Catalog (460)

The primary colors utilized are a tonal range of yellows, blues and greens suggesting a spring or early summer day. The gentleman is taking a quick look at his bait bucket as his fishing pole line rests on the river bottom.

The canvas measures 16 wide x 20 inches long, and is signed, "Marge Gartlan", an unknown artist. The back of the canvas shows some foxing, but none is present on the front, so the painting, itself, is not effected. In the lower left corner (see photo) a very faint and superficial line, beginning above the artist signature and extending toward the gentleman's right calf, is noted- perhaps a rub occurring during storage? It does not detract from the painting.

The painting will require re-framing as it is currently housed in a hastily and poorly painted frame- as it was found- but which, certainly, desires more.

Nonetheless, this oil, as it presently stands, radiates peace and tranquility in nature, and will grace any art or Black Americana collection!

Mr. Layton was a skilled pitcher with a strong bat who had a four-year career in the Negro Leagues, playing for the Indianapolis Clowns, the New York Black Yankees and the Raleigh Tigers. One of his teammates was a promising infielder by the name of Hank Aaron, who signed with the Boston Braves in 1952, and eventually became a Hall of Famer. Layton received an invitation in 1951 to try out for the Brooklyn Dodgers, but by then his shoulder was troubling him so he declined, hoping it would heal and another opportunity would present, which unfortunately never came. As of 2016, Mr. Layton, at the age of 87, was enjoying retirement as an associate pastor in a North Carolina ministry.

A brief history of the Negro League:

African-Americans first began to play baseball in the late 1800s on military teams, college teams, and company teams, eventually finding their way to the established professional baseball teams of white players. However, racism and “Jim Crow” laws would force African-Americans from these teams by 1900, with black players left to form their own teams.

In 1920, an organized league structure was formed under the guidance of Andrew “Rube” Foster, a former player, manager, and owner for the Chicago American Giants. In a meeting held at the Paseo YMCA in Kansas City, Mo., Foster and several other Midwestern team owners joined to form the Negro National League. Soon, rival leagues formed in Eastern and Southern states, which brought black baseball to major urban centers and to rural countrysides in the U.S., Canada, and Latin America. The Leagues maintained a high level of professional skill and inspired economic development in many black communities.

In 1945, when Major League Baseball’s Brooklyn Dodgers recruited Jackie Robinson from the Kansas City Monarchs, Robinson became the first African-American in the modern era to play on a Major League roster. While this historic event was a key moment in baseball and civil rights history, it marked the decline of the Negro Leagues. The best black players began to be recruited for the Major Leagues with their black fans following them, and the last Negro Leagues teams folded in the early 1960s.

Each of these very scarcely found vials sport their original paper label noting color of pigment and the manufacturer. The vials have either contents or traces of contents remaining that lend color and interest to the grouping.

Pigment colors are as follows: Ultramarine Blue, Chrome Yellow, Solferino, Yellow Ochre, Magenta, Carmin..., Cadmium Yellow, and Brilliant Yellow. All vials measure approximately 2.25 inches tall and are in very good condition. The paper labels are darkened and somewhat worn from decades of exposure, yet they present very well, and all are completely readable but one.

An early and exceptional find which will surely delight the artist in your life!

The piece is signed in the lower right hand corner by LISTED American artist, Olga Lea Rosenson, who was born September 10, 1892, in Brooklyn, New York (died 1959). She was best known for her work capturing town and city landscapes as well as portraiture. This portrait intimately captures the soul of its subject as he pensively awaits his next customer, and it is supposed to have been inspired by a young man whom Ms. Rosenson frequently observed on the streets of Brooklyn.

Painted in 1934, the framed piece measures 20" x 26.5"; the watercolor, 13” x 19.5 “. It is completed in various subtle tones of blue, gray, green, and brown, and it is double-matted in cream with a subtle gray under-mat.

This watercolor remained in the same collection for over 60 years and was professionally re-framed by the original owner in 1987, with information on this re-framing taped to the back side of this piece. The wood frame is in very good condition with a couple of small, age-related areas of wear that are minimally noticeable. There is a 5 inch vertical tear to the paper backing as seen in a photo that was taped closed by the earlier owner; there is no damage to the foam-core backing underneath. To the left of this tear, is cut-out information on the artist that was also taped on back by the earlier owner.

Ms Rosenson's works are owned both privately and by museums around the world, including Washington D.C.'s National Gallery of Art.

This cleverly named product came in a diminutive tube measuring 3.5 inches long with its carton a mere 4 inches long. Supposedly, by following directions and using "at the right time", this ointment would measure up to its full potential.

Dates to the 1950's - 1960's era and is in very good condition.

This antiquated medicine with inert contents is meant for display ONLY and NOT meant for use.

A GREAT conversation piece!

Constructed of tin with tin back and a cardboard lithographed image and a glass cover, the puzzle is in all-original condition with some tiny crimps to the edges as noted in photos. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

An interesting image and a delightful piece of early Black Memorabilia!

The 8.5 inch bottle is in fine condition and sports a label only on the side panel because it is embossed on the remaining three sides. The bottle label is almost complete with modest staining from content leakage.

