$55.00
*****Group #2*****
Some History:
Although homeopathy has its roots in ancient Greek medicine and in the work of the 16th-century physician Paracelsus, modern homeopathy dates back 200 years to the work of the German doctor and chemist, Samuel Hahnemann. Hahnemann qualified as a physician but ceased to practice as a doctor because of what he saw as the barbaric medical practices of his day - which included bloodletting and the overuse of toxic medicines, leading to horrific side effects.
A brilliant linguist, he earned a living from translating books and was interested by a reference in a medical textbook of the use of China (Peruvian bark) as a cure for malaria. Intrigued to know why China worked, he took doses of the remedy until he himself began to exhibit malarial symptoms. He stopped taking the China and the symptoms went away. From this he deduced that the ancient principle of 'like cures like' actually worked.
His next step was to determine if there were safe levels at which toxic substances could be given - and still cure the type of symptoms that they might otherwise cause. His experiments with dilution led him to discover that the more a substance was diluted, the more potent it appeared to become.
Homeopathic medicine was born, but in practicing it, Hahnemann and his followers were subjected to ridicule and persecution by the medical establishment, despite the fact that they were seeing patients getting better on tiny doses of medicines, prescribed on the basis of 'like cures like'. Many European practitioners immigrated to the United States, where homeopathy flourished in the 19th century – until the medical establishment there systematically acted to remove its influence.
Hahnemann ended his days as a renowned and very busy practitioner in Paris, working into his 80's. He is interred at the Cimetière du Père Lachaise, where a large monument honors him and his discovery of Homeopathy.
$175.00
Marked "Pat Applied For" on its base, this darling match holder features two small black boys playing around a rather large cotton bale (the bale is labeled "COTTON").
Well-executed detail! A lovely piece seldom found in today's collectible market!
$175.00
Deep grooved clubs were designed to significantly enhance the backspin of a golf ball. As history would have it, these clubs actually worked and gave an unfair advantage to those professionals who were adept at using them! In 1921, RIBBED GOLF CLUBS were banned just after the OPEN CHAMPIONSHIP by both the R&A and USGA.
The back of the club is stamped as follows: "Kroydon U5 ?....? J.F. MATHEWS", and measures 36.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight and sturdy. The head of the club shows mild and honorable wear, good grooves with mild unobtrusive pitting to the lower surface.
A nice example of an early club with a controversial history!
For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB
$120.00
The currency notes are marked "The Bank of the STATE OF SOUTH CAROLINA" which closed in 1869, thus, ending the production of this currency. Featured in the center of each note is the State Tree of South Carolina, the Palmetto tree, adding to the notes' visual appeal.
The condition is very good for each note with the expected patina, marks and discoloration of 150+ year old, circulated, paper money. No tears or other obtrusive issues noted. The currency notes measure approximately 4 inches wide x 2.5 inches tall. A bit of history waiting to be framed!
$165.00
Additionally, a brass beam, column and dial create a visual enhancement. There are 2 nickel plated pans and a complete set of boxed weights that round off this appealing scale.
The scale case measures 9"L x 4.25"W x 2.5"H and is about 10" tall with the brass column in place.
The overall condition is very good with the expected scuffs, dings and imperfections commensurate of a 120+ year old antique. Minor tarnish prevails especially on the pans and on metal areas. The boxed weight set is in as found very good condition.
***NOTE*** THE SCALE WILL BE SHIPPED DISASSEMBLED for safe keeping during transit.***
A perfect compliment to one's apothecary - drug store collection!
SOLD
This nearly-lost historical work was originally published in 1892 exclusively for the subscription market and was entitled, "Samantha on the Race Problem". Two years later when the work was to be sold on the "popular" market, the publishers, Dodd, Mead and Company, New York, deemed it appropriate to re-title the work, "Samantha Among the Colored Folk", including the subtitle, "My ideas on the Race Problem" on the title page only. Interestingly, this re-titled, 1894, popular market edition still retains the title, "Samantha on the Race Problem" at the top of each of its 387 pages! This is truly a fascinating read, particularly for those who have a keen interest in this tumultuous period of American history.
The author, Marietta Holley of New York, born in 1836, was an American humorist who employed satire to comment on American society and politics. Early in her career, she published not as Marietta Holley, but as "Josiah Allen's Wife", sometimes with her own name also added in parentheses beneath his, as is the case in this particular edition. Interestingly, Marietta was never married, and Josiah Allen never existed. She eventually published under her own name enjoying a prolific writing career and becoming a bestselling author by the turn of the 20th century, although, sadly, she was largely forgotten by the time of her death in 1926.
