Catalog (434)

Produced as a souvenir piece for the 1884 New Orleans Exposition, this diminutive, antique, metal match holder measures just 2.5 inches high!

Marked "Pat Applied For" on its base, this darling match holder features two small black boys playing around a rather large cotton bale (the bale is labeled "COTTON").

Well-executed detail! A lovely piece seldom found in today's collectible market!

Offered is this circa 1910-1921, very scarce, Macgregor DEEP GROOVE Golf Club that was designed to significantly enhance the backspin of a golf ball. As history would have it, the clubs actually worked and gave an unfair advantage to those professionals who were adept at using them.

The back of the club is stamped as follows: Guaranteed Hand Forged - BAKSPIN (with arrow - a Macgregor identifier) and MASHIE.

In 1921, RIBBED GOLF CLUBS were banned by the R&A and USGA just after the OPEN CHAMPIONSHIP.

Measures 36.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft has a slight bend and is sturdy. The head shows modest and honorable wear, good grooves with generalized, unobtrusive pitting to the surface.

A nice example of an early club with a controversial history!!!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB.

Offered is a fabulous, early 1900s, veterinary doctor sign, advertising the practice of a Dr A. A. Bennet. This 18 inch x 11 inch brass sign is a wonderful advertisement piece. The black painted lettering has been cut into the brass sign to give a two dimensional effect.

Veterinary signs of any type are quite scarce! Wonderful patina!

The resplendent colors of this vintage, 1940's, all-hand-stitched, wool felt tote bag with rolled hand straps are pure eye candy!

This never-used tote bears the original paper tag which states, "Handmade by African Cripple; Ematupeni / Zimele Cripple Care Centers; Durban, England".

The artistry of the wool felt, hand-appliqued cut-outs featuring a mother and her three children is further enhanced by colorful bead work which was carefully placed for symmetry in design and form! A gorgeous piece of vintage African Artwork!

Measuring 14 long x 14 wide x 2 deep, the bag retains a "brand-new" appearance with no fading, rips, stains, or other blemishes.

Please see the companion "tea cozy" offered for sale and priced separately.

Offered is a very difficult-to-find grouping of twelve, matching, 19th century, porcelain, apothecary cabinet drawer pulls.

Each pull measures about 2"W x 1 3/4"H x 1 1/2" front to back (not including bolt).

The condition of the pulls is very good with only a few minor manufacturing imperfections that add to the desired patina of an antique of this age and period.

Most of the pulls sport the following, sometimes illegible, maker's mark on the bottom of the knob: "PAT. FEB 12, 89 - M.D.B. CO. - ST. LOUIS, MO".

The pulls are priced at $540 for the matching set of twelve or can be purchased individually at $45.00 PER PULL. Ready for display in your apothecary collection or for retro-chic decorating use on an actual cabinet, be it antique or contemporary!

Offered is this very scarce, circa 1910, Willie Dunn, Smooth Face Hickory Shaft Golf Club. Although smooth face golf clubs fell out of fashion by the very early 1900s, they were still offered in catalogues for a number of years beyond this date.

This smooth face club is stamped on the back "WILLIE DUNN - NEW YORK". The leather grip is in good condition, and the slightly bent hickory shaft sports a nice aged patina.

Measures 39 inches from heel to top of shaft and is probably a MASHIE although it is not marked as such. There are various small dings, mild pitting to the metal surface and examples of wear commensurate with this club's 110+ years of age and use.

Offered is this very scarce, circa 1900, Willie Dunn, Smooth Face Hickory Shaft Golf Club. Although smooth face golf clubs fell out of fashion by the very early 1900s, they were still offered in catalogues for a number of years beyond this date. This smooth face club is stamped on the back "WILLIE DUNN - NEW YORK". The original appearing leather grip is in fair condition with some loss, and the hickory shaft sports a nice aged patina. Measures 37 inches from heel to top of shaft and is probably a MASHIE NIBLICK although it is not marked as such. There are various small leading edge dings, minimal pitting to the metal surface and examples of wear commensurate with this club's 110+ years of age and use. Of English origin, Willie Dunn settled with his wife and son in New York. His first professional position was at the Ardsley Country Club, Ardsley, New York, where he designed the course and established a club-making business in 1896. Not only was he a very talented golf club maker, he was also an accomplished professional golfer, finishing 2nd in the inaugural US OPEN. He also had gained a fine reputation as an outstanding golf course designer. Please refer to some wonderful history on his life on WIKIMEDIA. INTERESTING INFO In an interview Willie Dunn remembered he was the first to play with the rubber-cored ball which had just been invented. Dunn was on a train traveling from Chicago to New York when he received a telegram asking him to stop over in Cincinnatl, where he found a man named Haskell waiting for him. The gentleman told Willie Dunn he had invented a new golf ball and he told Dunn that he would give him $500 If he would try it and pass favourably upon it. Dunn stopped off and tried the ball, he just teed up the rubber core and was charmed by the sweet way it left the club. He just signed the recommendation and was the first pro to play the Haskell ball.