This medicine retains its original, very decorative box which notes a 1915 date-- apparently when this "new" box was first introduced to the public in August of that year. The box is complete and in good condition noting modest content stain, mostly on the left panel.

Ayer's Sarsaparilla was actually a quack medicine first introduced in the mid 19th century, with no real evidence of therapeutic value, and in that regard, quite similar to many other medicines of that era. Sarsaparilla, J.C. Ayer's most popular product, was cited as a real blessing to humanity in that it purified the blood, stimulated the vital functions, restored and preserved health, and infused new life and vigor throughout the whole system!! Sarsaparilla was also recommended for jaundice, dyspepsia, pimples, boils, ringworm, female weaknesses and ‘lassitude and debility peculiar to the Spring.'

This striking example was clearly designed to attract customers with its coloring and bold combination of script and block lettering- all executed in reverse on the underside of the glass. The reverse-painting technique adds additional elegance to the artistic quality of the sign's design. The very sturdy frame is constructed of wood that is enveloped in a heavy gauge metal. The metal portion of the frame has hints of having been painted a few times over the years and shows age appropriate wear.

The sign measures 36"L x 16"W x 1" thick and is in very good condition. There are various mounting holes present. As expected with old glass, some unobtrusive blemishes and small scratches are also present, commensurate with the sign's 100+ years of age. Two very small spots of paint loss are also evident as seen in the photos.

An utterly eye-catching and distinctive, vintage pharmacy sign that will complement any collection!

Entitled A New Story of Little Black Sambo, this tale picks up the story with Little Sambo's mother, Black Mumbo, exclaiming that Sambo, after almost losing his best Sunday clothes to the tigers, would- from now on- only be allowed to wear his every day clothes. Now very unhappily dressed in only a grass skirt, a pouting and naughty Sambo decides to run off into the jungle once again without permission, and climbs a tree to gather coconuts. A tiger soon arrives threatening to eat Little Black Sambo, trapping him up in the tree for the entire day! Eventually, Tusker the Elephant arrives, successfully chasing off the tiger and saving Sambo. Sambo then returns home, where an angry Black Mumbo spanks him with a hairbrush for running off, despite the gift of coconuts Sambo hoped would appease his mother. The conclusion of the tale then moves forward one month later when the family goes to visit Little Black Sambo’s cousins, the Bimboes, who admire his fine Sunday best clothing that he was finally allowed to wear again!

Although no author is attributed, it is thought by some that the tale was co-authored by the book's two illustrators, Clara Bell Thurston, who rendered all of the lovely colored drawings and Earnest Vetsch, who rendered the "black and white" illustrations (which, actually, are done in navy blue ink) as well as the fancy hand-lettering of the text which further embellishes the book.

With 36 unnumbered pages which alternate between the superbly rendered color and navy blue line illustrations, this unique little book is in quite good condition. No fading of color, no rips, creases or missing pages. Binding is tight with all three original staples present. Cover edges are subtly worn, and age-related, light soiling is present. Tusker the elephant has been lightly colored with colored pencil in some places as is Sambo's grass hut, and evidence of penciled-in page numbers, long since erased, is noted. (Any blurring in photos is due to camera technique and does not reflect book condition.)

This rarely-found, miniature-size (possibly a rare salesman's sample) edition of the continuation of the original Little Black Sambo story is a must have for the collector of Little Black Sambo books!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the graphic remaining in bright color and free of scratches and abrasions. Although the glass front is somewhat cloudy, as one can see in photos, the image is readily visualized. The mirrored back shows significant loss of silvering due to its 110+ years of age. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

A delightful piece of early, pocket-toy, Black Memorabilia!

The assortment features die cuts of musicians, jugglers, a boxer, actors, a bagpipe player, comically portrayed African natives, and die cut heads of adults as well as die cut heads of children. All but the four African die cuts remain connected as a grouping, just as they were when originally produced and shipped from the factory- a very rare find which increases each grouping's value.

The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. All would look fabulous either framed individually or as a grouping!

Approximate measurements are as follows:
The 2 standing, connected figures: 3.25" tall x 4.50" wide
Connected Adult Heads: 2.25" tall x 3.75" wide
Connected children Heads: .75" tall x 4.50" wide
4 African loose figures: 2" tall x 1" wide

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there. The photo of the verso of all reveals that no repairs or restorations were made to any of the die cuts in this offering.

This entire grouping of die cuts is being sold as one single offering at $55.00.

The first club, a ladies' MASHIE iron, is stamped with the following: "HENDRY & BISHOP Ltd. - EDINBURGH - Made in Scotland - Warrented Hand Forged - SPECIAL (L) with the MITRE BRAND" cleek mark. This circa 1930 club has a handsome construction and measures 35 inches to the heel. The straight hickory shaft sports a nice patina, and its original leather grip is in good condition. The club head is in good condition with mild leading edge dings and sports dot face stamping.

