Catalog (459)

Measuring 7 inches in diameter at its widest point and 10 inches high, this lovely, C1920, Ohio-made, yellow ware, blue spongeware pitcher exudes elegance! It features a fabulous, embossed and sculpted rim and a decorative handle, both accented with gold gilt!

The pitcher sits on a footed base and has a generous, bulbous-shaped body. It has glaze crazing typical of an 85+ year old piece of pottery, superficial flakes as noted in photos, and two hairlines at the base (see photos) which likely were acquired through use over the years. The hairlines seem tight and do not appear to threaten the integrity of the piece. P> An outstanding piece of American Spongeware! Becoming much more difficult to find- particularly in this condition!

Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This very scarce piece is very much reminiscent of Johnny Griffin items with the exception of the intact, broad-rimmed hat on this piece versus the torn rim typically seen on all "named" Johnny Griffin pieces.

This circa 1920-30's novelty piece is constructed in solid brass, is hefty in weight, and was likely used as an ash tray given its tobacco leaf design/theme. The "Johnny Griffin-like" head of the young African-American boy that serves as the centerpiece of this wonderful piece, was molded separately and screwed into place. The screw is concealed under an original brass cap, done purely for esthetics.

The piece is in all original condition with the delightful, warm, rich, golden patina of old brass- not a reproduction- no replaced parts- and measures 7 inches long x 4 1/2 inches wide. It does not retain any markings, and country of origin is unknown, although likely of European origin.

A very seldom found piece of Black Memorabilia, that indeed pairs well with Johnny Griffin items or one's Tobacciana collection!

To view all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1920-30's Johnny Griffin item is constructed in solid brass and is known as a document clip used to hold together important papers. It remains functional for such use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- no replaced parts- and measures 4 1/8 inches long x 2 3/8 inches wide. It does not retain any marking other than a mold number 5241.

Johnny Griffin Black Americana collectibles should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Measuring 15.25 inches in diameter and 5.25 inches high, this magnificent and absolutely HUGE, C1920, Ohio-made, yellow ware, spongeware mixing bowl or water basin features fabulous blue sponging and is much more striking “in person” than the photos were able to capture.

The bowl sits on a 1/2” footed base and has a lovely turned edge rim. It has glaze crazing typical of an 85+ year old piece of pottery but no cracks, chips or hairlines. Remnants of gold gilt decoration along the rim still remain. Would be fabulous as receptacle for a very large plant or to hold a large water pitcher!

An outstanding piece of American Spongeware! Becoming much more difficult to find- particularly in this condition!

Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.

Measuring just barely 6 inches in length, this fabulous example of 1920's folk art and hand craftsmanship exemplifies the stereotypical Mammy of the early 20th century.

Constructed with care and skill, Mammy's floral dress, white apron and white under-pantaloons were neatly machine stitched. Her facial features--- eye brows, eyes, nose, and lips --- are hand-stitched with embroidery thread. She has yarn-constructed black curls peeking out from under her red and white polka dot head scarf. Her arms, torso and head are stuffed with cotton or cloth scraps with the torso securely tucked over the top of the clothespin and into the pantaloons. Her black-painted clothespin legs are hidden under her long skirt.

A very sweet little doll in wonderful all-original condition-- no repairs, rips, stains or odor. Displays quite nicely!!

Measuring 17 inches long, this delightful, folk-art styled, cloth, black Mammy doll was made circa 1920's.

Detailing in construction sets this mammy doll apart! Her creation was very carefully executed through a combination of hand and machine stitching. Mammy was lovingly dressed in clothing made from old, red, black, and white-patterned handkerchiefs, while both her body and her interesting pair of black pantaloons were constructed of old, black stockings. Detailing was clearly important to the creator--an additional and elegant surprise is the cream-colored, cotton petticoat edged with lace!

Mammy's face is hand-embroidered, and she wears brass-colored, plain, hoop earrings. Her body is machine-stitched together and is stuffed with cotton batting.

Mammy is in near perfect condition with the exception of minor wear (not holes) to her stocking-constructed left foot as well as the underside of her right, stocking-constructed hand. (This wear to the fabric may well be the very reason the stockings were used to construct Mammy as they may have been discarded from personal use. Please refer to photos to view wear.)

Mammy is simply full of charm with lovely and creative detailing! A quite difficult-to-find-in-this condition, 80+-year-old, cloth mammy doll!

