$70.00
Measures 35.5 inches from heel to top of shaft. The old leather grip is in good condition. The hickory shaft is straight and has an old repair but remains quite sturdy. The face has a dot pattern and shows mild and honorable wear.
SOME HISTORY:
William Gibson was the maker of this club and Hugh Logan was the professional who endorsed the popular high-end GENIE MODEL. Gibson was born in 1868 and was first a blacksmith who turned cleekmaker (a skilled blacksmith who manufactured early iron clubs). Gibson started his firm in Edinberg in 1887 and changed its name and location to Kinghorn in 1903 when his partner passed away.
Hugh Logan was born in Prestwick, Scotland, in 1880, and first worked for Tom Morris's successor, Charles Hunter, then, honed his skills at the famous London Scottish club at Wimbledon where he patented the adjustable club 'Genii'. He was held in high regard in the club-making fraternity, he played in the OPEN numerous times, and he served as a golf professional.
$40.00
The first one is a handsome club stamped "THOS. E. WILSON & Co." HAND FORGED and SPADE MASHIE. It dates to the early 1930s shortly after hickory shafted clubs transitioned to metal shafts. The club head is artfully paired with a "BRISTOL" labeled painted steel shaft and completed with a handsome leather grip. The club measures 36.5 inches from the heel to the end of the grip. The condition is good with generalized paint loss on shaft, a full original leather grip and a lightly worn club head sporting a handsome patina.
The second club sports a hickory shaft, original leather grip and a club head stamped with the following: "Professional Golfers Association" - "STANDARD" - "SPECIAL" plus the letter "W". The club is stamped "5" on the sole and measures about 36 inches from the heel to the end of the shaft. The solid shaft is slightly bent and the club head sports a nice patina showing leading edge dings.
Two very nice entry level vintage clubs!
$80.00
The first club, dating to 1925, has "TED RAY SEVENTY-TWO" "LADIES - SPECIAL - HAND FORGED and PUTTER" stamped on the back of the face. This WILSON-made club measures 33" from the heel to the top of the shaft and appears minimally used. The sturdy hickory shaft has a mild bend from front to back on the lower shaft. The leather grip is in good condition.
The second club, a mid iron, circa 1920-1930, is stamped on the on the back of club "KRO-FORGED PROFESSIONAL" and measures 37.5 inches from the top of the shaft to the heel. This KROYDON made club sports a sturdy straight shaft and a good original grip. There is faint superficial pitting to the club head.
Both clubs enjoy original patina and have mild wear commensurate with the clubs' use and their nearly 100 years of age. A delightful duo, ready for play or display!
SOME HISTORY:
https://www.si.com/golf/news/ted-ray-was-golfs-original-long-driver-and-a-true-original
It is worth a visit to this SPORTS ILLUSTRATED link for some great info on this delightful man, MAJOR winner and unheralded pro golfer TED RAY who deserves to be in the GOLF HALL OF FAME!
$75.00
This delightful club is marked "MAJESTIC" on the crown and is likely a Macgregor made club based on its quality plus the configuration of the seven dot designed face, which is a Macgregor feature.
This attractive club appears all original and is in very good condition considering its nearly 100 year existence. It has a straight 42.5 inch hickory shaft, an original grip and appealing patina in addition to wear and scuffs common to vintage clubs. The brass sole plate shows mild wear and has the #5 stamped near the middle. The face plate is not quite flush with the front of the club but is otherwise very tight and secure in place.
A delightful example of the fusion of beauty and function in sports equipment!
$35.00
SOME HISTORY:
H&B operated as a carpentry business starting in 1855 by J.F. Hillerich. In the mid 1880s, his son expanded the business into making bats for a local semi-pro baseball team which were an instant hit with the players. In 1894, they were labeled the "LOUISVILLE SLUGGER", and in 1905, HONUS WAGNER signed an endorsing contract attesting to their quality. Salesman, Frank Bradsby, became a partner in 1916, and the company was renamed "The Hillerich and Bradsby Co". This same year, the company started making golf clubs. By 1923, TY COBB, BABE RUTH and Lou GEHRIG all used their bats!
