Catalog (459)

This striking example was clearly designed to attract customers with its coloring and bold combination of script and block lettering- all executed in reverse on the underside of the glass. The reverse-painting technique adds additional elegance to the artistic quality of the sign's design. The very sturdy frame is constructed of wood that is enveloped in a heavy gauge metal. The metal portion of the frame has hints of having been painted a few times over the years and shows age appropriate wear.

The sign measures 36"L x 16"W x 1" thick and is in very good condition. There are various mounting holes present. As expected with old glass, some unobtrusive blemishes and small scratches are also present, commensurate with the sign's 100+ years of age. Two very small spots of paint loss are also evident as seen in the photos.

An utterly eye-catching and distinctive, vintage pharmacy sign that will complement any collection!

This handsome display measures 9"L x 4.25"W x 2"H and sports 23 of the original 24 tablet boxes. Each 3 inch box contains a perfectly-labeled, cork-topped bottle with the original insert.

The condition of the display box is fairly good with some honorable wear and scuffs, with loss of the top cover, all commensurate with an antique medicine. One of the medicine boxes has a small 1/3 inch of ancient, but unobtrusive debris stuck on it. Several boxes show a few tiny stains worth noting. One box has been opened and has one loose flap.

A wonderful, all-original find!

Both dolls retain their 3 original pigtails, all tied off with tiny pieces of string. Their hand-painted lips and eyes remain in excellent condition as is the dark brown paint which covers the bisque bodies which were originally white when manufactured (the white bisque coloring is visible at the joints).

Both dolls have jointed arms and legs which allow them to assume different positions. The string holding the larger doll's legs in place has stretched over these many years resulting in looser leg joints. (This can be repaired if so desired by the new owner.)

The larger doll is dressed in a hand-made outfit consisting of an ivory, yarn-knitted petticoat under a yellow crocheted dress while the smaller doll remains au naturalle! A darling, teeny tiny pair that display quite nicely!

Overall, this heirloom piece flaunts its desirable size with a nice early finish, lovingly curved armrests, perfect-condition caned seat and back, and decoratively turned spindles and front legs.

Given its age, the rocker remains very sturdy and ready for the child in your family to enjoy! It has the expected, minimal surface blemishes and unobtrusive dings and wear that are commensurate with a piece of child's furniture from the 1880 era. Additionally, there are two very, very tight hairline splits in the left side of the seat frame, that again, do not effect the chair's structural integrity. The first is noted just in front of the base of the left arm (when sitting) and the second is seen where the back of the seat joins with the vertical rail. Both imperfections have been photographed, are solid, and do not impact the rocker's structural integrity. The chair measures just over 27 inches tall and the seat width at the front of the chair measures 15.5 inches wide. The rockers measure 24 inches in length.

Just a lovely and special heirloom piece for the new baby or toddler in your family!

Please note that because this item would be classified as oversize by delivery carriers, this item does not qualify for free shipping.

Little Jasper was created by George Pal, a cartoonist who worked for Paramount Studios and who created the Puppetoons, a popular cartoon series played in movie theaters of the era prior to the screening of the feature film.

Push or pull him along, and he twirls around while the two present wooden flowers spin along with him! (One wooden flower top is, unfortunately, missing--the only imperfection to this fabulous toy!)

Overall condition is rated as excellent, barely-used condition! There is very insignificant edge wear to paint here and there, but the four wheels don't show even the tiniest trace of wear from use, suggesting that this toy quite likely sat either in a display cabinet or was packed away for its entire existence! Even the original, paper manufacturing sticker remains intact and in pristine condition!

"Little Jasper" is very RARELY found, and the opportunity to acquire him should not be overlooked!

This is a fabulous white ceramic 1950s pharmacy drug store display with decorative gold gilt embellishments. The mortar measures 7 inches tall and the solid pestle is 8.5 inches long.

The condition is near excellent with no damage, cracks or dings.

