Catalog (460)

This is a fabulous white ceramic 1950s pharmacy drug store display with decorative gold gilt embellishments. The mortar measures 7 inches tall and the solid pestle is 8.5 inches long.

The condition is near excellent with no damage, cracks or dings.

An outstanding display that will compliment any pharmacy collection.

SOME HISTORY:
H&B operated as a carpentry business starting in 1855 by J.F. Hillerich. In the mid 1880s, his son expanded the business into making bats for a local semi-pro baseball team which were an instant hit with the players. In 1894, they were labeled the "LOUISVILLE SLUGGER", and in 1905, HONUS WAGNER signed an endorsing contract attesting to their quality. Salesman, Frank Bradsby, became a partner in 1916, and the company was renamed "The Hillerich and Bradsby Co". This same year, the company started making golf clubs. By 1923, TY COBB, BABE RUTH and Lou GEHRIG all used their bats!

One prominent feature of this piece to be considered is the excellent condition of all brass components including the hanger! Nearly all of this wonderful brass plating remains, retaining its original glossy sheen enhanced with a rich, aged patina.

Of course, the attention to the detailing and design of all of the brass components of this globe are second to none, pushing this show globe into a class by itself. Note the intricacy and the elegance of design incorporated into both the show globe collar and the finial - simply outstanding! The gargoyle hanger typifies the Victorian era embrace of elaborate detailing with its combination of curves and curlicues, ending with the head of a fierce, warrior-like gargoyle with wide open jaws- quite capable of supporting this gorgeous show globe.

The show globe measures 22 inches tall from the top of the crown to the tip of finial. The hand blown glass globe condition wise is near perfect on the exterior, while the interior notes a mild, unobtrusive haze which will not be visible when the globe is filled with the colored water of your choice. The haziness should clean up if desired.

The elegantly sculpted wall bracket measures 10.25 inches high x 2.75 inches wide, while the ornately and richly detailed gargoyle hanger is 14.75 inches wide x 9.5 inches high.

Acquisition of this rarely found and beautifully stunning show globe is an opportunity not to be missed, absolutely the best apothecary show globe I have had the privilege of offering in over 40 years!

This difficult to find revised stereotyped edition, was published in Boston by the Benjamin B. Mussey and Co., the book having been originally published in 1852. It features 83 highly-detailed engraved illustrations and 191 information-packed pages. A very comprehensive and quite interesting volume that discusses normal and abnormal conditions, treatment of various diseases and recommendations for proper health.

This very early educational hardcover book is in fair to good condition. The front cover has separated from the binding as has the very first page which is blank, but both are present. All other pages remain bound. The majority of the exterior black leather edge binding cover is missing. This 168 year old book has expected, moderate yellowing and foxing to the pages, some minor staining and ancient water marks, and some tiny folds here and there. Measures approximately 7.25"L x 4.75"W.

A highly valued resource book of its time for instruction in the grammar school grades or for use by more financially well-to-do 19th century families who could afford to maintain personal, home libraries.

Quite an interesting read!

*****Group #4*****

Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.

A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.

His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.

Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.

Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.

This fabulous advertising piece is made of papier mache’, is painted black, and sports cream-colored lettering on both sides of the hat. 19th century advertising pieces such as this are quite simply, extremely rare in today's collectible market, and when found command high values!

Julius Kessler, born in 1855, in Budapest- at that time, part of the Austrian Empire- traveled to America to make his fortune. In 1888, he began by personally selling his American blended whiskey known for its silky smoothness, door-to-door, to all of the saloons in Leadville, Colorado. The image of a smooth and silky Top Hat as the company's trademark advertising symbol added a flair of elegance to the brand! Kessler's whiskey quickly grew in prominence and popularity, and by 1935, was bought by Seagram's, with Kessler appointed as President. Julius Kessler passed away at the age of 80, but his image still adorns the bottle's label today- currently owned and produced by Beam Suntory-, as does his slogan, “smooth as silk”!

The condition of this fab piece is very, very good given its 125++ years of age, with some areas of paint loss and wear (mostly to the top of the hat which is the surface that actually serves as the base for this piece). No structural weakness or damage to the papier mache- a very solid piece that displays beautifully!!

