Catalog (460)

Measuring 4 inches long by 4.50 inches high by 3 inches deep, this fabulous, circa 1830's, English, porcelain, quill holder features a young, aristocratic lady surrounded by mounds of flowers and playing a lute.

Possibly Staffordshire, the quill holder features polychrome coloration with gold embellishment. Condition is wonderful with no chips, breaks, repairs, or repaints. Some discoloration seen under the base in the area where the quill hole is located. This discoloration may well be due to ink drips from quill or pen landing on the porcelain over many, many years.

A delightful piece!

These authentic and extraordinarily RARE, hand-forged, wrought iron, Slave Ship Ankle Shackles were de-accessioned from a private collection. Ankle shackles such as these were used to restrain and imprison kidnapped Africans below decks in the slaver ships' holds during what is known as the ‘Middle Passage’, the brutal voyage endured by captured Africans from the West Coast of Africa to enslavement in the Americas- the second portion of what was known as the transatlantic slave trade.

While the precise age of this late 18th to early 19th century old shackle is unknown, this type of ankle shackle has been documented to have been in use as far back as the 1780's by English slave traders, and was likely in continued use up until the 1860 onset of America's Civil War.

In 2015, the International Slavery Museum in Liverpool, England, acquired a set of ankle shackles very similar to the set offered here. In referring to the museum's acquisition, the museum's Head, Dr Richard Benjamin, related the following:

“A similar pair of shackles was purchased in Liverpool by the campaigner Thomas Clarkson in his antislavery crusade as evidence against the transatlantic slave trade. They were presented in front of Privy Council in 1788 as part of its enquiry into the transatlantic slave trade. An engraving of the shackles with a detailed description also appeared in Clarkson’s antislavery pamphlet."

These hand-forged, wrought iron ankle shackles remain in all-original and untouched condition, measuring approximately 11.75 inches in length. The cuff sizes vary slightly ranging from approximate lengths of 3.75 to 4 inches and approximate widths from 2.75 to 3 inches, a set likely used on a female slave. The shackles can be described as consisting of a wrought iron bolt with a pair of loops slid onto it via holes in both ends of each loop. One end of the iron bar is fixed closed by a triangular-shaped flange large enough to prevent the loops from being removed from the bar. The other end of the bar ends in a circular "eye" that is secured closed by a hand-wrought circular "lock washer" inserted at the time the shackles were applied.

An utterly gruesome, tangible testament to the malevolence and horrors of slavery and the transatlantic slave trade.

This rare and unusual, finely constructed, Civil War Era, portable Field Surgeon's Operating or Gleason type Mortuary Table (also known as a Cooling Table) comes from the estate of a 4th generation New England medical doctor, and retains its original finish with wonderful patina.

The decorative and delicate detailing of this piece is at odds with its most gruesome history! Scalloped copper edge guards and the appealing pattern in which the drainage holes in the laminated wood tabletop were laid out contribute to visual appeal. The softwood table frame stands on nicely turned hardwood legs.

When opened and extended to its maximum dimensions, the table measures 72" long X 18.5" wide X 22" high. To facilitate ease of traveling, this portable table slides and folds to 40" long X 18.5" wide X 4" high. A leather carrying handle is attached to the table edge; legs, when folded, are secured in place with hooks.

Very fine original condition: expected overall wear (patina) with one hook missing and minor unobtrusive loss of laminate along lower table top edge measuring approximately 1/3” wide by 7”.

The book, THOMPSON IN AFRICA or AN ACCOUNT OF THE MISSIONARY LABORS, SUFFERINGS, TRAVELS, AND OBSERVATIONS is the compilation of the journal kept by missionary George Thompson while working at the Mendi Mission in Sierra Leone, Africa, during the period 1848-1851. This is a second edition published in 1852, printed for the author by William Harned, 48 Beekman Street, New York City (the first edition was published in 1851).

George Thompson’s missionary service to Africa occurs approximately 7 years after the MENDI natives of the AMISTAD were accompanied by missionaries on their return to Africa. He serves this very same mission, now in the of colony Sierra Leone, a colony which was established to serve as refuge for the liberated Africans taken from slave ships.

356 pages long, this journal provides a fascinating account of all aspects of the Mendi culture seen through the eyes, however biased in his mission to convert the Africans to Christianity, of a genuinely well-meaning gentleman of his time. Condition: complete, tight binding, foxing throughout, spine wear as shown in picture.

Thompson states, “It is hoped that the following narrative may, in the hands of GOD, awaken a desire in many hearts to go to Africa, for the purposes of preaching, teaching, farming, building houses, mills, manufactories, etc., and thus assist in making long despised and neglected AFRICA, what it is capable of becoming, THE GARDEN OF THE WORLD.”

Professionally framed in an intricate, antique-look, gold gilt molding with museum quality, acid-free mat and mounting materials, this 1840, hand-colored map of Germany, Switzerland, and Northern Italy will be well-preserved for many, many years to come!

Photography was a challenge in an attempt to avoid flash reflections. As such, please note that the rich coloring- violet, yellow, green and gray- is even throughout the map.

All print and map detailing is clean and easily read. Some minimal foxing and age staining to map do not detract from the visual appeal of this piece. Framed map measures 12 3/4" wide x 15 1/2" long.

A fabulously detailed, historical graphic of the California State Seal adds to the importance of this authentic, museum-quality, 1899, TEACHING LICENSE / DIPLOMA issued by the STATE OF CALIFORNIA, SAN FRANCISCO COUNTY, DEPARTMENT of PUBLIC INSTRUCTION.

Text indicates that the diploma was awarded to Josephine Downey on October 21, 1899, and certified her to teach the Grammar or Primary Grade for the subsequent 6 years. Signed by Thomas Kirsh, Superintendent of Public Instruction, Secretary.

Further documentation on reverse reads, "Issued on the recommendation of the Board of Education of San Francisco County, in accordance with Section 1521 of the Political Code, upon a first grade or Grammar Grade Certificate of San Francisco County, California, 95% (Josephine’s teacher examination grade).”

With the exception of early fold lines, condition is mint! Measures 14.6 inches X 11.5 inches.

See my other school certificates for an 1892 Teaching Certificate awarded to Josephine's sister, Mary Downey!

A wonderful piece of museum-quality, educational ephemera representing San Francisco's and the state of California's early educational history!