An outstanding display that will compliment any pharmacy collection.

Cleverly conceived and constructed, this display combines a very, visually-pleasing, accessible medicine display that promoted spur-of-the-moment purchases at the drug store cash register, along with a tape dispenser for use by the pharmacist and his employees! Quite clever--- as it guaranteed that the display would remain in use and visible in the pharmacy as the tape dispenser provided a nice convenience for drug store employees!

In very nice condition with expected scratches, paint rubs, and non-problematic, superficial surface rusting here and there (please see photos) expected of a 75+ year old functional display.

The display retains one of its twelve, original, glass Alka-Seltzer medicine bottles (empty of contents) as well as an older, used roll of tape in the dispenser!

A very unique advertising drug store display sure to start an interesting conversation at your next dinner party!

This unusual tincture bottle is in excellent condition. The bottle interior is clear and the stopper, which sports ground glass, is in very nice condition except for some unobtrusive interior edge chips and two very minor flecks on the (L) edge of the stopper.

A hard to find circa 1900 patent pharmacy bottle ready for your collection!

Measuring just 6 ½ inches tall with a skirt circumference of 4 ½ inches, her head, torso, and arms are constructed of fabric with an inverted basket serving as her skirt. Her clothing is machine-stitched with attention paid to detail: teeny gold fabric braiding serves as earrings and necklace; delicate lace accents her skirt hem; her red shawl features zig zag stitching accents; her face is finely hand-painted.

A sweet addition to one’s Black Memorabilia or Doll collection!

This wonderful Depression Era piece features a whimsical 10 inch long cutout figure of a little wooden black mammy with hand-painted “surprised” mouth and eyes! She is dressed in a machine-stitched cotton costume with great yellow ric-rac accenting —a wonderful kerchief on her head, and a cute little apron.

Her feet feature two brass-finish hooks, presumably to either hang keys or pot holders from. Overall condition is fine with minor paint wear to her face as seen in photos--typical of a 70 year-old-piece.

One of my favorite hand-made pieces with true folk art appeal!

The darling boy and girl seated on a tree stump measures 2 3/8 inches high. With the exception of the girl's missing right leg, this seldom-found piece is in overall fine condition with age-related paint scrapes here and there. (please see all photos)

A very unusual and interesting figure group that displays exceedingly well!

The image, itself, measures 32" long x 24" wide, while the framed artwork in total measures 41" long x 32.5" wide. The giclee print was framed using museum-quality, acid-free double-mat board and backing materials, within a fine quality solid wood frame and topped with non-glare glass. This artwork was purchased directly from artist, Kelvin W. Henderson, it was signed by him at the time of our purchase, and it cheerily hung in our dining room for ten years!

The artwork is actually brighter in color than my camera was able to capture- closeups appear a bit "darker" than reality. Condition is absolutely perfect! And its presence---well, it will command one's attention hanging on an entire wall-space all by itself! It is, as stated earlier, a Limited Edition giclee lithograph-- Number 18 of a 150 Limited Edition series, with an additional 50 canvas editions. The provenance of this piece with all details is attached on the back side of the artwork as seen in one of our photos. A buoyant and effervescent piece of art!

As this piece exceeds typical shipping criteria in terms of dimensional size and weight, we regret that we cannot offer free shipping. We will provide a $25 shipping credit, but the remaining cost of shipping will rest upon the purchaser.

Each wonderfully appealing drawer pull exemplifies the high style era of Victoriana design predominating the second half of the 1800's. Each pull measures about 4.7/8"W x 2 3/8"H x 7/8"D. The labels are reverse painted on glass, all-original and sport a lovely patina.

The condition of the pulls is very good with the exception of only one pull, VIBURN..., showing minor glass damage (see photo). Otherwise, some pulls have very minor paint loss, very faint superficial rust, and may need a slight cleaning of the glass, qualities which are consistent with 140+ year old antiques of the period that experienced consistent use.

