds. There are 2 dials - one that notes the actual pressure achieved, and the second stationary dial that serves as the reference.

This instrument enjoys wonderful, rich patina on both the metal and wooden sections. It measures 13 inches at the widest point and 10 inches at the wooden handles.

A fabulous device which has great visual appeal and displays wonderfully! Sure to spark some interesting conversation at your next gathering!

Offered is a wonderful example of mid-19th century craftsmanship. This elegantly designed HAND ADZE exhibits a perfectly formed handle that fits in the palm of one's hand like a glove!

Hand adzes, which are swung with one hand, are used for smoothing or carving wood. This early adze with its captivating, primitive look exhibits appropriate wear commensurate with a modestly used tool of some 160 years of age. Various dings, scratches, wood loss are evident in this piece yet add wonderful character to this early tool of the wood workers trade. Attached to the handle is a hand-forged, 4.5 inch iron blade that is nearly flat. As seen in one of the photos, there exists an older, 19th century wedge, though likely not original, which has served as a more than acceptable replacement over the years.

*****PLEASE NOTE: THE ATTACHED STICKER INDICATES THE YEAR 1985- THE YEAR I PURCHASED THIS TOOL FOR MY OWN COLLECTION.*****

A lovely, early example of a woodworker's tool, designed, as was required during the 19th century, to assist with a specific woodworking function.