Elaborate graphics which include the California State Seal adds to the importance of this authentic, museum-quality, 1892, TEACHING LICENSE / DIPLOMA issued by the STATE OF CALIFORNIA, SAN FRANCISCO COUNTY, DEPARTMENT of PUBLIC INSTRUCTION.

Text indicates that the diploma was awarded to Mary L. Downey on January 15, 1892, and certified her to teach the Grammar or Primary Grade for the subsequent 6 years. Signed by 5 members of the California State Board of Education.

Further documentation on reverse reads, "Issued on the recommendation of the Board of Education of San Francisco, in accordance with Section 1521 of the Political Code, upon a first grade or Grammar Grade Certificate of San Francisco, 86.7% (Mary’s teacher examination grade).”

With the exception of early fold lines, condition is mint! Measures 8 inches X 10.5 inches.

See my other items for an 1899 Teaching Certificate awarded to Mary's sister, Josephine Downey!

A wonderful piece of museum-quality, educational ephemera representing San Francisco's and the state of California's early educational history!

An ornately detailed and historical graphic of the California State Seal adds to the importance of this authentic and extremely RARE, museum-quality, 1859, TEACHING and PRINCIPAL’s LICENSE / DIPLOMA / CERTIFICATE issued by the STATE OF CALIFORNIA, and the City and County of SAN FRANCISCO, DEPARTMENT of PUBLIC INSTRUCTION, just 9 years after California became the 31st state!

Text indicates that this early Principal and Teaching Certification was awarded to Mr. O. P. Sarle on January 5, 1859. This “Certificate of Approval” found him qualified “with respect to Learning Utility and Moral Character” to not only teach but administer as Principal at the Grammar School Grade for “one year unless sooner revoked by the board”. Signed by five individuals constituting the Examining Board and the President of the Superintendent of Public Schools.

Measures 14 inches X 16.5 inches. Labeled lower left corner: "Fishbourne's Litho. Ohio Street San Francisco". With the exception of early fold lines and a lower left edge water mark (which will not be seen when framed), condition is mint! This certificate comes backed on a museum-quality, acid-free foam board which can be used when the piece is framed.

Truly a historically significant, museum-quality piece of ephemera which tells a part of the story of the beginnings of public school education in California.

This wonderful, late 19th / early 20th century photograph of students and teacher from a New England, one-room school house measures 10 x 8 inches including mat. Actual size of the sepia toned photo is 8 x 5 inches. The subjects are posed on the stairs in front of the schoolhouse porch or veranda. The ten young gentlemen in the front row, while quite fashionably attired, don’t appeared to be very enthusiastic about their participation in this photography session! Look at those faces!

Condition is wonderful- no rips or creases. The full view photo appears faded or lighter on the right hand side, but this is camera flash glare only- tones/coloration are uniform throughout as seen in close-up photo.

A delightful and early schoolhouse collectible!

An exceedingly RARE and all-original, commanding group photograph of 1880's NURSES with a bit of the mysterious - might be depicting recent graduates of a nursing program with male and female head instructors or may be a photograph of hospital staff nurses with head nurse and administrator/physician. A bit of intrigue for certain, and most definitely a highly rare and unusual period nursing photo of substantial size! Found in a New York state estate.

Framed in original, period frame with wood backing (20 x 15.5 inches); the tattered matting has been removed. Photo dimensions - 14.5 x 19.5 inches. Very good condition with some light fading in the upper portion and a minute ding next to the writing. One of the nurses has the words "BAD GIRL" written above her head!

This 1851 educational text was published by the Sanborn & Carter Company of Portland, Maine. Authored by Salem Town, L.L.D., this revised edition from the original published in 1848 is touted as, “A reader designed for the middle class pupils of our public schools, embracing full and important exercises in elocution and articulation.”!

Hardcover, 288 pages; Good condition: Minimal foxing, no tears, tight binding, corner edge wear to cover.

A delightful addition to the School Memorabilia collection!

Offered for sale is a hard to find, turn-of-the-century, apothecary pharmacy bottle that stands 7.5 inches tall. The stopper is embossed with a large "W" signifying WRIGHT's Patent.

This unusual tincture bottle is in excellent condition. The bottle interior is clear and the stopper, which sports ground glass, is in very nice condition except for some unobtrusive interior edge chips and two very minor flecks on the (L) edge of the stopper.

A hard to find circa 1900 patent pharmacy bottle ready for your collection!

A fabulous, vintage school teaching tool from the 19th Century! A red and gold painted wooden Alphabet or Spelling Board!

Measuring 13.25 inches wide x 9.25 inches high x 1 inch thick, this wonderful piece patented February 16, 1886, is in very fine condition with a warm, rich patina and color as well as all 56 of its original wooden letters! To spell a word, one slides the letters along cut out tracks in the board.

Quite visually appealing!

Condition: three of the 1/8th inch thick, round, wooden letters suffered partial breakage at one point in time, but these letters continue to remain quite structurally sound and "readable". Some tiny edge chips to the wood- quite reasonable given its age.

A seldom found vintage, early School House item!

This delightfully fancy, 19th Century, cast iron, physician's office sign marked "DR. JOHN LAGAN", once hung on a small building in turn-of-the-century San Francisco, California! It actually survived the famous earthquake of 1906!!

A treasure of early signage designed in the Art Nouveau style, this sign measures 46 inches long by 7 inches wide. The sign weighs at least 25 pounds and sports cast detailing seldom found!

The sign features a delightful and mellow patina with an old painted surface retaining traces of old blue coloring beneath the exterior battleship gray tones. Scattered areas of unobtrusive surface rust add to the wonderful appeal of this vintage sign.

Visually appealing and artfully designed, this vintage piece of signage would make an interesting addition to one's Medical Memorabilia Collection!

Offered for sale is a wonderful late 19th century, Victorian drugstore, medical advertising cup. This lovely porcelain mug has “CUDAHY’S REXOMA” printed on the lip. Beautifully hand painted pink roses and other lavender colored flowers adorn the cup on all surfaces.

The Cudahy meat packing industry dates back to the turn of the century. The Cudahy meat industry, with stockyards in Omaha, Chicago, Sioux City and Los Angeles produced the REX brand of fine beef and pork products. They also produced lard, soaps and patent medicine products such as Cudahy's Essence of Pepsin and Cudahy's Rexsoma that used the animal byproducts. The patent medicines were marketed as nutritional supplements for improved health.

This 3.5 inch tall undamaged beauty is in very good condition and very classy indeed!

