Catalog (459)

Offered for purchase is a RARELY FOUND, salesman sample box of Sharpoint Black Face Wire Cobbler's Nails measuring a very diminutive 1.75" tall x 1" wide! (Please note: the larger box pictured in the photographs has been SOLD. This offer is for the smaller box.)

The trademark for Sharpoint is a cleverly-designed, eye-catching, broadly smiling image of an African American gent. If one looks closely, one can clearly see the words "Sharpoint Cobblers Nails" printed within the black space of the gent's mouth! A very "sharp" advertising strategy!

Sharpoint Wire Cobbler's Nails were manufactured by the Charles F. Baker Co, Boston, Massachusetts. This remaining smaller box retains its end flap which features both the manufacturing and patent information, with the patent number corresponding to a 1933 USA Patent date. Amazingly, the box still retains the original cobbler's nails!

The box is in very good condition considering its age and the fact that it has held tiny, sharp nails for over 80 years! The cover litho remains very crisp and clear. Typical, age-related edge wear is noted. Please peruse all photos for condition details. The box has been shrink-wrapped to protect the integrity of the cardboard, and again, it does contain the original nails.

This VERY, VERY RARELY FOUND SALESMAN SAMPLE size box WITH ORIGINAL NAILS is offered at $125.

A detailed and historical, 19th century, school "Certificate of Distinction" from the "Albemarle Female Institute of Charlottesville, Virginia"!

Text indicates that the certificate was awarded to Emma Shannon on June 12, 1885 (Or 1883--difficult to read as the date is partially concealed under the frame edge). The certificate recognizes that Emma excelled in Latin, Arithmetic, History of France, Rhetoric, and English Literature. Signed by W. P. Dickinson, President of the Faculty.

With the exception of early fold lines, a water stain in the upper left corner, and two small circular age stains on the lower left and within the word "distinction", condition is quite nice!

Measures 16.25 inches X 12.25 inches framed. The piece is framed in wood and is beautifully grain-painted in brown and black tones with delicate, cream-toned, chip-carved stems and leaves at each of the four corners. Original wood backing remains in place.

Once located at the intersection of 10th and Jefferson Streets in downtown Charlottesville, the Albemarle Female Institute was founded in 1853 as a University School for young women by Baptist pastor John A. Broadus. In 1861, one of Charlottesville's most famous 19th century women, Charlotte "Lottie" Moon, earned one of the first Master of Arts degrees ever awarded to a woman by a southern educational institution during this time period. Fluent in Latin, Greek, French, and Italian, Lottie was called to serve as a Baptist missionary in China, devoting 40 years of her life to that mission.

Offered is an extremely rare collection of eight, very colorful, 19th century artist paint pigments in diminutive, corked, glass vials from makers S.J. Pardessus, New York, Chas. Moller, New York, and Bender & Phillips.

Each of these very scarcely found vials sport their original paper label noting color of pigment and the manufacturer. The vials have either contents or traces of contents remaining that lend color and interest to the grouping.

Pigment colors are as follows: Ultramarine Blue, Chrome Yellow, Solferino, Yellow Ochre, Magenta, Carmin..., Cadmium Yellow, and Brilliant Yellow. All vials measure approximately 2.25 inches tall and are in very good condition. The paper labels are darkened and somewhat worn from decades of exposure, yet they present very well, and all are completely readable but one.

An early and exceptional find which will surely delight the artist in your life!

Offered is this circa 1910s, very scarce, Macgregor DEEP GROOVE Golf Club that was designed to significantly enhance the backspin of a golf ball. As history would have it, the clubs actually worked and gave an unfair advantage to those professionals who were adept at using them.

The back of the club is stamped as follows: "PREMIER", "HA", "J.JOLLY" (probably owner) - BAKSPIN (with arrow - a Macgregor identifier) and MASHIE.

In 1921, RIBBED GOLF CLUBS also known as Deadstop Irons were banned by the R&A and USGA just after the OPEN CHAMPIONSHIP won by Jock Hutchison who had used these clubs.

Measures 36 inches from heel to top of shaft. The leather grip appears to be original and is in good condition. The hickory shaft is straight and is sturdy. The head shows minimal wear, and is my best example being offered. A showcase collectible!