$95.00
The first club, the ladies' 7 iron, comes with considerable pedigree. It was offered by the golf professional Frank Belwood while employed as Club Pro at Garden City Golf Club in NY. This club is a handsome ladies' mid iron with a somewhat low profile construction measuring 38 inches to the heel. The hickory shaft has a nice original patina. Noted is a slight bend towards the club head with a faint split at the hosel. The leather grip appears original and is in good condition except for some loss as seen in the photo. The club head sports dot face styling and is in good condition with mild leading edge dings. The back of the club is stamped "F.BELWOOD - GARDEN CITY"- (within a double oval) plus "SPECIAL - HAND FORGED, and (L)" indicating a ladies club.
The second club, a Putting Cleek, is in very good overall condition sporting a solid hickory shaft with an original patina. The early grip is generally good except for a small missing piece. The head sports a dot-punched style on the front, and the shaft is straight. The back is stamped with the following: "GUARANTEED HAND FORGED - PUTTING CLEEK" - and H. WATE?? SPECIAL" in an oval.
SOME HISTORY ON FRANK H. BELWOOD:
Garden City Golf Club, founded in 1899, was one of the first golf courses established in the USA, and in 1902, hosted the US OPEN. Frank H. Belwood was a successful golfer for many years and was the club professional for Garden City Golf Club in NY until the early 50s. He was a charter member of the PGA, and during the early history of American golf, he participated in various major tournaments competing against the best players of his era.
ADDITIONAL INFO ON THE PUTTING CLEEK:
A putting cleek has more loft than a putter. The cleek putting style was popular in early golf and it was said to give the player more options. On smoother greens, the players hands would be placed forward in the stroke to de-loft the club and get the ball rolling smoothly. On bumpy/rough greens it would be held normally and the extra loft would "raise the ball above the roughness".
$70.00
The first club has the following stamped on the back in an oval: "Wright & Ditson SPECIAL", plus "HAMMER FORGED" and the cleek mark image. A worn "MASHIE NIBLICK" stamp is noted on the sole. The face has a dot style stamping, and the shaft has "WRIGHT & DITSON" stamped near the grip. The shaft has an old repair and a bend. Overall, a nice club with mild wear to the metal appropriate for its age.
The second club is a handsome 3 iron Spalding Kro-Flite model sporting a lined face with a fancy circular design in the sweet spot. The #3 is stamped on the sole. The back has the following stamping: "Professional Golf Assoc. - Custom Made KRO-FLITE" and a crow cleek mark. The condition is very good noting a slight bend towards the handle and a wonderful patina.
In 1892, A. G. Spalding & Bros, acquired the Wright & Ditson Company to enhance their position in the club making industry. Wright & Ditson company was founded in 1871, and the name continued to be used by Spalding on both golf clubs & balls into the 1940's.
$60.00
The first club is stamped on the back with the following: "Hillerich & Bradsby Co. - Louisville, KY - GRAND SLAM" with the "hand and cards" cleek mark". The "#7" is stamped on the sole. The face is DOT stamped with a fancy "GRAND SLAM" mark on the sweet spot. The straight shaft measures 35.5 inches to the heel and sports a replaced leather grip.
The second club is stamped on the back with the following: "LADY BURKE" in an oval - the "#11", the "SCALES" cleek mark and "NIBLICK". The straight shaft is 35 inches long to the heel and sports a nice patina and original grip with a small piece missing. The face has a straight line configuration.
The third club, which has "MASHIE" stamped on the sole, measures 36.5 inches and has an original leather grip and a shaft with a slight bend. The back has the following stamps: "Approved by GOLFERS ASSN. of AMERICA" and "CRAIG WOOD - LOUISVILLE G.C. - MASHIE and P-52".
SOME HISTORY:
The Burke Company was the offshoot of another Ohio golf manufacturer. Its founder, William Burke, had managed MacGregor's club-making for nearly 15 years before branching out on his own in 1910 and converting his new company into Burke Golf Company, beginning with a full production of complete golf clubs.
Truly one of the world’s best golfers during his era, Craig Wood, was the winner of 21 PGA Tournaments including both the Masters and U.S. Open in 1941. He spent many of his most competitive seasons as a head professional in New Jersey and was a member of three Ryder Cup teams (1931, 1933, 1935).
He worked at Forest Hill Field Club in Bloomfield from 1928-31 and at Hollywood Golf Club in Deal from 1932-35.
Craig Wood was the first player to lose all four major championships in extra holes. His major wins came late in his career at age 39.