Measures 12”L x 9.5”W x 6”H. A superb, 19th century, eye-catching, visually appealing, antique display advertisement!!

Complete, National American Red Cross anatomical charts of this early 20th Century time period are quite an unusual find in today's market. Charts such as these were a frequently referenced visual aide for both the medical and nursing student, and due to this frequent educational use, not many have survived.

These wonderfully detailed teaching charts each measure 28.25" high x 20" wide and (to the best of our knowledge) are made of a wax-coated, heavy-weight, linen canvas. The top and bottom only of each chart are framed by black painted, wooden supports designed to facilitate the hanging of each chart.

The condition of each chart demonstrates mild crackling of surface and light wear and tear, as well as discoloration consistent with their 100+ years of age. Slight, unobtrusive loss of fabric is also apparent. Overall, the condition and patina of these charts are commensurate with vintage teaching tools that had been frequently referenced.

The charts are published by P. BLAKISTON'S SON & CO., Philadelphia, Pennsylvania. In 1880, this company focused its production upon the publication of high quality medical and scientific books, charts, and graphs.

The clear glass perfume was the second version of the Vigny “Le Golliwogg” perfume produced from the 1920’s into the 1930’s. The bottle design and name are based on a character created by Englishwoman, Florence K. Upton, around the turn of the 20th century. The bottle, itself, was made by Verreries Brosse.

This darling, all-glass piece remains in superb condition-other than its partially missing label on the base of the bottle. If complete, this wonderful, original paper label would read in full, “Made in France, Fluid Cont oz 13”. Underneath the label, the base of the clear glass bottle is impressed, “Bottle Made in France”. Most importantly of all, the bottle retains its fabulous, all-original, front label which reads, "Le Golliwogg de Vigny France".

The Golliwogg’s head is the perfume stopper (which presently is quite securely affixed in place), and the facial enameling, which was hand-painted in France, remains as clear and crisp as the day it was applied! Even his black furry hair, which is genuine Siberian Seal fur, retains its vibrant, original, dark tones! The Golly’s glass collar is enameled/painted white with double rows of black polka dots, and his feet are accented in black.

A very, very special, rarely-found piece of Black Memorabilia that has appeal to Black Americana, perfume bottle, and Golliwog collectors alike!

Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!

To see all of our Golliwogg-related items for sale, type "golliwogg" into the SEARCH box on our home page.

Measuring 13.25 inches wide x 9.25 inches high x 1 inch thick, this wonderful piece patented February 16, 1886, is in very fine condition with a warm, rich patina and color as well as all 56 of its original wooden letters! To spell a word, one slides the letters along cut out tracks in the board.

Quite visually appealing!

Condition: three of the 1/8th inch thick, round, wooden letters suffered partial breakage at one point in time, but these letters continue to remain quite structurally sound and "readable". Some tiny edge chips to the wood- quite reasonable given its age.

A seldom found vintage, early School House item!

Each identical packet is designed in the form of a large matchbook and contains 6 painted wooden golf tees and one plastic ball marker.

Each decorative pack measures about 4 inches long x 2.5 inches wide and ALL are in unused condition. The packets have some minor crimps, slight edge tears or general wear from storage over time. One of the packets has a large rip as seen in the photo.

Wonderfully colorful, usable novelty items from a century+ old company with an interesting history in the scrap metal recycling business. Display well and a unique addition to your golf or advertising collection!

*****PLEASE NOTE THAT WHILE ONLY 4 PACKETS ARE FEATURED IN THE GROUP PHOTOS, 5 PACKETS ARE ACTUALLY INCLUDED IN THIS PURCHASE AS PREVIOUSLY STATED.*****

They are being sold separately for $55.00 each. The POISON bottle BELLADONNA is SOLD as is GELATINE CAPSULES QUININE.

Decorative stock bottles such as these beauties were meant to be refilled and reused and were the pride of the pharmacy staff. Eye-catching, reflective medicine bottles such as these also served as an advertising mechanism as they often were placed prominently on the front row of pharmacy cabinets.

Each amber colored bottle measures 8.5 inches tall, has a narrow or wide mouth and sports a stopper with ground glass construction. The bottles date to the 1920-1930's era.