For more details search DEEP GROOVE GOLF CLUB - JOCK HUTCHISON - RIBBED GOLF CLUB.

Measuring 9 inches in diameter, this wonderful 1950's, school, Spelling and Counting Board retaining its original box with a 77 Cent price sticker on it! The game is quite colorful, as is the box, and both will create an eye-appealing display! The game is in mint, unused condition with all letters of the alphabet present as well as the numbers one through ten with math signs. The box shows its age with superficial dirt, weak corners and seams, as well as tearing to the box bottom. Made by BAR-ZIM, USA. A great find for the collector of School Memorabilia!

Presented as a historical and cultural artifact, this extraordinarily RARE, very, very scarcely found, cloth book entitled "Pickaninny ABC" was published in London, Patented March 7, 1905, Number 39, by Dean's Rag Book Co. Ltd. The book measures 8.50 inches long x 6.75 inches wide, and is the companion volume to the also exceedingly rare 1904 Dean's Rag Book, "Ten Little Indians" which I have had the pleasure to offer for sale only twice in my decades-long antiques career (see final photo for a cover shot of the companion Ten Little Indians book).

Each of these rag books were published as alphabet and numerical teaching tools for the very young children of the wealthier class who could afford to purchase books to furnish their children's home library as well as to support their early home-tutorial education.

While clearly overtly racist in title (pickaninny) and conceptualization ("A" stands for Alabama Coon, "P" stands for Pickaninnies), the book also promotes age-old stereotypes as well ("W" stands for Watermelon, "U" stands for Uncle Tom, "H" stands for Hen-Roost, "C" stands for Cake Walk, etc) that were, unfortunately, acceptable societal references at the turn of the twentieth century.

This 116 year old book remains in all-original, very good condition with no alterations or repairs. While the front and back covers exhibit significant age-related staining, the interior pages are significantly "cleaner" and the illustrations remain very brightly colored. Interior pages present varying degrees of very light soiling, light foxing, and yellowing of linen, commensurate with age. The exterior binding has teeny spots of wear to the first layer of binding fabric which do not impact binding integrity. Top and bottom edges are subtly frayed.

This book is in truly remarkable condition for its age and in consideration of its all-cloth construction. This title is very RARELY found in today's market and is the first I have ever had the pleasure of offering for sale in my nearly 40 years dealing in this field! This is an absolute cornerstone piece to any serious Black Memorabilia collection!

The inhalation of medicinal vapors was common practice during the late 19th and early 20th century. Inhaling devices came in many shapes and forms. This very decorative and functional inhaler was very popular during that period.

This lovely, late-Victorian-styled inhaler is primarily being sold for its original box. The box is complete and very detailed on all sides (including the top), sporting wonderful graphics and information on its many merits. The box measures 6.5" H x 4" W x 3.25" D and shows only mild wear and faint staining. Finding a complete box in this condition is quite uncommon.

The lamp is not complete and is minus its chimney and top medicinal pan.

The advertising says it all - great graphic and lung specific. The last patent date noted on the box is 1899, and the first patent date is stamped on the lamp as being Ag. (August) 4, 1885.

This wonderful vintage hospital sign from the 1920's once hung in a small central South Carolina hospital, as told by the 91 year old seller from whom it was purchased.

Taken right out of her sewing room where it had hung for decades on the wall, the black and gold sign, which is painted on a heavy particle-type board, has a very lovely, warm, aged patina. It was very difficult to photograph as the black background paint readily picked up the slightest light source. The very first photograph most accurately depicts the color and appearance of this piece. Any white glare in any of the photographs should be completely disregarded, as both the color and tone of the sign are quite uniform.

Measuring 24" wide x 6" long, the sign has three eyelet-type holes in each of three corners (one corner is missing) to facilitate hanging. It comes with a heavy, ancient piece of wire that was used to hang the sign in the seller's home.

As noted in the close-up photos, the sign has its share of surface rubs, scratches, paint edge wear and three of the four corner edges missing-- all appropriate examples of wear for a well-used sign that is nearly 100 years old! Close examination of the sign suggests that the background was painted completely black first and then the gold edge-work and lettering were stenciled on top of the black background.