The second club, a circa 1905 JIGGER, is in very good overall condition sporting a solid, straight hickory shaft with an original patina. The club head sports a random sized dot-punched style on the face. The back is stamped with the following: "HAND FORGED IN SCOTLAND and M.J. BRADY - SPECIAL" in an oval. T.S.St.A plus REGISTERED TRADEMARK and a PIPE" cleek mark. (T.S.St.A stands for TOM STEWART-ST ANDREWS.) A JIGGER is a short-shafted club with low loft which was used in the same way as the modern chipper. The club has minimal dings and wear to the head. A high quality, low profile specialty club! A very nice example indeed!

The third club is a fine example of a circa 1900 crafted, low profile and low lofted driving iron or mashie. The leather grip has been professionally replaced, and the straight hickory shaft sports an original patina. The club measures 37 inches to the heel. There is deep nicking to the hosel and a slight wiggle where the shaft joins. The face has a ding by the toe end, perhaps the result of an honorable blow that caught both ball and stone many years ago. The back is stamped with the following: "SCCMCoy LTD - ED......." (? Edinburgh).

A nice trio of Scottish clubs!

The artistically-rendered award was presented to student, Eleanor R. Russell, and signed by her teacher, Angie M. Gibson.

The framed and matted merit award measures 8 inches wide x 10 inches long and is adorned with a delicate, hand-colored, floral wreath. The award features a poem of religious sentiment: "Tis sweet oh sweet to know, if we our time improve, we shall be happy while below, and dwell in heaven above".

A lovely and difficult to find piece of 19th century school memorabilia!

Please note that any white marks seen in photos are light reflections off the glass and are not damage to the piece.

The first club is a nice circa 1900 example from the shop of Peter Hendrie. It measures 33.5 inches from the heel to end of shaft and sports a dot pattern on the face. The straight hickory shaft and leather grip are in good condition. The top of the club is stamped "P. HENDRIE" and H.B. "BYERGASON" (club owner). The head of the club has the expected dings, scuffs and wear of an early club.

Club number two is stamped "MACGREGOR 3 1/2" on the top and sports a deep checkered pattern on the face. The solid straight hickory shaft and leather grip are in very good condition on this 30.5 inch club. It sports an original patina and handsome styling- both desirable features of this nice playable club.

SOME HISTORY:
Peter Hendrie was born in North Berwick, Scotland, in 1872, where he caddied as a boy before obtaining his first professional position at the York club in 1897. He returned to North Berwick in 1900 and worked as a clubmaker for a few years. In 1902, he emigrated to Canada with his wife and took up the professional’s post at the Victoria Golf and Country Club in Montréal.

He moved south to the United States in 1911, becoming the professional at the Fort Mitchell Country Club in Kentucky. He assumed various professional positions in the US until 1924 when he was appointed the first professional at the new Ulen Country Club in Lebanon, Indiana, where he remained until his retirement in 1946.

Decorative stock bottles such as this beauty were meant to be refilled and reused and were the pride of the pharmacy staff. Eye-catching, reflective medicine bottles such as these also served as an advertising mechanism as they often were placed prominently in pharmacy windows to attract passers-by.

This 8.5 inch, amber, wide-mouth example reveals ground glass construction and dates to the 1920's era.

The condition of this empty bottle is excellent with only a tiny edge fleck of the back lip. The ground glass stopper cannot be removed and appears perfect. The front label shows light wear and staining commensurate with age and use. Although the label appears silver in the photos, it is more of a GOLD-toned foil. The back label has modest wear and staining.

The 8.5 inch tall bottle sports a pontil on the base, and is of early blown glass construction. The fancy, applied label is complete, shows mild age related stains and wear and is in good condition.

The photo demonstrates an unobtrusive crack above the letters 'SER' on the gold label. The perfect fitting stopper is of ground glass construction and is in very good order as well.

The inside of the bottle notes slight staining and could be cleaned if desired.

Very nice indeed!

.......SOME HISTORY.......

This small shrub, native to the Orient from India to Sumatra, has for centuries been used in Indian medicine. In 1952 reserpine, one of several alkaloids in the plant, was isolated from its root and has since been evaluated in western medicine as one of the most valuable druǵs for treatinǵ hiǵh blood pressure.

 R serpentina was used in folk medicine in India for centuries to treat a wide variety of maladies, including snake and insect bites, febrile conditions, malaria, abdominal pain, and dysentery. It was also used as a uterine stimulant, febrifuge, and cure for insanity. The plant was mentioned in Indian manuscripts as long ago as 1000 bc.

Rauwolfia has been studied for the treatment of mental diseases, including schizophrenia and bipolar disorder, epilepsy and seizures, and of insomnia and sleep problems.

Unmarked, this toy is in very good condition with tiny superficial surface scratches wherever metal rubs metal during toy movement. To operate the toy, one simply squeezes the metal lever on the back, which causes the clown to hit poor Golly on the head with a mallet!

A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

This story is a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending!

Condition is a 7.5 out of 10! This softcover book has seen little use with just a teeny bit of wear to book edge points. The front and back inside covers are separated at the lower of the two binding staples downward; the remainder of the cover binding is intact as are all pages. There is mild, vertical creasing to the book throughout near page edges (see photos), likely from someone folding the book at some point in its lifetime; the front cover at the lower right corner also shows crease lines. None of the crease lines effect structural integrity. No pen/pencil markings.