Offered is an antique, C1910, German-made dexterity puzzle that measures 1 15/16" in diameter and 3/8" thick. This delightful game features a fixed, small mouse trap with two, moving, metal mice. The object of the game is to get the mice into the trap.

Colorful detailing of cats on cardboard covered-bottom is marked "Made in Germany". Tin frame holds game with glass cover on one side and mirror on reverse side.

In excellent condition considering age. Glass cover is free of cracks. Game color is still bright. Original mirror has a few spots of silvering and light scratching but is free of cracks. Displays quite well!

Offered are a scarcely-found group of three pharmacy ointment mill tube fillers that date to the circa 1910 - 1930s era. These tools-of-the-trade were typically found in compounding pharmacies. This particular grouping came from the estate of a pharmacist who first began practicing in the early 1900's.

The first example, as seen on the left, measures 3.5 inches and has a heavy brass base and an aluminum compression rod. There is a removable brass nozzle that screws into the base. This diminutive hand size mill would fill 1 to 2 ounce medication tubes and sports a nice patina. There are no markings seen and just minor superficial wear is evident.

The second mill, as seen on the right, measures 4 inches and has a one piece molded aluminum base and a brass compression rod. Perfect for filling smaller tubes, this example fits comfortably in one's hand. The condition is very good except for a small chip noted at the end of nozzle.

The third and final mill featured in the center of the primary photograph sports 3 legs and two removable brass nozzles. The nickel plating covers what appears to be brass, showing minimal wear only to the top of the feet. This unmarked 6.25 inch high beauty has all-original patina and has capacity enough to have filled either multiple or larger-sized medicine tubes.

Also included are four medicine recipe cards from the 1950's noting proprietary medicines from "BUTLERS" drug store establishment.

This peaceful and serene, mid-summer memory of an idyllic visit to a Maine lakeside retreat protected by the nearby mountains, has been captured in oil on canvas and is unsigned.

An estate piece, the tag placed on the backside by an earlier owner notates the date and location. The palette is predominantly varying shades and tones of browns, greens and grays. The composition features, first, an empty canoe sitting in the forefront shoreline of the painting while numerous sail boats explore the expansive lake on an overcast day. Numerous vacation chalets surrounded by trees and mountains dot the opposite shoreline with a reflection of the largest chalet visible on the lake's surface in the stillness of the moment.

The oil painting is framed in a meticulously and professionally hand-crafted, 2 inch deep, fluted, wood frame that features repeated, swirling, rustic carvings of various leaf forms. Clearly, this frame was custom-executed for this oil painting as it is as detailed and as interesting as the oil is, itself!

The oil painting measures approximately 9.5"H X 11.5"L in a 12.5"H x 14.5"L x 2"(deep) frame.

The condition of the frame is very good with minor, age-related (90+ years of age!) finish loss, and a minor, 3/4 inch long, superficial crack to the frame at the left side top which does not impact the integrity of the frame. The condition of the oil is also very good with no imperfections other than a 1/2" long diagonal "crease line' in the very lower right corner which is barely noticeable and was impossible to photograph clearly.

A lovely, tranquil, folk art vision to just sit back and enjoy!

Offered are a grouping of 11, circa 1920-30s, colorfully chromolithographed trade cards published by the Liebig Extract of Meat Company of London as well as a smattering of other French and Belgian producers of sweets and clothing for men and women.

"Picture cards" as they were called then, feature very colorful and highly detailed images on the front side with product advertising generally on the back side. For those with advertising on the backside, the advertising, in most cases, is written in French. These cards, of course, were a strategic marketing concept designed to provide the customer with a tangible reminder of the food stuff or article of clothing that had just been purchased.

All but one of the cards measure approximately 2.75 inches x 4.25 inches, with the remaining card measuring approximately 2.50 inches x 5 inches. All but two are in very good condition with no observable flaws or damage.

The two exceptions:
-the 2.50 inch x 5 inch card- which has been scissor-trimmed, has a fold line down the center, and was pulled from a scrap book obscuring some of the printing on the backside-
-and one Liebig card which is missing one corner edge.
Condition quite remarkable given their 80-100+ years of age.

A nice early collection of trade cards!

Offered are two, choice, circa 1920s - 1930 era hickory shaft golf clubs.

