A much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two young daughters while they lived in India, Sambo, in the original tale, was an Indian boy and not an African-American child. He was converted over time to this race, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!
Condition is 8 out of 10. This book has seen careful but frequent use with moderate wear to book cover edges as well as the red cloth spine cover. While the binding remains quite tight, surface soiling to covers and some interior pages is evident. The inside front cover reveals a penned inscription from an aunt to her nephew at Christmas, 1937.
This book retains outstanding, bold and brilliant coloring of all illustrations--- just fabulous---given its 89+ years of age!
There are small tears at the bottom of the following pages very near the bound side of the pages ranging from 1/2 to 1.5 inches long; some tears have old tape repairs: pages 9, 18, 19,20, 28, 33, 47, 49, 58.
A unique copy!
While some photos may appear a bit blurry, this is a function of photography and not condition. All postcards are crisp and clear! The six comical cartoon postcards are much more brightly and vividly colored than the photos depict. The four photo postcards also feature titles describing their subjects.
A delightful grouping that would be much-appreciated framed!
The sign with its flat black background, features a decorative free-hand, skill-fully executed, corner-looped edge design in old white paint advertising: SLEEPING ROOM FOR RENT.
Beneath the words 'FOR RENT', the words "WHITE ONLY" have been covered over with a layer of similar-colored background paint. Both words are still visible beneath this layer of paint with the word "WHITE" being most readily visualized.
I believe that this "paint-over" can be easily, professionally removed, and I toyed with the idea of having this done, but then felt that I should offer the sign as it is in its current state, as it is reflective of a small yet positive progression in history, in the viewpoint of at least this proprietor in our society in this time period. What prompted this change of viewpoint, which obviously occurred decades before the Civil Rights Act of 1964, is forever lost to history. The place of origin of this sign is unknown.
The sign is hand-painted on Masonite, a smooth-faced, compressed wood hardboard that was invented in the 1920s and was in popular use during the Depression-ridden 1930s due to its relatively inexpensive price tag. The sign has nine holes to facilitate hanging: three on each end and three down the center of the sign. The sign retains an original surface patina with age-related crackling to the lettering. In addition to the words "White Only" being painted over, a decorative flourish centered between the words "Sleeping Room" and "For Rent" has also been painted over, reason unknown. Mild surface paint loss, scuff-marks, and edge wear are present, commensurate with a 90+year old sign.
An exquisite example of Segregation Era signage that tells a story of prejudice evolving to an acceptance of equality.
The label is unused and is in excellent condition with wonderful, even coloring (any appearance of fading is due to light reflection only).
Approximate measurements: the oval label measures 4.50 x 3.50 inches.
Would look wonderful framed!!
Please take a moment to view my other grouping of vintage French rum labels!
She has a muslin, machine-stitched body which is stuffed with sawdust. Her feet are black cotton. Upper arms are also stuffed muslin with composition forearms.
Her curly-haired head is molded composition; eyes, nostrils, and lips are handpainted-- note the BLUE EYES!!
She wears a muslin slip under a Victorian styled, machine-stitched, tiered ruffled dress. Her clothing has been professionally laundered but does remain darkened with age in some areas- the photos make these dark areas appear more prominent than they are when viewed by the naked eye.
Condition: Difficult to photograph due to camera glare off the composition, her head remains in pristine, all original condition- no repaint- with just a couple of very teeny white flecks here and there! The breastplate has an old glue repair which appears to be quite solid. The repair is not visible unless the doll is undressed. Superficial wear to each thumb is evident as is seen in photos. No cracking or peeling to composition. She was very well cared for over the years!
A very lovely and rare Black doll!
The book tells the infamous story of ten little African-American boys who are gradually eliminated in number via one circumstance after another--most utterly horrid-- choking to death, chopping himself in half, being crushed by a bear, being swallowed by a red herring, etc, ending with the last boy sadly living all alone, a circumstance he happily remedies by getting married.
Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed, black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.
This 113 year old book remains in all-original, very good condition with no alterations or repairs. Original binding and stitching remain quite tight and intact. Illustrated by R. J. (James) Williams, the interior illustrations remain very brightly colored. Pages present varying degrees of very light soiling, light foxing, and yellowing of linen, commensurate with age. Some pages also show subtle water staining that has not impacted cloth integrity. No tears or rips to fabric.
This book is in truly remarkable condition for its age and in consideration of its all-cloth construction. This title is very RARELY found in today's market and is an absolute cornerstone piece in any serious Black Memorabilia collection!
To view other versions of this book presently available for separate purchase, please type the words "ten little" into the SEARCH box on our home page.
The oddly-shaped, hand-wrought shackles each have two lateral "pockets" that contain pieces of metal or balls that “rattle” as the wearer moves about, thus indicating the wearer's location. This type of shackle is noted in historical references as a Crab Rattler Shackle due to its visual similarity to that sea animal. Each shackle has a pair of small chain links attached at the top. One shackle would have been placed on each leg, and a metal chain would have then been threaded through the attached rings and secured with a lock.
The age of these shackles is formally listed as 19th century, but could very well be older, dating to the last quarter of the 18th century. Condition is quite good given age and use. Please note the small hole present on the side of one shackle as noted in photo. All original and untouched, an utterly horrible, tangible testament to the malevolence of slavery. A VERY RARE form of rattle shackle, even more particularly so due to its small size!
