Remaining in its original frame, this watercolor retains its vibrant color. A lovely piece of Black Americana executed with some naivete!
Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.
Photography was a challenge in an attempt to avoid flash reflections. As such, please note that the rich coloring- violet, yellow, green and gray- is even throughout the map.
All print and map detailing is clean and easily read. Some minimal foxing and age staining to map do not detract from the visual appeal of this piece. Framed map measures 12 3/4" wide x 15 1/2" long.
Also offered separately are 2 unframed 1886 maps of ASIA and CHINA, respectively (photos of each also seen here.)
Condition of the litho is considered very good given the rich coloration that remains. Some minor wear does exist: 2 small tears measuring less than 1/2 inch each on either side border edge-- one in the trees on the right side and the other on the left side in the water. There are several teeny holes in the sky to the right of the bearded gentleman's fishing pole as well as one single hole in the black gentleman's hair. (Please see photos.) Some wear to the border at top as shown in photos.
Despite the noted imperfections, this lithograph displays beautifully, with rich color and crisp lines. It presently resides in an early 1920's frame without glass; it requires appropriate re-framing with acid-free materials to continue to preserve its historic importance.
The larger boxed set contains 38 vials which are nearly empty and sport complete paper labels. There are 2 missing vials from this kit. It measures 6" long x 5" wide x 1.5" high. The inside cover of this larger boxed set lists the names of the 38 allergens contained in the kit.
The small boxed set contains 28 corked top vials which have the same type paper labels as found in the larger kit. This kit measures 5" long x 2" wide x 1.5" high and is missing (or never had) 8 vials.
These skin sensitivity testing kits contain vials which are specific to the southern California area.
A scarce duo indeed!
This puzzle rendition of Little Black Sambo depicts Sambo strutting out into the jungle dressed in his newly acquired outfit complete with shade umbrella- all of which is soon to attract the attention of those nasty tigers! This scene has been taken directly from the 1931 copyright, softcover, large folio, Little Black Sambo book illustrated by Fern Bisel Peat and published by The Harter Publishing Company, Educational Publishers, Cleveland Ohio. It is likely that both the puzzle and the book were released to the public at the same time. They were intended for use in the school setting, grades K-2, as well as in the home. The aforementioned large folio Little Black Sambo Book is also available for purchase on this website (type Sambo into the SEARCH box).
Ready to be framed, the puzzle has retained all of the brilliance of its original colors and also sports the artist signature of Fern Bisel Peat in the upper right hand corner. Slight and subtle edge wear to some puzzle pieces as noted in photo. A wonderful addition to one’s Little Black Sambo collection by this highly sought-after, renowned American children's illustrator!
Fern Bisel Peat, 1893-1971, was born in in Erie, Pennsylvania, and went to public schools in Elyria. She attended Ohio Wesleyan University in Delaware, graduating with a degree in fine arts. Marrying Frank Peat in 1917 and settling in northern Ohio, Fern soon began painting children’s murals in both public and private venues.
As her work grew in popularity in the 1920's, she was asked to design children's wallpaper for a Cleveland company, designing a set of Mother Goose wall panels that sold widely. She soon was approached by the Saalfield Publishing Company where she went on to illustrate over 60 children's books!
From 1933 to 1955 she was editor and chief illustrator for Children’s Play Mate magazine, published in Cleveland, and nearly all of the covers during that time period feature her illustrations.
As the major breadwinner for the Bisel Peat family, Fern found every way possible to market her work to publishers, advertising firms and toy makers during the lean years of the American Depression and World War II. As a result, her distinctive children's illustrations can not only be found within children's books of the era, but also on holiday decorations, paper fans, playing cards, rag dolls, tin toys…not to mention coloring books, puzzles, paper doll books, and greeting cards!
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
In lovely condition with age crackling to the backside of the seashell, this stunning piece appears to have never been used for its original purpose as a hanging wall planter. The black paint is in impeccable condition and any white dots that appear in photos are the result of light reflection off of teeny glaze imperfections and are NOT chips, rubs or scratches to the surface. The gold stippling to the seashell is perfect!
The piece has a hole in the back to facilitate wall-mounting or it may be easily displayed on a shelf.
A very seldom found piece of vintage Black Memorabilia that is truly stunning in appearance!
Mammy's head and body are actually constructed of a single wooden clothespin that was then inserted into her cotton-batting-padded skirt. Her face is hand-painted, she has a tuft of white cotton batting hair peeking out from her kerchief, and her apron is stamped in black ink "Souvenir of New Orleans".
A very sweet piece to add to one's sewing or doll collection!
A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.
Measuring 21.5 inches long, this delightful and appealing cloth Golli is unmarked and is thought, by his original and quite elderly owner, to have been made in the mid 1940's! (She speculates that he could even be a bit older than that, but she remembers not acquiring him until after the end of WWII.)