Amazing condition for a nearly 90 year soft-cover book!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measuring 10.75 inches wide x 8.25 inches long, the book has seen extremely gentle use as evidenced by the minimal wear of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, it is quite remarkable that all heads remain present after 80+ years, with prominent creasing only appearing at the neckline and lessor crease lines present elsewhere on the heads. Four of the heads have suffered minimal tearing at the neckline, and were, at some point, restored and secured with what appears to be an archival quality tape. Front and back covers are constructed of heavy cardboard, the pages of heavier stock paper. Both the front and back boards evidence minor corner and edge wear along with minor soiling from handling. The front cover has a tiny 1/4 inch long tear at the binding, about 1 1/2 inches down from the top of the book. The back cover at the exterior upper corner is missing a small section of the top layer of cardboard. Interior pages are intact and crisp. Please view photos.

The book retains its brilliant, bright, crayon-box-like colors. The book has ten pages with alternating color and black and white illustrations as noted in photos. Sufficient space to post photos of all pages does not exist, but those present are representative of overall condition. Pages evidence some extremely minor age-discoloration and/or foxing, but all pages are free of rips and creases. The binding is tight and the book retains its original, red, binding spiral.

Originally published in 1868 under the Title of “The Ten Little Indians,” this poem was used during minstrel shows, which oftentimes were traveling acts, performed by white actors in blackface following the Civil War. The following year, the poem was adapted to this overtly horrid, racist rendition, replacing the word Indians with “Nigger” in both minstrel shows, printed sheet music, and children’s nursery rhyme books. This version married the stereotypes of violence and ignorance within the African-American population with the intent of "villain-izing" freed black males while simultaneously allowing violent acts to befall the black characters portrayed in the rhyme.

This 1942 version having changed the derogatory term nigger to that of colored (equally derogatory), also depicts a somewhat tempered portrayal of the violence befalling the characters as compared to earlier versions of the rhyme.

The poem:
Ten little colored boys sitting in a line; one slid off the roof, then there were nine.
Nine little colored boys fished with worms for bait; one fell in the river, then there were eight.
Eight little colored boys flying up to heaven; one tried to parachute, then there were seven.
Seven little colored boys doing circus tricks; one teased an elephant, then there were six.
Six little colored boys found honey in a hive; one tried to pet a bee, then there were five.
Five little colored boys heard a lion roar; One didn't run in time, then there were four.
Four little colored boys started out to ski; One hit a snowman, then there were three.
Three little colored boys cooked some chicken stew; One ate the pot-ful, then there were two.
Two little colored boys playing with a gun; Thought it wasn't loaded, then there was one.
One little colored boy thought it would be fun to settle down and marry, then there was none.
He had a family of colored boys and then, before very long, there were ten of them again.

Included are: Instruction Sheet, Sheet with choice of glasses available with prices, pictures and list of satisfied customers, greeting letter, Special Notice, Mailing Label, Guarantee, Order Blank, Tester with Original Shipping Box. The Original Shipping Price Shown on the Box is 3¢.

The Tester is made of wood, sports a lens and a tiny metal eye chart. The condition is very fine except for a small scratch to the chart and minor wear to the paper inserts.

Very unusual home eye exam tester!

This early example measures 12.5 inches long and sports a lovely aged brownish patina. The toe of the plane has the owner's initials, "L.C.", boldly-stamped upon it.

The condition is commensurate with a modestly-used antique hand tool. There are the expected unobtrusive small dings, scratches and imperfections typically seen in vintage tools. The base of the handle has a 4 inch split that does not effect the integrity of the tool. A small, 1/4 inch split is noted near the bottom of the heel. The blade is sharp, well-maintained and is imprinted with the word, "WELDON", suggesting a probable Scotland-sourced iron. The plane construction, however, is most likely of English origin due to the bold manner in which the owner's initials are imprinted.

The very popular Mary Jane paper doll series was featured each month in Good Housekeeping Magazine for months, with little girls everywhere excited to immediately cut out the doll and her accessories for play!

From the 1920s through the 1960s, paper dolls were an extremely popular play toy with a wide variety of paper doll "books" sold in the 5 & 10 cent stores of the day such as Woolworth, Berdine and Kresge, to name a few. The Mary Jane paper doll always conformed to seasonal themes, with the coloring and artistry of Berta and Elmer Hader never failing to please little girls everywhere.

Given the extreme play-time popularity of paper dolls, it is very rare to find an uncut sheet such as this!

Berta and Elmer Hader worked together to design children's sections for Good Housekeeping, McCall's, Pictorial Review, Asia, Century, and The Christian Science Monitor. They created pictures and cut-outs, often featuring children dressed in national costumes. In Berta and Elmer Hader's Picture Book of Mother Goose, the couple collated pen-and-ink and color drawings they had done for Monitor and Good Housekeeping to great acclaim. When the US Postal Service dis-allowed the sending of magazines with cut-out segments in 1926, the Haders switched gears, gaining a contract with MacMillan for a series of children's books. They began writing the stories for some of the books in this period. Demand for their product soared, and they worked incessantly from 1927–1931, illustrating, in some cases writing, producing, and helping to sell thirty-four titles. They stayed busy for the rest of their lives, producing another seventy or so books before they retired in 1964. One book in particular, Billy Butter (1936), so impressed writer John Steinbeck that he requested Elmer Hader do the cover to The Grapes of Wrath (1939). Hader eventually did covers for two other Steinbeck works, East of Eden (1952) and The Winter of Our Discontent (1961).