Make no mistake, this matching set of stunningly-designed, label-under-glass style apothecary cabinet drawer pulls are a rare find in today's antiques market!

The sign measures 14 inches wide x 10 inches high, and is quite bright and visually appealing.

This painted metal sign remains in fine condition with minor surface scratching, tiny areas of paint loss and tiny areas of superficial rusting, all as noted in photos.

Very few of these pieces survive due to the high level of use they encountered. This piece has obviously not seen much if any use as the paint remains absolutely perfect! A single, very minor, very tight age crack is present at the outer edge of the handle bottom. Two superficial craze lines noted: one at the base of the right-side tulip, the second noted at the "R" in "SPOONREST". No other imperfections.

This fine and very hard-to-find piece of Black Memorabilia is an essential addition for the advanced collector! Fabulous detailing!!

The flag features 48 stars and is bordered with the stars and stripes as well as a Liberty Bell at each of the four corners.

The Flag is double-sided and looks fabulous when viewed from either side.

Would look quite striking if matted and framed!

This early example measures 12.5 inches long and sports a lovely aged brownish patina. The toe of the plane has the owner's initials, "L.C.", boldly-stamped upon it.

The condition is commensurate with a modestly-used antique hand tool. There are the expected unobtrusive small dings, scratches and imperfections typically seen in vintage tools. The base of the handle has a 4 inch split that does not effect the integrity of the tool. A small, 1/4 inch split is noted near the bottom of the heel. The blade is sharp, well-maintained and is imprinted with the word, "WELDON", suggesting a probable Scotland-sourced iron. The plane construction, however, is most likely of English origin due to the bold manner in which the owner's initials are imprinted.

Entitled "Gathering Cotton", the plate depicts eight slaves, including two children, picking cotton and placing it in woven straw baskets.

Plates such as this, particularly those with the alphabet embossed around the rim, were produced for use by children as subtle educational tools. England was well ahead of the United States in recognizing the moral evils of slavery abolishing it in 1833, but continued to produce slavery-themed plates for the American market.

This plate measures only a diminutive 5 1/2 inches in diameter, and the interior is decorated with the black transfer-printed scene which was then hand-painted in colors prior to firing. The rim is embossed with decorative swirls as well as the alphabet in capital letters.

Condition of the plate is quite good. It has a use/age-related spider-crack that is visible on the backside of the plate and is also partially visible on the front side. (see photos) This spider-crack is quite tight and does not pose any concern to the structural integrity of the plate. Also noted is some subtle edge roughness which occurred during firing; hardly noticeable when the plate is displayed on a stand. This plate has graced my collection for the past 30 years!

Despite its age-related imperfections, this plate displays absolutely beautifully, and for those collectors who are interested in slavery-related artifacts, this would be a noteworthy and visually-appealing addition to one's collection.

Constructed of painted wood that is nailed and glued together, this vintage collectible retains quite a few of its original but yellowed-with-age grocery shopping list pages. The holder/board retains a ball of string and a stub of an older, red pencil. It also has an inkwell cut-out that would have accommodated a bottle of ink; presumably, an inkwell pen once resided beside it versus the current pencil.

The holder/board remains in all original condition with no repaint or repair. The black chef is not painted on but is a decal--all original. The pale blue paint has appropriate, minor, age-related wear as noted in photos.

Has great visual appeal and displays wonderfully!

The 8.5 inch bottle is in fine condition and sports a label only on the side panel because it is embossed on the remaining three sides. The bottle label is almost complete with modest staining from content leakage.

This medicine retains its original, very decorative box which notes a 1915 date-- apparently when this "new" box was first introduced to the public in August of that year. The box is complete and in good condition noting modest content stain, mostly on the left panel.