A terrific image on a lovely cup that can be easily displayed anywhere in your collection.

This extremely rare cross stitch sampler of a young black boy with hands placed on his hips is dated to at least circa 1890, although it is quite likely an earlier example of 19th century needlework making it highly scarce and sought after.

Completed in silk thread on early, thick, pressed paper canvas, the diminutive, 1 5/8 x 2 3/4 inch piece of needlework remains stitched onto the original, 1 ¾ x 8 inch long, deep red satin banding. Standing on deep red ground, the black boy wears pale green and black striped clothing.

This wonderful, early piece of Black Americana needlework remains in excellent, original condition. At some point in time, a previous owner matted and framed the piece to allow for both ease of display and protection; however, to meet archival requirements, the piece requires a replacement of its current cardboard backing, and spacer bars separating the needlework from the glass should be added. Framed measurements are 4.5 inches wide x 11 inches long.

A phenomenally rare piece for the advanced Black Memorabilia collector!

It is difficult to photograph glass without reflection- please note that any aberrations are reflections only.

Offered for sale is a neat 19th century apothecary bottle – TINCT. COLCH. SEM. - sporting a white with gold bordered painted glass label!

The 8.5 inch tall bottle has the manufacturer's letters “W.T.CO. – Pat. 1889 - USA” embossed on the base.

This label under glass (LUG) tincture bottle is in fine condition. The stopper sports ground glass construction as well. The label is complete and displays well.

This appealing bottle originated from a former pharmacy in Putnam, CT, which closed in 1949.

An exceptional example of 19th century Folk Art-- a very rare needlework cross stitch sampler with Black Americana theme! This highly unusual example dates to circa 1880's and depicts two young girls on a primitive, “make-do” seesaw--- a wooden board placed over a log-- complete with a grapevine trellis in the background! This wonderful piece is accented with a multi-toned, Greek Key border design with fringe edging.

The needlework measures approximately 15 by 14 inches and is in good condition overall, given its 120+ years of age! The central design is superb with no problems, but the two upper corners show evidence of some unraveling, particularly the upper right, which has a small hole. This little hole could be repaired, or if the piece was framed, it could be visually eliminated; however, it truly does little to detract from the central focal point of the children on the seesaw, when viewed in its entirety. The piece does show subtle evidence of typical, age-related discoloration.

An utterly wonderful and scarce example of 19th century Black Americana themed Needlework!

Offered is a lovely, double, gutta-percha photograph case holding two mid 19th century, Civil War Era tin types of two different women.

The double gutta-percha case measures 2.5 inches wide x 3 inches long x .75 inches deep when closed, and 5 inches wide when opened. The case appears to be in excellent condition!

The two cased tin types are each further framed within different press-molded, thin, ornate, brass frame and behind a little pane of glass. Each tin type is labeled with the name of the woman: the bonneted woman is Sarah Lavinia Piquet, and the long-haired woman is Maria Rogere.

Mid-19th century age is an approximation based on clothing style as well as decorative art in photo and style of double case.

Condition of tin types is excellent- **ANY white marks seen in photographs are caused by light reflection and are NOT damage.**

Offered for sale is a very rare, circa 1890s, trade sign or display advertisement for “KESSLER’S – SMOOTH AS SILK“ WHISKEY-- shaped in the form of a TOP HAT!

This fabulous advertising piece is made of papier mache’, is painted black, and sports cream-colored lettering on both sides of the hat. 19th century advertising pieces such as this are quite simply, extremely rare in today's collectible market, and when found command high values!

Julius Kessler, born in 1855, in Budapest- at that time, part of the Austrian Empire- traveled to America to make his fortune. In 1888, he began by personally selling his American blended whiskey known for its silky smoothness, door-to-door, to all of the saloons in Leadville, Colorado. The image of a smooth and silky Top Hat as the company's trademark advertising symbol added a flair of elegance to the brand! Kessler's whiskey quickly grew in prominence and popularity, and by 1935, was bought by Seagram's, with Kessler appointed as President. Julius Kessler passed away at the age of 80, but his image still adorns the bottle's label today- currently owned and produced by Beam Suntory-, as does his slogan, “smooth as silk”!

The condition of this fab piece is very, very good given its 125++ years of age, with some areas of paint loss and wear (mostly to the top of the hat which is the surface that actually serves as the base for this piece). No structural weakness or damage to the papier mache- a very solid piece that displays beautifully!!

Measures 12”L x 9.5”W x 6”H. A superb, 19th century, eye-catching, visually appealing, antique display advertisement!!

Measuring 2.75 inches high x 2.75 inches in diameter, this very sweet, child's, Copper Lustre mug or cup was produced in 19th century England.

Beautiful "Copper Lustre" paint accents a central yellow band with copper colored, feather detailing. Interior rim is painted in a pink lustre band.

Condition is quite fine with no damage or repair. Some expected light wear from actual use to painted rim and base and a teeny firing imperfection on the handle that is not readily evident to the eye.

A darling piece to add to one's collection!

Fresh from a multi-generation New England estate are two matching, stacking, 19th century, wooden pantry boxes.

They were originally assembled using glue, wooden pegs, and square head nails, although many of these were replaced at some point with early round head nails.

Condition is quite good with some age-related separation of wood as seen in photos---nothing that disturbs the structural integrity or visual appeal of this very early pair. Both retain wonderful, all-original patina. Please see photos for a fine representation of all angles and insides and outsides of both boxes. The covers of both boxes fit nicely despite the crooked appearance suggested in my photos!

Measurements are 6 inch diameter by 2.5 height and 5.5 inch diameter by 2 inch height. The smaller box fits nicely into the larger or they may be stacked one atop the other for display!

Measuring just 2.75 inches high, this lovely Copper Lustre Creamer or mini Jug, is in impeccable condition-- no chips, breaks, hairlines, etc! Delicate floral and leaf patterning in copper is set against a pretty bright blue band. Nicely swirled applied handle! A very sweet addition to one's copper lustre collection!

Measuring only 5.5 inches x 6.5 inches framed, this darling little pair of 19th century, American Folk Art, hand-colored lithographs depict two different homesteads in Macon County, Illinois.

One litho appears to be the residence of a “R. Timmons” and the other of a “S. Macon”. The frames are a latter addition, likely circa 1930-40’s acquired by an individual interesting in preserving these colorful and historic pieces of Folk Art. They framing was done at a Greensboro, North Carolina gallery.

