Catalog (460)

Offered is a circa early 1900s Scotland-made, hickory shaft golf club. Generous stamping is evident on the back of club including the following: "WILLIAM GIBSON - KINGHORN SCOTLAND" inside of an oval. "H LOGAN'S 'THE GENIE MODEL' MASHIE NIBLICK" - STAR cleek mark and more!

Measures 35.5 inches from heel to top of shaft. The old leather grip is in good condition. The hickory shaft is straight and has an old repair but remains quite sturdy. The face has a dot pattern and shows mild and honorable wear.

SOME HISTORY:
William Gibson was the maker of this club and Hugh Logan was the professional who endorsed the popular high-end GENIE MODEL. Gibson was born in 1868 and was first a blacksmith who turned cleekmaker (a skilled blacksmith who manufactured early iron clubs). Gibson started his firm in Edinberg in 1887 and changed its name and location to Kinghorn in 1903 when his partner passed away.

Hugh Logan was born in Prestwick, Scotland, in 1880, and first worked for Tom Morris's successor, Charles Hunter, then, honed his skills at the famous London Scottish club at Wimbledon where he patented the adjustable club 'Genii'. He was held in high regard in the club-making fraternity, he played in the OPEN numerous times, and he served as a golf professional.

This eye-catching, bright, robin's-egg blue painted pharmacy sign from the 1970s measures 14 inch tall x 1/2 inch thick.

This handsome wooden beauty is embellished with a fancy decorated mortar and pestle on top, stylized, Victorian-look lettering spelling out "PHARMACY" in the center, and vintage-look advertising for "LOG CABIN EXTRACT" at the bottom.

The condition is good with slight areas of paint lifting or loss, primarily on the edge.

A tiny "MADE IN JAPAN" label and the original price tag are present on back. Ready to hang!

Measuring just barely 6 inches in length, this fabulous example of 1920's folk art and hand craftsmanship exemplifies the stereotypical Mammy of the early 20th century.

Constructed with care and skill, Mammy's floral dress, white apron and white under-pantaloons were neatly machine stitched. Her facial features--- eye brows, eyes, nose, and lips --- are hand-stitched with embroidery thread. She has yarn-constructed black curls peeking out from under her red and white polka dot head scarf. Her arms, torso and head are stuffed with cotton or cloth scraps with the torso securely tucked over the top of the clothespin and into the pantaloons. Her black-painted clothespin legs are hidden under her long skirt.

A very sweet little doll in wonderful all-original condition-- no repairs, rips, stains or odor. Displays quite nicely!!

This vintage educational Ophthalmology chart was published in 1956 by the Better Vision Institute of 630 5th Avenue, New York, to "promote better understanding of vision and better care of eyes".

Measuring 60 inches wide by 40 inches high, this highly colorful chart is just chock-full of information! Metal hanging grommets placed across the top facilitated display back in the 1950's. This incredibly interesting, double-sided chart highlights the science and history of sight as well as its medical assessment and its effects on one's ability to function productively in society.

The front side of the chart is entitled, "Vision: Master Key to Man's Progress" and highlights the biology and history of sight with a side discussion of optical illusions. The back side is entitled, "Science: Multiplies Eye Power" and discusses the science of vision and its correction featuring the Snellen Vision Chart, an Astigmatism chart and a Color Discrimination chart.

Condition is quite good with excellent color and clarity of print. Foxing is present on the front side side of the chart where the Optical Illusion information is printed. A very small edge tear is evident on the bottom of the chart and is most readily seen in photos when viewing the bottom back side of the chart where the description of Color Discrimination is found. (please see photos)

A fabulous, mid-20th century retrospective on vision as well as 1950's Optometry and Ophthalmology! Would be wonderful framed between two pieces of plexi-glass to facilitate display on either side!

Offered is a choice, late 19th century, physician's, Homeopathic Medicine Case No. 1 from Parke Davis & Company.

