In very nice condition with minor scratches to paint here and there as seen in photos, this wind-up toy works, but can be a little fussy. Given its 100+ years of age, a bit of fussiness in the mechanism is not atypical or unexpected. Marked "TOMBO" Alabama Coon Jigger Trademark Strauss Mfg Co New York USA; US Patent May 24, 1910. The figure, itself, is 8.25 inches high.
This fabulous toy is a CLASSIC MUST-HAVE for the avid Black Memorabilia Toy collector!
This seldom found copy was originally published in 1932 by Rand McNally & Company of New York.
This copy has superficial scratches to the front and back covers, as well as surface soiling, and wear on book cover edges.(see photos). The front cover has a slight tear at the crease that does not effect strength or integrity of the cover board. A couple of pages have minor staining. The binding is super-tight and all pages remain present.
Topsy's adventures are divided into three chapters in length, approximately 59 numbered pages. Book is filled with a variety of black-ink and black and red illustrations as represented in photos. The story of Topsy was likely inspired by the Little Black Sambo stories which originated at the turn of the 20th century. PLEASE NOTE: in the photos, the printing seems light and faded- not so! It is merely the function of over-lighting or light reflection.
A wonderful and truly RARE book not to be missed!
Please see the other Topsy Turvy book available for separate purchase, a 1938 copy of Topsy Turvy's PigTails.
Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the Dandy graphic remaining free of scratches and abrasions. The mirrored back shows evidence of 2 tiny areas of subtle, minor chipping along the perimeter edge, and the glass front has a small surface chip at the base of the Dandy's shirt. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
An interesting image and a delightful piece of early Black Memorabilia!
Remaining in its original frame with original wooden and paper backing, this watercolor retains its framer's identifying sticker which reads, "Staton's Art Shop 5409 Germantown Ave." Perhaps this Germantown address indicates Philadelphia area origin? In the interests of proper conservation, the new owner should re-frame this lovely piece with appropriate acid-free materials.
Please ignore any white streaks seen in photos; these are the result of light reflection off of the glass.
A lovely watercolor- nicely executed!
Unmarked, this toy is in very good condition with tiny superficial surface scratches wherever metal rubs metal during toy movement. To operate the toy, one simply squeezes the metal lever on the back, which causes the clown to hit poor Golly on the head with a mallet!
A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.
Constructed of tin with tin back and a cardboard lithographed image and a glass cover, the puzzle is in all-original condition with some tiny crimps to the edges as noted in photos. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
An interesting image and a delightful piece of early Black Memorabilia!
Her cute face is completely hand-stitched and is accented by original celluloid hoop earrings. She wears a flowered bandanna, a cream colored flowered shawl, and an off white apron over her green and black mini-checked dress. She even has a cream colored petticoat underneath all! Her machine-stitched clothes are odor free and are nicely constructed, although her apron does have tiny age holes!
Although her bottle frame is covered by a black stocking, the stocking has risen up revealing her sand-filled milk bottle with red lettering from R.W. Tripp's Dairy, established 1889. The milk bottle lettering is in great shape and even features a graphic of a school boy and girl! Among milk bottle collectors, this particular milk bottle is quite rarely found and quite highly sought after, adding further collectible value to this sweet doll!
This great, early bottle doll is one of 3 currently offered bottle dolls --- all priced separately.
This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!
Condition is a 8.5 out of 10! This softcover book has seen very little use with just a teeny bit of wear to book edge points. The front and back inside covers have mild, age-related surface soiling. No tears, creases, or pen/pencil markings.
Both of these colorful brushes have natural bristles with the Porter measuring 7.5 inches high and the Mammy measuring 6.5 inches high.
The Railroad Porter brush has minor paint wear to his cream colored pant legs, to the edges of his cream colored hat and also has some very teeny paint wear spots round his eyes. The Porter's ear is consistent with where one would hold onto the brush while using it.