Both lithos are darling-- featuring pleasant, pastoral, Folk Artsy, 19th Century scenes! A great pair of mini, decorative and historic accent pieces!

Measuring just 4.5 inches in length, this tiny 19th century grain or flour scoop from the esteemed Pennsylvania Robacker Estate is in fine, all-original condition! No breaks or other damage. A tiny spot of very superficial rust here and there that may be removed, if so desired, by polishing with a clear paste wax. A sweet accent piece for the country kitchen!

The Robackers were a Pennsylvania husband and wife team who became the published, indisputable American experts in Pennsylvania Dutch and Early American decorative art and culture. Over their multiple decades of marriage, they collected an utterly massive number and wide variety of such artifacts before both passing away in the early 1980's.

Measuring just 3.25 inches in length, this unusual, 19th century, Three leaf Clover cookie cutter is in fine, all-original condition! From the renown, Pennsylvania Robacker Estate, published experts in Pennsylvania Dutch decorative art and culture, who passed away in the 1980's.

An earlier, older restoration to one seam at the base is evident. A tiny spot of very superficial rust here and there that may be removed, if so desired, by polishing with a clear paste wax.

A sweet accent piece for the country kitchen with wonderful decorative form!

Measuring just 3 inches in length, this unusual 19th century heart cookie cutter is in fine, all-original condition! From the renown, Pennsylvania Robacker Estate, published experts in Pennsylvania Dutch decorative art and culture, who passed away in the 1980's.

No breaks or other damage. A tiny spot of very superficial rust here and there that may be removed, if so desired, by polishing with a clear paste wax.

A sweet accent piece for the country kitchen!

A simply fabulous and extremely rare, circa 1870-1880's, solid brass, Black Americana SLAVE FACE BOWL!! A striking image!!

Prominent facial features- eyes and brows, nose, cheekbones, lips and teeth -and tight curly hair rise from the surface of the bowl. The bowl is rather heavy for its diminutive size and has no markings. Measures 4 inches in diameter and 1.5 inches high. Condition is excellent with some tarnishing that may be cleaned if desired; our preference was to offer this 140+ year old piece in as found condition.

A rare, outstanding and highly collectible offering to add to one's advanced Black Americana collection! I have only come upon 2 of these bowls in my 40+ years in the field.

Offered for your consideration is an appealing, circa late 1900s, deep aqua blue painted wood jewelers sign. The sign was acquired from a Columbia, South Carolina estate and measures approximately 63" long x 7" wide. It is in very nice overall condition except for areas of paint loss, some crackling and general wear of a vintage sign. An unobtrusive 4 inch split is noted near the left edge and some scattered paint flecks add to a wonderful patina. A modest scratch is apparent through the word "JEWELLER".

Lettering is original and in very good condition except for some unobtrusive scuffing and loss. Please note that the lettering is bordered with black enhancement. There are 2 holes, one on each side which were originally used for mounting on the building exterior.

Will make a great addition to your collection.

Made, warranted and patented in 1863 by Charles Emerson of Charlestown (a suburb of Boston), Massachusetts, this all original razor strap miraculously retains its original cardboard sheath.

The historically-fascinating sheath label is in exquisite condition with minor edge wear noted to the sheath. The strap shows evidence of use and also remains in fine condition.

The 9.35 inch long strap was advertised for use in sharpening not only shaving razors, but also pen knives and surgical instruments!

A rare piece of early Barber Shop Memorabilia!

Measuring 3.25 inches high by 3.75 inches in diameter, this lovely Victorian Barber Shop, mustache or shaving cup or mug remains in excellent condition but for the subtle wear to the gilt-edged rim.

The cup is embossed with swirls, dots and bows as well as decorated further with gold-drawn designs and 2 large, hand-painted pink roses with 1 smaller cream-colored rose. The cup base is scalloped and the fancy handle is gold-gilded.

A very pretty piece!

Measuring just 2 inches high, blown-in-mold, 19th century, clear glass bleeding or cupping glass is in excellent condition.

Extensively used in the 19th century and earlier, the cupping glass is a glass vessel from which the air has been exhausted by heat or suction creating a vacuum, and then applied to the skin to draw blood to the surface for therapeutic or curative purposes.

Offered for consideration, is a wonderful and rarely found, early 20th century, English, "DENTIST" sign in brass measuring 12 3/4ths inches wide x 7 inches high.

The sign advertises the office of "James H. Groom. Dentist.", and remains in fine condition with rich, deep-toned, original patina and some very minor warping due to its many years of age. The lettering is actually impressed into the surface and is painted black. Any white marks appearing on the front of the sign are due only to light/sun reflection---the sign has a very even-toned coloration.

The sign has a hole at each corner to facilitate hanging, or it may be easily displayed upon a shelf!

A fabulous, scarce, rich-looking display piece with great "eye appeal"!

*****SOME HISTORY*****

We were contacted by the granddaughter recently with this insightful information.

I thought you might be interested to know that I have a photograph in my family photo archive that shows this very sign in situ. The photo has my great grandfather in the doorway of a chemist shop called Nicholls in Camborne, Cornwall. On the door post I can just make out this brass plaque (using a magnifying glass and good light - takes quite a bit of concentration). Anyway, I thought it would help if you knew where it came from. On the 1911 UK Census, there is a James Henry Groom age 28, living as a Boarder at the house of Jane Bray, 19 Basset Street, Camborne. His occupation is described as 'Dentistry' and it says he was born in Wisbech, Cambridgeshire. The photo I have is probably taken after 1911 but probably before 1920. Interesting for whoever might buy it to know its history.

On a cold October day in 1977, an auction of the former estate of Dr. T.D.M. Wilson of Washington, Pennsylvania, took place. The last surviving relative to live in Dr. Wilson's former 1890 mansion had moved to smaller quarters, and many artifacts reflecting the Wilson's family history had to be auctioned off.

Dr. T.D.M. Wilson graduated from Jefferson Medical College in 1875, and the following offered items from this estate auction provide an historical glimpse into his long medical career.

The first item is a fabulous 19th century brass DOCTOR T.D.M. Wilson sign measuring 14L x 9W inches, which likely adorned the entrance way to Dr. Wilson's office.

Also offered in this grouping is a rare group photo of Dr. Wilson (4th from the left) and other Phi Kappa Sigma members. The frame measures 16.5"L x 12.5"W. While the photo is a bit faded, the image is remarkable and includes a distinguished group of Phi Kappa Sigma members.