$695.00
The piece is signed in the lower right hand corner by LISTED American artist, Olga Lea Rosenson, who was born September 10, 1892, in Brooklyn, New York (died 1959). She was best known for her work capturing town and city landscapes as well as portraiture. This portrait intimately captures the soul of its subject as he pensively awaits his next customer, and it is supposed to have been inspired by a young man whom Ms. Rosenson frequently observed on the streets of Brooklyn.
Painted in 1934, the framed piece measures 20" x 26.5"; the watercolor, 13” x 19.5 “. It is completed in various subtle tones of blue, gray, green, and brown, and it is double-matted in cream with a subtle gray under-mat.
This watercolor remained in the same collection for over 60 years and was professionally re-framed by the original owner in 1987, with information on this re-framing taped to the back side of this piece. The wood frame is in very good condition with a couple of small, age-related areas of wear that are minimally noticeable. There is a 5 inch vertical tear to the paper backing as seen in a photo that was taped closed by the earlier owner; there is no damage to the foam-core backing underneath. To the left of this tear, is cut-out information on the artist that was also taped on back by the earlier owner.
Ms Rosenson's works are owned both privately and by museums around the world, including Washington D.C.'s National Gallery of Art.
$18.00
In addition to making children's games, The Milton Bradley Company, for many, many years, produced an extensive array of school supplies, equipment, and materials!
A wonderful addition to School or Artist Memorabilia collection!
Although two boxes are pictured in the photo, sale is for ONE BOX ONLY.
$125.00
Her composition face is in impeccable condition with sharp, well-drawn painted facial features. Her face is further accented by 3 darling curls peaking out from under her brightly colored cloth bandanna!
Her body is machine-stitched cotton fabric stuffed with sawdust. On the back of her right thigh, her place of origin is stamped: "POLAND". Her little flowered skirt is also machine stitched and is the only piece of clothing that may be removed.
Condition is superb with the exception of a hand-stitched repair to the seam line of her left foot where the foot is joined to the leg. Does not detract.
$175.00
Measuring 1.5 inches long x 1 inch wide, this sharpener depicts a derogatory caricature of a Black Man. The glaring eyes are painted a stark white with teeny black pupils, while the red painted lips surround the pencil sharpener blade which takes the place of the man's teeth. Curly molded hair and eyebrows are painted black, while the face is painted brown- inside and out.
The pencil sharpener is stamped GERMANY on the back inside.
Condition is very good with approximately 75% of the original paint remaining. There is no repaint! The paint is worn in expected areas, with the majority of paint wear seen on the sides of the face and bottom of the chin where one would grasp the sharpener. Facial feature paint is strong.
Germany apparently made a good steel blade as the sharpener still works!
$195.00
This never-used tote bears the original paper tag which states, "Handmade by African Cripple; Ematupeni / Zimele Cripple Care Centers; Durban, England".
The artistry of the wool felt, hand-appliqued cut-outs featuring a mother and her three children is further enhanced by colorful bead work which was carefully placed for symmetry in design and form! A gorgeous piece of vintage African Artwork!
Measuring 14 long x 14 wide x 2 deep, the bag retains a "brand-new" appearance with no fading, rips, stains, or other blemishes.
Please see the companion "tea cozy" offered for sale and priced separately.
$55.00
Housed under the frame's glass are 2 color picture paper card models of common objects for tracing as well as an uncut sheet of never-used coloring squares to further build fine motor coordination in young, Kindergarten-age, fingers and hands.
The uncut sheet of coloring squares can be folded and stored in the protective frame along with the two color object cards.
ABC Frame, glass, and colored tracing sheets all in very good to mint condition. Uncut sheet of coloring squares has fold lines, tiny edge tears, and some foxing.
Makes a very visually appealing display for home or classroom!
$18.00
$22.00
This is part of many “female specific” old pharmacy stock items for sale.
$60.00
The jar cover has a repaired crack at the base of the knob as seen in the photo, but the jar otherwise is quite fine lending flair and elegance to your apothecary collection.
$75.00
Constructed of hand-cut, ¼ inch wide, black painted wood, this darling little black girl has hand-painted eyes and smiling lips, and is dressed in a hand and machine stitched, cloth-stuffed, one piece, black, tan and green dress! She has a hole in each ear, a metal hanging loop atop her head and one metal hook on each shoe for hanging keys or potholders!
She is in fine condition given her 70+ years of age and has great “patina”. Some minor paint loss, a few teeny holes in her outfit, but very visually appealing Black Americana Folk Art, none the less!