The Mammy brush is in near excellent condition with little evidence of having ever been used. Love the expression on her face! If one carefully separates the natural bristles, it is evident that at one time they were dyed green to match her bodice, but have lost their applied color with the passing of time.
Please note that the white spots seen in the photos are lighting reflections and are NOT areas of missing paint. If one looks closely, the teeny areas of missing paint can be distinguished from the light reflections.
The Mammy brush is priced at $85, the Porter priced at $70.
Please take the time to peruse our second grouping a Mammy and Porter brushes, listed separately.
This wonderful Depression Era piece features a whimsical 10 inch long cutout figure of a little wooden black girl with hand-painted smiling mouth and eyes! She is dressed in a hand-stitched cotton costume that has been stuffed with scrap fabric.
Her feet feature two brass-finish hooks, presumably to either hang keys or pot holders from. Her ears each have a punched out hole--whether this is functional or purely decorative remains a mystery. A small brass hoop threaded through a piece of fabric which was then tacked to the back of the girl's head facilitates hanging on a wall. Overall condition is fine with age-related soiling to the dress and minor paint wear typical of a 70 year-old-piece.
One of my favorite hand-made pieces with true folk art appeal!
The AYER'S Cathartic Pills card is copyrighted 1883 in the lower right front corner by the J.C. Ayer Company Company, Lowell, Massachusetts. This card is brilliantly colored with a phenomenal graphic of the Black "Country Doctor" holding a small child who clutches an Ayer's Pills advertisement in her hand. The reverse side carries a testimony to the wonder of the multitude of curative properties of Ayer's Pills. The card measures 2 5/8 inches x 4 3/4 inches.
The J.P. Coat's Company card is not copyrighted but is at the latest, a circa 1890's card, and features a smiling African-American boy seated on a spool of Coat's thread tickling a bright yellow shining sun. The card measures 3 inches x 4.50 inches. The reverse side is an advertisement for J.P. Coat's Fast Black Spool Cotton thread.
The Clarke's Spool Cotton Thread advertising card is SOLD. It measures 2.75 inches x 4 3/8 inches and features an African-American boy beating a drum which advertises Clarke's MILE-END Spool Cotton. The litho is marked on back "Donaldson Bros, Five Points, New York". The reverse side further advertises Clarke's Thread.
The fourth card is another J.P. Coat's Thread card depicting a humorous scene of an African-American couple attempting to move a very stubborn mule. The card measures 3 inches x 4.75 inches. It is copyrighted on the reverse 1881 by Auchincloss & Brothers, New York. The reverse side advertises the myriad of J.P. Coat's products.
The fifth card is another Clark's Mile-End Spool Cotton advertisement that features a humorous lithograph of a well-dressed African-American man being tripped by a young Caucasian boy holding Clark's super-strong thread, and measures 2.75 inches x 4.50 inches. The reverse side is a continuation of testimony and advertisement for the product.
All five trade cards are in very fine condition with nice color and some very subtle evidence of age staining as seen in photos. The cards have no rips, bends, or fading.
These seldom-found trade cards would look fabulous framed as a group!
As each is priced separately (see photos for pricing), please email us stating which item you wish to purchase so that we can customize your order form.
This darling, all-glass piece remains in superb condition-no damage of any kind! It retains its wonderful, original satin string around the neck as well as the paper label that reads, “ Le Golliwogg, Vigny, Paris France” and features a lithograph of the Golli’s 2 black hands, positioned in such a way as to suggest that he his holding onto his big round belly!
The Golliwogg’s head is the perfume stopper (which lifts easily out of the bottle), and the facial painting/enameling remains as clear and crisp as the day it was applied! His black furry hair retains most of its original dark tones infused with shades of dark gray! The Golly’s glass collar is painted/enameled white with black lollipops and his feet are accented in black. The original paper label is completely intact.
The base of the clear glass bottle is etched but a challenge to read except under magnification or if the bottle is held up to a light bulb at a given angle. The etching reads, “FRANCE”. This bottle no longer contains perfume.