His nose and mouth are hand-stitched and he has round, cloth covered button eyes- the pupils were hand-colored using black ink! His nicely coiffed, black hair appears to have been styled from soft, "stuffed animal-type" fur! Rather interesting and ingenious! He has a machine-stitched, cotton batting stuffed, black sock cloth body. His colorful wardrobe is also machine stitched- green wool mourning coat, gold vest, and red and white polka-dotted cotton pants and matching bow tie!
He is in wonderful condition with the exception of some tiny moth holes to the back of his mourning coat (see photos) as well as another tiny moth hole to the back of his right arm and back right pants leg. The polka dot clothing shows the slightest hint of fading. His dark black fur hair also shows some age-related color change to brown at the roots. Hmm...then again...perhaps he's simply overdue for another hair coloring appointment at the Salon!
A very sweet addition to one's Black Memorabilia or Golliwogg collection!
The set appears to have never been used! All blocks are present and are in wonderful condition! The paper label attached to the sliding, wood cover is intact with very minor, age-appropriate edge wear and scuffing. What a fabulous, graphic image that would certainly command presence when displayed on a shelf! The integrity of the all-wooden box remains strong and sturdy.
Sets such as these could be found in the more affluent home as well as in early elementary level classrooms, as such toys or learning manipulatives, promoted the development of eye-hand coordination and visual-spatial reasoning skills.
Cleverly conceived and constructed, this display combines a very, visually-pleasing, accessible medicine display that promoted spur-of-the-moment purchases at the drug store cash register, along with a tape dispenser for use by the pharmacist and his employees! Quite clever--- as it guaranteed that the display would remain in use and visible in the pharmacy as the tape dispenser provided a nice convenience for drug store employees!
In very nice condition with expected scratches, paint rubs, and non-problematic, superficial surface rusting here and there (please see photos) expected of a 75+ year old functional display.
The display retains one of its twelve, original, glass Alka-Seltzer medicine bottles (empty of contents) as well as an older, used roll of tape in the dispenser!
A very unique advertising drug store display sure to start an interesting conversation at your next dinner party!
The String Holder is stamped "JAPAN" on the back side, and it has a hole in the center of her mouth to accommodate the string! This wonderful piece has expected and typical glaze crazing and even comes complete with vintage string! On the upper right hand side of her forehead, these is a small white spot about 1/4 of an inch long where the face paint was not applied prior to factory glazing (see photo)- a tiny, insignificant manufacturer imperfection that does not detract from this rare piece! The entire piece is glazed with the exception of Mammy's lips which are cold-painted (meaning that the paint was applied after firing). As such, this area of paint would be the most vulnerable to wear, and Mammy does have 2 microscopically-sized specks on her upper lip where the paint has come off. Too tiny to be picked up in a photo!
Please note that photos were taken with a flash, so any white markings on the piece are flash reflections only and not imperfections.
Quite multi-purpose in nature, his legs hold spools of thread, and under his red vest, he hides a pincushion (his chest) along with 2 felt strips for needle and pin storage (his arms)! Four decorative plastic rings can be used to hold safety pins! He also sports a ring on the top of his hat to allow one to hang him on the wall.
Condition is quite fine! No rips, stains or tears with just some subtle fading to his green felt bowtie and black face and legs--all age-related. He has two, insignificant moth holes on the BACK of his red vest.
Handy to keep by the sewing machine, but also just a delightful, vintage, Black Memorabilia whimsy to decorate your sewing room!
Cardboard candy boxes with black themes remain EXTREMELY RARE finds in today's market!!!
The piece is in very fine condition with expected edge and corner wear. The top left seam of the cover has split but otherwise, the box remains intact with no missing pieces.
D. L. Clark Company History:
David L. Clark (1864-1939) was born in Ireland and came to America when he was eight years old. He entered the candy business working for a small manufacturer in New York. After three years as a salesman, he bought a wagon, horses and merchandise, and went into business for himself.
The D. L. Clark Company was founded in 1886 when Clark started manufacturing candy in two back rooms of a small house in Pittsburgh's North Side. He began selling his candy in the streets of Pittsburgh. During his lifetime, his company became a leading candy manufacturer.
By 1920, the D. L. Clark Company was making about 150 different types of candy, including several five-cent bars, specialty items and bulk candy. Clark was also manufacturing chewing gum in a building across the street from his candy factory. In 1921, they incorporated Clark Brothers Chewing Gum Company as a separate business.
By 1931, the candy bar business was so expansive that Clark decided to sell the gum company, and it was renamed the Clark Gum Company.
The D. L. Clark Company remained in the hands of the Clark family until it was sold in 1955 to the Beatrice Food Company who operated the company until 1983 when in turn, it was sold to the Pittsburgh Food and Beverage Company. In 1995, the Pittsburgh Food and Beverage was thrown into bankruptcy. The company was shut down for several months and its assets divested. Restructured as Clark Bar America, the company operated until May of 1999, when it was purchased by New England Confectionery Company (NECCO), the oldest candy manufacturer in the United States.