Illustrated by Edward Windsor Kemble, this work contains over eighty of his pen and ink drawings. Each drawing is titled and a listing of all illustrations can be found at the beginning of the book. Kemble, who enjoyed a prolific career as a political cartoonist for a variety of the top US newspapers and periodicals, was well-known for his caricatures of African Americans, and he illustrated for some of the most famous American writers of the day such as Mark Twain (The Adventures of Huckleberry Finn), Harriet Beecher Stowe (Uncle Tom's Cabin") and Washington Irving (Knickerbocker History of New York).
Written in dialect, this nearly 130 year old book bears evidence of its many, many years. The cloth-bound hardcover is very well-worn along all edges with the cloth spine showing the worst of the wear: small tears at top and bottom with some very small areas of missing fabric. The binding is separating from the spine, but all 387 pages still remain bound and attached (some pages just barely - see photos) with the exception of page 109/110 (see photo) which is present, but for some reason, was cut with scissors from the book. A good number of pages have some degree of staining (see photos), there is foxing throughout, and a very teeny tear here and there. An inked ownership inscription exists on the inside front cover.
Having described its significantly aged condition, it must again be emphasized that this 1894, 2nd edition, is EXTREMELY rare, seldom found available for purchase on the retail marketplace.
"Samantha Among Colored Folks - My Ideas On The Race Problem" is a must-read for those interested in the author's perspective of the societal, political, racial and economic struggles which existed in the post-Civil War South.
$25.00
The box approximately measures 4.5"H x 1.5"W and is in fair condition missing both the top and bottom flaps and shows wear commensurate with age. The delightful 4 inch bottle sports complete front and back labels and is in undamaged condition. The insert is included and the paper is brittle with signs of loss mostly at the folded areas.
A nifty medicine for quelling coughs caused by colds, croup, bronchitis and other afflictions. The bottle and box display quite nicely as seen in the photos. A neat find!
$150.00
Measuring 8.5" wide x 6.6" long, the original frame is unusually embellished in the lower left hand corner with a very detailed, three-dimensional image of a wicker baby carriage fashioned from an unidentifiable medium. The carriage is missing part of the handle, part of one carriage wheel, and a teeny bit has also been lost on the upper part of that same wheel, but these missing pieces do little to take away from this embellishment's unique character. This is a unique and interesting piece, indeed!
The lithograph measures 5.5" wide x 3.5" long and is signed "Wall" in the grass under the toddler's left foot. The copyright date, 1906, and the publisher, The Ullman Mfg. Co. of New York, appear in the lower right corner. The original backside paper liner is missing.
$95.00
This smooth face club is stamped on the back "WILLIE DUNN - NEW YORK". The original appearing leather grip is in fair condition with some loss, and the hickory shaft sports a nice aged patina.
Measures 37 inches from heel to top of shaft and is probably a MASHIE NIBLICK although it is not marked as such. There are various small leading edge dings, minimal pitting to the metal surface and examples of wear commensurate with this club's 110+ years of age and use.
Of English origin, Willie Dunn settled with his wife and son in New York. His first professional position was at the Ardsley Country Club, Ardsley, New York, where he designed the course and established a club-making business in 1896. Not only was he a very talented golf club maker, he was also an accomplished professional golfer finishing 2nd in the inaugural US OPEN. He also gained a fine reputation as an outstanding golf course designer. Please refer to some wonderful history on his life on WIKIMEDIA.
INTERESTING INFO
In an interview Willie Dunn remembered he was the first to play with the rubber-cored ball which had just been invented. Dunn was on a train traveling from Chicago to New York when he received a telegram asking him to stop over in Cincinnatl, where he found a man named Haskell waiting for him. The gentleman told Willie Dunn he had invented a new golf ball and he told Dunn that he would give him $500 If he would try it and pass favourably upon it. Dunn stopped off and tried the ball, he just teed up the rubber core and was charmed by the sweet way it left the club. He just signed the recommendation and was the first pro to play the Haskell ball.
$795.00
Each of these rag books were published as alphabet and numerical teaching tools for the very young children of the wealthier class who could afford to purchase books to furnish their children's home library as well as to support their early home-tutorial education.