The condition of these empty bottles are excellent. Some of the stoppers are stuck in place.

The bottles sport either gold or silver toned foil labels which show slight wear and staining, commensurate with age and use.

A lovely group indeed!

This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.

Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.

Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

The green colored tins date to the 1910 - 1923 time period and measure about 3.25" long x 2 inches wide.

The tin with paint loss especially on the bottom is priced @ $70.00. .The better tin is $90.00

The covers and hinges work well. Made by "METAL PKGE CORP. BKLYN, NY".

****The brown colored tin is sold****

Some History: Henry Clay Glover started practicing veterinary medicine sometime prior to 1877. In 1888, his medicines were awarded the medal of superiority by the American Institute of New York. He identified himself as a “Specialist in Canine Diseases". As a personal testimonial, he stated that as of 1897, he had been the Veterinarian to the Westminster Kennel Club for 20 years.

The first known address for Dr. Glover is 1293 Broadway, New York City. Tins with this address state “H. Clay Glover,V.S. Prop", and appear to be the earliest-known. Some time prior to 1914, the company moved to 118 West 31st Street. Glover was still sole proprietor, but by 1917 the company was incorporated, and the tins stated “H. Clay Glover Co” while retaining the West 31st Street address. The company moved to 127-129 West 24th Street in 1923.

One litho appears to be the residence of a “R. Timmons” and the other of a “S. Macon”. The frames are a latter addition, likely circa 1930-40’s acquired by an individual interesting in preserving these colorful and historic pieces of Folk Art. They framing was done at a Greensboro, North Carolina gallery.

Both lithos are darling-- featuring pleasant, pastoral, Folk Artsy, 19th Century scenes! A great pair of mini, decorative and historic accent pieces!

"Uncle Tom's Cabin" or "Life Among the Lowly", is an anti-slavery novel that was published in two volumes and which had a profound effect on attitudes toward African-Americans and slavery in the U.S. It is said to have "helped lay the groundwork for the American Civil War".

Each plate is priced separately at $195.00 each or both plates for $325.00.

One plate depicts the sale of slave, Uncle Tom, while the other plate depicts the death of little Eva. The text on each plate is in German: "Evas Todt" or in English, "The Death of Eva", and "Slavel Tom Von LeGree Gekauft" or in English, "The Slave Tom Purchased by (Simon} LeGree".

Produced for use by children as subtle educational tools, the plates measure 7 5/8 inches in diameter and are decorated with black transfer, printed, Uncle Tom vignettes.

The condition of both plates is quite superb with subtle crazing lightly evident on the backs of plates only. Also on the backs of each plate are tiny, factory-flaw imperfections where glazing failed to bind to the earthenware (represented in close-up photo). The "Sale of Uncle Tom" plate has three such imperfections on its back side along with a tiny area of bleeding of transfer color under the glaze (see close-up photo). The "Death of Eva" plate displays more evident crazing on the back as compared to the "Sale of Tom" plate along with three factory-flaw imperfections, as described above. The "Eva" plate also appears to have three, extremely fine, light, scratch lines running across the front of the plate that are most readily noticeable only in close-up photos; when one runs a finger along the lines, the imperfections are so fine that they cannot be felt and certainly represent no threat to structural integrity.

The plates were produced by the Schramberg Pottery of Baden-Wuerttemberg, Germany, founded in 1820 by stoneware expert, Isidor Faist. The plate featuring the sale of Uncle Tom is impressed "Schramberg" while the other plate has no marking. It is evident, however, that both plates were manufactured by the Schramberg factory.

This awesome tool-of-the-trade includes many unused burs housed in their original, individual boxes! A detailed, complete label is pasted on the interior lid and is in good condition.

The hardwood case measures 11" L x 5.5" W x 3" H and has wear to the finish commensurate with age and use. A visually-appealing display piece that would enhance any dental instrument and artifact collection!

Unmarked, this toy is in very good condition with tiny superficial surface scratches wherever metal rubs metal during toy movement. To operate the toy, one simply squeezes the metal lever on the back, which causes the clown to hit poor Golly on the head with a mallet!