Offered are 2 very scarce, circa 1940's, glass, hospital signs acquired many years ago out of a New Jersey hospital that was undergoing modernization and renovation.

These glass SPINAL CORRECTION signs once hung near the entryway of the physical therapy department and are ready for display in your collection!

The first sign measures 13 inches long x 3 inches high and is of thick, heavy plate glass construction. The second sign has the same description but has about and inch missing in length. The signs sport gold-toned, applied lettering and are finished off in black paint, such as in the style seen in reverse-painted glass objects. There is some paint loss and lifting which is commensurate with older painted glass.

Offered are two, VERY RARE, 1880's, romantically-themed advertisements printed in Germany and sold by the Bim Brothers, London. The two advertisements both feature well-dressed African American gentlemen attempting to woo and capture the exclusive attentions of pretty young African-American ladies, one via a banjo serenade and the other via an offer of lovely flowers.

The products which these advertisements were meant to endorse is unknown. The advertisements feature a high-shine, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Both would look fabulous framed!

The advertisement featuring the banjo playing gent (with that snarling black dog in the lower right corner) measures approximately 7.25 inches wide x 10.25 inches long. The advertisement featuring the shy woman being presented with pretty flowers measures approximately 7.25 inches wide x 9 inches long.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged advertisements. These pieces are approximately 140 years old, and while in very good condition given their age, both do have tiny surface imperfections, lines and light edge wear. The advertisements are priced at $35 each or two for $60.

Offered for sale is a fabulous and most colorful, hand-painted Connecticut TIN trade sign from the 1920s – 1930s.

Framed in sturdy wood, this metal sign is hand-painted in stunning blues, whites, and oranges and reads: “JOHN E. MELVIN – PLUMBER – TEL. CONN”.

Measuring approximately 32.5 inches wide x 18 inches high, this vintage tin sign, a most unusual find, has wonderful visual graphic appeal and would add great decorative interest to any room!

The condition of the sign is quite good with lovely patina and appropriate surface wear for its 90+ years of age. Note a small unobtrusive piece of framing missing from the bottom right.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin inkwell is constructed in solid brass and has a hole for both placement of pen and glass insert for ink. This piece is offered without the pen and glass ink insert.

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 6 inches long x 3.25 inches wide and 2 1/2 inches high. It does not retain any marking other than a mold number 4557.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Offered in this grouping are ten, 19th century, antique tools, seven of which represent the woodworking trade. Collectively, as displayed in the feature photo, these wonderful vintage pieces make a stunning wall display. For the advanced craftsman, these vintage tools remain completely functional and offer one that opportunity to step back in time and create using historic implements.