The third and fourth items in this grouping are a small, framed, 1909 AMA membership certificate with Dr. Wilson's name inscribed, and a very unusual, framed, IRS narcotic SPECIAL TAX STAMP from 1926. This Narcotic form is quite unique in that it names Dr. Wilson as the single physician allowed to dispense narcotics within the 23rd District of the State of Pennsylvania.

Finally, 2 handwritten letters postmarked in 1884 from Dr. Wilson to his loving wife are included, offering a small glimpse into his personal life.

Together, this rich grouping of artifacts provides one a unique opportunity to further enhance one's collection of medical objects.

Offered is a group of five, antique paper, hand-personalized and signed, New York Public School student merit awards from the 1840's, each priced separately, and suitable for framing.

All 5 of these artistically-rendered awards were presented to the same student, Maria Royce, and signed by her teacher, Isabella F. McCormick, as well as two representatives of the school committee for "regular and punctual attendance with correct deportment and diligent attention to her studies." Maria obviously was educated in a one room school house given that she had the same teacher over a four year period.

The awards are dated May 1841, May 1842, March 18-- (year inadvertently omitted), June 1842, and January 1844.

The merit awards measure 8 inches wide x 10 inches long and are adorned at the top of the award with a well-executed black line etching of a teacher and her students viewing a large world globe with an elegant school house of formal architecture standing imposingly in the background-- and at the base of the award, a delicate and detailed floral wreath.

The awards are in fine condition with very minor wrinkling to the edges. May 1841 and March 18-- also have minor edge-area foxing that will not be visible once the award is matted and framed.

These early examples of school ephemera are quite rare and would be a fabulous addition to a vintage school memorabilia collection!

Priced $55 Each; please specify date of document you wish to purchase.

Measuring 33 inches long x 15 inches high, this vintage 1869, black ink, original lithograph was published as an art supplement to Appleton's Journal.

The litho was executed by John Karst with his signature appearing in the lower left hand corner. Highly detailed, the litho reproduces a bustling New Orleans' dock scene featuring numerous slaves at work.

This litho was professionally re-framed using museum-quality, acid-free materials in 2004. The frame is a classic styled, black painted, beaded, hardwood accented with a dark rose, acid-free mat.

A fascinating glimpse into life on the docks of the Mississippi River at New Orleans!

Please note that any white spots or streaking appearing in photos are the result of light reflection and are not damage to the litho.

Produced as a souvenir piece for the 1884 New Orleans Exposition, this diminutive, antique, metal match holder measures just 2.5 inches high!

Marked "Pat Applied For" on its base, this darling match holder features two small black boys playing around a rather large cotton bale (the bale is labeled "COTTON").

Well-executed detail! A lovely piece seldom found in today's collectible market!

A detailed and historical, 19th century, school "Certificate of Distinction" from the "Albemarle Female Institute of Charlottesville, Virginia"!

Text indicates that the certificate was awarded to Emma Shannon on June 12, 1885 (Or 1883--difficult to read as the date is partially concealed under the frame edge). The certificate recognizes that Emma excelled in Latin, Arithmetic, History of France, Rhetoric, and English Literature. Signed by W. P. Dickinson, President of the Faculty.

With the exception of early fold lines, a water stain in the upper left corner, and two small circular age stains on the lower left and within the word "distinction", condition is quite nice!

Measures 16.25 inches X 12.25 inches framed. The piece is framed in wood and is beautifully grain-painted in brown and black tones with delicate, cream-toned, chip-carved stems and leaves at each of the four corners. Original wood backing remains in place.

Once located at the intersection of 10th and Jefferson Streets in downtown Charlottesville, the Albemarle Female Institute was founded in 1853 as a University School for young women by Baptist pastor John A. Broadus. In 1861, one of Charlottesville's most famous 19th century women, Charlotte "Lottie" Moon, earned one of the first Master of Arts degrees ever awarded to a woman by a southern educational institution during this time period. Fluent in Latin, Greek, French, and Italian, Lottie was called to serve as a Baptist missionary in China, devoting 40 years of her life to that mission.

Those who are ardent collectors of the famed Florence Upton creation - the Golliwogg - recognize this 19th century, first edition, children's book as an extraordinarily RARE find indeed, very seldom available for purchase in today's market!

"The Golliwogg at the Sea-Side", published in 1898 by Longmans, Green & Co, London & New York, was illustrated by Florence K. Upton, with story written by her mother, Bertha. This book was the 3rd Golliwogg adventure in a series of thirteen Golliwogg adventures by Upton, with the last published in 1909-- all of which are incredibly difficult to find today.

This hard cover book, measuring 8.75 inches high x 11.5 inches long, is a total of 63 pages in length. The book is lavishly illustrated with 32 full-color illustrations and tells the story of Golly's adventures at the sea shore. Golly and his friends, suffering from boredom, go off to the seashore to try their hand at sunbathing, swimming in the ocean, crab fishing, boating—all with considerable catastrophe—until finally trying a hoped-for-peaceful hayride through the countryside—all for naught!!

The Golliwog, itself, was based on a Black minstrel doll that Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was a less-than-handsome creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

The book is in very fine but not perfect condition-- not surprising given the book's 113 years of age! Wear to hard-board-cover edges and corners. Binding remains strong and tight with center-taping coming a bit lose on one side, but not effecting integrity. A couple of the pages have 1/2inch tears at base, likely the result of simply turning the pages. Book is complete, with no missing pages.

Truly a fabulous find! Only the 2nd time I have EVER had the pleasure of offering one of these wonderfully-rare, 1st edition, Upton, children's book in my 26 years of dealing in Black Memorabilia!!

The inhalation of medicinal vapors was common practice during the late 19th and early 20th century. Inhaling devices came in many shapes and forms. This very decorative and functional inhaler was very popular during that period.

This lovely, late-Victorian-styled inhaler is primarily being sold for its original box. The box is complete and very detailed on all sides (including the top), sporting wonderful graphics and information on its many merits. The box measures 6.5" H x 4" W x 3.25" D and shows only mild wear and faint staining. Finding a complete box in this condition is quite uncommon.

The lamp is not complete and is minus its chimney and top medicinal pan.

The advertising says it all - great graphic and lung specific. The last patent date noted on the box is 1899, and the first patent date is stamped on the lamp as being Ag. (August) 4, 1885.