Also currently offered for sale and priced separately is a very diminutive child rattle shackle in an unusual form out of a South Carolina estate. Additionally, de-accessioned from the Middle Passage Museum is an ultra-rare set of 19th Century Slave Ship Shackles from a New Orleans, Louisiana, former slave trader estate! Please type the word "shackles" in the search box on our home page to find all sets of shackles currently being offered.
Her interesting and expressive face is completely hand-stitched and bears a tiny hole in the center of her chin. A similar teeny hole may also be seen (see photo) on her back. Mammy wears a lacy bonnet detailed with tiny pleats and 2 ribbon flowers. Her pink skirt and blouse, also hand-stitched, is presented in various shades of pink as Mammy's outfit has been subjected to light over the years and is in places, quite faded. Although now clean, Mammy's clothing is speckled here and there with teeny dark pinpoint size spots, most particularly in the bust area. Her white apron is pristine and is accented with a small, non-functional pocket. Her lace bonnet is fragile and must be handled with care as it can tear easily.
Although her bottle frame is covered by a black stocking, the stocking has opened slightly under her skirt revealing her sand-filled milk bottle.
This wonderful, early bottle doll is one of 3 currently offered bottle dolls --- all priced separately.
This circa 1940's (perhaps even earlier!) Mammy has a polished cotton half body firmly stuffed with cotton batting which is attached to a fabric-covered, cardboard platform that enables her to sit. Such a doll is often referred to as a platform or toaster doll as her voluminous skirt was designed to cover unsightly kitchen appliances - most commonly the toaster!
Most notable is this Mammy's exquisitely executed, hand-embroidered face, and her elaborate dangling beaded hoop earrings!
Mammy's clothing is machine stitched and is absent of holes, rips or repairs. While all her patterned clothing retains its original and uniform coloring, all of the purple cloth has faded- obviously a less stable dye used there. When one opens the folds of the cloth, one sees the rich, deep purple it once was!
An unusually well-detailed doll for its type!
The folder is undated and was never mailed. Some edge wear evident at corners and some slight separation at the seams of individual cards. While some photos may appear a bit blurry, this is a function of photography and not condition. All postcards are crisp and clear!
The Real Photo postcard folder features the lyrics of "Dixieland" and 18 full color scenes of industry common in the South during this period: cotton picking and production, tapping pine trees for turpentine production, watermelon farming, Razorback Hog farming and sugarcaning. All photos feature African-American laborers.
The banks may be purchased as a pair for $425.00, or they may be separately purchased as follows: Mammy with Spoon $295.00 and Black Man Darkey Sharecropper $225.
The Mammy with a Spoon measures 5 7/8 inches high and was produced between 1905 and 1930. She retains much of her original paint and exudes a warm, rich patina commensurate with a well-loved antique of approximately 100 years of age. She wears a blue dress, black shoes, a silver apron and a red kerchief that still retains some of its white polka dots. Mammy holds a gold-colored spoon in her right hand while placing her left hand firmly on her hip. Mammy means business!
The Black Man Darkey Sharecropper measures 5 1/2 inches high and was manufactured from 1901 to 1930. He retains most of his original paint showing less paint wear than Mammy and also exudes a very warm, rich patina. He wears black pants with red suspenders and a gold hat and gold shirt with red collar. He wears black shoes; however, his left black shoe is worn through at the toes, resulting in all five toes peeking out! He stands casually with his hands in his pocket. His back screw, while an old one, is a replacement.
Mammy and the Darkey Sharecropper were clearly manufactured as companion pieces given their similar size and stance. Both stand freely and would make wonderful additions to the well-curated, antique, Black Americana collection.
Constructed of tin with a tin embossed and lithographed image and a glass cover, this game has a paper advertisement on back which has been partially impaired presumably due to the removal of an old price sticker. The puzzle is in all-original condition with the embossed graphic remaining free of scratches and abrasions. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)
An interesting image and a delightful piece of early Black Memorabilia!
Prominent facial features- eyes and brows, nose, cheekbones, lips and teeth -and tight curly hair rise from the surface of the bowl. The bowl is rather heavy for its diminutive size and has no markings. Measures 4 inches in diameter and 1.5 inches high. Condition is excellent with some tarnishing that may be cleaned if desired; our preference was to offer this 140+ year old piece in as found condition.
An outstanding and highly collectible offering to add to one's advanced Black Memorabilia collection!
Measuring 7.50 inches long x 3.25 inches wide, this Belgian cigarette or cigar, heavy paper/cardboard box features a fabulous litho of a very dapper Black Gentleman smoking one of the "JOHN" cigarettes. Its small size offers many options for display including framing for shelf or wall enjoyment.
A truly scarce find in phenomenal condition!
Both dolls retain their 3 original pigtails, all tied off with tiny pieces of string. Their hand-painted lips and eyes remain in excellent condition as is the dark brown paint which covers the bisque bodies which were originally white when manufactured (the white bisque coloring is visible at the joints).
Both dolls have jointed arms and legs which allow them to assume different positions. The string holding the larger doll's legs in place has stretched over these many years resulting in looser leg joints. (This can be repaired if so desired by the new owner.)
The larger doll is dressed in a hand-made outfit consisting of an ivory, yarn-knitted petticoat under a yellow crocheted dress while the smaller doll remains au naturalle! A darling, teeny tiny pair that display quite nicely!