The first club, the ladies' 7 iron, comes with considerable pedigree. It was offered by the golf professional Frank Belwood while employed as Club Pro at Garden City Golf Club in NY. This club is a handsome ladies' mid iron with a somewhat low profile construction measuring 38 inches to the heel. The hickory shaft has a nice original patina. Noted is a slight bend towards the club head with a faint split at the hosel. The leather grip appears original and is in good condition except for some loss as seen in the photo. The club head sports dot face styling and is in good condition with mild leading edge dings. The back of the club is stamped "F.BELWOOD - GARDEN CITY"- (within a double oval) plus "SPECIAL - HAND FORGED, and (L)" indicating a ladies club.

The second club, a Putting Cleek, is in very good overall condition sporting a solid hickory shaft with an original patina. The early grip is generally good except for a small missing piece. The head sports a dot-punched style on the front, and the shaft is straight. The back is stamped with the following: "GUARANTEED HAND FORGED - PUTTING CLEEK" - and H. WATE?? SPECIAL" in an oval.

SOME HISTORY ON FRANK H. BELWOOD:
Garden City Golf Club, founded in 1899, was one of the first golf courses established in the USA, and in 1902, hosted the US OPEN. Frank H. Belwood was a successful golfer for many years and was the club professional for Garden City Golf Club in NY until the early 50s. He was a charter member of the PGA, and during the early history of American golf, he participated in various major tournaments competing against the best players of his era.

ADDITIONAL INFO ON THE PUTTING CLEEK:
A putting cleek has more loft than a putter. The cleek putting style was popular in early golf and it was said to give the player more options. On smoother greens, the players hands would be placed forward in the stroke to de-loft the club and get the ball rolling smoothly. On bumpy/rough greens it would be held normally and the extra loft would "raise the ball above the roughness".

Offered is a very handsome circa 1920-1930 era, hickory shaft, BRASSIE golf club sporting a fancy 7 DOT face.

This delightful club is marked "MAJESTIC" on the crown and is likely a Macgregor made club based on its quality plus the configuration of the seven dot designed face, which is a Macgregor feature.

This attractive club appears all original and is in very good condition considering its nearly 100 year existence. It has a straight 42.5 inch hickory shaft, an original grip and appealing patina in addition to wear and scuffs common to vintage clubs. The brass sole plate shows mild wear and has the #5 stamped near the middle. The face plate is not quite flush with the front of the club but is otherwise very tight and secure in place.

A delightful example of the fusion of beauty and function in sports equipment!

Offered is a RARE, UNCUT, C1917, pair of the adult members of the Aunt Jemima Rag Doll Family, Aunt Jemima and Uncle Mose. (Uncle Mose is Aunt Jemima's Husband, and he is labeled Uncle Mose on his upper back).

These dolls were conceptualized as advertising pieces and were only obtainable from the Aunt Jemima Mills of St. Joseph, Missouri, in return of 24 cents in stamps along with 4 box tops from select Aunt Jemima products for the full set which also included children, Little Diana and Wade Davis, OR for JUST ONE DOLL, 1 box top and 6 cents in stamps! Dolls were then shipped promptly, postpaid upon receipt!

The original purchaser of these uncut dolls, Mrs O. W. Lewis of Ethel, Missouri, clearly only ordered the Aunt Jemima and Uncle Mose dolls, as these dolls remained within the family, untouched in the original mailing envelope, until their recent discovery by the purchaser's descendants.

It is quite unusual to find uncut versions of these dolls -along with the original mailing envelope which typically is quickly tossed away- as more commonly, the dolls are found by chance as "singletons" here and there-- already cut, sewn, stuffed and played with as opposed to the pristine, uncut versions offered here.

The pair is in quite wonderful condition given their 100+ years of age and are suitable for framing. Each doll is printed on a separate piece of linen, and the color of each doll remains amazingly crisp and brilliant! Aunt Jemima measures 10.5" wide by 35" long, and Uncle Mose measures 10" wide by 35" long. (Please note that any variation in color noted in photos is a result of lighting issues and light reflection only. Background of linen remains its original, crisp, bright white with each doll retaining its "like-new" consistent and brilliant color.)

