Catalog (459)

The 8.5 inch bottle is in fine condition and sports a label only on the side panel because it is embossed on the remaining three sides. The bottle label is almost complete with modest staining from content leakage.

This medicine retains its original, very decorative box which notes a 1915 date-- apparently when this "new" box was first introduced to the public in August of that year. The box is complete and in good condition noting modest content stain, mostly on the left panel.

Ayer's Sarsaparilla was actually a quack medicine first introduced in the mid 19th century, with no real evidence of therapeutic value, and in that regard, quite similar to many other medicines of that era. Sarsaparilla, J.C. Ayer's most popular product, was cited as a real blessing to humanity in that it purified the blood, stimulated the vital functions, restored and preserved health, and infused new life and vigor throughout the whole system!! Sarsaparilla was also recommended for jaundice, dyspepsia, pimples, boils, ringworm, female weaknesses and ‘lassitude and debility peculiar to the Spring.'

This is a fabulous white ceramic 1950s pharmacy drug store display with decorative gold gilt embellishments. The mortar measures 7 inches tall and the solid pestle is 8.5 inches long.

The condition is near excellent with no damage, cracks or dings.

An outstanding display that will compliment any pharmacy collection.

This handsome display measures 9"L x 4.25"W x 2"H and sports 23 of the original 24 tablet boxes. Each 3 inch box contains a perfectly-labeled, cork-topped bottle with the original insert.

The condition of the display box is fairly good with some honorable wear and scuffs, with loss of the top cover, all commensurate with an antique medicine. One of the medicine boxes has a small 1/3 inch of ancient, but unobtrusive debris stuck on it. Several boxes show a few tiny stains worth noting. One box has been opened and has one loose flap.

A wonderful, all-original find!

This wonderful Depression Era piece features a whimsical 10 inch long cutout figure of a little wooden black mammy with hand-painted “surprised” mouth and eyes! She is dressed in a machine-stitched cotton costume with great yellow ric-rac accenting —a wonderful kerchief on her head, and a cute little apron.

Her feet feature two brass-finish hooks, presumably to either hang keys or pot holders from. Overall condition is fine with minor paint wear to her face as seen in photos--typical of a 70 year-old-piece.

One of my favorite hand-made pieces with true folk art appeal!

This unusual tincture bottle is in excellent condition. The bottle interior is clear and the stopper, which sports ground glass, is in very nice condition except for some unobtrusive interior edge chips and two very minor flecks on the (L) edge of the stopper.

A hard to find circa 1900 patent pharmacy bottle ready for your collection!

These handmade tiles originate from Delft, Holland, and are part of a limited edition commissioned by the Burroughs & Wellcome Co. The back of each tile sports a label with a description including a brief history.

Ready to display, frame or hang in your favorite collection.

Tiles are priced $20 each.

Both dolls retain their 3 original pigtails, all tied off with tiny pieces of string. Their hand-painted lips and eyes remain in excellent condition as is the dark brown paint which covers the bisque bodies which were originally white when manufactured (the white bisque coloring is visible at the joints).

Both dolls have jointed arms and legs which allow them to assume different positions. The string holding the larger doll's legs in place has stretched over these many years resulting in looser leg joints. (This can be repaired if so desired by the new owner.)

The larger doll is dressed in a hand-made outfit consisting of an ivory, yarn-knitted petticoat under a yellow crocheted dress while the smaller doll remains au naturalle! A darling, teeny tiny pair that display quite nicely!

Constructed of painted wood that is nailed and glued together, this vintage collectible retains quite a few of its original but yellowed-with-age grocery shopping list pages. The holder/board retains a ball of string and a stub of an older, red pencil. It also has an inkwell cut-out that would have accommodated a bottle of ink; presumably, an inkwell pen once resided beside it versus the current pencil.

The holder/board remains in all original condition with no repaint or repair. The black chef is not painted on but is a decal--all original. The pale blue paint has appropriate, minor, age-related wear as noted in photos.

Has great visual appeal and displays wonderfully!

Mammy bottle dolls were constructed to be quite functional; they were used as doorstops back in the day. Their sand-filled bottles added enough weight to readily keep that door in place.