1) A C1870, American, very appealing, rather primitive IRON SQUARE measuring 24 inches in length on the long side and 12 inches in length on the shorter side. This solid tool shows the worn appearance of a well-used tool with moderate pitting and loss yet still displays its hand-stenciled numerals and measurement points.
2) A C1870, English, impressively-constructed MORTISING CHISEL that is in very good, usable condition. The durable hand-wrought, hardwood handle supports a hearty steel chisel that is stamped, "WR BUTCHER", along with the image of the English crown. English tools are well-noted to be of high caliber construction. This 9.5 inch long has a lovely, warm patina with a slight, 1 inch hairline where the handle joins the metal.
3 & 4) Two, mid-19th century, Pennsylvanian, iron, BENCH HOOKS. This hand-wrought pair sports a twisted iron design and measure 6 and 10 inches in length, respectively.
5) A C1860, American, elegantly formed WOODWORKER’S OPEN SCORP designed to shave away thin slices of wood. This handsome, 17 inch long tool beckons the skilled craftsman’s and designer’s eye, as it is in working condition and sports a lovely, rich patina. A 2 inch long split near the steel does not impact the integrity of the tool or its workable strength.
6) This circa late 19th century, American, 3 inch diminutive bicycle WRENCH retains most of its chrome plating and shows minimal wear. Made by Mossberg Co. of Attleboro, MA., this "Junior No.1" embossed tool is fully functional as it easily opens and closes.
7) A late 19th century/early 20th century, handsomely-shaped, brass and steel, PLUMB BOB measures 4 inches tall, sporting a nice patina and is ready to use. This American piece is embossed "GENERAL HARDWARE MFG CO, NY, NY, USA”, and shows minimal wear.
8) A high-quality, delightfully-designed, American steel, CALIPER made by the Starrett Co., sports a patent date of June 2, 1895, measures 4.75 inches long and remains usable.
9)This cute, 4 inch long, hardwood-handled GIMLET is in very good condition, dates to the 19th century and also remains usable if chosen. The tip terminates in a tiny screw shape to help initiate the boring of holes for screws.
10)The final tool of this grouping is a very lovely, 19th century, steel and brass, adjustable, COMPASS with plenty of life left. It is marked "P.S. & W Co.", measures 6.25 inches long, and is in very good condition.

De-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below), this very unusual and atypical, 19th century, estate document is offered for sale, the purpose of which was to itemize and execute a division of property from the estate of the deceased, southern plantation owner. This document was purchased in the 1960s by one of the founders of the Middle Passage Museum from a descendant of this Sumter County, Georgia, plantation owner.

This is single page, partial document written on both front and back sides. It is missing its first page which would have shown the name of the deceased slave owner and the listing of the interior household goods and furnishings, and the last page which would have noted the date and county in which the document was executed as well as witness and judicial signatures. However, the most historically significant page exists and is offered here- a plantation estate document in which the slaves are referenced by name and further described by their family position and marital status!

What makes this document EXTRAORDINARILY RARE, UNUSUAL, and ATYPICAL is that it proceeds to, first, categorize the 40 slaves using the word SLAVES instead of the common verbiage of the time -Negroes-, and secondly, it proceeds to list the male slaves BY NAME, ALONG WITH THE NAMES OF THEIR WIVES AND THEIR CHILDREN, with monetary value listed in the right column of the document!!!! In two instances, the number of years married is also listed! Children are labeled "Girl, "Boy", or "Infant". Total value of these 40 slaves was calculated at $24,200.00!

Given that slaves were viewed as property and not human beings in any way equal to the Caucasian race which enslaved them, it is extraordinarily unusual to find a document which recognizes and lists slaves as "Family Units", further designating family position- husband, wife or child! Typically,there was little, if any, thought given to the pain and anguish such slave families would suffer if their "owner" chose to sell off any one of them at any given time. Such estate documents as this listing ENTIRE SLAVE FAMILIES BY NAME is simply without precedent! It would indeed be a phenomenal discovery to be able to identify the plantation and/or deceased slave owner as such an estate listing speaks to an uncommon, albeit, rare and unique perspective of slave ownership. Such a personalized and humanized account of the slaves owned makes this particular document all the more heart-wrenching, and it certainly begs the very sad question of whether or not these slave families were allowed to remain united and intact once the final estate disposition was conducted.

The document measures approximately 8 1/2 inches wide x 14 1/8 inches long, is double-sided and is in good condition, with fold lines evident along with some age-related foxing at top and bottom fold lines. 1 3/4 tear along the fold line of the top fold at right edge. The ink color is sepia toned (likely as a result of some fading over time) on a pale blue, vertically-ruled, heavy paper. This phenomenal piece of cultural ephemera is ready for appropriate archival preservation/framing.

The listing of slaves is on the back side of the document with the front side listing farm animals, equipment and supplies along with values- "The following property set apart for the use and benefit of the farm".

Middle Passage Museum History: The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Offered is a fabulously ornate, 19th century antique, Apothecary Show Globe. Photos provide close-up views of this intricately detailed, high-end show globe, and the 1891 photo from the WHITALL TATUM COMPANY catalog establishes the age of this beauty.