It is a nearly complete example containing 23 of the original 24 screw cap empty vials! This example was most likely part of a set of 2 or 3 other matching cases offering various additional remedies as the gold printing on the flap notes the following: "TABLET TRITURATE CASE NO. 1. A partial printed label marked "ASSORTMENT A..." indicates that Parke Davis offered a large assortment of different homeopathic medicines.

Each cylindrical vial measures approximately 3 inches in length including the cap. The vials are nestled in the leather case with most of them sporting a small paper label that is hand written or printed upon. The fitted leather case measures 7" long x 1.5" wide x 3.5" high and shows wear commensurate with its use and its 120+ years of age. Modest loss to the flap closure is noted with general wear and mild loss of material. One flap is separated as seen in the photo.

A wonderful pharmaceutical relic representative of late 19th century homeopathic medicine!

This is an exceptional example of a circa 1915, MacGregor, DEEP GROOVE golf club that was designed to significantly enhance the backspin of a golf ball. As history would have it, these clubs actually worked and gave an unfair advantage to those professionals who were adept at using them! In 1921, RIBBED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by both the R&A and USGA.

The sole of the club is marked MASHIE. The back of the club is stamped as follows: PILOT (with arrow) ACCURATE and oval stamp with MACGREGOR, DAYTON OH.

Measures 36 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight, sturdy and has the following stamping below the grip: THE CRAWFORD MACGREGOR & CAMBY CO. DAYTON, OHIO. The head of the club shows light wear and good grooves with generalized tiny unobtrusive pitting to the surface.

A terrific example of an early club with a controversial history!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

Offered is this very scarce, circa 1910, Willie Dunn, Smooth Face Hickory Shaft Golf Club. Although smooth face golf clubs fell out of fashion by the very early 1900s, they were still offered in catalogues for a number of years beyond this date.

This smooth face club is stamped on the back "WILLIE DUNN - NEW YORK". The leather grip is in good condition, and the slightly bent hickory shaft sports a nice aged patina.

Measures 39 inches from heel to top of shaft and is probably a MASHIE although it is not marked as such. There are various small dings, mild pitting to the metal surface and examples of wear commensurate with this club's 110+ years of age and use.

Of Scottish origin, Willie Dunn settled with his wife and son in New York and established his club manufacturing business there. Not only was he a very talented golf club maker, he was also an accomplished professional golfer, finishing 2nd in the inaugural US OPEN, but also had gained a fine reputation as an outstanding golf course designer.

Offered is a highly-collectible, circa 1860's, Staffordshire earthenware, pictorial plate featuring a scene from the enormously popular, 1852 novel, "Uncle Tom's Cabin" by Harriet Beecher Stowe.

"Uncle Tom's Cabin" or "Life Among the Lowly", is an anti-slavery novel that was published in two volumes and which had a profound effect on attitudes toward African-Americans and slavery in the U.S. It is said to have "helped lay the groundwork for the American Civil War".

The plate depicts Uncle Tom seated in a horse-drawn wagon while heavy iron shackles are being clamped around each of his ankles. The text on the plate reads: "Uncle Tom packed up for the 'Down South' Market. Haley made fast a heavy pair of shackles to Tom's ankles".

Plates such as this were produced for use by children as subtle educational tools. England was well ahead of the United States in recognizing the moral evils of slavery, abolishing it in 1833.

The plate measures 8 1/2 inches in diameter and the interior is decorated with the black transfer-printed, Uncle Tom vignette. The rim is quite beautifully embossed with highly decorative swirls which encase two different flying birds- one clutching an olive branch in its beak and the other chasing after a butterfly.

The plate is of great interest due to its slavery-related subject matter and its high degree of rim decoration. Condition of the plate is fair to good due to the numerous edge flakes present along the rim and the two tiny ones within the transfer. The plate has a use-related age crack that is clearly visible on the backside of the plate and which is also partially visible on the front side. This crack is quite tight and does not pose any concern to the structural integrity of the plate.