This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.
Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.
Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who also sculpted in wax, crafted a variety of wax dolls inspired by the black folk she saw on New Orleans's street corners while growing up. Sold exclusively at the time through Harriet's, of 318 Rue Royale in the French Quarter of New Orleans, the completely hand-made, one-of-a-kind dolls are seldom found on today's market due to their inherently fragile nature, making them highly sought after in the Black Memorabilia Collectible arena.
This figure, known as the Cotton Seller with Child, is most particularly hard to find and thus is quite highly sought after as it features a very young, female black child standing in a basket of newly-picked cotton. The Vargas family seldom included children or infants in their depictions of the numerous trades of black New Orleans folk, making any characterization featuring a child or an infant more than significantly rare.
Vargas wax figures are distinctly characterized by their interesting but highly exaggerated facial features. This female, Mama, Cotton Seller wears a red and white kerchief on her head, a red and white checked scarf around her neck, and a yellow and white checked shirt and skirt with an apron that matches her head scarf - all constructed of actual cloth fabric that was coated with a fine layer of clear wax to stiffen them. At her feet is a very large, wax-constructed basket made to simulate wicker that is filled with cotton and within which her young female child stands. The Cotton Seller's wax body is internally supported by a wire frame through which the figure is securely attached to the wooden base. The bottom of the base is stamped "Genuine VARGAS New Orleans, LA".
This wonderful figure is in amazing condition for her 75+ years of age with no apparent or visible imperfections other than some missing fingers, a condition which is quite commonly found among Vargas figures.
The Cotton Seller's young, female child also has some missing fingers, and additionally, her neck shows a contiguous crack all the way around. Because her structure is also supported by internal wiring, her head still remains securely attached to her body. Please note that the child is merely placed inside the cotton basket and was never securely glued into it. The wax cotton basket, which was originally glued to the wooden base, has become loosened from it; however, when positioned on the base, it will easily remain in place for display.
Vargas figures are becoming increasingly more difficult to find!
Type "Vargas" into the SEARCH box to see the other Vargas figure currently available: 1920 New Orleans Vargas Wax Black Doll Female Vegetable Seller
There are 3 examples from the most notable company, BECTON, DICKINSON & Co. The 1939 B-D YALE LOC box contains 8 needles. The B-D ERUSTO sample from the early 1940s has 8 needles that are secured in a metal tray. Each needle includes their cleaning wire. The third B-D box has a patent date of 1941 and sports 8 tiny needles secured in a metal tray. Condition is very good.
Next are 2 boxes of ECO RUSTLESS HYPODERMIC NEEDLES that each house 6 needles in a steel cylinder base. The boxes and contents are in very nice condition. A plastic sleeve of cleaning wires remains in one box.
A single box of LILLY HYPODERMIC NEEDLES contains 9 needles that nestle into their fitted box. Condition of the contents is fine, and the box is in fairly good condition showing old tape on front. Dates to the 1940s.
A single box of ECO STAINLESS HYPODERMIC NEEDLES sports 6 needles in a fitted metal base. The contents are fine and the box is modestly worn. This example also dates to the 1940s.
Finally, a partial box of 9 needles clipped into a metal tray round out this very nice grouping of vintage stock. Labeled LUER SLIP and sporting their cleaning wires, this group dates to the 1940s. Box is fair.
Hard to find in this quantity and quality!
The double carbon amplifier microphones measure 4¾" x 2⅜" x 7/16" thick. The front view sports two decorative "snowflake" designed ports, and the base has a small swiveling leg for standing on a flat surface. The leather tab is provided so that the hearing device could be attached to a shirt button.
The receiver microphone is attached to both an "ON/OFF" switch and the earpiece via two coiled wires that have a two-pronged end for battery attachment. Please note that the battery is not functional nor does it have the correct ports for receiving the wire prongs...but it came with the case and fits quite nicely!!
The condition is very good with wear commensurate with a well-loved antique.
WIKIPEDIA has some very inetersting info on this style of hearing aid which was produced from the early 1900s till the late 1930s.
A brief history of the Negro League:
African Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African Americans from these teams by 1900, with black players left to form their own teams.
In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.
In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.
An earlier, older restoration to one seam at the base is evident. A tiny spot of very superficial rust here and there that may be removed, if so desired, by polishing with a clear paste wax.
A sweet accent piece for the country kitchen!
Each circa 1940s era box originally contained a dozen high quality needles. The boxes and needles are all identical in size and labeling. Each needle clips into a metal tray and sports a wire cleaner which resides inside the needle.
There are a total of 33 needles within the 5 boxes, all measuring about 3 inches long, and all in fine condition. Three of the boxes are in very good condition; two boxes are in fair condition showing mild loss of the box label on the edges as well as some carton separation.