The overall condition of the globe is very good with the imperfections and wear expected given its 130+ years of age. The decorative frame is sturdy and the globe can hold water with ease. At some point long ago, the metal components were painted a gold/brass color. Today, the paint retains a delightful brass tone with an antiqued patina.

The attention to detailing and design of the show globe frame is second to none, pushing this show globe into a class by itself. Note the intricacy and the elegance of design incorporated into both the show globe collar and the finial - simply outstanding!

The show globe measures 22 inches tall from the top of the crown to the tip of finial. The exterior of the hand blown glass globe is in good condition. The interior of the globe notes a modest yet common and unobtrusive haze which will not be visible when the globe is filled with the colored water of your choice. Additionally, the haziness should clean up if so desired.

Acquisition of this rarely found, beautiful and stunning show globe is a rare opportunity not to be missed!

Measuring just 2 inches high, blown-in-mold, 19th century, clear glass bleeding or cupping glass is in excellent condition.

Extensively used in the 19th century and earlier, the cupping glass is a glass vessel from which the air has been exhausted by heat or suction creating a vacuum, and then applied to the skin to draw blood to the surface for therapeutic or curative purposes.

Measuring just 4.75" tall at its highest point x 2.5" deep x 3.5" wide, this fabulous, circa early 1960s, handcrafted mini replica of a 19thC School Master's Desk lacks absolutely nothing in detailing!

Constructed with hardwood and featuring brass hardware, this delightful piece retains its original box labeled "Made In Korea", with design copyrighted by B. Shackman & Co, 85 Fifth Avenue, New York, New York.

The wood-turned legs, wood-carved detailing and overall meticulous attention to design detail is just superb! The desk features a total of 3 drawers which open and close smoothly and easily and which are finished with brass handles or knobs. Desk swinging doors open easily, have brass knobs, and reveal six desk cubby holes and a small drawer hidden inside, just as one would have found in an original 19thC school master's desk!

Condition is all-original and superb without injury! The desk even retains its original foil sticker on the underside. The original cardboard box features a well-designed cover that offers all essential details to the prospective buyer. The front label is in perfect condition, but the cover's four corner joints have all separated, albeit due to handling over the years. All parts are present, however.

This piece is a deaccession from my personal school teacher collection, with regrets, due to lack of display space. A unique addition to one's vintage school collection!

Measuring only 5.5 inches x 6.5 inches framed, this darling little pair of 19th century, American Folk Art, hand-colored lithographs depict two different homesteads in Macon County, Illinois.

One litho appears to be the residence of a “R. Timmons” and the other of a “S. Macon”. The frames are a latter addition, likely circa 1930-40’s acquired by an individual interesting in preserving these colorful and historic pieces of Folk Art. They framing was done at a Greensboro, North Carolina gallery.

Both lithos are darling-- featuring pleasant, pastoral, Folk Artsy, 19th Century scenes! A great pair of mini, decorative and historic accent pieces!

Offered is a recent estate find in Myrtle Beach, SC. This Patent Medicine is an unused CRANE'S Quinine and Tar Cold and Cough remedy circa 1910. This diminutive "Free Sample" is from the CRANE MEDICINE CO., Chicago, Ill and is complete with the original box and insert.

The box approximately measures 4.5"H x 1.5"W and is in fair condition missing both the top and bottom flaps and shows wear commensurate with age. The delightful 4 inch bottle sports complete front and back labels and is in undamaged condition. The insert is included and the paper is brittle with signs of loss mostly at the folded areas.

A nifty medicine for quelling coughs caused by colds, croup, bronchitis and other afflictions. The bottle and box display quite nicely as seen in the photos. A neat find!

Measuring 7 inches in diameter at its widest point and 10 inches high, this lovely, C1920, Ohio-made, yellow ware, blue spongeware pitcher exudes elegance! It features a fabulous, embossed and sculpted rim and a decorative handle, both accented with gold gilt!

The pitcher sits on a footed base and has a generous, bulbous-shaped body. It has glaze crazing typical of an 85+ year old piece of pottery, superficial flakes as noted in photos, and two hairlines at the base (see photos) which likely were acquired through use over the years. The hairlines seem tight and do not appear to threaten the integrity of the piece. P> An outstanding piece of American Spongeware! Becoming much more difficult to find- particularly in this condition!

Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.