Despite its age-related imperfections, this plate displays absolutely beautifully, and for those collectors who are interested in slavery-related artifacts, this would be a noteworthy and visually-appealing addition to one's collection.

This lovely and historic plate has been priced to reflect its blemishes.

These wonderful, circa late 1950-early 1960's, TRU-TONE No Roll, school or art crayons manufactured by the Milton Bradley Company of Springfield, Massachusetts, are in mint condition! The crayons are unused and are all original! The box measures 4.5 inches tall x 4.5 inches wide x 1/2 inch deep.

An absolutely wonderful addition to one's School or Artist Memorabilia collection!

Also pictured are two other mint condition, unused, boxed, school crayons that are currently offered for separate sale. The group of three make a charming, visual display!

Offered is a rarely found, Ca 1890s, tintype mourning brooch featuring a young and attractive, African American woman.

Housed in an ornate, brass frame complete with backside pin to allow attachment to one's clothing, the mourning pin measures 1 3/16th inch in diameter.

The image is quite clean and crisp with a very tiny imperfection noted on the image just above the woman's head at the frame edge.

A delightful and diminutive, circa 1950's, Baby Boomer Era, set of children's wooden architectural building blocks marked "Made in Japan".

Measuring a slight 4" x 5", the brightly painted blocks are housed in a highly-detailed cardboard box featuring a colorful graphic of a young child playing with them. This toy was also used in the primary grade classrooms to help develop fine motor coordination and dexterity.

Condition is quite fine with the exception noted of 2 missing blocks.

Measuring 7 1/2 x 9 1/2, this lovely, 1920-30's, English or Continental origin, Black subject die cut features a very pretty, smiling young woman in a straw bonnet with unknown book in hand.

This die cut was manufactured to advertise a specific item, store or location but was never used for that purpose or otherwise personalized. Likely, this vintage advertising piece was discovered and then framed so that it could be enjoyed despite its anonymity.

This pleasant die cut is in excellent condition and comes protected in an attractive, walnut-tone, oval decorative frame! The frame bears some minor veneer loss that does not impact the frame integrity, nor is it immediately noticeable.

A sweet piece!

Measuring 1 3/4 inches in diameter x 3/8 of an inch high, this circa 1920’s, dexterity game puzzle depicts a fancily dressed and top-hatted black man! Likely German-made, the puzzle is without markings. Vibrant color and detailing! The puzzle contains 4 tiny white balls, that with the proper manual dexterity, are to be placed in the gent’s mouth, eyes and bow tie!

Constructed of tin with a cardboard lithographed image and a glass cover, this game is backed with its original mirror. The puzzle is in all-original condition with the lithographed graphic remaining free of scratches and abrasions. The glass is rippled but is not damaged as it remains smooth to the touch. A "defective" piece of glass was likely just simply chosen for use in what was once an inexpensive penny game!. The mirror shows some tiny bits of loss to silvering as noted in photos. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

An interesting image and a delightful piece of early Black Memorabilia!

Offered is this wonderful, early 1940s, LITTLE BLACK SAMBO Book with beautiful illustrations by Phyllis Robinson, a M.A. Donohue Company, Chicago, book publication. Hardcover, 18 unnumbered pages. Curiously, the M.A. Donohue Company, did not always date their publications as is the case here. They, additionally, were not prolific publishers of the Little Black Sambo story book, and this edition was used over a period of ten years, with changes made only to the cover. The company's final publication of this story came before the onset of WWII, making this copy a very rare find.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 8 out of 10! All the wear on this cloth-bound hardcover book was absorbed by its cover with wear to book edge points and book cover edges. The interior binding is intact and tight as are all pages. No creasing or bends to pages. Illustrations remain very brightly colored and vibrant and are particularly notable for their fine artistry. A couple of very small page edge tears (less than 1/2") are present. A penned inscription is noted: "To Evelyn Field From Dorothy Field Christmas 1943".