A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

The first club is stamped on the back with the following: "Hillerich & Bradsby Co. - Louisville, KY - GRAND SLAM" with the "hand and cards" cleek mark". The "#7" is stamped on the sole. The face is DOT stamped with a fancy "GRAND SLAM" mark on the sweet spot. The straight shaft measures 35.5 inches to the heel and sports a replaced leather grip.

The second club is stamped on the back with the following: "LADY BURKE" in an oval - the "#11", the "SCALES" cleek mark and "NIBLICK". The straight shaft is 35 inches long to the heel and sports a nice patina and original grip with a small piece missing. The face has a straight line configuration.

The third club, which has "MASHIE" stamped on the sole, measures 36.5 inches and has an original leather grip and a shaft with a slight bend. The back has the following stamps: "Approved by GOLFERS ASSN. of AMERICA" and "CRAIG WOOD - LOUISVILLE G.C. - MASHIE and P-52".

SOME HISTORY:
The Burke Company was the offshoot of another Ohio golf manufacturer. Its founder, William Burke, had managed MacGregor's club-making for nearly 15 years before branching out on his own in 1910 and converting his new company into Burke Golf Company, beginning with a full production of complete golf clubs.
Truly one of the world’s best golfers during his era, Craig Wood, was the winner of 21 PGA Tournaments including both the Masters and U.S. Open in 1941. He spent many of his most competitive seasons as a head professional in New Jersey and was a member of three Ryder Cup teams (1931, 1933, 1935). He worked at Forest Hill Field Club in Bloomfield from 1928-31 and at Hollywood Golf Club in Deal from 1932-35.

Craig Wood was the first player to lose all four major championships in extra holes. His major wins came late in his career at age 39.

The set appears to have been lightly used, if at all! Nearly all blocks are present, and all of these are in wonderful condition! It appears that one red triangular block is missing along with the four rectangular pieces needed to complete the second window frame (the second paper window insert remains).

The exterior paper label attached to the sliding, wood cover is beautifully intact with just a light water mark present on the upper left side. A glue remnant on the upper right corner of the cover remains. The paper label offers eight detailed examples of what one might choose to build with this lovely set! What a fabulous, graphic image that would certainly command presence when displayed on a shelf! The integrity of the all-wooden box remains strong and sturdy.

Sets such as these could be found in the more affluent home as well as in early elementary level classrooms. Such toys or learning manipulatives, promoted the development of the young learner's eye-hand coordination as well as visual-spatial reasoning skills.

The back of the club is stamped as follows: Guaranteed Hand Forged - BAKSPIN (with arrow - a Macgregor identifier) and MASHIE.

In 1921, RIBBED GOLF CLUBS were banned by the R&A and USGA just after the OPEN CHAMPIONSHIP.

Measures 36.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft has a slight bend and is sturdy. The head shows modest and honorable wear, good grooves with generalized, unobtrusive pitting to the surface.

A nice example of an early club with a controversial history!!!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB.

(Also currently available is Fern Bisel Peat's companion Little Black Sambo Puzzle!)

Published by The Harter Publishing Company, Educational Publishers, Cleveland Ohio, this book along with a companion puzzle which features one of the illustrations from this book, were likely released to the public at the same time. Both the book and puzzle were intended for use in the school setting, grades K-2, as well as in the home. The aforementioned Little Black Sambo puzzle is also available for purchase on this website (type Sambo into the SEARCH box).

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is an 8.5 out of 10! This unnumbered, softcover book has seen little use with just a teeny bit of wear to book edges and very small creases here and there on the covers which do not effect structural integrity. The eight large folio, color illustrations retain their intensely vibrant hues and are simply just spectacular, and they alternate with lovely black ink line drawings. (My camera did not do justice to the intensity of color, washing it out.) An inked inscription is present on the inside front cover. The front and back covers have separated completely from the staple binding; there is separation of book pages only at the following point: below the lower of the two remaining staples. The third and lowest staple is missing.

Despite these imperfections, this rarely found,soft-cover, children's book is in amazing condition given its 90 years of age!

Fern Bisel Peat, 1893-1971, was born in in Erie, Pennsylvania, and went to public schools in Elyria. She attended Ohio Wesleyan University in Delaware, graduating with a degree in fine arts. Marrying Frank Peat in 1917 and settling in northern Ohio, Fern soon began painting children’s murals in both public and private venues.