An exact example of these high end needles exists at the NATIONAL MUSEUM OF AMERICAN HISTORY.....Pretty neat!
Embellished with beaded edges, a large, 5-petal flower, and a detailed leaf on a heavy cardboard-like material that is lined with a red polished cotton, the little purse closes via a hook and eye closure.
It is in overall fine condition with expected creasing as seen in photos, as well as some loose beadwork and a small amount of missing beadwork to the bottom center.
Veterinary signs of any type are quite scarce! Wonderful patina!
The puppet, itself, is 14 inches tall and is colorfully dressed in blue and white checked pants, red shoes, orange and whit polka dot shirt, straw hat and red patterned neck scarf.
The puppet's face is composition and bears evidence of some age-related crackling as noted in photos. He has a tiny piece if composition missing on the left side of his neck partially covered by his neck scarf, so it is very difficult to notice. He bears a manufacturer stamp on the bottom of his right foot, but it is partial and unreadable. His hands which hold colorful pink straw maracas are a heavy molded plastic.
The puppet is free of stains, dirt and odor. He retains his original black strings and wooden airplane controller!
"The Golliwogg at the Sea-Side", published in 1898 by Longmans, Green & Co, London & New York, was illustrated by Florence K. Upton, with story written by her mother, Bertha. This book was the 3rd Golliwogg adventure in a series of thirteen Golliwogg adventures by Upton, with the last published in 1909-- all of which are incredibly difficult to find today.
This hard cover book, measuring 8.75 inches high x 11.5 inches long, is a total of 63 pages in length. The book is lavishly illustrated with 32 full-color illustrations and tells the story of Golly's adventures at the sea shore. Golly and his friends, suffering from boredom, go off to the seashore to try their hand at sunbathing, swimming in the ocean, crab fishing, boating—all with considerable catastrophe—until finally trying a hoped-for-peaceful hayride through the countryside—all for naught!!
The Golliwog, itself, was based on a Black minstrel doll that Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was a less-than-handsome creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.
The book is in very fine but not perfect condition-- not surprising given the book's 113 years of age! Wear to hard-board-cover edges and corners. Binding remains strong and tight with center-taping coming a bit lose on one side, but not effecting integrity. A couple of the pages have 1/2inch tears at base, likely the result of simply turning the pages. Book is complete, with no missing pages.
Truly a fabulous find! Only the 2nd time I have EVER had the pleasure of offering one of these wonderfully-rare, 1st edition, Upton, children's book in my 26 years of dealing in Black Memorabilia!!
Research notes that this early medical instrument was made by the Health Culture Co.
The following patent date is stamped on the interior portion of the wheel (PAT'D APR 12, 02), however, the date of 1892 is also referenced for this particular piece in several sources, so this device appears to have been marketed prior to the granting of a patent for the design.
Measures approximately 5 1/2" x 7 1/2.
Condition is very good! This visually interesting piece retains its original finish which is a warm, honey-colored woodtone with minor stains and wear commensurate with an antique instrument. No damage. It works!!!
Entitled A New Story of Little Black Sambo, this tale picks up the story of the original Little Black Sambo tale with Little Sambo's mother, Black Mumbo, exclaiming that Sambo, after almost losing his best Sunday clothes to the tigers, would- from now on- only be allowed to wear his every day clothes. Now very unhappily dressed in only a grass skirt, a pouting and naughty Sambo decides to run off into the jungle once again without permission, and climbs a tree to gather coconuts. Two hungry tigers soon arrive threatening to eat Little Black Sambo, trapping him up in the tree for the entire day! Eventually, Sambo's friend, Tusker the Elephant arrives, successfully chasing off the tigers, saving Sambo. Tusker carries Sambo back home, where his worried parents await him. Relieved that Sambo is finally safely home, Black Mumbo decides not to punish him too harshly by spanking him with a hairbrush for running off without permission and all alone. The conclusion of the tale then moves forward one month, one week and one day before Little Black Sambo is finally allowed to wear his fine clothes once again!
Although no author is attributed, it is thought by some that this continuation tale of Little Black Sambo was co-authored by Clara Bell Thurston and Earnest Vetsch, who illustrated Whitman Publisher's earliest and first known edition of this story version in 1926.
The hallmark of this version of A New Story of Little Black Sambo is the utterly fabulous illustrations that make this edition stand out. The vibrant colors used, the stunning detail applied, make each of the 12 full color plates simply gorgeous works of art!<> This softcover book is constructed of very sturdy, heavy, high quality stock which likely accounts for its very good condition. No fading of color, writing or missing pages. Binding is tight with all three original staples present although the cover pages have separated at the bottom to just above the lowest staple. Some page edges are subtly worn with minor creasing, and age-related, light soiling is present.
This very rarely found continuation of the original Little Black Sambo story is a must have addition for the collector of Little Black Sambo books! Given the extraordinary quality of the illustrations, this is a book that one will want to display- under protective cover, of course!