Just LOVE the look of this sign!

Measuring 9 inches high, these delightful examples of Folk Art styling represent three of a series of Black cloth character dolls made in Alabama in the 1930’s by unknown craftsmen/women employed under President Franklin Delano Roosevelt's (FDR) Depression era program, the Work Projects Administration (WPA), in existence from 1935-1943.

The Work Projects Administration was designed to provide jobs across the country during the Great Depression when hundreds of thousands were out of work. While most WPA jobs were in construction and infrastructure, the most well-known project arm of the WPA, known as Federal Project Number One, employed musicians, artists, writers, actors and directors in arts, drama, media, and literacy projects. The five projects assigned to this consortium were: the Federal Writers’ Project (FWP), the Historical Records Survey (HRS), the Federal Theatre Project (FTP), the Federal Music Project (FMP), and the Federal Art Project (FAP).

The creation of these fabulous dolls fell under the WPA Federal Art Project, with the goal of representing and preserving the various aspects of the culture, work and lives of the Southern black community of this time period. All of the WPA black folk dolls produced for this project were placed on asphalt shingle stands, they all feature elderly folk, they all share black leather shoes, a cotton-batting stuffed body, and identical hand-stitched facial features, with subtle and unique variations in expression around the eyes due to the clever positioning of the eyebrows!

The gray-hair and bearded, chicken-toting black country gent on the left is attired in machine-stitched clothing wearing blue cotton britches with red suspenders along with a blue and cream striped cotton shirt and a red kerchief around his neck. His hat is constructed of navy blue-colored felt. This country gent holds a very finely-crafted and detailed brown chicken under his left arm, while his right hand clutches a wooden walking stick. Note the lustrous chicken feathers protruding under his arm when he is viewed from the back. He appears to be a bit disgruntled about something given those raised eyebrows!

The female doll depicts a lady out for a stroll with her black umbrella in hand. This sweet gentlewoman wears a red and white polka dot kerchief on her head covering most of her gray hair and has embroidered facial features. Her head is turned to her right as if to see who had just called out her name. This gentlewoman's clothing, with the exception of her neutral-striped knit-fabric sweater, is machine-sewn cotton with careful detailing right down to the red hankie poking out of her apron pocket. topping off her outfit are a pair of gold hoop earrings!

The gray-hair, bearded, chicken-toting black country gent doll on the right, is also attired in machine-stitched clothing wearing brown cotton britches with a patch on the left leg, and a bright red hankie protruding from the right pocket. His matching brown suspenders along with a red and cream striped cotton shirt and a red kerchief around his neck complete his outfit, while his brown felt hat tops it all off. This country gent also holds a very finely-crafted and detailed brown fabric chicken with lustrous feathers under his left arm, while his right hand clutches a wooden walking stick. This gent, however, is in much finer spirits than his male companion is, wearing a very pleasant expression on his face!

Three very special dolls, which today, are becoming very, very difficult to find, representing a snapshot of history, capturing the lives of poor southern black folk of the Depression era! All three in perfect condition and priced at $295.00 each.

Offered is very visually appealing Veterinary Medicine Horse Cure Advertising Bag with wonderful graphics from the late 1800s. A very detailed and boldly executed image of an early American farmer with his sick horse brings to focus the unconditional need for this cure!

As noted on the bag, THE GIPSY COMPOUND CONDITION POWDERS were an all-purpose CURE invented by C.H. PROCTOR, of 13 Brown Street, Marlboro, Massachusetts. While the marketing description was specific to horses, the powders were additionally advertised as suitable for use with cattle, poultry, and swine as well! Truly an all-encompassing cure-all!

The paper bag has rich toning commensurate with its 120+ years of age and is in fine condition. Please note that the 3rd photo best demonstrates the actual color and toning. This bag is "new old stock" and was never unused. Measuring 15 inches high x 10 inches wide, this vintage piece would look absolutely phenomenal framed!

Offered is a delightful trio of 19th century, Horn, Apothecary Pharmacy Powder or Tablet Scoops. These tools of the trade were made in three different sizes ranging from nearly 5 inches long to 5.75 inches long.