Offered is a bucolic and beautifully-colored, medium-folio, copyrighted 1854, Nathaniel Currier, New York, lithograph entitled, "Catching A Trout". The image measures approximately 10" x 14", and depicts a fancily-dressed African-American man "netting" the trout caught by one of the two well-dressed gentleman enjoying a relaxing day of fishing. This Currier + Ives lithograph is infrequently found, and is quite highly collectible.

Condition of the litho is considered very good given the rich coloration that remains. Some minor wear does exist: 2 small tears measuring less than 1/2 inch each on either side border edge-- one in the trees on the right side and the other on the left side in the water. There are several teeny holes in the sky to the right of the bearded gentleman's fishing pole as well as one single hole in the black gentleman's hair. (Please see photos.) Some wear to the border at top as shown in photos.

Despite the noted imperfections, this lithograph displays beautifully, with rich color and crisp lines. It presently resides in an early 1920's frame; ideally from a conservation point of view, it would benefit from a re-framing with acid-free materials to continue to preserve its historic importance.

Offered is Dr. C.H. Fitch's Prescription Scale-- a wonderful, early, pharmacist/doctor, portable, pocket-sized, Victorian era scale! The fancy-scrolled and embellished metal case appears to be brass with nickel plating and reads, "Dr. C.H. Fitch's Prescription Scale Pat Sept 29th 1885" on the top.

The diminutive metal case with scale inside measures approximately 1.5" wide x 2.75" long x .75" deep and is in very nice, original condition. The scale's capacity is 1/2 to 20 grains. It was manufactured by the N.V. Randolph Paper Box Company, Richmond, VA.

****NOTE****There is no damage to the scale or case and no missing components! The original spatula, which is sometimes lost over the years, is present and completes this very handsome, visually-appealing piece!

Some history: Joseph Williamson Randolph (1815-1893) established his business as publisher, bookseller, and stationer in Richmond, Virginia, in 1831. By the early 1840s, he had formed a partnership with Joseph J. English, and the firm became one of the leading book dealers in the South by the time of the Civil War. After Randolph's death, his son, Norman Y. Randolph, operated the business until it passed into receivership. Norman Randolph was, at various times, president of the Randolph Paper Box Company, the Virginia State Insurance Company, and the Warwick Park Transportation Company. He also served as secretary-treasurer of the Virginia and North Carolina Wheel Company.

Measuring a diminutive 1.5 inches wide x 2.5 inches tall x .5 inches deep, this darling, French, paper packet or package features African, Zoulou-tribe natives as advertising symbols on the packaging, making for a very picturesque graphic!

The paper package contains nearly all of its original powder, having never been opened; however, as noted in the second photo, the corner edge wear has resulted in some minor leakage of the powder. Because of this, the package has been shrink-wrapped to preserve the remainder of the product.

The shrink wrapping makes the package very difficult to photograph; additionally, some minor leakage of the powder under the shrink wrap also obscures viewing. The first two photos are of the actual package currently offered for sale--with shrink wrap on and minor leakage of powder under the shrink-wrap. The remaining photos clearly show the details of the Zoulou packaging using an undamaged, unshrink-wrapped package that has already been sold, no longer available for purchase. These photos are offered purely for the convenience of the viewer so that the details of the Zoulou package can be readily seen without the encumbrance of the shrink wrap blocking package details; these photos do not represent the condition of the package currently being offered for sale. The first two photos represent the condition of the actual Zoulou package currently offered for sale, with the pricing reflecting condition.

The manufacturers of the Zoulou powder claimed that healing properties were associated with the powder.

A well-detailed, rarely-found example of turn-of-the-century use of graphics in advertising!

Offered is an antique, hand-personalized and hand-signed, school merit award, circa 1860's.

The artistically-rendered award was presented to student, Eleanor R. Russell, and signed by her teacher, Angie M. Gibson.

The framed and matted merit award measures 8 inches wide x 10 inches long and is adorned with a delicate, hand-colored, floral wreath. The award features a poem of religious sentiment: "Tis sweet oh sweet to know, if we our time improve, we shall be happy while below, and dwell in heaven above".

A lovely and difficult to find piece of 19th century school memorabilia!

Please note that any white marks seen in photos are light reflections off the glass and are not damage to the piece.

This 1867 educational text was published by Charles Scribner and Company of 654 Broadway, New York City. Intended for students under nine years of age, the object of this delightful introductory school text, as stated by Mary Howe Smith, a Princeton University colleague of text author, A. Guyot, is “to impart geographical knowledge to prepare the student for its successful acquirement in the future.”

Contains numerous black and white line drawings which prove to quite adequately visually supplement this interesting text! At the back of text is an 1865 colored map of the world as well as Questions for General Review and Review Exercises for use by teachers!

Hardcover- Medium Folio Size (8 x 10 inches), 118 pages; good condition (please see photos): use wear to cover, minimal foxing, overall tight binding with loosening of last two pages, corner edge wear to covers, pencil inscriptions on frontispiece and back by former students.

A delightful addition to the School Memorabilia collection!

An outstanding, mid 19th century, European-made, porcelain inkwell featuring two gentleman hunters physically fighting over the ownership of a just-snared hare, their hunting dogs loyally assisting in the jostling match for ownership beside them!

Measuring 7.25 inches wide by 4.75 inches deep by 6.25 inches high, this outstanding, circa 1860 - 1870's, polychrome inkwell features removable cover which reveals a base containing two inkwells without pots. Cover features seven quill holes.

Condition is marvelous with some very minor paint wear to edges where one would place hands to remove the top- as noted in photos (tiny white spots seen on the grass and ground areas). Paint/glaze imperfection to top of brown-haired gent's head as noted in photos. No chips, breaks, hairlines, repairs, or repaints.

A fabulous, rarely found, all-original, 150+ year old, antique writing implement guaranteed to complement any collection!

Measuring 2.75 inches in diameter by 3 inches high, this darling, circa 1890's, English, porcelain, double quill holder features a startled mother dove attempting to fend off a serpent about to devour the three eggs in her nest!

Likely Staffordshire, the quill holder features lovely polychrome coloration. Condition is wonderful with no chips, breaks, repairs, or repaints. Age crackling to glaze is evident along with a tiny stain on the dove's breast.

A darling piece!