Mild foxing is noted only on Aunt Jemima and not on Uncle Mose, likely due to the manner of storage. The Uncle Mose doll fabric was folded and stored inside of the Aunt Jemima fabric, and then they were placed inside of the envelope, with only Aunt Jemima coming into contact, for decades, with the high-acidic content of the envelope which caused the foxing. Fold lines are evident as well; however, these fold lines are the result of original factory packaging and storage in the envelope for over 100 years. Other than the foxing as described, the pair remain in truly fine condition!

A rare opportunity for the advanced collector to acquire an uncut, complete pair of C1917, Aunt Jemima and Uncle Mose Advertising Rag Dolls, suitable for framing!

This offering will only be sold as a pair; offers for an individual piece will not be entertained.

This is an exceptional example of a circa 1915, MacGregor, DEEP GROOVE golf club that was designed to significantly enhance the backspin of a golf ball. As history would have it, these clubs actually worked and gave an unfair advantage to those professionals who were adept at using them! In 1921, RIBBED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by both the R&A and USGA.

The sole of the club is marked MASHIE. The back of the club is stamped as follows: PILOT (with arrow) ACCURATE and oval stamp with MACGREGOR, DAYTON OH.

Measures 36 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight, sturdy and has the following stamping below the grip: THE CRAWFORD MACGREGOR & CAMBY CO. DAYTON, OHIO. The head of the club shows light wear and good grooves with generalized tiny unobtrusive pitting to the surface.

A terrific example of an early club with a controversial history!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

Offered is this circa 1910-1921, very scarce, Kroydon DEEP GROOVE Golf Club with atypically-designed grooves called BRICK FACE.

Deep grooved clubs were designed to significantly enhance the backspin of a golf ball. As history would have it, these clubs actually worked and gave an unfair advantage to those professionals who were adept at using them! In 1921, RIBBED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by both the R&A and USGA.

The back of the club is stamped as follows: "Kroydon U5 ?....? J.F. MATHEWS", and measures 36.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight and sturdy. The head of the club shows mild and honorable wear, good grooves with mild unobtrusive pitting to the lower surface.

A nice example of an early club with a controversial history!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

Measuring a diminutive 4.50 inches long x 2.50 inches high, this very unusual tin and pot metal piece features a small black shoe shine boy with shoe polishing brush in hand, about to polish a giant ladies lace-up shoe!!

The piece has two tiny holes in its bowl suggesting that this was once screwed or fastened into another piece. Logic suggests that perhaps this may have been an advertising display item of some sort.

Remnants of red paint are easily visible on the back of the black boy's hat as well as on his lips, and the giant shoe also displays remnants of black paint. When one looks quite closely, one can see that the entire figure was at one time painted. Some light superficial rusting to the bowl is evident here and there.

Certainly a mystery piece as to purpose, this fascinating Black Memorabilia collectible remains quite intriguing and does reinforce a stereotypical occupation associated with black folk during the unfortunate Jim Crow era.

This is a very nice example of a Lowell, Massachusetts, patent medicine complete with box.

The 8.5 inch bottle is in fine condition and sports a label only on the side panel because it is embossed on the remaining three sides. The bottle label is almost complete with modest staining from content leakage.

This medicine retains its original, very decorative box which notes a 1915 date-- apparently when this "new" box was first introduced to the public in August of that year. The box is complete and in good condition noting modest content stain, mostly on the left panel.

Ayer's Sarsaparilla was actually a quack medicine first introduced in the mid 19th century, with no real evidence of therapeutic value, and in that regard, quite similar to many other medicines of that era. Sarsaparilla, J.C. Ayer's most popular product, was cited as a real blessing to humanity in that it purified the blood, stimulated the vital functions, restored and preserved health, and infused new life and vigor throughout the whole system!! Sarsaparilla was also recommended for jaundice, dyspepsia, pimples, boils, ringworm, female weaknesses and ‘lassitude and debility peculiar to the Spring.'

Measuring 15 inches long by 13 inches wide, this delightful, unsigned, watercolor features a charming rendition of a young black boy straddling a fence while clutching a plump watermelon!

Remaining in its original frame with original wooden and paper backing, this watercolor retains its framer's identifying sticker which reads, "Staton's Art Shop 5409 Germantown Ave." Perhaps this Germantown address indicates Philadelphia area origin? In the interests of proper conservation, the new owner should re-frame this lovely piece with appropriate acid-free materials.

Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.

A lovely watercolor- nicely executed!