Ayer's Sarsaparilla was actually a quack medicine first introduced in the mid 19th century, with no real evidence of therapeutic value, and in that regard, quite similar to many other medicines of that era. Sarsaparilla, J.C. Ayer's most popular product, was cited as a real blessing to humanity in that it purified the blood, stimulated the vital functions, restored and preserved health, and infused new life and vigor throughout the whole system!! Sarsaparilla was also recommended for jaundice, dyspepsia, pimples, boils, ringworm, female weaknesses and ‘lassitude and debility peculiar to the Spring.'

Marked "Copyright 1924", in the lower left hand corner, this extremely hard-to-find advertising piece measures 10.5 inches wide x 13.5 inches high. Colorful and visually interesting, the heavy cardboard die cut depicts an engaging Uncle Wabash serenely strumming his banjo on his front porch! Guess the message to the consumer was, "Eat one of Uncle Wabash's cupcakes to experience your own little slice of heaven and serenity!"

Condition of this charming piece of Black Historical ephemera is quite good given its nearly 100+ years of age!! Old water staining to bottom of the die cut does little to detract from the piece. Crease line to one cupcake edge. Appropriate age-related foxing to back.

These handmade tiles originate from Delft, Holland, and are part of a limited edition commissioned by the Burroughs & Wellcome Co. The back of each tile sports a label with a description including a brief history.

Ready to display, frame or hang in your favorite collection.

Tiles are priced $20 each.

This early club is stamped on the back "AUCHTERLONIE - SPECIAL". The replaced lambskin grip is in fine condition, and the hickory shaft sports a nice aged patina. It measures 38 inches from heel to top of shaft and is likely a MASHIE although it is not marked as such. There are various small dings, modest pitting to the metal surface and examples of wear commensurate with this club's use and 110+ years of age.

A very desirable Scottish golf club!

This complete display consists of 24, small 'sample' medicine boxes, each of which contain colorful little red pills!

Each small box's label includes ingredients described as 'laxative and cathartic’.

Packed by CHANDLER MEDICINE CO. - Office 2812 Dodier Street, ST. LOUIS, MO., the display measures 6" x 5" x 1" and is in unused, very nice condition. ***NOTE*** The left side edges of the box have separated from each corner and the front top panel which serves as the front display when open is partially detached from its side. This type of separation does occur over time and is noted for full disclosure. AS noted in photos, this display presents wonderfully despite its minor, age-related flaws.

A great, visually-appealing collectible for the pharmacist, nurse or doctor in your life!

Mammy bottle dolls were constructed to be quite functional; they were used as doorstops back in the day. Their sand-filled bottles added enough weight to readily keep that door in place.

Her interesting and expressive face is also completely hand-stitched and bears a tiny hole in the center of her chin. A similar teeny hole may also be seen (see photo) on her back. Mammy wears a lacy bonnet detailed with tiny pleats and 2 ribbon flowers. Her pink skirt and blouse, also hand-stitched, is presented in various shades of pink as Mammy's outfit must have been subjected to light over the years and is in places, quite faded. Despite the careful laundering, Mammy's clothing is speckled here and there with teeny dark pinpoint size spots, most particularly in the bust area. Her white apron is pristine and is accented with a small, non-functional pocket. Her lace bonnet is fragile and must be handled with care as it can tear easily.

Although her bottle frame is covered by a black stocking, the stocking has opened slightly under her skirt revealing her sand-filled milk bottle.

This wonderful, early, one century old (!), mammy bottle doll is one of 3 currently offered mammy bottle dolls that have all come from the same estate. These dolls are very seldom found in today's collectible market. All three are are priced separately.

Constructed with care and skill, Mammy's floral dress, white apron and white under-pantaloons were neatly machine stitched. Her facial features--- eye brows, eyes, nose, and lips --- are hand-stitched with embroidery thread. She has yarn-constructed black curls peeking out from under her red and white polka dot head scarf. Her arms, torso and head are stuffed with cotton or cloth scraps with the torso securely tucked over the top of the clothespin and into the pantaloons. Her black-painted clothespin legs are hidden under her long skirt.

A very sweet little doll in wonderful all-original condition-- no repairs, rips, stains or odor. Displays quite nicely!!