To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.
Evidence of hand-craftmanship are scribe marks that extend beyond their desired point. The metal working skate is crudely riveted to the wood. Various early forged screws and nuts secure the sliding arms. To add to the charm of this early tool are two animal horn repairs to the fence, one of which is quite small and difficult to photograph.
The condition is commensurate with the honorable wear one would expect of an antique, utilitarian woodworking tool. The patina is wonderful with a smooth brownish finish, various scratches and dings, and mild wear. The blade and wedge do not exist.
Pill machines were designed to enhance the productivity of the early pharmacist, and this design was, indeed, popular for many, many years. This pill machine is designed with 24 tubes for medicine-making.
The condition is very good, sporting a nice patina commensurate with its age and use. It is constructed of walnut and embellished with brass edge guards as well as brass grooved molds. The base measures approximately 11.5" L x 7" W x 1.5" H including the footed base. The paddle is 15.25"L x 2.25"W.
An apothecary classic, ready for your collection!
This wonderful piece is unmarked but is documented in numerous guides as the Black Chef cookie jar made in the 1940's by the National Silver Company. It likely once had a "NASCO" foil label on its base which dried up and fell off over the course of the jar's lifetime.
Fabulous cobalt blue accenting makes this cookie jar quite striking in its appearance. A great display piece!
As stated, the cookie jar remains in all original condition-- a rarity for a cookie jar of this vintage! Please take the time to view all photos as they represent condition quite nicely. Glaze crazing typical to the age of this 60+ year old piece is evident as well as small surface flakes present here and there along lid cover edge- a very common site for flakes/chips on any lidded ceramic piece given that the lid was continually taken on and off during use and thus easily subject to damage. A single superficial hairline occurring during firing can be seen on the interior base; it does not go through to the exterior.
It is quite rare to find a vintage cookie jar in such fine overall condition! Reproductions abound on today's market, but authentic pieces such as this are quite scarce and are truly collecting treasures when discovered!
Hardcover, 288 pages; Good condition: Minimal foxing, no tears, tight binding, corner edge wear to cover.
A delightful addition to the School Memorabilia collection!
First is a most unusual carton of 6 vials labeled "PITANTHM" which is a uterine stimulant used to promote labor. Inside the small 3.5" x 2.75" box are six unused ampules nesting within. The circa 1940's ampules measure 2" tall and sport a very cute paper label and are in perfect shape. The box shows mild wear, some stain and fading.
Secondly is an unused, Parke Davis, sex hormone ampule labeled "ANTUITRIN". The box measures 4" x 2" and is complete with a paper insert with directions, dose and indications including a date of 8-48. The medicine is in mint condition. The distilled water vial is about 3" high and the medicine ampule is about 2 inches tall with both sporting perfect labels. The box is in very good condition with some stains, wear and minor label loss.
A pair not to be missed!
The set is in wonderful condition for its age and would make a fabulous display piece within a medical memorabilia collection; the only issue for the set is that the meter's tubing has separated from the cuff.
The bulb is labeled "Baumanometer", the meter is labeled "Tycos" and the air flow control valve is stamped "Air Flow Control".
Straight out of the original physician's doctor's bag!
The pitcher sits on a footed base and has a generous, bulbous-shaped body. It has glaze crazing typical of an 85+ year old piece of pottery, superficial flakes as noted in photos, and two hairlines at the base (see photos) which likely were acquired through use over the years. The hairlines seem tight and do not appear to threaten the integrity of the piece. P> An outstanding piece of American Spongeware! Becoming much more difficult to find- particularly in this condition!
Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.
Marked "Pat Applied For" on its base, this darling match holder features two small black boys playing around a rather large cotton bale (the bale is labeled "COTTON").
Well-executed detail! A lovely piece seldom found in today's collectible market!
The 8.5 inch tall bottle has the manufacturer's letters “W.T.CO. – Pat. 1889 - USA” embossed on the base.
This label under glass (LUG) tincture bottle is in fine condition. The stopper sports ground glass construction as well. The label is complete and displays well.
This appealing bottle originated from a former pharmacy in Putnam, CT, which closed in 1949.
The litho was executed by John Karst with his signature appearing in the lower left hand corner. Highly detailed, the litho reproduces a bustling New Orleans' dock scene featuring numerous slaves at work.
This litho was professionally re-framed using museum-quality, acid-free materials in 2004. The frame is a classic styled, black painted, beaded, hardwood accented with a dark rose, acid-free mat.
A fascinating glimpse into life on the docks of the Mississippi River at New Orleans!
Please note that any white spots or streaking appearing in photos are the result of light reflection and are not damage to the litho.
Vividly colored, this Black Memorabilia themed piece features a smiling black girl seated on a large straw basket while holding 2, smaller-sized, flower-filled straw baskets in each arm. The young girl is nicely attired in a ruffled blue and yellow dress and wears red sandals, white lacy gloves, and a rose-accented, straw bonnet!