These interesting pharmacy implements have a warm honey translucent tone and are complemented by a natural brownish color which is especially noted in the largest scoop. They were most likely made from cow horn as was typical of the period. Depending upon their size, a scoop, such as these, was capable of holding from 2 ounces to about 4 ounces of medicine when used compounding process.

The smooth surface of each scoop shows minor wear from usage. Overall, they have a very handsome and rich patina with various minuscule scuffs and imperfections commensurate with age and use. The only minor damage noted is a 1/4" split near the corner of the handle of the largest scoop.(SEE PHOTO).

This very scarce group of 19th century horn scoops will make a wonderful addition to any apothecary collection!

For your consideration are two, difficult to find, CANINE, veterinary medicine texts published in the first quarter of the 20th century!

Presented first is "DR. LITTLE'S DOG BOOK", with an original copyright of 1924 - this being a second printing from May 1925. It features 345 pages that include seven photos along with some illustrations depicting dog care. The contents covered in this text are vast with chapters discussing the history of the dog, their care, diet, training, as well as canine diseases and their treatment. A very comprehensive, early volume!p> The condition of "DR. LITTLE'S DOG BOOK" is good with a solid binding, one loose photo in the front pages and one moderately torn (but complete) photo of a terrier (pg 38), some mild yellowing and slight foxing to the pages, and wear and fading to the cover commensurate for a book 95 years of age. Measures approximately 8.5"L x 5.75"W x 1.5"H.

The second book offered is a nice 1915 edition of "KENNEL DISEASES", by "ASHMONT", containing 424 pages. This volume includes one photo and a few illustrations and is packed with information dealing with all manner of kennel diseases including symptoms, nature, causes and treatment. Quite comprehensive and a fabulous resource.

The condition of this book is good with a tight binding, and yellowing and some foxing to pages. Overall wear is quite light especially given the book's 100 years of age. Measures 9.5"L x 7"W x 2"H.

The two texts are offered as a pair for $75.

Offered is this exceedingly rare and unusual, circa 1910, Dallas, Texas, 10 page, all-paper (including front and back covers), advertising "Give-Away" pamphlet which tells the complete story of LITTLE BLACK SAMBO, featuring both black line and color illustrations. I have not seen anything quite like this before!

On the back cover are the advertisements of six local, Dallas, Texas, merchants who joined together to produce this little pamphlet for children as an advertising promotion for each of their respective businesses. Named are the Stacey Baking Company, T.P. Hudson Kodak Picture Developer and Sundry Shop, Moore Brothers Laundry and Dye Works, Star Messenger Service, McKinney Furniture Company, and Thornton and Bracey Fine Stationery and School Supplies.

Such an unique and very exceptional piece of turn-of-the-20th-century, Dallas, Texas, historical ephemera!

The story of Little Black Sambo, of course, was to become a much-beloved children's classic written in the early 1900's by Englishwoman, Helen Bannerman, for her two daughters while they lived in India. Sambo, in the original Bannerman tale, was an Indian boy and not an African-American child. He was converted to this race overtime, however, by subsequent story tellers and illustrators. This age-old tale tells of Little Black Sambo and his frightening tiger encounter, which fortunately, has a happy ending! Condition is an amazing 7.5 out of 10, remembering, of course, that this is an ALL PAPER PAMPHLET that is now approximately 110+ years of age! All pages have been photographed which clearly show condition throughout.

The pamphlet is bound together via two staples which remain intact and are firmly holding all pages and the covers together. The front and back covers have separated from one another at the top and bottom of the pamphlet up to each respective staple; however, the area between the two staples remains intact. A few tiny edge rips are present as noted in photos. The black line drawings have been "expertly" colored-in with crayon by a budding artist of long ago who carefully and very diligently stayed within the lines. As such, one tends not to even notice that this "artwork" was not original to the publication. Original in-color illustrations remain very bright and vibrant. Pages have darkened with age. Measures approximately 6.75 inches x 9.5 inches.