In addition to making children's games, The Milton Bradley Company, for many, many years, produced an extensive array of school supplies, equipment, and materials!

A wonderful addition to School or Artist Memorabilia collection!

Although two boxes are pictured in the photo, sale is for ONE BOX ONLY.

This cute size display measures 4.5" x 3.75" closed and is in very nice condition. The top lifts up to facilitate advertisement of the product and would have been placed on the counter top of a pharmacy in this fashion. A neat find!

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final line of the story. It goes without saying that all versions of this tale are highly derogatory.)

The Valentine publication follows the original pattern of the young boys meeting their demise one by one, with only one boy remaining at the end of the story. What sets this publication apart from all other versions, is that an entirely different and creative story has been composed. In "Ten Little Nigger Boys", the ten "naughty boys", all about the same age, decide to run away together on a sailboat called "The Saucy Sue", which they "borrowed from an old sailor coon for an hour" with no intention of ever returning. On a mission to find a desert island that they would have all to themselves, the boys, one by one, meet their demise by drowning, by being eaten by a whale, by gunpowder explosion, by accidental gunshot, by abduction by an elephant (they found their island), and by the swallowing of a sea monster! The one remaining boy is rescued at the end by "an aeroplane commanded by a brave army captain", and was brought home "where everyone made a hero of him".

Measuring 8 inches wide x 9 inches tall, each page of the book is imaginatively illustrated with black ink drawings highlighted with red. Valentine & Sons Publishers, a lithographic printing firm, was founded in Dundee, Scotland in 1825, by John Valentine. His son, James, an early pioneer of photography, reproduced his work as prints and stereo-views. By 1896, the company began printing postcards, and it grew to become Scotland's leading manufacturer of color-tone picture postcards. For a brief period of years between the late 1890's and early 1900's, the company produced a small selection of children's books to supplement their earnings, utilizing a style they referred to as a "cut-out"; this book, is an example.

Condition: Good-- for its 111 years of age, showing the expected wear of a well-read, antique, children's book! Sturdy, thick cardboard covers with paper pages. Unpaginated. The book spine is held together by two, large, intact, original staples. The center page has separated from the staples, and a small section of this page is missing as seen in photo (for purposes of photography to better illustrate the missing section, a white paper was placed in its place; otherwise, the missing section would be difficult to discern, blending into the preceding page.). All pages are present, and except for the one separated page, all remain sturdily attached to the spine. Small edge tears and some soiling are present on various pages throughout the book. The front and back covers show edge wear and some soiling, and the top tip of the front cover above the "E" in "Little" is missing. Both the front and back covers are missing the small section that would have, on the front cover, illustrated the head of the boy in the green jacket standing on the right side of the boat. The front cover also displays a horizontal crease line which corresponds to the book's spine. This crease naturally occurred over time due to the book's design and manner in which it is opened (The front cover is lifted up and over to open the book. See photos.) The back cover shows evidence of some superficial water staining that did not seep through to its other side.

All but three pages of this book have been photographed, as I am limited to twelve photos per listing. The first six pages of the story are represented, followed by the final three of the story.

As the production of children's books was only a supplemental sideline for Valentine publishing, very few of these books were originally produced, and fewer still remain today. This is the first copy that I have ever seen in my decades of specializing in Black Memorabilia, and I have found no others available for sale on the internet. This antique children's book is truly a very rare offering, and its age-related flaws do not detract from its significant collectible value.

The clear glass perfume was the second version of the Vigny “Le Golliwogg” perfume produced from the 1920’s into the 1930’s. The bottle design and name are based on a character created by Englishwoman, Florence K. Upton, around the turn of the 20th century. The bottle, itself, was made by Verreries Brosse.