The diecut is in excellent condition! A very unusual find!
This diminutive tin case is painted black with gold accenting and gold lettering present on the front of the case. The black paint shows reasonable wear given its 130+ years of age with the majority of wear evident along seam lines and at the base. The gold painting on the front of the case remains quite nice with very small areas of unobtrusive paint loss present (please see all photos). This tin case was clearly well cared for over the years.
The case contains three, pull-out, tin drawers with tiny, circular, loop pulls at the ends, that when slid out, reveal 15 separate compartments designed to hold the corked, glass, sample bottles. Fourteen bottles remain present, all of which are original to the case. The bottles advertise the spices and perfume waters that the Loverin and Browne Company manufactured for wholesale purchase by various independent groceries. The base of each bottle sits on a spring which would have facilitated secure storage during travel.
An interesting addition to one's advertisement collection! Very easy to display with great visual appeal!
This fabulous advertising piece is made of papier mache’, is painted black, and sports cream-colored lettering on both sides of the hat.
The firm of Julius Kessler Dist. Co., Inc., in Lawrenceburg, Indiana, originated in 1888 and created an American blended whiskey known for its silky smoothness!
The condition of this fab piece is very, very good given its 115++ years of age, with some areas of paint loss and wear (mostly to the top of the hat which is the surface that actually serves as the base for this piece). No structural weakness or damage to the papier mache- a very solid piece that displays beautifully!!
Measures 12”L x 9.5”W x 6”H. An eye-catching, visually appealing, early display advertisement!!
The Pacific Rural Press, first established in 1871 in San Francisco, California, was formed to educate and otherwise serve the needs of California's agricultural community, primarily addressing fruit and vegetable growers. In addition to being a highly-respected, scientific informational source, the Pacific Rural Press publication also offered the opportunity for manufacturers of related farming products to advertise their wares.
This visually appealing sign, produced by the Pacific Rural Press Service Bureau, would have been posted by the farm owner as a warning to potential intruders. The sign states: "$50 REWARD FOR ARREST AND 30 DAY IMPRISONMENT OF ANYONE STEALING FROM THESE PREMISES".
Sporting a deep, green-colored background which enhances the bold white lettering, the sign measures 10" long x 7" high. (The lovely deep green color is even darker than the photos depict. It was difficult to capture the depth of color due to light reflection.) It is in good condition commensurate with its age and use. The surface has modest, faint superficial scratches, as well as some minor paint loss noted more on the edge and on the embossed letters. There are various slight, tiny dings and scant superficial rust marks. Two mounting holes are present on the top left and right edges to facilitate hanging.
A very interesting and conversation-provoking sign!
Possibly Staffordshire, the quill holder features polychrome coloration with gold embellishment. Condition is wonderful with no chips, breaks, repairs, or repaints. Some discoloration seen under the base in the area where the quill hole is located. This discoloration may well be due to ink drips from quill or pen landing on the porcelain over many, many years.
A delightful piece!
This exquisite example exemplifies the early years of Tramp Art at a time when it was practiced largely by skilled craftsmen with artistic talents. Pieces from this era feature a more multi-layered, detailed technique using hard wood bases as opposed to the thin cigar box wood bases prevalent during the early 20th century through the Depression years.
This wonderful, approximate 140 year old piece features multi-layered exterior framing on all sides as well as the box cover; framing which then envelopes amazing pyramidal shapes of all sides.
The box interior is covered in a vibrant floral wallpaper, and it features a small 1.75 inch x 2 inch framed mirror on the underside of the box lid. Likely made for a female given its interior design and decoration, the box also features a functional lock with original key, to safeguard jewels and important mementos.
Measures 8.75 inches wide x 8 inches deep x 6.75 inches high. In very good condition and retaining its original finish! A few missing notch pyramid tips here and there. Just lovely!
The first two tablet boxes are from Eli Lilly and measure 3.25 inches long and date to the early 1900s. The NITROGLYCERIN box contains 5 labeled tubes and is in excellent condition. The PROCAINE medicine box contains 1 labeled tablet tube and is in very good condition.
The second group are five SHARPE & DOHME tablet boxes (4 measure 3.25 and one measures 4.25 inches long). The condition of the boxes are very good with the red colored CAFFEINE box showing one piece of tape on one end. The CAFFEINE box contains 5 perfect glass tablet vials and dates to the 1910 era. Two SCOPOLAMINE tablet boxes are excellent. Two CLYCERYLIS boxes are in very good condition, one of which contains a full compliment of vials while the second has four vials.
A unique opportunity to acquire scarce medicines!
Offered are three utterly fabulous, vintage, Victorian-era, brass-plated photo frames, each with original shelf stands on back. Please see cover photo #1 for truest representation of overall appearance of all three frames.