Measuring 12.25 inches long x 8 inches in width, this two-sided, 19th century estate document listing all of the worldly goods of LEWIS MATTAIR is de-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below). The document is undated but is estimated to be circa 1865-66 based on current research of federal and state archival documents.

This particular estate document is extraordinarily unique and atypical in comparison to other estate documents of this period as it lists 15 SLAVES among the articles of property, and it actually labels these individuals as SLAVES as opposed to the much more common and typical practice of listing "Slaves" as "Negroes". The slaves are listed on the back side of the document with all other inventory listed on the front side.

Each slave is listed by first name with the corresponding current market value written to the left of the name, with the total market value of the 15 slaves named at $8600-- quite a hefty sum when one considers that the remainder of the estate (furniture, livestock, transportation and work vehicles, tools, etc) is valued in total at $980.75. Also listed in the inventory was 13,000 pounds of seed cotton, indicating that Lewis Mattair owned a sizable cotton plantation, clearly farmed by the slaves.

Lewis Mattair is noted in the 1860 Federal Census as a resident of Suwanee County, Florida; the 1860 Federal Census- Slave Schedules references Lewis Mattair owning 28 male and female slaves, ranging in age from 4 to 58. Lewis Mattair is listed in the 1865 Florida Tax records, but his name does not appear in any archived state or federal records after that year. Thus, it is presumed that this document dates from or just prior to 1865, the year that the Civil War ended.

The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

De-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below), this very unusual and atypical, 19th century, estate document is offered for sale, the purpose of which was to itemize and execute a division of property from the estate of the deceased, southern plantation owner. This document was purchased in the 1960s by one of the founders of the Middle Passage Museum from a descendant of this Sumter County, Georgia, plantation owner.

This is single page, partial document written on both front and back sides. It is missing its first page which would have shown the name of the deceased slave owner and the listing of the interior household goods and furnishings, and the last page which would have noted the date and county in which the document was executed as well as witness and judicial signatures. However, the most historically significant page exists and is offered here- a plantation estate document in which the slaves are referenced by name and further described by their family position and marital status!

What makes this document EXTRAORDINARILY RARE, UNUSUAL, and ATYPICAL is that it proceeds to, first, categorize the 40 slaves using the word SLAVES instead of the common verbiage of the time -Negroes-, and secondly, it proceeds to list the male slaves BY NAME, ALONG WITH THE NAMES OF THEIR WIVES AND THEIR CHILDREN, with monetary value listed in the right column of the document!!!! In two instances, the number of years married is also listed! Children are labeled "Girl, "Boy", or "Infant". Total value of these 40 slaves was calculated at $24,200.00!

Given that slaves were viewed as property and not human beings in any way equal to the Caucasian race which enslaved them, it is extraordinarily unusual to find a document which recognizes and lists slaves as "Family Units", further designating family position- husband, wife or child! Typically,there was little, if any, thought given to the pain and anguish such slave families would suffer if their "owner" chose to sell off any one of them at any given time. Such estate documents as this listing ENTIRE SLAVE FAMILIES BY NAME is simply without precedent! It would indeed be a phenomenal discovery to be able to identify the plantation and/or deceased slave owner as such an estate listing speaks to an uncommon, albeit, rare and unique perspective of slave ownership. Such a personalized and humanized account of the slaves owned makes this particular document all the more heart-wrenching, and it certainly begs the very sad question of whether or not these slave families were allowed to remain united and intact once the final estate disposition was conducted.

The document measures approximately 8 1/2 inches wide x 14 1/8 inches long, is double-sided and is in good condition, with fold lines evident along with some age-related foxing at top and bottom fold lines. 1 3/4 tear along the fold line of the top fold at right edge. The ink color is sepia toned (likely as a result of some fading over time) on a pale blue, vertically-ruled, heavy paper. This phenomenal piece of cultural ephemera is ready for appropriate archival preservation/framing.

The listing of slaves is on the back side of the document with the front side listing farm animals, equipment and supplies along with values- "The following property set apart for the use and benefit of the farm".

Middle Passage Museum History: The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Measuring 5 3/4 inches high x 4 1/4 inches wide x 2 3/4 inches deep, this darling salesman's sample case advertises the Wholesale Grocers, Loverin and Browne Company. This Chicago, Illinois, company established business in 1872.

This diminutive tin case is painted black with gold accenting and gold lettering present on the front of the case. The black paint shows reasonable wear given its 130+ years of age with the majority of wear evident along seam lines and at the base. The gold painting on the front of the case remains quite nice with very small areas of unobtrusive paint loss present (please see all photos). This tin case was clearly well cared for over the years.

The case contains three, pull-out, tin drawers with tiny, circular, loop pulls at the ends, that when slid out, reveal 15 separate compartments designed to hold the corked, glass, sample bottles. Fourteen bottles remain present, all of which are original to the case. The bottles advertise the spices and perfume waters that the Loverin and Browne Company manufactured for wholesale purchase by various independent groceries. The base of each bottle sits on a spring which would have facilitated secure storage during travel.

An interesting addition to one's advertisement collection! Very easy to display with great visual appeal!

Offered are two, highly-collectible, circa 1860-70's, earthenware, pictorial plates featuring two scenes from the enormously popular, 1852, novel, Uncle Tom's Cabin by Harriet Beecher Stowe.

"Uncle Tom's Cabin" or "Life Among the Lowly", is an anti-slavery novel that was published in two volumes and which had a profound effect on attitudes toward African-Americans and slavery in the U.S. It is said to have "helped lay the groundwork for the American Civil War".

Each plate is priced separately at $195.00 each or both plates for $325.00.

One plate depicts the sale of slave, Uncle Tom, while the other plate depicts the death of little Eva. The text on each plate is in German: "Evas Todt" or in English, "The Death of Eva", and "Slavel Tom Von LeGree Gekauft" or in English, "The Slave Tom Purchased by (Simon} LeGree".

Produced for use by children as subtle educational tools, the plates measure 7 5/8 inches in diameter and are decorated with black transfer, printed, Uncle Tom vignettes.

The condition of both plates is quite superb with subtle crazing lightly evident on the backs of plates only. Also on the backs of each plate are tiny, factory-flaw imperfections where glazing failed to bind to the earthenware (represented in close-up photo). The "Sale of Uncle Tom" plate has three such imperfections on its back side along with a tiny area of bleeding of transfer color under the glaze (see close-up photo). The "Death of Eva" plate displays more evident crazing on the back as compared to the "Sale of Tom" plate along with three factory-flaw imperfections, as described above. The "Eva" plate also appears to have three, extremely fine, light, scratch lines running across the front of the plate that are most readily noticeable only in close-up photos; when one runs a finger along the lines, the imperfections are so fine that they cannot be felt and certainly represent no threat to structural integrity.