While clearly overtly racist in title (pickaninny) and conceptualization ("A" stands for Alabama Coon, "P" stands for Pickaninnies), the book also promotes age-old stereotypes as well ("W" stands for Watermelon, "U" stands for Uncle Tom, "H" stands for Hen-Roost, "C" stands for Cake Walk, etc) that were, unfortunately, acceptable societal references at the turn of the twentieth century.
This 116 year old book remains in all-original, very good condition with no alterations or repairs. While the front and back covers exhibit significant age-related staining, the interior pages are significantly "cleaner" and the illustrations remain very brightly colored. Interior pages present varying degrees of very light soiling, light foxing, and yellowing of linen, commensurate with age. The exterior binding has teeny spots of wear to the first layer of binding fabric which do not impact binding integrity. Top and bottom edges are subtly frayed.
This book is in truly remarkable condition for its age and in consideration of its all-cloth construction. This title is very RARELY found in today's market and is the first I have ever had the pleasure of offering for sale in my nearly 40 years dealing in this field! This is an absolute cornerstone piece to any serious Black Memorabilia collection!
On Hold
$295.00
The Work Projects Administration was designed to provide jobs across the country during the Great Depression when hundreds of thousands were out of work. While most WPA jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP).
The creation of these fabulous dolls fell under the WPA Federal Art Project, with the goal of representing and preserving the various aspects of the culture, work and lives of the Southern black community of this time period. All of the WPA black folk dolls produced for this project were placed on asphalt shingle stands, they all feature elderly folk, they all share black leather shoes, a cotton-batting stuffed body, and identical hand-stitched facial features, with subtle and unique variations in expression around the eyes due to the clever positioning of the eyebrows!
The gray-hair and bearded, chicken-toting black country gent on the left is attired in machine-stitched clothing wearing blue cotton britches with red suspenders along with a blue and cream striped cotton shirt and a red kerchief around his neck. His hat is constructed of navy blue-colored felt. This country gent holds a very finely-crafted and detailed brown chicken under his left arm, while his right hand clutches a wooden walking stick. Note the lustrous chicken feathers protruding under his arm when he is viewed from the back. He appears to be a bit disgruntled about something given those raised eyebrows!
The female doll depicts a lady out for a stroll with her black umbrella in hand. This sweet gentlewoman wears a red and white polka dot kerchief on her head covering most of her gray hair and has embroidered facial features. Her head is turned to her right as if to see who had just called out her name. This gentlewoman's clothing, with the exception of her neutral-striped knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. topping off her outfit are a pair of gold hoop earrings!
The gray-hair, bearded, chicken-toting black country gent doll on the right, is also attired in machine-stitched clothing wearing brown cotton britches with a patch on the left leg, and a bright red hankie protruding from the right pocket. His matching brown suspenders along with a red and cream striped cotton shirt and a red kerchief around his neck complete his outfit, while his brown felt hat tops it all off. This country gent also holds a very finely-crafted and detailed brown fabric chicken with lustrous feathers under his left arm, while his right hand clutches a wooden walking stick. This gent, however, is in much finer spirits than his male companion is, wearing a very pleasant expression on his face!
Three very special dolls, which today, are becoming very, very difficult to find, representing a snapshot of history, capturing the lives of poor southern black folk of the Depression era! All three in perfect condition and priced at $295.00 each.
Please see our other 1930s Alabama WPA doll, the Country Preacher, available in a separate listing and also pictured here, last photo.
$50.00
The tubes bear the Stein's Trademark seal which is quite detailed and ornate and consists of a horseshoe labeled "Semper Fidelis" (Always Faithful), which encircles a stylized and entwined "M" and "S". Below the horseshoe is placed a Mortar and Pestle, all of which rests on a laurel wreath.
The tubes are labeled "Stein's Grease Paint" "Money Back for Unsatisfactory Purchases" "Manufactured By The M. Stein Cosmetic Company New York" "Made in U.S.A.". Each tube is labeled with the color code of the makeup - "No. 1 Pink", "No. 4 Medium Gray". The third tube's labeling is faded and difficult to read -"No.? ???Sallow Young Man???".
The grease paint makeup is contained in individual cardboard, push-up style tubes, they are all unused, and all three are 5 1/8" tall. Two of the tubes measure 1 1/8" in diameter and one, 5/8" in diameter.