De-accessioned from our personal stock as we sadly no longer have the place to display them-- and our Wedding photo was displayed in the larger frame--, the frames are in all-original condition, complete with original shelf stands attached on the rear side as well as original movable pins on back that secure the photos in the frames.
In the larger frame, the brass plating is in very fine condition with very minor, minuscule scratches and pitting commensurate with its 125+ years of age. Some very minor silvering of the brass on the front of the frame is also evident, but as seen in photos, is extremely minor. This fabulous larger frame is a truly stunning piece!
The larger frame comes complete with glass and measures 17" high x 13"; the inside measures are 9.5" x 7.5", readily accommodating an 8"x 10" photo with slight trimming. This larger size is actually very uncommon compared to the many, many smaller-sized brass frames that were produced in the Victorian era. The larger frame is truly quite stunning and commanding.
The smaller rectangular frame has a similar amount of very tiny scratches and minor pitting, with some wear to the brass plate at the base of the frame where the color appears more coppery. This frame measures 12" x 9" and easily accommodates today's 4 x 6 photographs. This frame has not retained its glass, but just like the photo size it can accommodate, the frame will readily accept the glass from any modern, standard 4x6 frame.
The oval frame measures 10.75" x 8.5" and is in very fine condition with very minor, minuscule scratches, pitting or wear commensurate with its 125+ years of age. The oval opening accepts an approximate 3.75" x 5" photo and retains its oval-cut glass.
These frames display beautifully together or separately and lend a elegance to any photo displayed within!
While some photos may appear a bit blurry, this is a function of photography and not condition. All postcards are crisp and clear! The six comical cartoon postcards are much more brightly and vividly colored than the photos depict. The four photo postcards also feature titles describing their subjects.
A delightful grouping that would be much-appreciated framed!
Extensively used in the 19th century and earlier, the cupping glass is a glass vessel from which the air has been exhausted by heat or suction creating a vacuum, and then applied to the skin to draw blood to the surface for therapeutic or curative purposes.
This diminutive beauty measures less than 4 inches when closed and just over 2 inches wide. It has a wonderful patina and is in fine condition and functional.
Compounded medicines were often bitter tasting and when in the powder form were enclosed in edible type paper. When swallowed the medicine would bypass the taste centers and dissolve in the stomach. Think of them as paper capsules.
Measuring 33 inches tall and 12 inches deep at its maximum depth, the bell hop carries a black tray topped off with a hefty aluminum ashtray. The ashtray is large enough to serve as a receptacle for a smaller potted plant, updating the use of this wonderful sculpture to a modern-day purpose!
The bellhop is quite sturdy as it is constructed of 3/4 inch thick wood, and it is well-balanced, as it is mounted upon a 12 inch diameter wooden base of equal thickness. Condition is wonderful with a great aged patina. At some point long ago, the bell hop lost the front half of his foot, but this loss was cleverly repaired so that it is not readily evident. Also cleverly repaired some many, many years ago, is the bellhop's wrist which appears to have been either broken off or cracked, but which has been nicely repaired and repainted.
The CACTINA PILLETS bottle retains a 1925 date on its package insert. The bottle, embossed "SULTAN DRUG CO, SAINT LOUIS, measures 2 inches tall, and sports both a labeled cork as well as a front prescription label with detailed directions for use. The box and insert are in good condition with some age wear including a crimp at the top of the label. One interior box flap has separated.
Dr. Ballentine's Homeopathic Specific medicine is quite scarce! The bottle label notes this medicine as a CURE, indicating that the age is minimally early 1900s. The bottle measures just over 3.5 inches tall and sports perfect, detailed, cork and bottle labels. The large package insert features a list of Ballentine's homeopathic medicine cures. The box notes Dr. Ballentine's association with the renowned, homeopathic, HAHNEMANN MEDICAL COLLEGE, Philadelphia, PA. The box is complete and in good condition with some scuffs and minor loss.
First, is a nearly 8 inch amber bottle GAMBIR, a mild tonic and astringent.
Bottle #2 JALAP, a cathartic, measures 5 inches, is a circa 1900 amber example sporting the early factory image.
Bottle #3 OX GALL, a tonic and laxative, is 5 inches tall and also sports the early PD factory label.
Bottles #4 + 5 measure 5 inches tall. CALUMBA a tonic and stimulant. APOCYNUM (Canadian Hemp) an emetic and expectorant.
Bottles #6 and 7, DAMIANA, used as a mood enhancer or digestive stimulant, measures 4 inches. In early history, Damiana was noted as having an "effect on sexual desire".
Drug #8 CREOSOTE a expectorant measures 5 inches.
Bottles #9 and 10 labeled INFANT No.2 measure 2.25 inches and contain Calomel, a purgative and ipecac (induces vomiting).
Medicines # 11 and 12 are boxed Herbs STRAMONIUM used for asthma.