Professionally matted and framed some many, many years back, this lovely piece of wall art advertising measures 10.5 inches wide x 13.5 inches long and remains in excellent original condition given its 100 years of age! Any discoloration, facing of color or reflection seen in photos is related to the difficulty photographing an object under glass and is NOT an imperfection to the piece.

Her cute face is composed of pearl button eyes with red fabric mouth. She wears a flowered bandanna and a pale blue apron over her pale blue patterned dress. Her clothes are stain free and are nicely constructed--note fancy sleeve detail!

This mammy bottle doll is one of 3 offered, all coming from the same estate--and all priced separately.

This museum quality kit contains directions, antitoxin vial, needle, and injector components--- including a perfect wooden box. The colorful label is complete, torn in places with stains and printed in English and Spanish.

The scarce kit measures approximately 4"W x 1.75"H x 1.25"D and is dated JULY 11, 1941.

The Smithsonian Institute has detailed and fascinating information on the history of diphtheria on their website and is a highly recommended search.

Ready to be the centerpiece of your collection!

Mammy's wonderful, smiling face is hand-stitched and her clothes are machine sewn. Her blouse is seersucker, and her head, arms, skirt, apron, and cap are cotton. Her head, arms, and upper torso are stuffed with cotton batting. The natural bristle broom fills out both Mammy's torso and skirt & the wooden broom handle extends upward through her neck and head.

Mammy is in all original condition with no mends or repairs. The structural integrity of the broom remains quite sound, and Mammy, herself, is free of holes and tears. Her once-red skirt has now faded to pink. Her white cotton apron and cap have been cleaned removing nearly all traces of old stains, dirt, and dust. Photo number 2 shows her outfit BEFORE cleaning; all other photos reflect her appearance after cleaning.

A fabulous piece of vintage Black Americana, and a seldom seen form of the Black Mammy Doll!

The instrument is made of what appears to be aluminum or stainless steel and is in in excellent condition. The syringe measures about 14 inches long x 3.5 inches wide. The box is complete and a bit tattered, primarily at the seams. It sports 2 detailed labels as pictured. An unusual and rarely found dental tool-of-the-trade!

The golly's clothing is machine stitched; his red mouth and white eyeballs are constructed of felt. His body is tightly stuffed with cotton batting allowing him to be displayed either in a sitting position or standing with the support of a doll stand.

A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

A very sweet piece!

The bowl sits upon a one inch high foot and has glaze crazing typical of an 85+ year old piece of pottery. No chips, cracks, or hairlines. One teeny, tiny fleabite on rim too small to be photographed with any clarity.

An outstanding piece of American Spongeware! Becoming much more difficult to find- particularly in this outstanding condition!

Please type the word "spongeware" into the Search box to find the other pieces of C1900-1920 Ohio Yellowware Spongeware currently being offered for sale. All pieces are prices separately.

Each identical packet is designed in the form of a large matchbook and contains 6 painted wooden golf tees and one plastic ball marker.

Each decorative pack measures about 4 inches long x 2.5 inches wide and ALL are in unused condition. The packets have some minor crimps, slight edge tears or general wear from storage over time. One of the packets has a large rip as seen in the photo.

Wonderfully colorful, usable novelty items from a century+ old company with an interesting history in the scrap metal recycling business. Display well and a unique addition to your golf or advertising collection!

*****PLEASE NOTE THAT WHILE ONLY 4 PACKETS ARE FEATURED IN THE GROUP PHOTOS, 5 PACKETS ARE ACTUALLY INCLUDED IN THIS PURCHASE AS PREVIOUSLY STATED.*****

The products for which these die cuts were meant to endorse is unknown. The die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. This grouping would look fabulous framed!

Approximate measurements are as follows:
6 Musicians: 6.6" tall x 3.50" wide

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.

The photo of the verso of all 6 figures reveals that only the violinist has received some restoration- a single piece of archival tape reinforcing a crease.

This entire grouping of die cuts is being sold as one single offering at $45.00.

This is a fabulous white ceramic 1950s pharmacy drug store display with decorative gold gilt embellishments. The mortar measures 7 inches tall and the solid pestle is 8.5 inches long.

The condition is near excellent with no damage, cracks or dings.

An outstanding display that will compliment any pharmacy collection.

The label is unused and is in excellent condition with wonderful, even coloring (any appearance of fading is due to light reflection only).

Approximate measurements: the oval label measures 4.50 x 3.50 inches.

Would look wonderful framed!!

Please take a moment to view my other grouping of vintage French rum labels!

This circa 1900-1910 Johnny Griffin item is a double image still bank that features 2 images of Johnny's head placed back-to-back. It was manufactured by the A.C. Williams Company of Ravenna, Ohio, which at the turn of the 20th century and up until World War II, was the largest toy and still bank manufacturer in the world. (At the start of WWII, production declined sharply as iron was needed for military consumption, marking the end of an era.) The bank is constructed of cast iron in two pieces which unscrew to facilitate the emptying of coins. There is a coin slot at the top of Johnny's head for use in depositing the coins. This sweet bank remains functional for banking use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- and measures 3 inches high x 2 1/2 inches wide. It retains traces of the original gold leaf paint and may (or may not!) have a replaced screw.

