Measuring 3 3/8" tall x 3.75" wide, this highly collectible, 1 pound size, Black Americana tin scores an 8 out of 10 condition rating. The tin features two very strong images on front and back and retains both its original cover and bail handle. The tin evidences various areas of slight paint loss and surface wear. There are no dents or cracks, the cover has a few subtle dings (indentations) on its top, and light tarnishing is evident on the tin base and interior along with faint superficial rust. Overall great condition with wear to this tin quite commensurate with its 100+ years of age.
This tin also was produced in a 3 pound size intended for commercial use. Both sizes are equally scarce and sought after! A wonderful addition to an advanced Black Memorabilia collection!
An interesting historical side-note: a member of this same Hoyt family, John, was among the first eighteen settlers of the area which came to be known as Amesbury, Massachusetts back in 1654!
The bowl sits upon a one inch high foot and has glaze crazing typical of an 85+ year old piece of pottery. No chips, cracks, or hairlines. One teeny, tiny fleabite on rim too small to be photographed with any clarity.
An outstanding piece of American Spongeware! Becoming much more difficult to find- particularly in this outstanding condition!
Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.
The green colored tins date to the 1910 - 1923 time period and measure about 3.25" long x 2 inches wide.
The tin with paint loss especially on the bottom is priced @ $70.00. .The better tin is $90.00
The covers and hinges work well. Made by "METAL PKGE CORP. BKLYN, NY".
****The brown colored tin is sold****
Some History: Henry Clay Glover started practicing veterinary medicine sometime prior to 1877. In 1888, his medicines were awarded the medal of superiority by the American Institute of New York. He identified himself as a “Specialist in Canine Diseases". As a personal testimonial, he stated that as of 1897, he had been the Veterinarian to the Westminster Kennel Club for 20 years.
The first known address for Dr. Glover is 1293 Broadway, New York City. Tins with this address state “H. Clay Glover,V.S. Prop", and appear to be the earliest-known. Some time prior to 1914, the company moved to 118 West 31st Street. Glover was still sole proprietor, but by 1917 the company was incorporated, and the tins stated “H. Clay Glover Co” while retaining the West 31st Street address. The company moved to 127-129 West 24th Street in 1923.
This circa 1920-30's Johnny Griffin item is constructed in solid brass and is known as a document clip used to hold together important papers. It remains functional for such use today or may be simply used as an attractive desk paperweight!
It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 4 1/8 inches long x 2 3/8 inches wide. It does not retain any marking other than a mold number 5241.
Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!
To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.
The box measures 4 inches long and is in good condition.
A must for the foot doctor in your life.
Measuring just 3.5 inches tall, both the bottle and label are in very nice condition. Ready to enhance your collection.
From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.
This figure, known as the Cotton Seller with Child, is most particularly hard to find and thus is quite highly sought after as it features a very young, female black child standing in a basket of newly-picked cotton. The Vargas family seldom included children or infants in their depictions of the numerous trades of black New Orleans folk, making any characterization featuring a child or an infant more than significantly rare.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This female, Mama, Cotton Seller wears a red and white kerchief on her head, a red and white checked scarf around her neck, and a yellow and white checked shirt and skirt with an apron that matches her head scarf - all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. At her feet is a very large, wax-constructed basket made to simulate wicker that is filled with cotton and within which her young female child stands. The Cotton Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. The bottom of the base is stamped "Genuine VARGAS New Orleans, LA".
This wonderful figure is in amazing condition for her 75+ years of age with no apparent or visible imperfections other than some missing fingers, a condition which is quite commonly found among Vargas figures.
The Cotton Seller's young, female child also has some missing fingers, and additionally, her neck shows a contiguous crack all the way around. Because her structure is also supported by internal wiring, her head still remains securely attached to her body. Please note that the child is merely placed inside the cotton basket and was never securely glued into it. The wax cotton basket, which was originally glued to the wooden base, has become loosened from it; however, when positioned on the base, it will easily remain in place for display.
Vargas figures are becoming increasingly more difficult to find!
Housed under the frame's glass are 2 color picture paper card models of common objects for tracing as well as an uncut sheet of never-used coloring squares to further build fine motor coordination in young, Kindergarten-age, fingers and hands.