As her work grew in popularity in the 1920's, she was asked to design children's wallpaper for a Cleveland company, designing a set of Mother Goose wall panels that sold widely. She soon was approached by the Saalfield Publishing Company where she went on to illustrate over 60 children's books!

From 1933 to 1955 she was editor and chief illustrator for Children’s Play Mate magazine, published in Cleveland, and nearly all of the covers during that time period feature her illustrations.

As the major breadwinner for the Bisel Peat family, Fern found every way possible to market her work to publishers, advertising firms and toy makers during the lean years of the American Depression and World War II. As a result, her distinctive children's illustrations can not only be found within children's books of the era, but also on holiday decorations, paper fans, playing cards, rag dolls, tin toys…not to mention coloring books, puzzles, paper doll books, and greeting cards!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

This 1920-30s, hinged, wooden game piece box features an original, hand-executed, ink-on-paper drawing of a black figure in a tuxedo that has been pasted to the box cover. The drawing has been preserved with a shellac covering.

The box contains fifty, sequentially numbered 1-50, wooden game pieces painted red and white. The game pieces are in mint condition and appear to have only been lightly used. They remain firmly in place within the box with the support of non-stick, archival tape which may be easily removed without damage to the game pieces, if desired.

The game box measures 5.25 inches wide x 10.50 inches long x 1 inch high.

Truly a one-of-a-kind piece of vintage Black Memorabilia! Displays wonderfully!

Measuring just 6 ½ inches tall with a skirt circumference of 4 ½ inches, her head, torso, and arms are constructed of fabric with an inverted basket serving as her skirt. Her clothing is machine-stitched with attention paid to detail: teeny gold fabric braiding serves as earrings and necklace; delicate lace accents her skirt hem; her red shawl features zig zag stitching accents; her face is finely hand-painted.

A sweet addition to one’s Black Memorabilia or Doll collection!

This wonderful folk art decoy was recently acquired from the collection of an 81 year old Kansas collector who stated that the decoy originated in Montana.

This delightful and visually appealing folk art beauty has been skillfully crafted and painted with lifelike details to closely reflect a real fish. In fact, this charmer has evidence of having been a working decoy as noted by the mild areas of surface rust on the tin fins and where the fishing line connects.

A loss of paint and light wear gives this work of art a wonderful vintage patina, and one large weight on the bottom provides a bit of heft. Measures 9.0 inches long x 2.0 inches wide x 2.0 inches high including the dorsal fin. Maker is unknown.

A splendid work of folk art!

Please take a moment to view our other fish decoys offered for sale by typing "decoy" into our homepage SEARCH box or by clicking on the "American Folk Art" specialty category on our homepage.

Six weights are nestled snugly in a velvet-like cushion with an additional nine, light weight metal weights residing in an interior, covered compartment securing them in place. A pair of tweezers completes this special find.

The condition of the box and weights is very good. The mahogany case closes securely with two brass latches. A few small dings, scratches and blemishes are present consistent with its 80+ years of age. The case measures 6.75"L x 2.75"W x 1.5"H.

Weight sets such as these were found in old pharmacies, laboratories, and scientific institutions needing to determine the weight of delicate articles, etc.

The box measures 4 inches long and is in good condition.

A must for the foot doctor in your life.

This cleverly named product came in a diminutive tube measuring 3.5 inches long with its carton a mere 4 inches long. Supposedly, by following directions and using "at the right time", this ointment would measure up to its full potential.

Dates to the 1950's - 1960's era and is in very good condition.

This antiquated medicine with inert contents is meant for display ONLY and NOT meant for use.

A GREAT conversation piece!

This wonderful folk art decoy was recently acquired from the collection of an 81 year old Kansas collector who stated that the decoy originated in Montana.

A delightful and colorful folk art beauty, this decoy has been skillfully crafted and painted to closely reflect an actual fish.

In addition, this charmer has evidence of having been a working decoy as noted by the mild areas of surface rust on the tin fins and where the fishing line connects. There is light loss of paint and wear giving this work of art a wonderful vintage patina. Present are two weights on the underside of the decoy providing a bit of heft. Measures 7.5 inches long x 2.75 inches wide x 2.25 inches high including the fins. Maker is unknown.