Bottles #13 and 14 CATHARTIC COMPOUND measure 7 inches high and contain colocynth used for liver, gallbladder and other issues.
The condition of the bottles is excellent. The labels are mostly complete with some showing honorable wear, stains, fading all commensurate with vintage medicines.
A wonderful collection of vintage pharmacy products.
Offered is a scarce, Civil War era, clear glass, hand-blown apothecary bottle sporting an appealing label under glass label that is marked 'SPIR. AETH. NIT.'. The pontilled base, ground glass stopper, and stunning gold gilt label make this bottle very desirable!
The condition of this 10 inch tall bottle is excellent. The label has a few tiny edge flecks, a small chip on the lower right hand corner, and an unobtrusive, top-to-bottom crack on the right side that runs through the letter 'T'. As seen in the photos, the label appears very nice visually, despite what I would consider minimal damage.
An early bottle that displays beautifully!
Manufactured by FOSTA Products, this highly sought after piece of Black Memorabilia shows some wear to the gold lettered word, “RECIPES”, although the majority of the paint remains intact. Small paint rubs are present here and there on Aunt Jemima’s face as seen in photos. The tiny plastic knob on the left side of the box that acts as a hinge for the cover is missing, but this minor imperfection detracts little from the fabulous color contrast and visual appeal of this delightful and essential, vintage piece of early 50’s Black Americana!
Measuring about 3.5 inches long, this case most likely contained medicines to help with treating chest pain. The pills were easy to dissolve in water, then filled into the syringe and quickly injected.
The case appears to be made of aluminum and opens perfectly (like a vintage cigarette lighter). The condition is very good with some scuffs, mostly on the top.
The 2.5cc size glass and chrome plated metal syringe is in very good condition, measures about 3 inches long, and sports a barrel that withdraws smoothly.
The six, EMPTY vials each have complete labels and corks and are in good condition. Three are from Eli Lilly, each labeled NITROGLYCERIN. The three others are from SHARPE AND DOHME and are labeled GLYCERYLIS NITRAS. There are no needles.
A very nice, 1920's piece of pharmacy and medical history.
All but one bottle are re-purposed and sport "OTIS CLAPP & SON" embossing on one side. One bottle sports the original Otis Clapp & Son paper label (SEPIA). One bottle is round and not original to case.
Each Otis Clapp bottle measures over 2.5 inches high, having hand-written labels with instructions for use and corks with hand-written contents on top. One Otis Clapp bottle is amber colored; otherwise the bottles are clear.
The case measures 7" x 4.5" x 5" and is in very good condition with a functional front clasp. An early note has been affixed to the inner top to reflect contents, dose and antidote.
Very unusual indeed!
Some History from the Derby Connecticut Historical Society:
ALBERT W. PHILLIPS, M. D. was born at Marcellus, N. Y., July 26, 1838, his early education having been secured in the common schools of his native town.
He graduated from the Hannemann Homeopathic College, Chicago, Ill., in 1861.
At the commencement of the Rebellion, he enlisted as a private in the 12th Regiment, New York State Volunteers, but was later appointed hospital steward of the same regiment, and later received the appointment of assistant surgeon of the 149th Regiment New York Volunteers. He served until the close of the war, when he moved to Birmingham. He held the office of registrar of vital statistics, and also was an influential member of the Board of Burgess for several years. He was the only follower of the school "similia similibus curantur" in the town, and had a large and lucrative practice.
In very nice condition with minor scratches to paint here and there as seen in photos, this wind-up toy works, but the mechanism does have the tendency to stick a little. Marked J. Chein.
A must-have for the avid Black Memorabilia Toy collector!
Quite visually appealing, the sign is in very nice condition with a minor paint spot on the top center above the "L" and one on the top frame. There is light wear on the wood finish as well but it is not obtrusive.
Eli Lilly was a proud manufacturer of proprietary medicines for over a century and often provided signage to drug store owners to both assist in promoting these local pharmacies as well as to advertise their own products.
The folder was mailed, but remains in fine condition given its age. Some edge wear evident at corners. While some photos may appear a bit blurry, this is a function of photography and not condition. All postcards are crisp and clear!
The Real Photo postcard folder features the lyrics and music of "Dixieland" and 18 full color scenes of the industries common in the South during this period: cotton picking and production, tapping pine trees for turpentine production, watermelon farming, and sugarcaning. Of cultural and historical interest are the numerous scenes of African-American life including less-flattering stereotypical scenes. Some very politically incorrect and derogatory captioning including use of "dialect".
This glass SPECIAL CONSULTATION sign once hung near the entryway of the Medical department and is ready for your collection!
The sign measures 13 inches long x 3 inches high and is of thick, heavy, plate glass construction. The sign sports gold-toned, applied lettering and is finished off in black paint such as in the style seen in reverse-painted glass objects. There is modest paint loss and lifting which is commensurate with older painted glass.