Amazing condition for an 80 year M.A. Donohue Publishers book- a book that is exceedingly difficult to find in today's market!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

This extremely colorful, lighthearted, and energetic, signed, fine quality, Limited Edition, giclee print depicts a lively outdoor dining scene full of gaiety and camaraderie.

The image, itself, measures 32" long x 24" wide, while the framed artwork in total measures 41" long x 32.5" wide. The giclee print was framed using museum-quality, acid-free double-mat board and backing materials, within a fine quality solid wood frame and topped with non-glare glass. This artwork was purchased directly from artist, Kelvin W. Henderson, it was signed by him at the time of our purchase, and it cheerily hung in our dining room for ten years!

The artwork is actually brighter in color than my camera was able to capture- closeups appear a bit "darker" than reality. Condition is absolutely perfect! And its presence---well, it will command one's attention hanging on an entire wall-space all by itself! It is, as stated earlier, a Limited Edition giclee lithograph-- Number 18 of a 150 Limited Edition series, with an additional 50 canvas editions. The provenance of this piece with all details is attached on the back side of the artwork as seen in one of our photos. A buoyant and effervescent piece of art!

As this piece exceeds typical shipping criteria in terms of dimensional size and weight, we regret that we cannot offer free shipping. We will provide a $25 shipping credit, but the remaining cost of shipping will rest upon the purchaser.

Offered is a clear glass paperweight advertising the image of the fascinating "CHIEF TWO MOON" of Waterbury, Connecticut, who made and spent a fortune as a healer and manufacturer of patent and herbal medicines of questionable efficacy. This image is of the Chief proudly posing in front of one of his converted school buses that he and his salesmen used to travel in throughout New York and Connecticut hawking his popular elixirs and herbal medicines.

This handsome paperweight measures about 4.25 inches long x 2.75 inches wide x .75 inches thick. The black and white paper image is affixed to the underside of the glass. Overall, the condition is very good with some minor fading to the image front. The print on the back side of the image is quite faded and the written portion is barely discernible. No damage to the glass is noted. I am not not sure of the vintage but it has been in my collection over 15 years.

SOME HISTORY: Chief Two Moon Meridas (Ca1888–1933) was an American seller of herbal medicine who claimed that he was of Sioux ancestry. Meridas was born Chico Colon Meridan, son of Chico Meridan and Mary Tumoon; his exact place and date of birth are unclear. Later, his marriage certificate recorded his date of birth as August 29, 1888, but this information in unconfirmed.

By 1914, Meridas was selling herbal medicines in the streets of Philadelphia and New York City. In New York he met Helen Gertrude Nugent, married her, and shortly afterwards they moved to Waterbury, Connecticut, where he began to sell his herbal medicines from his house. Contemporary newspaper accounts state that during the Great 1918 Influenza Pandemic, none of his patients died! This increased his prestige and clientele. His most famous product was "Bitter Oil", a laxative that was widely marketed as a cure-all.

In 1921, Meridas moved to a larger house in Waterbury and established an extensive and prosperous herb business in a storefront at 1898 East Main Street. He built his own laboratory at 1864 East Main Street in 1925. His business increased to such an extent that he had a fleet of buses for his salesmen as well as an airplane. He took money only for his products, not his advice. He spent lavishly but also surreptitiously donated to charities and to the poor.

In 1928, The Chief was awarded the keys to Atlantic City, where he founded his Indian Temple there. Although The Chief always claimed Native American ancestry in the advertising of his products and in his personal life, the United States Department of Interior refused to certify that he was an American Indian. However, on August 6, 1930, the Oglala Lakota Sioux of the Pine Ridge Reservation awarded him the honorary title of Chief, because of the significant financial help he provided them and others during the Great Depression.

The Chief died in Waterbury at the age of 43.