The plates were produced by the Schramberg Pottery of Baden-Wuerttemberg, Germany, founded in 1820 by stoneware expert, Isidor Faist. The plate featuring the sale of Uncle Tom is impressed "Schramberg" while the other plate has no marking. It is evident, however, that both plates were manufactured by the Schramberg factory.

Offered is a very scarce, 19th century, strength measuring medical device known as a dynamometer that was manufactured by the G. Tiemann Company, New York, the most renown and respected surgical device manufacturers of the 19th century. Sold in the US by a gymnasium apparatus company out of St. Louis, the Fred Medart Company, the device was designed to assess the strength of the chest, back and legs up to a pull capacity of 1400 lbs.

This fabulous early tool of the medical trade sports a visually-interesting, graphic, brass face with a scale delineating increments from 0 to 1400 pounds. There are 2 dials - one that notes the actual pressure achieved, and the second stationary dial that serves as the reference.

This instrument enjoys wonderful, rich patina on both the metal and wooden sections. It measures 13 inches at the widest point and 10 inches at the wooden handles.

A fabulous device which has great visual appeal and displays wonderfully! Sure to spark some interesting conversation at your next gathering!

Offered is a hard to find painted cast iron meat and juice press from the late 19th century.

This dual purpose pharmacy tool of the trade measures about 9 inches high and retains much of its original black japanned surface.

Offered are two, decorative, late 19th century, English, porcelain, dental, toothpaste, pot lid containers. They are priced separately with the ORIENTAL TOOTH PASTE pot lid offered at $115.00, and the WOODS CHERRY TOOTH PASTE pot lid offered at $75.00.

The ORIENTAL TOOTH PASTE pot lid measures about 3 inches in diameter, sports a marbled exterior and is in very nice condition with a few faint edge chips to the base. There is a slight variance in color between the top and base.

The WOODS CHERRY TOOTH PASTE pot lid measures over 2.5" in diameter, sports red printing on top and is in very good condition. This container has some small chips on the interior edge of the base.

Displayed together as a pair or individually, these dental pot lids will add visual interest and appeal to your collection!

19thC English instruments are noted for their high quality craftsmanship, and this suppository mold certainly meets this very high standard. Constructed of brass, this footed mold sports 5 tubes for making 2 grain suppositories.

This fine example measuring 6"L x 1.5"W x 1"H, sports a warm patina commensurate with an instrument of this age.

The mold is marked "S. MAW & SONS, THOMPSON - LONDON", a noted manufacturer of quality medical instruments and tools for many years).

**Frames are PRICED separately. The large rectangular frame: $175.00. The small rectangular frame: $65.00. The oval frame: $95.00.**

Offered are three utterly fabulous, vintage, Victorian-era, brass-plated photo frames, each with original shelf stands on back. Please see cover photo #1 for truest representation of overall appearance of all three frames.

De-accessioned from our personal stock as we sadly no longer have the place to display them-- and our Wedding photo was displayed in the larger frame--, the frames are in all-original condition, complete with original shelf stands attached on the rear side as well as original movable pins on back that secure the photos in the frames.

In the larger frame, the brass plating is in very fine condition with very minor, minuscule scratches and pitting commensurate with its 125+ years of age. Some very minor silvering of the brass on the front of the frame is also evident, but as seen in photos, is extremely minor. This fabulous larger frame is a truly stunning piece!

The larger frame comes complete with glass and measures 17" high x 13"; the inside measures are 9.5" x 7.5", readily accommodating an 8"x 10" photo with slight trimming. This larger size is actually very uncommon compared to the many, many smaller-sized brass frames that were produced in the Victorian era. The larger frame is truly quite stunning and commanding.

The smaller rectangular frame has a similar amount of very tiny scratches and minor pitting, with some wear to the brass plate at the base of the frame where the color appears more coppery. This frame measures 12" x 9" and easily accommodates today's 4 x 6 photographs. This frame has not retained its glass, but just like the photo size it can accommodate, the frame will readily accept the glass from any modern, standard 4x6 frame.

The oval frame measures 10.75" x 8.5" and is in very fine condition with very minor, minuscule scratches, pitting or wear commensurate with its 125+ years of age. The oval opening accepts an approximate 3.75" x 5" photo and retains its oval-cut glass.

These frames display beautifully together or separately and lend a elegance to any photo displayed within!

Offered is a more diminutive example of a late 19thC Pharmacy "tool of the trade" known as a pill machine but often referred to as a pill roller.

Pill machines were designed to enhance the productivity of the early pharmacist, and this design was, indeed, popular for many, many years. This pill machine is designed with 24 tubes for medicine-making.

The condition is very good, sporting a nice patina commensurate with its age and use. It is constructed of walnut and embellished with brass edge guards as well as brass grooved molds. The paddle has a number of early small dings and a small, faint hairline split on the top edge. The base measures approximately 12" L x 7" W x 1.75" H including the footed base. The paddle is 16.5"L x 3"W.

An apothecary classic, ready for your collection.

This is a scarce collection of 22 Homeopathic Medicine bottles complete with contents, corks and labels dating to the turn of the 19th century. Each vial sports an applied label that indicates the contents plus a cork with hand-written ingredients noted. The vials measure between 2 - 2.5 inches high x 1/2" including the cork. Hard to find in any condition.

*****Group #1*****

Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.

A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.

His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.

Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.

Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.

This is a scarce collection of 22 Homeopathic Medicine bottles complete with contents, corks and labels dating to the turn of the 19th century. Each vial sports an applied label that indicates the contents plus a cork with hand-written ingredients noted. The vials measure between 2 - 2.5 inches high x 1/2" including the cork. Hard to find in any condition.

*****Group #2*****

Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.

A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.

His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.

Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.

Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.

This is a scarce collection of 22 Homeopathic Medicine bottles complete with contents, corks and labels dating to the turn of the 19th century. Each vial sports an applied label that indicates the contents plus a cork with hand-written ingredients noted. The vials measure between 2 - 2.5 inches high x 1/2" including the cork. Hard to find in any condition.

*****Group #4*****

Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.

A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.

His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.

Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.

Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.