Her interesting and expressive face is also completely hand-stitched and bears a tiny hole in the center of her chin. A similar teeny hole may also be seen (see photo) on her back. Mammy wears a lacy bonnet detailed with tiny pleats and 2 ribbon flowers. Her pink skirt and blouse, also hand-stitched, is presented in various shades of pink as Mammy's outfit must have been subjected to light over the years and is in places, quite faded. Despite the careful laundering, Mammy's clothing is speckled here and there with teeny dark pinpoint size spots, most particularly in the bust area. Her white apron is pristine and is accented with a small, non-functional pocket. Her lace bonnet is fragile and must be handled with care as it can tear easily.

Although her bottle frame is covered by a black stocking, the stocking has opened slightly under her skirt revealing her sand-filled milk bottle.

This wonderful, early, one century old (!), mammy bottle doll is one of 3 currently offered mammy bottle dolls that have all come from the same estate. These dolls are very seldom found in today's collectible market. All three are are priced separately.

Each wonderfully appealing drawer pull exemplifies the high style era of Victoriana design predominating the second half of the 1800's. Each pull measures about 4.7/8"W x 2 3/8"H x 7/8"D. The labels are reverse painted on glass, all-original and sport a lovely patina.

The condition of the pulls is very good with the exception of only one pull, VIBURN..., showing minor glass damage (see photo). Otherwise, some pulls have very minor paint loss, very faint superficial rust, and may need a slight cleaning of the glass, qualities which are consistent with 140+ year old antiques of the period that experienced consistent use.

Make no mistake, this matching set of stunningly-designed, label-under-glass style apothecary cabinet drawer pulls are a rare find in today's antiques market!

Extensively used in the 19th century and earlier, the cupping glass is a glass vessel from which the air has been exhausted by heat or suction creating a vacuum, and then applied to the skin to draw blood to the surface for therapeutic or curative purposes.

This complete display consists of 24, small 'sample' medicine boxes, each of which contain colorful little red pills!

Each small box's label includes ingredients described as 'laxative and cathartic’.

Packed by CHANDLER MEDICINE CO. - Office 2812 Dodier Street, ST. LOUIS, MO., the display measures 6" x 5" x 1" and is in unused, very nice condition. ***NOTE*** The left side edges of the box have separated from each corner and the front top panel which serves as the front display when open is partially detached from its side. This type of separation does occur over time and is noted for full disclosure. AS noted in photos, this display presents wonderfully despite its minor, age-related flaws.

A great, visually-appealing collectible for the pharmacist, nurse or doctor in your life!

Overall, this heirloom piece flaunts its desirable size with a nice early finish, lovingly curved armrests, perfect-condition caned seat and back, and decoratively turned spindles and front legs.

Given its age, the rocker remains very sturdy and ready for the child in your family to enjoy! It has the expected, minimal surface blemishes and unobtrusive dings and wear that are commensurate with a piece of child's furniture from the 1880 era. Additionally, there are two very, very tight hairline splits in the left side of the seat frame, that again, do not effect the chair's structural integrity. The first is noted just in front of the base of the left arm (when sitting) and the second is seen where the back of the seat joins with the vertical rail. Both imperfections have been photographed, are solid, and do not impact the rocker's structural integrity. The chair measures just over 27 inches tall and the seat width at the front of the chair measures 15.5 inches wide. The rockers measure 24 inches in length.

Just a lovely and special heirloom piece for the new baby or toddler in your family!

Please note that because this item would be classified as oversize by delivery carriers, this item does not qualify for free shipping.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final line of the story. It goes without saying that all versions of this tale are highly derogatory.)

The Valentine publication follows the original pattern of the young boys meeting their demise one by one, with only one boy remaining at the end of the story. What sets this publication apart from all other versions, is that an entirely different and creative story has been composed. In "Ten Little Nigger Boys", the ten "naughty boys", all about the same age, decide to run away together on a sailboat called "The Saucy Sue", which they "borrowed from an old sailor coon for an hour" with no intention of ever returning. On a mission to find a desert island that they would have all to themselves, the boys, one by one, meet their demise by drowning, by being eaten by a whale, by gunpowder explosion, by accidental gunshot, by abduction by an elephant (they found their island), and by the swallowing of a sea monster! The one remaining boy is rescued at the end by "an aeroplane commanded by a brave army captain", and was brought home "where everyone made a hero of him".