Along with photos of the Golliwog perfume is also a photo of an original 1920’s magazine advertisement for Vigny Perfumes including “Le Golliwogg”. The magazine advertisement is not available for sale and is only presented to serve as an historical reference.
A very, very special piece of Black Memorabilia that has appeal to Black Americana, perfume bottle, and Golliwog collectors alike!
Also pictured here and available for sale separately--- coming from the same estate--- is a 2.25 inch, Vigny, France, Golliwogg Perfume in Clear Glass dating post-WWI and priced at $375.00, as well as a second, 2.25 inch clear glass, 1920's, Golliwogg Perfume bottle complete with paper base label as well as a partial, original box and priced at $425.00. The clear glass perfume was the second version of the Vigny “Le Golliwogg” perfume produced from the 1920’s into the 1930’s. Type "Vigny" in the SEARCH box on our homepage to see all French Golliwogg Perfume bottles!
Protected in an antique gold wooden frame with gold matting, this magazine sheet has retained all of the brilliance of its original color, making it a rather striking piece of wall art! Seldom located in such fine condition!
A striking piece that would be a colorful centerpiece to any Black Americana collection!
PLEASE NOTE: Any discoloration, white spots, or other unnatural variances in color are due to the unavoidable light reflections caused by the glass in the framing. The presence of the glass made photography quite a challenge!
Measuring just 6 ½ inches tall with a skirt circumference of 4 ½ inches, her head, torso, and arms are constructed of fabric with an inverted basket serving as her skirt. Her clothing is machine-stitched with attention paid to detail: teeny gold fabric braiding serves as earrings and necklace; delicate lace accents her skirt hem; her red shawl features zig zag stitching accents; her face is finely hand-painted.
A sweet addition to one’s Black Memorabilia or Doll collection!
Cardboard candy boxes with black themes remain EXTREMELY RARE finds in today's market!!!
The piece is in very fine condition with expected edge and corner wear. The top left seam of the cover has split but otherwise, the box remains intact with no missing pieces.
D. L. Clark Company History:
David L. Clark (1864-1939) was born in Ireland and came to America when he was eight years old. He entered the candy business working for a small manufacturer in New York. After three years as a salesman, he bought a wagon, horses and merchandise, and went into business for himself.
The D. L. Clark Company was founded in 1886 when Clark started manufacturing candy in two back rooms of a small house in Pittsburgh's North Side. He began selling his candy in the streets of Pittsburgh. During his lifetime, his company became a leading candy manufacturer.
By 1920, the D. L. Clark Company was making about 150 different types of candy, including several five-cent bars, specialty items and bulk candy. Clark was also manufacturing chewing gum in a building across the street from his candy factory. In 1921, they incorporated Clark Brothers Chewing Gum Company as a separate business.
By 1931, the candy bar business was so expansive that Clark decided to sell the gum company, and it was renamed the Clark Gum Company.
The D. L. Clark Company remained in the hands of the Clark family until it was sold in 1955 to the Beatrice Food Company who operated the company until 1983 when in turn, it was sold to the Pittsburgh Food and Beverage Company. In 1995, the Pittsburgh Food and Beverage was thrown into bankruptcy. The company was shut down for several months and its assets divested. Restructured as Clark Bar America, the company operated until May of 1999, when it was purchased by New England Confectionery Company (NECCO), the oldest candy manufacturer in the United States.
This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.
Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.
Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.
The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.
In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."
Manufactured by FOSTA Products, this highly sought after piece of Black Memorabilia shows some wear to the gold lettered word, “RECIPES”, although the majority of the paint remains intact. Small paint rubs are present here and there on Aunt Jemima’s face as seen in photos. The tiny plastic knob on the left side of the box that acts as a hinge for the cover is missing, but this minor imperfection detracts little from the fabulous color contrast and visual appeal of this delightful and essential, vintage piece of early 50’s Black Americana!
Please see the RED Aunt Jemima Fosta Recipe Box available for purchase separately.