Interestingly, in addition to relating the complete tale of Little Black Sambo, four pages are devoted to illustrations that identify specific characters and situations within the story, all individually entitled such as "First Tiger", "Tigers Fighting", "Purple Shoes Gone", "Lucky Sambo", "Pancake Supper", etc.

Amazing condition for a 110+ year old advertising story pamphlet that was clearly enjoyed by at least one youngster long ago - and one that may very well be the only copy remaining in existence! For the collector and lover of the tale of Little Black Sambo, this is a must-have!

To see the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

This is a hard-to-find, pharmacy or drug store female specific tin labeled “SEDETS” – Pain pills from the 1940 – 1950 era. The tin measures 2 inches and is in very good condition complete with unused contents. There are faint scratches and minor wear areas. Marked "Rexall Drug Company" and "Patented 1938 in Canada".

This is part of many “female specific” old pharmacy stock items for sale.

Offered are two fabulous Arlington Chemical Company Diagnostic Allergen Test Kits which were used to test skin sensitivity or allergy to a wide variety of potential allergans. The two boxed sets date to the 1940s - 1950s era and are in very nice condition. Both boxes are covered in a grained, leather-like material. The larger box shows wear as seen in the photograph.

The larger boxed set contains 38 vials which are nearly empty and sport complete paper labels. There are 2 missing vials from this kit. It measures 6" long x 5" wide x 1.5" high. The inside cover of this larger boxed set lists the names of the 38 allergens contained in the kit.

The small boxed set contains 28 corked top vials which have the same type paper labels as found in the larger kit. This kit measures 5" long x 2" wide x 1.5" high and is missing (or never had) 8 vials.

These skin sensitivity testing kits contain vials which are specific to the southern California area.

A scarce duo indeed!

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This circa 1900-1910 Johnny Griffin item is a double image still bank that features 2 images of Johnny's head placed back-to-back. It was manufactured by the A.C. Williams Company of Ravenna, Ohio, which at the turn of the 20th century and up until World War II, was the largest toy and still bank manufacturer in the world. (At the start of WWII, production declined sharply as iron was needed for military consumption, marking the end of an era.) The bank is constructed of cast iron in two pieces which unscrew to facilitate the emptying of coins. There is a coin slot at the top of Johnny's head for use in depositing the coins. This sweet bank remains functional for banking use today or may be simply used as an attractive desk paperweight!

It is in all original condition with delightful patina- not a reproduction- and measures 3 inches high x 2 1/2 inches wide. It retains traces of the original gold leaf paint and may (or may not!) have a replaced screw.

The Johnny Griffin image- in the arena of Black Americana collectibles- should form the cornerstone of any serious Black Memorabilia collection!

To see all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

Measuring 8.25 inches long, this vintage, Black Mammy Spoon rest was made in JAPAN in the 1950's. Along with its jolly, wide-eyed caricature, the spoon rest features a purple-colored tulip painted on both sides and reads “SPOONREST” in black lettering at the top of the Mammy's polka-dotted, purple headscarf. Note small "hanging hole" in back for display on the kitchen wall!

Very few of these pieces survive due to the high level of use they encountered. This piece has obviously not seen much if any use as the paint remains absolutely perfect! A single, very minor, very tight age crack is present at the outer edge of the handle bottom. Two superficial craze lines noted: one at the base of the right-side tulip, the second noted at the "R" in "SPOONREST". No other imperfections.

This fine and very hard-to-find piece of Black Memorabilia is an essential addition for the advanced collector! Fabulous detailing!!

Offered is a group of six, very scarce, 19th century, tin, apothecary, storage containers with hand-painted, gold gilt labels and a decorative and stylized floral, front embellishment. The gold gilt labels make these early pharmacy canisters really stand out!

The tins sport an early and original, hand-painted, mustard-colored surface patina. The five smaller containers measure approximately 7 inches high x 4 inches wide x 5 inches deep (front to back including the distinctive front floral embellishment). The one large container measures about 8 inches high x 5 inches wide x 5 inches deep.

Structurally, the canisters are very solidly crafted containers, each with a slanted, well-fitting, hinged cover that snaps into place when closed. There are unobtrusive dings, and the finish shows modest wear and paint loss commensurate with a 19th century, well-loved and well-used, dispensary antique.