Measuring 8 inches wide x 9 inches tall, each page of the book is imaginatively illustrated with black ink drawings highlighted with red. Valentine & Sons Publishers, a lithographic printing firm, was founded in Dundee, Scotland in 1825, by John Valentine. His son, James, an early pioneer of photography, reproduced his work as prints and stereo-views. By 1896, the company began printing postcards, and it grew to become Scotland's leading manufacturer of color-tone picture postcards. For a brief period of years between the late 1890's and early 1900's, the company produced a small selection of children's books to supplement their earnings, utilizing a style they referred to as a "cut-out"; this book, is an example.

Condition: Good-- for its 111 years of age, showing the expected wear of a well-read, antique, children's book! Sturdy, thick cardboard covers with paper pages. Unpaginated. The book spine is held together by two, large, intact, original staples. The center page has separated from the staples, and a small section of this page is missing as seen in photo (for purposes of photography to better illustrate the missing section, a white paper was placed in its place; otherwise, the missing section would be difficult to discern, blending into the preceding page.). All pages are present, and except for the one separated page, all remain sturdily attached to the spine. Small edge tears and some soiling are present on various pages throughout the book. The front and back covers show edge wear and some soiling, and the top tip of the front cover above the "E" in "Little" is missing. Both the front and back covers are missing the small section that would have, on the front cover, illustrated the head of the boy in the green jacket standing on the right side of the boat. The front cover also displays a horizontal crease line which corresponds to the book's spine. This crease naturally occurred over time due to the book's design and manner in which it is opened (The front cover is lifted up and over to open the book. See photos.) The back cover shows evidence of some superficial water staining that did not seep through to its other side.

All but three pages of this book have been photographed, as I am limited to twelve photos per listing. The first six pages of the story are represented, followed by the final three of the story.

As the production of children's books was only a supplemental sideline for Valentine publishing, very few of these books were originally produced, and fewer still remain today. This is the first copy that I have ever seen in my decades of specializing in Black Memorabilia, and I have found no others available for sale on the internet. This antique children's book is truly a very rare offering, and its age-related flaws do not detract from its significant collectible value.

This striking example was clearly designed to attract customers with its coloring and bold combination of script and block lettering- all executed in reverse on the underside of the glass. The reverse-painting technique adds additional elegance to the artistic quality of the sign's design. The very sturdy frame is constructed of wood that is enveloped in a heavy gauge metal. The metal portion of the frame has hints of having been painted a few times over the years and shows age appropriate wear.

The sign measures 36"L x 16"W x 1" thick and is in very good condition. There are various mounting holes present. As expected with old glass, some unobtrusive blemishes and small scratches are also present, commensurate with the sign's 100+ years of age. Two very small spots of paint loss are also evident as seen in the photos.

An utterly eye-catching and distinctive, vintage pharmacy sign that will complement any collection!

The image, itself, measures 32" long x 24" wide, while the framed artwork in total measures 41" long x 32.5" wide. The giclee print was framed using museum-quality, acid-free double-mat board and backing materials, within a fine quality solid wood frame and topped with non-glare glass. This artwork was purchased directly from artist, Kelvin W. Henderson, it was signed by him at the time of our purchase, and it cheerily hung in our dining room for ten years!

The artwork is actually brighter in color than my camera was able to capture- closeups appear a bit "darker" than reality. Condition is absolutely perfect! And its presence---well, it will command one's attention hanging on an entire wall-space all by itself! It is, as stated earlier, a Limited Edition giclee lithograph-- Number 18 of a 150 Limited Edition series, with an additional 50 canvas editions. The provenance of this piece with all details is attached on the back side of the artwork as seen in one of our photos. A buoyant and effervescent piece of art!

As this piece exceeds typical shipping criteria in terms of dimensional size and weight, we regret that we cannot offer free shipping. We will provide a $25 shipping credit, but the remaining cost of shipping will rest upon the purchaser.

Constructed with care and skill, Mammy's floral dress, white apron and white under-pantaloons were neatly machine stitched. Her facial features--- eye brows, eyes, nose, and lips --- are hand-stitched with embroidery thread. She has yarn-constructed black curls peeking out from under her red and white polka dot head scarf. Her arms, torso and head are stuffed with cotton or cloth scraps with the torso securely tucked over the top of the clothespin and into the pantaloons. Her black-painted clothespin legs are hidden under her long skirt.

A very sweet little doll in wonderful all-original condition-- no repairs, rips, stains or odor. Displays quite nicely!!