The Johnny Griffin image- in the arena of Black Americana collectibles- should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

This very scarce piece is very much reminiscent of Johnny Griffin items with the exception of the intact, broad-rimmed hat on this piece versus the torn rim typically seen on all "named" Johnny Griffin pieces.

This circa 1920-30's novelty piece is constructed in solid brass, is hefty in weight, and was likely used as an ash tray given its tobacco leaf design/theme. The "Johnny Griffin-like" head of the young African-American boy that serves as the centerpiece of this wonderful piece, was molded separately and screwed into place. The screw is concealed under an original brass cap, done purely for esthetics.

The piece is in all original condition with the delightful, warm, rich, golden patina of old brass- not a reproduction- no replaced parts- and measures 7 inches long x 4 1/2 inches wide. It does not retain any markings, and country of origin is unknown, although likely of European origin.

A very seldom found piece of Black Memorabilia, that indeed pairs well with Johnny Griffin items or one's Tobacciana collection!

To view all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

This piece was actually created to serve as an ashtray! It depicts a delightful image of a young black boy in a wide-brimmed straw hat!

In wonderful condition, this piece is stamped "LL" on back.

An uncommon piece of Black Americana that should not be overlooked!

The historically-fascinating sheath label is in exquisite condition with minor edge wear noted to the sheath. The strap shows evidence of use and also remains in fine condition.

The 9.35 inch long strap was advertised for use in sharpening not only shaving razors, but also pen knives and surgical instruments!

A rare piece of early Barber Shop Memorabilia!

An absolutely wonderful addition to one's School or Artist Memorabilia collection!

This puzzle features a rendition of Little Black Sambo depicting Sambo trying on his new red jacket---one presumably crafted by his Mama given the sewing pins she clutches between her lips. His Pappy is at the threshold holding in hands, a new blue umbrella as well as new purple slippers to complete Sambo's new outfit! A joyous moment before Sambo then ventures into the jungle dressed in his newly acquired ensemble-- soon to attract the attention of those nasty tigers!

The puzzle is in very fine condition, clearly having seen little play from children. A previous owner chose to enclose it in a frame that complements the teal border of the puzzle which is labeled at the base: "little Black Sambo". Coloring is true and quite lovely.

A note to collectors: vintage Black Memorabilia puzzles from the pre-WWII era are a VERY rare find. Many were given out as "premiums" for utilizing a given product, and did not stand the test of time. Happy collecting!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

It features a vintage, EARLY HOLOGRAM IMAGE, a “moving” Court Jester or Clown, who in a gallant sweeping motion, removes his broad-rimmed hat and takes a grand bow. (Tilt pin slightly to make Jester move.)

Colors: bright, buttery yellow background, jester in traditional Mardi Gras colors: dark fuchsia, green and white, with lettering and metal pin back frame in red.

Condition: quite nice for its 65+ years of age with light, expected wear to red paint at rim edges and back. NOTE: The piece of tape shown in pics is not part of the pin or attached to it, but was used to prop the piece up to display the two different moving images.

While everyone else wears their newly bought, common, plastic, Mardi Gras beads on Fat Tuesday, stand out and be unique sporting a vintage, 65 yr old, traditional, Mardi Gras, Clown Jester Hologram pin!

Like many nostrums of this era, abundant claims were made for the treatment of a wide range of maladies. For instance, the label notes: “special disinfection during prevalence of epidemics and after recovery of patient from smallpox, scarlet fever, diphtheria, etc.”. It is very unlikely that this device did anything to disinfect a room!

Visually-appealing graphics are featured on the cardboard box which measures 5”H x 3 3/8”W. Both the generator and metal stand are in very good, used condition. The dish on top of the device once contained solidified formaldehyde for the sick room.

An interesting and unique item for your pharmacy collection!

The front side graphic showing an African American woman picking cotton with her little girl at her side retains its vivid coloring and is in near mint condition with very minor wear specs here and there visible along the black tray rim. The tray underside shows a bit more wear along the tray rim and around the tray base edge.

The front of the tray bears the advertisement, “ The Source of Cottolene- ‘Nature’s Gift From the Sunny South’”, and obviously refers to the cotton plant as the source of Cottolene Lard or shortening which was manufactured by the N.K. Fairbanks Company.

In extraordinarily microscopic-size lettering on the bottom front of the tray at the base of the cotton-picking scene can be read (with a super-magnifying glass), the name of the manufacturer of this metal tip tray: " Passaic Metal Ware Co. Litho. Passaic NJ".

The tray underside depicts a can of Cottolene lard which provides the backdrop for the Fairbanks Company product advertising. It advertising reads, "Way Down South in the Land of Cotton’ If you could see cotton growing in the fields in all its purity, could observe the skill and care used in extracting and refining the oil, you would appreciate while COTTOLENE- the perfect shortening- is so much purer and more healthful than lard could ever be. COTTOLENE is pure and wholesome as the finest olive oil; makes food palatable, digestible, healthful. COTTOLENE shortens your food- lengthens your life.” Wow, quite a testimony!!