The uncut sheet of coloring squares can be folded and stored in the protective frame along with the two color object cards.
ABC Frame, glass, and colored tracing sheets all in very good to mint condition. Uncut sheet of coloring squares has fold lines, tiny edge tears, and some foxing.
Makes a very visually appealing display for home or classroom!
Veterinary signs of any type are quite scarce! Wonderful patina!
First there is the rare, Parke Davis example labeled "AZOA" (rat virus) designed to exterminate mice, rats and other vermin! This unused, circa 1900, product measures 3.25" high and sports complete labels on both the cork and bottle.
The next bottle is the empty GLOVER'S "IMPERIAL MANGE MEDICINE" which also has a graphically-appealing label featuring the handsome profiles of a horse and dog. Embossing is present on three panels of this deep, amber-colored bottle. Very nice!
The third medicine is the very colorful and unused GOMBAULTS "CAUSTIC BALSAM" skin liniment housed in a screw cap bottle, which is marked 1940 on its box. The box is very good and complete while the bottle shows a covering of modest surface film. The colorful box measures 7 inches tall and comes complete with directions for both human and veterinary use!
The fourth offering is the aqua-colored, embossed H.H.H HORSE MEDICINE D.D.T. 1868 and measures 8.25" tall. There various small closed air bubbles, two tiny lip imperfections and a surface scratch on the back.
The final medicine is a very cute bottle embossed "PRATTS VETERINARY LINIMENT PRATT FOOD CO PHILA USA", measuring 5.5" h x 2"W. This aqua-colored bottle is embossed 485 on the bottom, and has numerous tiny, enclosed, air bubbles, mild faint interior staining and six exterior circular stains on the neck. There is no damage to the bottle, and it displays well!
Quite the quintet! WOW!
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.
A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.
His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.
Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.
Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.
The 3 dolls were grouped together in a creative display that supported the sale of Aunt Jemima Pancake products! Their costumes are all identical and were hand-stitched and made especially for the planned Aunt Jemima display.
Each of the dolls remain intact inside an encasement of glue and paper wrapping and are attached to home-made, plaster-of-Paris-based, rectangular platforms. The platforms were created in 1958 as is written on the bottom of each base, and the dolls remained in place until the store closed in the early 1980s.
The large doll is 11 inches tall and evidences age-crackling to her composition face and hands; her right hand is actually missing a small piece of composition (see photo). Black hair peeks out from inside her checkered head scarf framing her sweet face!
The doll on the left side is the shortest, measuring 5 3/4 inches high. She is in fine condition and her eyes are placed in an interesting sideward glance.
The doll on the right measures 6 1/4 inches tall. Her composition is in fine condition with the exception to some small loss at the very top of her head (see photo).
Certainly a very visually appealing trio, sold all together as a group of three!
Extensively used in the 19th century and earlier, the cupping glass is a glass vessel from which the air has been exhausted by heat or suction creating a vacuum, and then applied to the skin to draw blood to the surface for therapeutic or curative purposes.
Measuring about 3 inches square, this circa 1920s - 1930s vintage tin is an unusual find.
The condition of the tin is good, commensurate with its age. Unobtrusive wear and paint loss do not detract from this hard to find tin .
Great for your pharmacy collection!
The mirror front has a age-faded salmon colored border surrounding an image of a person's face with protruding tongue, about to swallow a "NR" (Nature's Remedy)tablet. The fading makes it a challenge to read the following which is imprinted around the circumference of the mirror: "Take One Tonight - You'll feel Better In The Morning."
"Better Than Pills For Liver Ills - Get a 25 Cent Box"
Original mirrored backing is in very fine condition with just a few very minute, superficial scratches.
Manufacturer name stamped on bottom edge: "Parisian Novelty Company, Chicago".
An interesting little advertising piece!
Given away by the Merrick Thread Company as a free advertising premium to encourage the purchase of its product, this mirror depicts a rather confident black boy hanging from a single strand of Merrick thread while dangling above the open jaws of a hungry alligator! At the base of the mirror the caption reads, "Fooled Dis Time Cully Dis Cotton Aint Gwine To Break".
A delightful Black Americana Advertising piece!