This darling, all-glass piece remains in superb condition-other than its partially missing label on the base of the bottle. If complete, this wonderful, original paper label would read in full, “Made in France, Fluid Cont oz 13”. Underneath the label, the base of the clear glass bottle is impressed, “Bottle Made in France”. Most importantly of all, the bottle retains its fabulous, all-original, front label which reads, "Le Golliwogg de Vigny France".

The Golliwogg’s head is the perfume stopper (which presently is quite securely affixed in place), and the facial enameling, which was hand-painted in France, remains as clear and crisp as the day it was applied! Even his black furry hair, which is genuine Siberian Seal fur, retains its vibrant, original, dark tones! The Golly’s glass collar is enameled/painted white with double rows of black polka dots, and his feet are accented in black.

A very, very special, rarely-found piece of Black Memorabilia that has appeal to Black Americana, perfume bottle, and Golliwog collectors alike!

Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!

To see all of our Golliwogg-related items for sale, type "golliwogg" into the SEARCH box on our home page.

This wonderful folk art decoy was recently acquired from the collection of an 81 year old Kansas collector who stated that the decoy originated in Montana.

This sweet folk art beauty has been skillfully crafted and painted to closely reflect the real thing! In fact, this charmer has signs of having been a working decoy (but not that frequently) as evidenced by the light areas of superficial rust on the tin fins and where the fishing line connects and to the metal eyes.

There is faint paint loss and light wear giving this work of art a wonderful vintage patina. One weight on the underside are present giving this decoy a bit of heft. Measures 9 inches long x 2.5 inches wide x 2 inches high including the dorsal fin. Maker is unknown.

A splendid work of folk art! Please take a moment to view our other fish decoys offered for sale by typing "decoy" into our homepage SEARCH box or by clicking on the "American Folk Art" specialty category on our homepage.

Condition of the litho is considered very good given the rich coloration that remains. Some minor wear does exist: 2 small tears measuring less than 1/2 inch each on either side border edge-- one in the trees on the right side and the other on the left side in the water. There are several teeny holes in the sky to the right of the bearded gentleman's fishing pole as well as one single hole in the black gentleman's hair. (Please see photos.) Some wear to the border at top as shown in photos.

Despite the noted imperfections, this lithograph displays beautifully, with rich color and crisp lines. It presently resides in an early 1920's frame; ideally from a conservation point of view, it would benefit from a re-framing with acid-free materials to continue to preserve its historic importance.

This circa 1920-30's Johnny Griffin letter opener is constructed in solid brass. It remains functional for such use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 10 1/4 inches long. Remnants of green paint are visible on Johnny's shirt. Interestingly, this piece also doubles as an advertising piece as on the reverse side it is impressed, “I. C. Herman + Co., 507-9 Broadway, NY (New York)”.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

The black-painted, metal frame houses a plastic, cream-colored insert that features an embossed lettering and design technique that advertises the name of the product for sale. The background of this insert sports a streamlined, horizontal, raised "striping" reminiscent of the Art Deco era. When light is allowed to pass through the plastic, translucent insert, the insert appears to be magically illuminated so that the green-colored backside of the sign shines through with brilliance. This effect can be enjoyed by either hanging the sign in front of a window or by fastening tiny LED lights (not included) on the backside of the frame.

The dimensions are approximately 48"L x 5.5"W x 3/4"D, and the overall condition of the sign is very good. The plain metal frame has been repainted in a durable, semi-gloss, black finish. The painted finish is in very good condition with areas of minor surface imperfection and slight areas of roughness here and there.

The vintage plastic insert is laminated in two tones, with the front noting a rich, aged, cream color, and the back noting a rich green tone. The front of the insert has faint surface imperfections and some areas of uneven discoloring. Overall, the insert retains a nice glossed surface patina commensurate with its age.

A note: the first photo best represents what the sign will look like when illuminated from the back with LED or natural window lighting.

Extensively used in the 19th century and earlier, the cupping glass is a glass vessel from which the air has been exhausted by heat or suction creating a vacuum, and then applied to the skin to draw blood to the surface for therapeutic or curative purposes.