A wonderful crossover piece that is becoming very difficult to find and is equally appropriate for one’s Advertising, Black Memorabilia, or Tip Tray collection!

The condition is very good with the expected wear and minor scuffs and imperfections of a vintage piece.

There is even a high profile testimonial on the top box label from Dr. Oliver Wendell Holmes who claimed this medicine to be "the best thing in my experience" etc.

Measures 4.5 inches tall.

This 1920-30s, hinged, wooden game piece box features an original, hand-executed, ink-on-paper drawing of a black figure in a tuxedo that has been pasted to the box cover. The drawing has been preserved with a shellac covering.

The box contains fifty, sequentially numbered 1-50, wooden game pieces painted red and white. The game pieces are in mint condition and appear to have only been lightly used. They remain firmly in place within the box with the support of non-stick, archival tape which may be easily removed without damage to the game pieces, if desired.

The game box measures 5.25 inches wide x 10.50 inches long x 1 inch high.

Truly a one-of-a-kind piece of vintage Black Memorabilia! Displays wonderfully!

In fabulous condition with 100+ years of all original surface patina, this phenomenal piece is very highly detailed and displays wonderfully! It authentically depicts the highly fashionable Art Nouveau styling which was so wildly popular at the turn of the 20th century. This brass ashtray promotes the English settlement of the CONGO on the African continent, and thus, the words "CONGO" are impressed across the native's chest. The earliest version of this ashtray was crafted in BRONZE did not feature the Congo label across the native's chest.

A must-have piece for the sophisticated Black Americana collection!

This cleverly-designed image dates to the late 1890s to the early 1900s as it advertises the product as a CURE for all headaches. The passage of the 1906 Pure Food and Drugs Act requiring that foods and drugs bear truthful labeling statements and meet certain standards for purity and strength, prohibited the previously popular and loose use of the word "cure" in product advertising from that point forward.

This delightful song book cover is framed in a 1930s era metal frame measuring 10" x 8". The graphics are quite sharp, and the paper appears aged, consistent with its 100+ years of existence.

Hardcover, 288 pages; Good condition: Minimal foxing, no tears, tight binding, corner edge wear to cover.

A delightful addition to the School Memorabilia collection!

The form measures 11" high x 9" wide and is in fine condition except for a 1/2" tear in the upper (R) hand corner (barely seen when framed). Although once common, these decorative documents are getting more difficult to find.

Constructed of hand-cut, ¼ inch wide, black painted wood, this darling little black girl has hand-painted eyes and smiling lips, and is dressed in a hand and machine stitched, cloth-stuffed, one piece, black, tan and green dress! She has a hole in each ear, a metal hanging loop atop her head and one metal hook on each shoe for hanging keys or potholders!

She is in fine condition given her 70+ years of age and has great “patina”. Some minor paint loss, a few teeny holes in her outfit, but very visually appealing Black Americana Folk Art, none the less!

When pulled by its string, the toy rolls along on its metal and rubber wheels, causing the jockey to raise and lower himself off of the horse as the horse makes a coordinated "jumping" motion as his front legs raise up slightly.

The toy is labeled "Loros Bros Ltd London England" within a small triangle that is painted on one side of the metal supporting rim (see photos). The horse and rider are constructed of wood and are affixed to the metal frame. The toy measures 11 inches tall when the rider is standing straight up and is 10.5 inches long.

Condition is quite fine given the toy's 80+ years of age. There are scrapes and minor wear to the paint here and there, the horse's tail is missing, and 2 newer nails in the horse's hind legs were added as reinforcement at some point. The toy is structurally sound, very colorful, and works quite well! It is simply adorable and displays beautifully!!

The cards measure approximately 2.75 inches x 4.25 inches and are in very good condition with no observable flaws or damage- quite remarkable given their 100+ years of age. Liebig cards were lavishly produced in Germany from 1875 to 1930 using chromolithographic printing techniques incorporating 12 different colors- an extravagance! The cards were enclosed as "give-aways" with purchase of Liebig products, and the Liebig Company was the first to give away serialized images with its products.

The Liebig Extract of Meat Company was established in London in 1865 by Belgian entrepreneur, George Christian Giebert, when he became interested in commercializing the Belgian chemist, Baron Justus von Leibig's, formula for beef extract. The venture was a resounding success, producing various meat extracts, soups and bouillons into the early 1970s.

This circa 1860s example has an expertly carved, smooth-angled handle that ends in a flourished, curl-like shape. The overall form of the tool, when viewed in profile, takes on a somewhat futuristic, space-age design- an interesting concept given that this tool is approximately 160 years old! This handsome tool measures 8.25 inches long and sports a warm, aged, brownish patina.

The condition is commensurate with a mildly used antique hand tool. There are the expected unobtrusive small dings, scratches and imperfections typically seen in vintage tools. The blade is sharp and well maintained. A vintage split next to the wedge tightening screw is present on the underside of the scraper.