The labeling on two of the tubes, while faded, is readable; one tube's labeling is rather faded and in some areas, completely unreadable.
The cardboard tubing of two of the makeup paints is amazingly, completely intact; the No 1 Pink tube is also intact with the exception of the top cover which remains but is detached from the tube.
Very interesting, 100+ year old finds for the theater enthusiast or makeup artist!
$75.00
$60.00
This diminutive display measures 4.25" x 3.25" closed and is in very nice condition! The top, as seen in photos, lifts up to facilitate advertisement of the product and would have been placed on the drug store counter top in this fashion. A neat and unusual find!
Please take a moment to view our other vintage, "New Old Stock" drug store displays! They all would look fabulous grouped together!
$165.00
This 114 year old educational toy manufactured by Parker Brothers of Salem, Massachusetts, New York and London, is marked copyright 1909, in the lower left hand corner of the cover.
De-accessioned from my personal collection and displayed and enjoyed by me for over 20 years, this block set features twelve, 3/4th inch thick, wooden blocks wrapped in brightly colored, glossy, high quality paper, each illustrating a specific letter and a nursery rhyme, on both the front and back of each block.
This set features the letters A through L. It is so very, very rare - likely Parker Bros did not manufacture many - that I have never been able to locate the other half of the set in all my years of ownership! Isn't it further quite curious that Parker Bros chose to divide this alphabet and nursery rhyme series into two separate parts?
Measuring approximately 12.5 inches wide x 10 inches long x 1 inch deep, this fabulous ABC block set displays easily upon a common folding stand, which can be acquired at a local craft store or online. The box cover illustration is simply marvelous, filled with much joyous childhood energy as a multitude of children and a dog play in and around a little red rail car caboose. This game/toy/educational teaching tool displays just beautifully!
Each individual block measures approximately 2.5 inches wide x 4 inches long x 3/4ths inch deep. The alphabet letter is featured on front and back, and a different nursery rhyme appears on each block, beginning on the front side and ending on the back side. Also, on each side of every block is printed a three letter word such as "saw" or "dog" or"pet", many of which are "sight" words - words we learn when we first learn to read, memorizing them by simple repetitive recognition or "sight". Quite a comprehensive learning tool for beginning readers!
Condition: The cover had lost its sides long before it came into my possession. The box bottom is completely intact but has been restored with archival-quality, acid-free tape in various places to keep it so. One side of every block is either unblemished or in near perfect condition (see photo). Some of the blocks (see photo) do have some paper loss on their back sides which occurred over time and with active use many years back.
Nonetheless, presented is a very, very rare, beautifully colorful and illustrated set, sure to enhance one's children's toys or early school collection!
$40.00
The first one is a handsome club stamped "THOS. E. WILSON & Co." HAND FORGED and SPADE MASHIE. It dates to the early 1930s shortly after hickory shafted clubs transitioned to metal shafts. The club head is artfully paired with a "BRISTOL" labeled painted steel shaft and completed with a handsome leather grip. The club measures 36.5 inches from the heel to the end of the grip. The condition is good with generalized paint loss on shaft, a full original leather grip and a lightly worn club head sporting a handsome patina.
The second club sports a hickory shaft, original leather grip and a club head stamped with the following: "Professional Golfers Association" - "STANDARD" - "SPECIAL" plus the letter "W". The club is stamped "5" on the sole and measures about 36 inches from the heel to the end of the shaft. The solid shaft is slightly bent and the club head sports a nice patina showing leading edge dings.
Two very nice entry level vintage clubs!
$55.00
The assortment features die cuts of musicians, jugglers, a boxer, actors, a bagpipe player, comically portrayed African natives, and die cut heads of adults as well as die cut heads of children. All but the four African die cuts remain connected as a grouping, just as they were when originally produced and shipped from the factory- a very rare find which increases each grouping's value.
The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. All would look fabulous either framed individually or as a grouping!
Approximate measurements are as follows:
The 2 standing, connected figures: 3.25" tall x 4.50" wide
Connected Adult Heads: 2.25" tall x 3.75" wide
Connected children Heads: .75" tall x 4.50" wide
4 African loose figures: 2" tall x 1" wide
Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there. The photo of the verso of all reveals that no repairs or restorations were made to any of the die cuts in this offering.
This entire grouping of die cuts is being sold as one single offering at $55.00.