Offered is a wonderful, C1950s, Art Deco-styled, advertising store sign from a Grand Rapids, Michigan, establishment that features, in bold capital letters, the word, "LIQUOR".

The black-painted, metal frame houses a plastic, cream-colored insert that features an embossed lettering and design technique that advertises the name of the product for sale. The background of this insert sports a streamlined, horizontal, raised "striping" reminiscent of the Art Deco era. When light is allowed to pass through the plastic, translucent insert, the insert appears to be magically illuminated so that the green-colored backside of the sign shines through with brilliance. This effect can be enjoyed by either hanging the sign in front of a window or by fastening tiny LED lights (not included) on the backside of the frame.

The dimensions are approximately 33"L x 5.5"W x 3/4"D, and the overall condition of the sign is very good. The plain metal frame has been repainted in a durable, semi-gloss, black finish. The frame is missing an approximate 5 inch piece at the top half of the left side of the frame; It is not noticeable when the frame is hanging.(see photo) There is also an unobtrusive crimp to the left edge of the frame. (see photo) The painted finish is in very good condition with areas of minor surface imperfection and slight areas of roughness here and there.

The vintage plastic insert is laminated in two tones, with the front noting a rich, aged, cream color, and the back noting a rich green tone. The front of the insert has faint surface imperfections and some areas of uneven discoloring. The lower left portion of the letter "M" has a minor, small, unobtrusive crack. Overall, the insert retains a nice glossed surface patina commensurate with its age.

A note: the first photo best represents what the sign will look like when illuminated from the back with LED or natural window lighting.

Offered is an extremely scarce, C1860s, United Kingdom Maker, Long Nose, Long Spoon, Wood Golf Club with original finish! It measures a formidable 44 inches from the heel to the end of the shaft! What is most intriguing about this club is the modestly angled 6 inch club face which showcases the dramatic curve.

This club actually presents a number of qualities that indicate it may, in fact, be an example of pre-1860s craftsmanship: : LENGTH of the face is 6 inches. The DEPTH of the face is 1 1/8 inches max. The face is SMOOTH and CURVED, and the club head is shaped in the form of a TEARDROP. The club is UNMARKED. The neck is slightly thin at just over 3/4 inches--- all indicators of an early, pre-1860s club!

This amazing club sports most of its original varnish surface and is offered in "as found" condition. The darkening of the finish results in a wonderfully rich patina. The club displays an enchanting presence owing to the gently-sculpted angling of the face. The sole of the club is without the usual ram's horn which was the typical norm, making this particular club that much more intriguing and quite unusual!!! I have not been able to find reference to clubs that were made in this fashion. RARE!!!

The early golfer must have been quite robust and sturdy as this heavy club face is one that most folks today would have a difficult time keeping "square" at impact. Long spoon clubs were used off of grassy surfaces which accounts for the very nice condition of this beauty. Besides the unobtrusive, expected scuff marks on the sole, there is only one tiny, barely-noticeable chip on the leading edge of the club face at the sole, consistent with hitting something other than a grassy surface!

The lead on the back of the club has been partially removed to customize it for the golfer. The slightly warped hickory shaft is undamaged and sports a warm, honey-colored surface. The leather grip was expertly replaced many, many years ago and has signs of honorable wear.

The skills of the craftsman are most apparent when the club is viewed from the top. While unmarked, this club displays the form of the exceptional, highly-skilled, UK club makers of the 19th century. According to author and golf history expert, Jeffrey B. Ellis, unsigned, long-nosed golf clubs were the norm in the pre-1870 era.

This rare, antique, hand-wrought, golf club was recently acquired from the estate of a gentleman who had restored and collected golf clubs for 7 decades! His family, while settling his estate, remarked that he had "paid crazy prices for some of his collection!". This prized, rare club is certain to have been included in that category!

A phenomenal, rarely-found example of 19th century craftsmanship, and a tangible example of exemplary golfing history.