The hand scraper in woodworking serves as a shaping and finishing tool. It manually removes small amounts of material and can be used instead of sandpaper.

Cleverly conceived and constructed, this display combines a very, visually-pleasing, accessible medicine display that promoted spur-of-the-moment purchases at the drug store cash register, along with a tape dispenser for use by the pharmacist and his employees! Quite clever--- as it guaranteed that the display would remain in use and visible in the pharmacy as the tape dispenser provided a nice convenience for drug store employees!

In very nice condition with expected scratches, paint rubs, and non-problematic, superficial surface rusting here and there (please see photos) expected of a 75+ year old functional display.

The display retains one of its twelve, original, glass Alka-Seltzer medicine bottles (empty of contents) as well as an older, used roll of tape in the dispenser!

A very unique advertising drug store display sure to start an interesting conversation at your next dinner party!

Six weights are nestled snugly in a velvet-like cushion with an additional nine, light weight metal weights residing in an interior, covered compartment securing them in place. A pair of tweezers completes this special find.

The condition of the box and weights is very good. The mahogany case closes securely with two brass latches. A few small dings, scratches and blemishes are present consistent with its 80+ years of age. The case measures 6.75"L x 2.75"W x 1.5"H.

Weight sets such as these were found in old pharmacies, laboratories, and scientific institutions needing to determine the weight of delicate articles, etc.

The toy is in very fine, working condition. When wound, the black dancers bob up and down, moving their hinged legs about and swinging their arms. The dancer's heads, bodies, and arms are constructed of flat tin, while their legs and feet are three dimensional. Other than a few light scratches here and there, the surface lithography and paint is in fabulous condition.

The toy measures 8” tall and 5 ½” wide. Marked with “MADE IN U.S.A.” on the back of the dancer's jackets as well as "MADE IN USA" and "PAT 2072308" (Patent Year 1937) on the bottom of the toy base.

The back of the club is stamped as follows: WONT-RUST 9-R ACCURATE - BAKSPIN (with arrow) MASHIE-NIBLICK and an oval stamp with MACGREGOR, DAYTON OH.

In 1921, RIBBED GOLF CLUBS were banned by the R&A and USGA just after the OPEN CHAMPIONSHIP.

Measures 35.5 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight, sturdy, and has the following stamping near the grip: THE CRAWFORD MACGREGOR & CAMBY CO. DAYTON, OHIO. The head of the club shows moderate and honorable wear, worn grooves with a good surface.

A nice example of an early club with a controversial history.

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB

The darling boy and girl seated on a tree stump measures 2 3/8 inches high. With the exception of the girl's missing right leg, this seldom-found piece is in overall fine condition with age-related paint scrapes here and there. (please see all photos)

A very unusual and interesting figure group that displays exceedingly well!

This wonderful folk art decoy was recently acquired from the collection of an 81 year old Kansas collector who stated that the decoy originated in Montana.

This sweet folk art beauty has been skillfully crafted and painted to closely reflect the real thing! In fact, this charmer has signs of having been a working decoy (but not that frequently) as evidenced by the light areas of superficial rust on the tin fins and where the fishing line connects and to the metal eyes.

There is faint paint loss and light wear giving this work of art a wonderful vintage patina. Two weights on the underside are present giving this decoy a bit of heft. Measures 7 inches long x 2.5 inches wide x 2 inches high including the dorsal fin. Maker is unknown.

A splendid work of folk art!

Please take a moment to view our other fish decoys offered for sale by typing "decoy" into our homepage SEARCH box or by clicking on the "American Folk Art" specialty category on our homepage.

Condition is very good with excellent patina- the natural pitting and hammer marks commensurate with a hand-forged piece. No rusting. A hanging-hole on each end is present for easy mounting.

Truly a richly beautiful early piece!

The book contains lovely black ink line drawings and etchings which accompany a great variety of wonderful short stories for children designed to teach strong moral values, attitudes and behaviors. The story, A Little Colored Boy, is the first and the longest tale in the book. Undoubtedly, Reverend Jackson often used this book in teaching the congregation's children their Sunday school lessons.

The book is inscribed in faded blue ink inside the front cover as follows: "Rev. J. H. Jackson Book. Pastor Greenburg Indiana's A.M.E Church".

Published by the Abingdon Press of Cincinnati and New York, the book contains no publishing date. However, it was likely published in the late 1890's as one story references President Grover Cleveland's eldest child who was born in 1891: "Little Ruth Cleveland, when she was the baby of the White House,..."

President Cleveland served two separate presidential terms of four years each from 1885-1889 and again from 1893- 1897. It is highly likely that this book was published during Cleveland's 2nd term of office or shortly thereafter when the populace would have been well familiar with "Little Ruth", who was popularly known as "Baby Ruth".

The book measures 4.5"x 6.5" and contains over 30 little stories within its 64 pages. Hardcover, the book is in amazing condition for its age, an 8 out of 10. The cloth-bound cover has minimal wear with only one 1/4' long split on the rear binding and some staining certainly commensurate with its 120+ years of age. The binding and pages are tight. Some minor, age-related staining here and there throughout the book, with one page noted as having a tiny tear at its top.

A highly unusual find!