A splendid work of folk art!

Please take a moment to view our other fish decoys offered for sale by typing "decoy" into our homepage SEARCH box or by clicking on the "American Folk Art" specialty category on our homepage.

The term Bone Spavin refers to the development of arthritic or degenerative changes that create bony growths effecting the lower joints of a horse and often resulting in lameness.

This very unusual sign measures 42" L x 6"W and is in very good condition. The wood demonstrates a few faint hairline, length-wise splits that do not go through the wood, and thus, do not effect sign integrity. Two hooks on the top of the sign facilitate hanging.

Detailing in construction sets this sweet black doll apart! Her creation was very carefully executed through a combination of hand and machine stitching. She was lovingly dressed in machine-stitched clothing made from old red, pink, cream and rose-patterned scraps of cloth, while her body was hand-sewn and constructed of old, black stockings stuffed with cotton batting.

This young girl's nose and mouth are hand-embroidered, while her eyes are represented by small, black buttons. Her hand-applied and stitched hair is made of black wool yarn and has been fashioned into braided pigtails edged with faded red ribbon bows with fluffy bangs topping her forehead. Her hands are carefully hand-stitched to delineate fingers.

This sweetie is in near perfect condition with the exception of some fading to her clothing as well as two age-related, small holes to her stocking-constructed left foot and lower leg. (This wear and fading to the fabrics and stockings used in her construction may well be the very reason they were used, as they may have been discarded from personal use. Please refer to photos to view wear.)

Purchased in Charleston, South Carolina. Simply full of charm with lovely touches! A quite difficult-to-find-in-this condition, 90+-year-old, cloth rag doll!

This double sided sign has the same word "WATERFRONT" painted on each side. The white background and bold black stenciled lettering are identical.

This handsome sign measures 24 inches long x 6 inches high and 3/8 inches thick. There are 2 unobtrusive small holes on either side which were used when hanging the sign. Other than the expected scuff marks, surface mars, and minor stains, this sign is well preserved.

Would complement any decor or collection. PERFECT for the BEACH HOUSE!

These interesting pharmacy implements have a warm honey translucent tone and are complemented by a natural brownish color which is especially noted in the largest scoop. They were most likely made from cow horn as was typical of the period. Depending upon their size, a scoop, such as these, was capable of holding from 2 ounces to about 4 ounces of medicine when used compounding process.

The smooth surface of each scoop shows minor wear from usage. Overall, they have a very handsome and rich patina with various minuscule scuffs and imperfections commensurate with age and use. The only minor damage noted is a 1/4" split near the corner of the handle of the largest scoop.(SEE PHOTO).

This very scarce group of 19th century horn scoops will make a wonderful addition to any apothecary collection!

Text indicates that the diploma was awarded to Mary L. Downey on January 15, 1892, and certified her to teach the Grammar or Primary Grade for the subsequent 6 years. Signed by 5 members of the California State Board of Education.

Further documentation on reverse reads, "Issued on the recommendation of the Board of Education of San Francisco, in accordance with Section 1521 of the Political Code, upon a first grade or Grammar Grade Certificate of San Francisco, 86.7% (Mary’s teacher examination grade).”

With the exception of early fold lines, condition is mint! Measures 8 inches X 10.5 inches.

See my other items for an 1899 Teaching Certificate awarded to Mary's sister, Josephine Downey!

A wonderful piece of museum-quality, educational ephemera representing San Francisco's and the state of California's early educational history!

Research notes that this early medical instrument was made by the Health Culture Co.

The following patent date is stamped on the interior portion of the wheel (PAT'D APR 12, 02), however, the date of 1892 is also referenced for this particular piece in several sources, so this device appears to have been marketed prior to the granting of a patent for the design.

Measures approximately 5 1/2" x 7 1/2.

Condition is very good! This visually interesting piece retains its original finish which is a warm, honey-colored woodtone with minor stains and wear commensurate with an antique instrument. No damage. It works!!!

*****Group #1*****

Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.

A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.

His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.

Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.

Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.